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Collection
Prints and Drawings
453
Paintings and Sculpture
6
Creator
Haydon, Benjamin Robert, 1786–1846
110
Blake, William, 1757–1827
102
Smirke the Younger, Robert, Sir, 1781–1867
43
Martin, John, 1789–1854
27
Greig, John, active 1803–1853
20
Storer, James Sargant, 1771–1853
18
Smith, John Thomas, 1766–1833
17
Unknown artist
10
Gillray, James, 1756–1815
9
Whichelo, C. John M., 1784–1865
8
Daniell, William, 1769–1837
7
Nash, Frederick, 1782–1856
7
Pugh, Edward, 1763–1813
7
Sneyd, John Rev., active 1804
7
Turner, William of Oxford, 1789–1862
7
Turner, J. M. W. (Joseph Mallord William), 1775–1851
6
Green, Amos, 1735–1807
5
Green, Harriet, 1751–1807
5
Vollweiler, Georg Jacob, active 1805–1807
5
Basire, James, 1769–1822
4
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Date
1791
1,044
1802
1,000
1800
868
1834
649
1796
604
1745
595
1795
547
1771
497
1790
460
1804
[remove]
459
1827
455
1789
443
1826
439
1835
427
1792
426
1825
423
1793
421
1803
408
1797
405
1799
405
1772
404
1820
403
1832
388
1830
380
1784
371
1775
370
1794
353
1782
340
1808
334
1785
327
1823
319
1700
308
1780
305
1818
303
1833
297
1836
294
1812
290
1767
281
1798
280
1768
279
1801
278
1814
277
1853
265
1752
253
1821
253
1546
247
1748
244
1787
244
1815
242
1807
241
1811
234
1783
233
1805
232
1809
231
1817
230
1828
226
1810
224
1770
223
1840
218
1813
216
1788
207
1739
206
1819
206
1755
199
1824
198
1837
193
1758
191
1816
189
1822
185
1778
183
1831
182
1630
179
1839
179
1786
176
1806
169
1855
169
1829
158
1765
157
1781
152
1777
151
1763
147
1776
140
1754
138
1850
136
1742
134
1870
132
1740
130
1877
123
1762
122
1774
122
1753
121
1750
118
1838
118
1841
116
1779
115
1760
110
1773
109
1730
107
1854
102
1751
100
On-site Access
Accessible by appointment in the Study Room
453
Not on view
6
Image Use
Free to Use
[remove]
459
Image Available
Available
449
Unavailable
10
Classification
Prints
224
Drawings & Watercolors
223
Paintings
7
Drawing & Watercolors-Architectural
5
Creator Gender
male
456
unknown
10
female
8
Collective Title
Studies of, 167 Drawings, and 1 Print, for Oil Paintings, by Benjamin R. Haydon
109
Jerusalem: The Emanation of The Giant Albion, Copy E
100
A Collection of Continental Drawings, From a Set of Four Sketchbooks, 1802-1804
43
Iconographie Anglaise par Reynolds et Autres
7
Specimens of Polyautography
5
"Antiquities of Westminster; the Old Palace; St. Stephen's Chapel, (now the House of Commons) &c. &c.", J. T. Smith, 1807.
3
Storer and Greig's 'Select Views of London and its Environs,' 1804-1805
3
The Oxford Almanack
3
The Life, and Posthumous Writings, of William Cowper
2
"Select Views of London and its Environs", James Storer, 1804.
1
Antiquities of Westminster; the Old Palace; St. Stephen's Chapel, (now the House of Commons) &c. &c., J. T. Smith, 1807.
1
Castellated and Domestic Architecture of England and Wales from the 11th Century to the 19th, Vol. 2, Drawn by J. Buckler, F.S.A. & J.C. Buckler for T. L. Parker, Esqr.
