- Title:
- "Jerusalem, Chapter 3. But Los, who is the Vehicular Form..." (Plate 53)
- Part Of:
Collective Title: Jerusalem: The Emanation of The Giant Albion, Copy E
- Date:
- 1804 to 1820
- Materials & Techniques:
- Relief and white-line etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
- Dimensions:
- Sheet: 13 1/2 × 10 3/8 inches (34.3 × 26.4 cm), Plate: 9 1/4 × 6 7/8 inches (23.5 × 17.5 cm)
- Inscription(s)/Marks/Lettering:
Inscribed in orange ink, upper right: "53"
Lettered inside image: "Jerusalem Chap 3 | But Los, who is the Vehicular Form of strong Urthona, | Wept vehemently over Albion where Thames' currents spring | From the rivers of Beulah; pleasant river! soft, mild, parent stream. | And the roots of Albion's Tree enter'd the Soul of Los | As he sat before his Furnaces clothed in sackcloth of hair, | In gnawing pain dividing him from his Emanation: | Inclosing all the Children of Los time after time, | Their Giant forms condensing into Nations & Peoples & Tongues. | Translucent the Furnaces of Beryll & Emerald immortal: | And Seven-fold each within other: incomprehensible | To the Vegetated Mortal Eye's perverted & single vision. | The Bellows are the Animal Lungs, the Hammers, the Animal Heart | The Furnaces, the Stomach for Digestion; terrible their fury | Like seven burning heavens rang'd from South to North. | Here, on the banks of the Thames, Los builded Golgonooza, | Outside of the Gates of the Human Heart beneath Beulah | In the midst of the rocks of the Altars of Albion. In fears | He builded it, in rage & in fury. It is the Spiritual Fourfold | London: continually building & continually decaying desolate! | In eternal labours: loud the Furnaces & loud the Anvils | Of Death thunder incessant around the flaming Couches of | The Twenty-four Friends of Albion, and round the awful Four, | For the protection of the Twelve Emanations of Albion's Sons, | The Mystic Union of the Emanation in the Lord; Because | Man divided from his Emanation is a dark Spectre, | His Emanation is an ever-weeping melancholy Shadow: | But she is made receptive of Generation thro' mercy | In the Potters Furnace, among the Funeral Urns of Beulah, | From Surrey hills, thro' Italy and Greece, to Hinnom's vale."
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- Copyright Status:
- Public Domain
- Accession Number:
- B1992.8.1(53)
- Classification:
- Prints
- Collection:
- Prints and Drawings
- Subject Terms:
- dress | flower (plant) | gown | light | literary theme | moon | nudes | religious and mythological subject | shell | sky | stars | sun | text | water | women
- Access:
- On view
- Link:
- https://collections.britishart.yale.edu/catalog/tms:3485
- Export:
- XML
- IIIF Manifest:
- JSON
William Blake: Burning Bright (Yale Center for British Art, 2025-09-04 - 2025-12-07) [YCBA Objects in the Exhibition]
William Blake (Tate Britain, 2000-11-02 - 2001-02-04) [YCBA Objects in the Exhibition]
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06) [YCBA Objects in the Exhibition] [Exhibition Description]
William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06) [YCBA Objects in the Exhibition]
William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14) [YCBA Objects in the Exhibition]
Blake Society, Calendar of Events for 2011, 2011, front cover, Not Available at Yale
Holly Shaffer, Grafted arts : art making and taking in the struggle for western India : 1760-1910, The Paul Mellon Centre for Studies in British Art, New Haven, CT, p. 206, fig. 128, N72.P6 S53 2022+ (YCBA) [YCBA]