- Title:
- "And that toward Eden, four..." (Plate 13)
- Part Of:
Collective Title: Jerusalem: The Emanation of The Giant Albion, Copy E
- Date:
- 1804 to 1820
- Materials & Techniques:
- Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
- Dimensions:
- Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm), Plate: 8 3/4 x 6 3/8 inches (22.3 x 16.2 cm)
- Inscription(s)/Marks/Lettering:
Inscribed in orange ink, upper right: "13"
Lettered upper right: "13"; inside image: "And that toward Eden, four, form'd of gold, silver, brass, & iron. | The South, a golden Gate, has four Lions terrible, living: | That toward Generation, four, of iron carv'd wondrous: | That toward Ulro, four, clay bak'd, laborious workmanship : | That toward Eden, four, immortal gold, silver, brass & iron. | The Western Gate fourfold, is clos'd: having four Cherubim | Its guards, living, the work of elemental hands, laborious task: | Like Men, hermaphroditic, each winged with eight wings. | That towards Generation, iron; that toward Beulah, stone: | That toward Ulro, clay; that toward Eden, metals: | But all clos'd up till the last day, when the graves shall yield their dead. | The Eastern Gate, fourfold: terrible & deadly its ornaments: | Taking their forms from the Wheels of Albion's sons, as cogs | Are form'd in a wheel, to fit the cogs of the adverse wheel. | That toward Eden, eternal ice, frozen in seven folds | Of forms of death: and that toward Beulah, stone: | The seven diseases of the earth are carved terrible. | And that toward Ulro, forms of war: seven enormities: | And that toward Generation, seven generative forms. | And every part of the City is fourfold: & every inhabitant, fourfold. | And every pot & vessel & garment & utensil of the houses, | And every house, fourfold; but the third Gate in every one | Is clos'd as with a threefold curtain of ivory & fine linen & ermine. | And Luban stands in middle of the City: a moat of fire, | Surrounds Luban, Los's Palace & the golden Looms of Cathedron. | And sixty-four thousand Genii, guard the Eastern Gate: | And sixty-four thousand Gnomes, guard the Northern Gate: | And sixty-four thousand Nymphs, guard the Western Gate: | And sixty-four thousand Fairies, guard the Southern Gate. | Around Golgonooza lies the land of death eternal: a Land | Of pain and misery and despair and ever brooding melancholy: | In all the Twenty-seven Heavens, numbered from Adam to Luther: | From the blue Mundane Shell, reaching to the Vegetative Earth. | The Vegetative Universe opens like a flower from the Earth's center, | In which is Eternity. It expands in Stars to the Mundane Shell | And there it meets Eternity again, both within and without, | And the abstract Voids between the Stars are the Satanic Wheels. | There is the Cave; the Rock; the Tree: the Lake of Udan Adan: | The Forest, and the Marsh, and the Pits of bitumen deadly: | The Rocks of solid fire: the Ice valleys: the Plains | Of burning sand; the rivers, cataract & Lakes of Fire: | The Islands of the fiery Lakes: the Trees of Malice, Revenge, | And black Anxiety: and the Cities of the Salamandrine men: | (But whatever is visible to the Generated Man, | Is a Creation of mercy & love, from the Satanic Void.) | The land of darkness flamed, but no light, & no repose: | The land of snows of trembling, & of iron hail incessant: | The land of earthquakes: and the land of woven labyrinths: | The land of snares & traps & wheels & pit- falls & dire mills: | The Voids, the Solids, & the land of clouds & regions of waters, | With their inhabitants: in the Twenty-seven Heavens beneath Beulah: | Self- righteousnesses conglomerating against the Divine Vision: | A Concave Earth wondrous, Chasmal, Abyssal, Incoherent, | Forming the Mundane Shell: above: beneath: on all sides surrounding | Golgonooza: Los walks round the walls night and day. | He views the City of Golgonooza, & its smaller Cities: | The Looms & Mills & Prisons & Work-houses of Og & Anak: | The Amalekite: the Canaanite: the Moabite: the Egyptian: | And all that has existed in the space of six thousand years: | Permanent, & not lost (not lost) nor vanish'd, & every little act, | Word, work, & wish, that has existed, all remaining still | In those Churches ever consuming & ever building, by the Spectres | Of all the inhabitants of Earth, wailing to be Created: | Shadowy to those who dwell not in them, meer possibilities: | But to those who enter into them they seem the only substances, | For every thing exists & not one sigh nor smile nor tear,..."
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- Copyright Status:
- Public Domain
- Accession Number:
- B1992.8.1(13)
- Classification:
- Prints
- Collection:
- Prints and Drawings
- Subject Terms:
- leaf | literary theme | religious and mythological subject | robe | text | women
- Access:
- Accessible in the Study Room [Request]
- Link:
- https://collections.britishart.yale.edu/catalog/tms:3441
- Export:
- XML
- IIIF Manifest:
- JSON
William Blake (Tate Britain, 2000-11-02 - 2001-02-04) [YCBA Objects in the Exhibition]
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06) [YCBA Objects in the Exhibition] [Exhibition Description]
Denise Gigante, Life, organic form and Romanticism , Yale University Press, New Haven, 2009, between p. 114 and 115, p. 116, Pl. III.2, PR575.L54 G54 2009 (YCBA) [YCBA]