1
The Merchant of Venice
1
Period
19th century
457
18th century-19th century
1
Materials & Techniques
wove paper
266
watercolor
153
graphite
132
black ink
130
relief etching
100
brown ink
91
pen
79
laid paper
62
black chalk
28
brown wash
25
white gouache
17
gold
14
line engraving
12
etching (printing process)
11
gouache
10
mezzotint
10
gray wash
7
white chalk
7
lithography
6
oil paint
6
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Materials & Techniques
»
Height [cm]
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Current results range from
5
to
271
Unknown
76
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
0
to
180
Unknown
76
Work Type
drawing
321
watercolor
177
relief print
100
intaglio print
34
painting
6
planographic print
6
frontispiece
1
Genre
religious and mythological subject
132
literary theme
108
figure study
67
architectural subject
66
landscape
40
portrait
28
genre subject
18
anatomical study
15
cityscape
11
military art
9
animal art
7
historical subject
4
marine art
4
Subject Terms
religious and mythological subject
130
literary theme
102
text
96
men
68
women
62
nudes
59
vines
32
clouds
30
architectural subject
29
sky
29
trees
26
fire
25
flames
23
sun
21
wings
20
portrait
18
landscape
17
leaf
16
moon
16
New Testament
15
more
Subject Terms
»
Associated Places
United Kingdom
31
England
29
Europe
14
London
9
City of Westminster
6
Palace of Westminster
6
Oxford
4
Oxfordshire
4
Thames
4
University of Oxford
3
Hereford and Worcester
2
House of Lords
2
Upton-upon-Severn
2
Windsor
2
Windsor and Maidenhead
2
Worcester College
2
All Saints Church
1
Asia
1
Bedfordshire
1
Birmingham
1
more
Associated Places
»
Associated People
Jesus Christ (7–2 BC/BCE to 30–36 AD/CE)
11
Jesus
4
Peter, the Apostle, St. (ca. 1 BC - ca. 68 AD)
2
Shakespeare, William (1564–1616), playwright and poet
2
The Virgin Mary
2
Abel
1
Adam
1
Addington, Henry, first Viscount Sidmouth (1757–1844), prime minister
1
Ananias
1
Bassiano (character in The Merchant of Venice)
1
Burdett, Sir Francis, fifth baronet (1770–1844), politician
1
Cain
1
Canning, George (1770–1827), British prime minister and parodist
1
Cupid
1
Daniel
1
Dundas, Henry, first Viscount Melville (1742–1811), British politician and lawyer
1
Elijah
1
Eve
1
Fox, Charles James (1749–1806), politician
1
George III (1738–1820), king of the United Kingdom of Great Britain and Ireland, and king of Hanover
1
more
Associated People
»
Exhibition History
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
100
William Blake (Tate Britain, 2000-11-02 - 2001-02-04)
100
William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)
18
William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)
18
The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)
17
William Blake: Visionary (The J. Paul Getty Museum, 2023-10-17 - 2024-01-14)
10
An American's Passion for British Art - Paul Mellon's Legacy (Royal Academy of Arts, 2007-10-20 - 2008-01-27)
4
An American's Passion for British Art - Paul Mellon's Legacy (Yale Center for British Art, 2007-04-18 - 2007-07-29)
4
British Vision - Observation and Imagination in British Art (Museum of Fine Arts Ghent, 2007-10-06 - 2008-01-13)
4
Paul Mellon's Legacy : A Passion for British Art (Yale Center for British Art, 2007-04-18 - 2007-07-29)
4
The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)
4
Roads to Rails - Revolution in British Transport (Yale Center for British Art, 1992-04-15 - 1992-06-28)
2
Works of Splendor and Imagination - The Exhibition Watercolor 1770-1870 (Yale Center for British Art, 1981-09-16 - 1981-11-22)
2
Art in Focus: John Goto's High Summer (Yale Center for British Art, 2018-04-06 - 2018-08-19)
1
