- Title:
- "What do I see! The Briton Saxon Roman Norman..." (Plate 92)
- Part Of:
Collective Title: Jerusalem: The Emanation of The Giant Albion, Copy E
- Date:
- 1804 to 1820
- Materials & Techniques:
- Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
- Dimensions:
- Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm), Plate: 8 x 5 3/4 inches (20.3 x 14.6 cm)
- Inscription(s)/Marks/Lettering:
Inscribed in orange ink, upper right: "92"
Lettered inside image: "What do I see! The Briton, Saxon, Roman, Norman amalgamating | In my Furnaces into One Nation, the English : & taking refuge | In the Loins of Albion. The Canaanite united with the fugitive | Hebrew, whom she divided into Twelve, & sold into Egypt, | Then scatter'd the Egyptian & Hebrew to the four Winds: | This sinful Nation Created in our Furnaces & Looms is Albion. | So Los spoke. Enitharmon answer'd in great terror in Lambeth's Vale | The Poet's Song draws to its period & Enitharmon is no more. | For if he be that Albion I can never weave him in my Looms, | But when he touches the first fibrous thread, like filmy dew | My Looms will be no more & I annihilate vanish for ever. | Then thou wilt Create another Female according to thy Will. | Los answer'd, swift as the shuttle of gold. Sexes must vanish & cease | To be, when Albion arises from his dread repose, O lovely Enitharmon ; | When all their Crimes, their Punishments their Accusations of Sin, | All their Jealousies, Revenges, Murders, hidings of Cruelty in Deceit, | Appear only in the Outward Spheres of Visionary Space and Time, | In the shadows of Possibility by Mutual Forgiveness for evermore, | And in the Vision & in the Prophecy, that we may Foresee & Avoid | The terrors of Creation & Redemption & Judgment. Beholding them | Display 'd in the Emanative Visions of Canaan, in Jerusalem & in Shiloh, | And in the Shadows of Remembrance, & in the Chaos of the Spectre, | Amalek, Edom, Egypt, Moab, Ammen, Asshur, Philistea, around Jerusalem: | Where the Druids rear'd their Rocky Circles to make permanent Remembrance | Of Sin, & the Tree of Good & Evil sprang from the Rocky Circle & Snake | Of the Druid, along the Valley of Rephaim from Camberwell to Golgotha, | And framed the Mundane Shell Cavernous in Length, Breadth & Highth."; center right: "Jerusalem"
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- Copyright Status:
- Public Domain
- Accession Number:
- B1992.8.1(92)
- Classification:
- Prints
- Collection:
- Prints and Drawings
- Subject Terms:
- arch | clouds | gown | heads | literary theme | religious and mythological subject | seated | serpent | sky | snake | text | women
- Access:
- Accessible in the Study Room [Request]
- Link:
- https://collections.britishart.yale.edu/catalog/tms:3528
- Export:
- XML
- IIIF Manifest:
- JSON
The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26) [YCBA Objects in the Exhibition]
William Blake (Tate Britain, 2000-11-02 - 2001-02-04) [YCBA Objects in the Exhibition]
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06) [YCBA Objects in the Exhibition] [Exhibition Description]