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Creator:
Print made by William Blake, 1757–1827
Title:
Jerusalem, Frontispiece (Plate 1)
Part Of:

Collective Title: Jerusalem: The Emanation of The Giant Albion, Copy E

Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm), Plate: 8 3/4 x 6 3/8 inches (22.3 x 16.2 cm)
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Copyright Status:
Public Domain
Accession Number:
B1992.8.1(1)
Classification:
Prints
Collection:
Prints and Drawings
Subject Terms:
chains | coat | crypt | door | globe | hat | lantern | light | literary theme | men | religious and mythological subject | tomb
Access:
Accessible by appointment in the Study Room [Request]
Note: The Study Room is open by appointment. Please visit the Study Room page on our website for more details.
Link:
https://collections.britishart.yale.edu/catalog/tms:3428
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The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06) [YCBA Objects in the Exhibition] [Exhibition Description]

William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06) [YCBA Objects in the Exhibition]

William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14) [YCBA Objects in the Exhibition]

Kathryn Rebecca Barush, Art and the sacred journey in Britain, 1790-1850, Routledge (Taylor & Francis Group), London, New York, 2016, p. 120, fig. 3.11, N72.R4 B37 2016 (YCBA) [YCBA]

Denise Gigante, Life, organic form and Romanticism , Yale University Press, New Haven, 2009, between p. 114 and p. 115 pp. 150-51, Pl. III. 14, PR575.L54 G54 2009 (YCBA) [YCBA]

William Blake : Visionary, The J. Paul Getty Museum, Los Angeles, p. 146, pl. 103, NJ18.B57 A12 2020 OVERSIZE (YCBA) [YCBA]


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