British Architectural Drawings (Yale Center for British Art) (Yale Center for British Art, 1982-04-21 - 1982-05-30)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Blaffer Gallery, University of Houston, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Block Museum of Art, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Memorial Art Gallery of Rochester, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Minneapolis Institute of Arts, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Portland Art Museum, 1985-04 - 1986-08)
1
more
Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Collection
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Yale Center for British Art, Paul Mellon Collection
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Date
1804
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1
John Constable, 1776–1837
Captain Richard Gubbins
between 1804 and 1805
Not on view
2
John Constable, 1776–1837
Golding Constable's House, East Bergholt: the Artist's birthplace
ca. 1809
Not on view
3
Sir Thomas Lawrence, 1769–1830
Lord Granville Leveson-Gower, later first Earl Granville
between 1804 and 1809
Not on view
4
Jacques-Laurent Agasse, 1767–1849
A Grey Pony and a Black Charger in a Stable
1804
Not on view
5
Henry Bernard Chalon, 1771–1849
The Duchess of York's Spaniel
1804
Not on view
6
William Mulready, 1786–1863
An Old Gable
ca. 1809
Not on view
7
John Constable, 1776–1837
Ruin of St. Botolph's Priory, Colchester
ca. 1809
8
Print made by William Blake, 1757–1827
"Her voice pierc'd Albions clay cold ear..." (Plate 95)
1804 to 1820
9
Print made by William Blake, 1757–1827
"Why wilt thou give to her a Body..." (Plate 12)
1804 to 1820
10
Print made by William Blake, 1757–1827
"And that toward Eden, four..." (Plate 13)
1804 to 1820
11
Print made by William Blake, 1757–1827
"One hair nor particle of dust..." (Plate 14)
1804 to 1820
12
Print made by William Blake, 1757–1827
"And Hand & Hyle rooted into Jerusalem..." (Plate 15)
1804 to 1820
13
Print made by William Blake, 1757–1827
"Hampstead Highgate Finchley Hendon Muswell Hill..." (Plate 16)
1804 to 1820
14
Print made by William Blake, 1757–1827
"His Spectre divides & Los in fury compells it to divide..." (Plate 17)
1804 to 1820
15
Print made by William Blake, 1757–1827
"To labours mighty, with vast strength..." (Plate 11)
1804 to 1820
16
Print made by William Blake, 1757–1827
"From every-one of the Four Regions..." (Plate 18)
1804 to 1820
17
Print made by William Blake, 1757–1827
"His Children exil'd from his breast..." (Plate 19)
1804 to 1820
18
Print made by William Blake, 1757–1827
Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)
1804 to 1820
19
Print made by William Blake, 1757–1827
"But when they saw Albion fall'n..." (Plate 20)
1804 to 1820
20
Print made by William Blake, 1757–1827
"By Satan's Watch-fiends tho' they search..." (Plate 39)
1804 to 1820
21
Print made by William Blake, 1757–1827
"The clouds of Albions Druid Temples..." (Plate 60)
1804 to 1820
22
Print made by William Blake, 1757–1827
"Behold: in the Visions of Elohim Jehovah, behold Joseph & Mary..." (Plate 61)
1804 to 1820
23
Print made by William Blake, 1757–1827
"Repose on me till the morning of the Grave..." (Plate 62)
1804 to 1820
24
Print made by William Blake, 1757–1827
"Jehovah stood among the Druids..." (Plate 63)
1804 to 1820
25
Print made by William Blake, 1757–1827
"Of the Mundane Shell which froze..." (Plate 64)
1804 to 1820
26
Print made by William Blake, 1757–1827
"To decide Two Worlds with a great decision..." (Plate 65)
1804 to 1820
27
Print made by William Blake, 1757–1827
"In awful pomp & gold, in all the precious unhewn stones of Eden..." (Plate 66)
1804 to 1820
28
Print made by William Blake, 1757–1827
"O Skofield why art thou cruel?..." (Plate 68)
1804 to 1820
29
Print made by William Blake, 1757–1827
"Then all the Males conjoined into One Male..." (Plate 69)
1804 to 1820
30
Print made by William Blake, 1757–1827
Jerusalem, Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)
1804 to 1820
31
