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Creator:
Print made by William Blake, 1757–1827
Title:
"And Rahab Babylon the Great..." (Plate 75)
Part Of:

Collective Title: Jerusalem: The Emanation of The Giant Albion, Copy E

Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm), Plate: 9 x 6 1/2 inches (22.8 x 16.5 cm)
Inscription(s)/Marks/Lettering:

Inscribed in orange ink, upper right: "75"

Lettered inside image: "And Rahab, Babylon the Great, hath destroyed Jerusalem. | Bath stood upon the Severn with Merlin & Bladud & Arthur, | The Cup of Rahab in his hand: her Poisons Twenty-seven-fold. | And all her Twenty-seven Heavens, now hid & now reveal'd, | Appear in strong delusive light of Time & Space, drawn out | In shadowy pomp by the Eternal Prophet, created evermore: | For Los in Six Thousand Years walks up & down continually, | That not one Moment of Time be lost, & every revolution | Of Space he makes permanent in Bowlahoola & Cathedron. | And these the names of the Twenty-seven Heavens & their Churches: | Adam, Seth, Enos, Cainan, Manalaleel, Jared, Enoch, | Methuselah, Lamech : these are the Giants mighty, Hermaphroditic. | Noah, Shem, Arphaxad, Cainan the Second, Satan, Heber, | Peleg, Reu, Serug, Nahor, Terah: these are the Female Males: | A Male within a Female hid as in an Ark & Curtains. | Abraham, Moses, Solomon, Paul, Constantine, Charlemaine, | Luther, these Seven are the Male Females: the Dragon Forms: | The Female hid within a Male : thus Rahab is reveal'd, | Mystery, Babylon the Great: the Abomination of Desolation : | Religion hid in War: a Dragon red & hidden Harlot. | But Jesus breaking thro' the Central Zones of Death & Hell | Opens Eternity in Time & Space: triumphant in Mercy. | Thus are the Heavens form'd by Los within the Mundane Shell: | And where Luther ends Adam begins again in Eternal Circle, | To awake the Prisoners of Death: to bring Albion again | With Luvah into light eternal, in his eternal day. | But now the Starry Heavens are fled from the mighty limbs of Al | bion."

Credit Line:
Yale Center for British Art, Paul Mellon Collection
Copyright Status:
Public Domain
Accession Number:
B1992.8.1(75)
Classification:
Prints
Collection:
Prints and Drawings
Subject Terms:
angels | crowns | dragon | dragons | literary theme | medallions | men | religious and mythological subject | serpents | snake | text | wings | women
Access:
Accessible in the Study Room [Request]
Link:
https://collections.britishart.yale.edu/catalog/tms:3509
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IIIF Manifest:
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William Blake (Tate Britain, 2000-11-02 - 2001-02-04) [YCBA Objects in the Exhibition]

The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06) [YCBA Objects in the Exhibition] [Exhibition Description]

Peter Otto, Multiplying worlds, romanticism, modernity, and the emergence of virtual reality , Oxford University Press, Oxford, 2011, pp. 208-14, figs. 8.6,8.7, PN769 R7 O77 2011 (YCBA) [YCBA]


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