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Credit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionGenre religious and mythological subject
Remove constraint Genre: religious and mythological subjectSubject Terms men
Remove constraint Subject Terms: menSearch Results
1
- Lake Avernus: Aeneas and the Cumaean Sibyl
- between 1814 and 1815
- Not on view
2
- Sketch for 'The Last Supper,' St. Mary's, Weymouth
- between 1719 and 1720
- Not on view
3
- Allegory of Fortune
- ca. 1730
- On view
4
- The Rape of Proserpine, design for the staircase of Devonshire House, London
- ca. 1704
- Not on view
5
- Aeneas and the Sibyl
- ca. 1800
- Not on view
6
- Diana at the Bath
- 1830
- Not on view
7
- St. Paul before Agrippa
- ca. 1710
- Not on view
8
- Rebecca Receiving the Bracelet at the Well
- 1775
- Not on view
9
- Study of the Lamentation on the Dead Christ
- ca. 1785
- On view
10
- The Pool of Bethesda
- 1877
- Not on view
11
- Christ Disappearing at Emmaus
- 1792
- Not on view
12
- The Deluge
- between 1813 and 1823
13
- Christ and the Woman of Samaria
- 1819
14
- "Why wilt thou give to her a Body..." (Plate 12)
- 1804 to 1820
15
- "And Hand & Hyle rooted into Jerusalem..." (Plate 15)
- 1804 to 1820
16
- "His Children exil'd from his breast..." (Plate 19)
- 1804 to 1820
17
- "O Vala! O Jerusalem! do you delight in my groans..." (Plate 21)
- 1804 to 1820
18
- "Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)
- 1804 to 1820
19
- "What have I said? What have I done?..." (Plate 24)
- 1804 to 1820
20
- "And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)
- 1804 to 1820
- On view
21
- "Turning his back to the Divine Vision..." (Plate 33)
- 1804 to 1820
22
- "Reuben return'd to his place, in vain..." (Plate 36)
- 1804 to 1820
23
- "Bath who is Legions..." (Plate 41)
- 1804 to 1820
24
- "Thus Albion sat, studious of others..." (Plate 42)
- 1804 to 1820
25
- "Bath, healing City!..." (Plate 45)
- 1804 to 1820
26
- "From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)
- 1804 to 1820
27
- "The secret coverts of Albion & the hidden places of America..." (Plate 49)
- 1804 to 1820
28
- "In Great Eternity every particular Form..." (Plate 54)
- 1804 to 1820
29
- Chapter 4 Frontispiece (Plate 76)
- 1804 to 1820
- On view
30
- "Became a Space & an Allegory..." (Plate 85)
- 1804 to 1820
31
- Jerusalem, Frontispiece (Plate 1)
- 1804 to 1820
- On view
32
- Jerusalem, Tailpiece (Plate 100)
- 1804 to 1820
33
- Europe. A Prophecy; Frontispiece
- ca. 1820
- On view
34
- "One hair nor particle of dust..." (Plate 14)
- 1804 to 1820
- On view
35
- "From every-one of the Four Regions..." (Plate 18)
- 1804 to 1820
36
- "But when they saw Albion fall'n..." (Plate 20)
- 1804 to 1820
37
- "The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)
- 1804 to 1820
38
- Chapter 3 Frontispiece (Plate 51)
- 1804 to 1820
- On view
39
- "His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)
- 1804 to 1820
40
- "Repose on me till the morning of the Grave..." (Plate 62)
- 1804 to 1820
- On view
41
- "Of the Mundane Shell which froze..." (Plate 64)
- 1804 to 1820
42
- "In awful pomp & gold, in all the precious unhewn stones of Eden..." (Plate 66)
- 1804 to 1820
43
- "By those who drink their blood & the blood of their Covenant..." (Plate 67)
- 1804 to 1820
44
- "Then all the Males conjoined into One Male..." (Plate 69)
- 1804 to 1820
45
- "Was living: panting like a frighted wolf..." (Plate 7)
- 1804 to 1820
46
- "Such are Cathedrons golden Halls..." (Plate 73)
- 1804 to 1820
47
- "And Rahab Babylon the Great..." (Plate 75)
- 1804 to 1820
48
- Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)