Print made by William Blake, 1757–1827
"Became a Space & an Allegory..." (Plate 85)
1804 to 1820
32
Print made by William Blake, 1757–1827
"Repelling weeping Enion blind & age-bent..." (Plate 87)
1804 to 1820
33
Print made by William Blake, 1757–1827
"Los answer'd sighing like the Bellows of his Furnaces..." (Plate 88)
1804 to 1820
34
Print made by William Blake, 1757–1827
"What do I see! The Briton Saxon Roman Norman..." (Plate 92)
1804 to 1820
35
Print made by William Blake, 1757–1827
"All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)
1804 to 1820
36
Print made by William Blake, 1757–1827
"Reuben return'd to his place, in vain..." (Plate 36)
1804 to 1820
37
Print made by William Blake, 1757–1827
"With one accord in love sublime..." (Plate 44)
1804 to 1820
38
Print made by William Blake, 1757–1827
"Bath, mild Physician of Eternity..." (Plate 46)
1804 to 1820
39
Print made by William Blake, 1757–1827
"And formed into Four precious stones..." (Plate 59)
1804 to 1820
40
Print made by William Blake, 1757–1827
"His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)
1804 to 1820
41
Print made by William Blake, 1757–1827
"By those who drink their blood & the blood of their Covenant..." (Plate 67)
1804 to 1820
42
Print made by William Blake, 1757–1827
"And above Albions Land was seen the Heavenly Canaan..." (Plate 71)
1804 to 1820
43
Print made by William Blake, 1757–1827
"And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)
1804 to 1820
44
Print made by William Blake, 1757–1827
"Such are Cathedrons golden Halls..." (Plate 73)
1804 to 1820
45
Print made by William Blake, 1757–1827
"Albion cold lays on his Rock..." (Plate 94)
1804 to 1820
46
Print made by William Blake, 1757–1827
"And the Two that escaped..." (Plate 30)
1804 to 1820
47
Print made by William Blake, 1757–1827
"His western heaven with rocky clouds..." (Plate 31)
1804 to 1820
48
Print made by William Blake, 1757–1827
"O Vala! O Jerusalem! do you delight in my groans..." (Plate 21)
1804 to 1820
49
Print made by William Blake, 1757–1827
"And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)
1804 to 1820
50
Print made by William Blake, 1757–1827
"Such visions have appeared to me..."; Chapter 2 Frontispiece (Plate 26)
1804 to 1820
51
Print made by William Blake, 1757–1827
"Albion thy fear has made me tremble..." (Plate 22)
1804 to 1820
52
Print made by William Blake, 1757–1827
"Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)
1804 to 1820
53
Print made by William Blake, 1757–1827
"What have I said? What have I done?..." (Plate 24)
1804 to 1820
54
Print made by William Blake, 1757–1827
"Then the Divine Vision like a silent Sun..." (Plate 29)
1804 to 1820
55
Print made by William Blake, 1757–1827
"To the Public. After my three years slumber..." (Plate 3)
1804 to 1820
56
Print made by William Blake, 1757–1827
"Leaning against the pillars..." (Plate 32)
1804 to 1820
57
Print made by William Blake, 1757–1827
"Turning his back to the Divine Vision..." (Plate 33)
1804 to 1820
58
Print made by William Blake, 1757–1827
"Elevate into the Region of Brotherhood..." (Plate 34)
1804 to 1820
59
Print made by William Blake, 1757–1827
"To the Jews..." (Plate 27)
1804 to 1820
60
Print made by William Blake, 1757–1827
"Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)
1804 to 1820
61
Print made by William Blake, 1757–1827
Jerusalem, Frontispiece (Plate 1)
1804 to 1820
62
Print made by William Blake, 1757–1827
"Into the Furnaces & into the valleys of the Anvils of Death..." (Plate 10)
1804 to 1820
63
Print made by William Blake, 1757–1827
Jerusalem, Tailpiece (Plate 100)
1804 to 1820
64
Print made by William Blake, 1757–1827
"Then the Divine hand found the Two Limits..." (Plate 35)
1804 to 1820
65
Print made by William Blake, 1757–1827
"And One stood forth from the Divine Family..." (Plate 37)
1804 to 1820
66
