- Title:
- "Bath who is Legions..." (Plate 41)
- Part Of:
Collective Title: Jerusalem: The Emanation of The Giant Albion, Copy E
- Date:
- 1804 to 1820
- Materials & Techniques:
- Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
- Dimensions:
- Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm), Plate: 8 7/8 x 6 3/8 inches (22.5 x 16.2 cm)
- Inscription(s)/Marks/Lettering:
Lettered inside image: "Bath who is Legions; he is the Seventh, the physician and | The poisoner; the best and worst in Heaven and Hell; | Whose Spectre first assimilated with Luvah in Albion's mountains. | A triple octave he took, to reduce Jerusalem to twelve, | To cast Jerusalem forth upon the wilds to Poplar & Bow, | To Maiden & Canterbury in the delights of cruelty: | The Shuttles of death sing in the sky to Islington & Pancrass, | Round Marybone to Tyburn's River, weaving black melancholy as a net, | And despair as meshes closely wove over the west of London, | Where mild Jerusalem sought to repose in death & be no more. | She fled to Lambeth's mild Vale and hid herself beneath | The Surrey Hills where Rephaim terminates; her Sons are siez'd | For victims of sacrifice; but Jerusalem cannot be found; Hid | By the Daughters of Beulah, gently snatch'd away, and hid in Beulah. | There is a Green of Sand in Lambeth that Satan cannot find, | Nor can his Watch Fiends find it; 'tis translucent & has many Angles, | But he who finds it will find Oothoon's palace, for within, | Opening into Beulah, every angle is a lovely heaven. | But should the Watch Fiends find it, they would call it Sin, | And lay its Heavens & their inhabitants in blood of punishment. | Here Jerusalem & Vala were hid in soft slumberous repose, | Hid from the terrible East, shut up in the South & West. | The Twenty-eight trembled in Death's dark caves, in cold despair | They kneel'd around the Couch of Death in deep humiliation | And tortures of self condemnation while their Spectres rag'd within. | The Four Zoas in terrible combustion clouded rage, | Drinking the shuddering fears & loves of Albion's Families, | Destroying by selfish affections the things that they most admire, | Drinking & eating, & pitying & weeping, as at a tragic scene, | The soul drinks murder & revenge, & applauds its own holiness. They saw Albion endeavouring to destroy their Emanations."; reversed lettering lower left: "Each Man is in his Spectre's power | Untill the arrival of that hour. | When his Humanity awake | And cast his Spectre into the Lake"
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- Copyright Status:
- Public Domain
- Accession Number:
- B1992.8.1(41)
- Classification:
- Prints
- Collection:
- Prints and Drawings
- Subject Terms:
- book | literary theme | men | mourning | nudes | paper | religious and mythological subject | scroll (information artifact) | sitting | text | women
- Access:
- Accessible in the Study Room [Request]
- Link:
- https://collections.britishart.yale.edu/catalog/tms:3472
- Export:
- XML
- IIIF Manifest:
- JSON
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