- Title:
- Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)
- Part Of:
Collective Title: Jerusalem: The Emanation of The Giant Albion, Copy E
- Date:
- 1804 to 1820
- Materials & Techniques:
- Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
- Dimensions:
- Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm), Plate: 8 1/4 x 6 3/8 inches (21 x 16.2 cm)
- Inscription(s)/Marks/Lettering:
Inscribed in orange ink, upper right: "78"
Lettered inside image: "The Spectres of Albion's Twelve Sons revolve mightily | Over the Tomb & over the Body: rav'ning to devour | The Sleeping Humanity. Los with his mace of iron | Walks round: loud his threats, loud his blows fall | On the rocky Spectres, as the Potter breaks his potsherds: | Dashing in pieces Self-righteousnesses, driving them from Albion's | Cliffs: dividing them into Male & Female forms in his Furnaces | And on his Anvils: lest they destroy the Feminine Affections, | They are broken. Loud howl the Spectres in his iron Furnace. | While Los laments at his dire labours, viewing Jerusalem, | Sitting before his Furnaces clothed in sackcloth of hair; | Albion's Twelve Sons surround the Forty-two Gates of Erin, | In terrible armour, raging against the Lamb & against Jerusalem, | Surrounding them with armies to destroy the Lamb of God. | They took their Mother Vala, and they crown'd her with gold: | They nam'd her Rahab, & gave her power over the Earth, | The Concave Earth round Golgonooza in Entuthan Benython, | Even to the stars exalting her Throne, to build beyond the Throne | Of God and the Lamb, to destroy the Lamb & usurp the Throne of God, | Drawing their Ulro Voidness round the Four-fold Humanity. | Naked Jerusalem lay before the Gates upon Mount Zion, | The Hill of Giants, all her foundations levell'd with the dust: | Her Twelve Gates thrown down: her children carried into captivity: | Herself in chains: this from within was seen in a dismal night | Outside, unknown before in Beulah, & the twelve gates were fill'd | With blood: from Japan, eastward, to the Giants causway, west, | In Erin's Continent: and Jerusalem wept upon Euphrates' banks | Disorganiz'd: an evanescent shade, scarce seen or heard among | Her children's Druid Temples, dropping with blood, wander'd weeping! | And thus her voice went forth in the darkness of Philisthea. | My brother & my father are no more! God hath forsaken me! | The arrows of the Almighty pour upon me & my children ! | I have sinned and am an outcast from the Divine Presence !"
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- Copyright Status:
- Public Domain
- Accession Number:
- B1992.8.1(78)
- Classification:
- Prints
- Collection:
- Prints and Drawings
- Subject Terms:
- beak | clouds | darkness | literary theme | men | mythological figures | nudes | religious and mythological subject | rooster | sitting | stones | sun | sunset | text | vines | water | waves (natural events)
- Access:
- Accessible in the Study Room [Request]
- Link:
- https://collections.britishart.yale.edu/catalog/tms:3512
- Export:
- XML
- IIIF Manifest:
- JSON
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David Sten Herrstrom, Book of unknowing, a poet's response to the Gospel of John , Wipf & Stock Publishers, Eugene, 2012, Cover and title page, Not Available at Yale [OCLC]
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