Print made by William Blake, 1757–1827
"His face and bosom with petrific hardness..." (Plate 38)
1804 to 1820
67
Print made by William Blake, 1757–1827
"Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)
1804 to 1820
68
Print made by William Blake, 1757–1827
"Bath who is Legions..." (Plate 41)
1804 to 1820
69
Print made by William Blake, 1757–1827
"Thus Albion sat, studious of others..." (Plate 42)
1804 to 1820
70
Print made by William Blake, 1757–1827
"They saw their Wheels rising up poisonous..." (Plate 43)
1804 to 1820
71
Print made by William Blake, 1757–1827
"Bath, healing City!..." (Plate 45)
1804 to 1820
72
Print made by William Blake, 1757–1827
"From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)
1804 to 1820
73
Print made by William Blake, 1757–1827
Chapter 3 Frontispiece (Plate 51)
1804 to 1820
74
Print made by William Blake, 1757–1827
"To the Deists. He never can be a Friend to the Human Race..." (Plate 52)
1804 to 1820
75
Print made by William Blake, 1757–1827
"Jerusalem, Chapter 3. But Los, who is the Vehicular Form..." (Plate 53)
1804 to 1820
76
Print made by William Blake, 1757–1827
"In Great Eternity every particular Form..." (Plate 54)
1804 to 1820
77
Print made by William Blake, 1757–1827
"When those who disregard all Mortal Things..." (Plate 55)
1804 to 1820
78
Print made by William Blake, 1757–1827
"Then Los heaved his thund'ring Bellows on the Valley of Middlesex..." (Plate 56)
1804 to 1820
79
Print made by William Blake, 1757–1827
"And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)
1804 to 1820
80
Print made by William Blake, 1757–1827
"Was living: panting like a frighted wolf..." (Plate 7)
1804 to 1820
81
Print made by William Blake, 1757–1827
"And this the form of mighty Hand..." (Plate 70)
1804 to 1820
82
Print made by William Blake, 1757–1827
"The Four Zoa's clouded rage..." (Plate 74)
1804 to 1820
83
Print made by William Blake, 1757–1827
"And Rahab Babylon the Great..." (Plate 75)
1804 to 1820
84
Print made by William Blake, 1757–1827
Chapter 4 Frontispiece (Plate 76)
1804 to 1820
85
Print made by William Blake, 1757–1827
"Rose up against me thundering..." (Plate 8)
1804 to 1820
86
Print made by William Blake, 1757–1827
"I see thy Form O lovely mild Jerusalem..." (Plate 86)
1804 to 1820
87
Print made by William Blake, 1757–1827
"It is easier to forgive an enemy..." (Plate 91)
1804 to 1820
88
Print made by William Blake, 1757–1827
"Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)
1804 to 1820
89
Print made by William Blake, 1757–1827
"Los shudder'd at beholding Albion..." (Plate 40)
1804 to 1820
90
Print made by William Blake, 1757–1827
"These were his last words, and the merciful Saviour in his arms..." (Plate 48)
1804 to 1820
91
Print made by William Blake, 1757–1827
"The secret coverts of Albion & the hidden places of America..." (Plate 49)
1804 to 1820
92
Print made by William Blake, 1757–1827
"The banks of the Thames are clouded..." (Plate 5)
1804 to 1820
93
Print made by William Blake, 1757–1827
"The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)
1804 to 1820
94
Print made by William Blake, 1757–1827
"In beauty the Daughters of Albion divide..." (Plate 58)
1804 to 1820
95
Print made by William Blake, 1757–1827
"To the Christians..." (Plate 77)
1804 to 1820
96
Print made by William Blake, 1757–1827
"My tents are fall'n! my pillars are in ruins!..." (Plate 79)
1804 to 1820
97
Print made by William Blake, 1757–1827
"Encompass'd by the frozen Net..." (Plate 80)
1804 to 1820
98
Print made by William Blake, 1757–1827
"I have mock'd those who refused cruelty..." (Plate 81)
1804 to 1820
99
Print made by William Blake, 1757–1827
"I have heard Jerusalems groans..." (Plate 82)
1804 to 1820
100
Print made by William Blake, 1757–1827
"Corruptability appears upon thy limbs..." (Plate 83)
1804 to 1820
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