- 1804 to 1820
49
- "Highgates heights & Hampsteads..." (Plate 84)
- 1804 to 1820
50
- "Repelling weeping Enion blind & age-bent..." (Plate 87)
- 1804 to 1820
51
- "Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)
- 1804 to 1820
52
- "Albion cold lays on his Rock..." (Plate 94)
- 1804 to 1820
53
- "As the Sun & Moon lead forward the Visions of Heaven & Earth..." (Plate 96)
- 1804 to 1820
54
- "Awake! Awake Jerusalem..." (Plate 97)
- 1804 to 1820
55
- "All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)
- 1804 to 1820
- On view
56
- Chapter IX, "They lived a period of years..." (Plate 27)
- 1794
57
- The First Book of Urizen, Plate 28 (Bentley 27)
- 1794
58
- Fettered Urizen Weeping (Plate 3)
- 1794
59
- The First Book of Urizen, Plate 4 (Bentley 24)
- 1794
60
- Chapter I, "Lo, a shadow of horror is risen..." (Plate 5)
- 1794
61
- Aged Ignorance (Plate 13)
- 1826
62
- "Does thy God O Priest take such vengeance as this?" (Plate 14)
- 1826
63
- "Fear & hope are -- Vision" (Plate 15)
- 1826
64
- "The Traveller hasteth in the Evening" (Plate 16)
- 1826
65
- Death's Door (Plate 17)
- 1826
66
- "To The Accuser who is The God of This World..." (Plate 19)
- 1826
67
- Alas! (Plate 9)
- 1826
68
- Poems by Mr. Gray; Title Page
- between 1797 and 1798
69
- The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
- between 1797 and 1798
70
- Ode on the Spring; Title Page
- between 1797 and 1798
71
- "At the chapel-door stand sentry... (Design 31)
- between 1797 and 1798
- On view
72
- "The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43)
- between 1797 and 1798
73
- "Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
- between 1797 and 1798
74
- "Yet oft before his infant eyes would run Such forms as glitter in the Muse's ray..." (Design 51)
- between 1797 and 1798
75
- The Bard Weaving Edwards Fate (Design 55)
- between 1797 and 1798
76
- "Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61)
- between 1797 and 1798
77
- "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
- between 1797 and 1798
78
- "We the reins to slaughter give..." (Design 73)
- between 1797 and 1798
79
- "Hurry, hurry, to the field!" Design 75)
- between 1797 and 1798
80
- A Genius Driving Away "Comus & his midnight-crew..." (Design 95)
- between 1797 and 1798
81
- Infant Joy (Plate 14)
- 1789
82
- "An ancient pile of building stands... there Employed the power of Fairy hands" (Design 25)
- between 1797 and 1798
83
- Ode to Adversity; Title Page
- between 1797 and 1798
84
- The Bard, A Pindaric Ode; Title Page
- between 1797 and 1798
85
- "Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57)
- between 1797 and 1798
86
- "O'er thy country hangs The scourge of Heav'n..." (Design 59)
- between 1797 and 1798
87
- Elizabeth. "Girt with many a Baron bold..." (Design 63)
- between 1797 and 1798
88
- Sigtryg with the Silken Beard (Design 69)
- between 1797 and 1798
89
- "Iron sleet of arrowy shower Hurtles in the darkened air..." (Design 71)
- between 1797 and 1798
90
- "Him the dog of darkness spied..." (Design 79)
- between 1797 and 1798
91
- The Prophetess Rising from Her Grave (Design 81)
- between 1797 and 1798
92
- "Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)
- between 1797 and 1798
93
- The Divine Image (Plate 12)
- 1789
- On view
94
- Chapter II, "Muster around the bleak desarts..." (Plate 6)
- 1794
95
- Urizen Swims through Dark Waters (Plate 7)
- 1794
96
- "In living creations appear'd..." (Plate 8)
- 1794
97
- Chapter III, "As the stars are apart from the earth..." (Plate 9)
- 1794
98
- "My son! my Son!" (Plate 10)
- 1826
99
- Water (Plate 4)
- 1826
100
- Earth (Plate 5)
- 1826