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Creator:
William Blake, 1757–1827
Text by Thomas Gray, 1716–1771
Title:
"Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)
Additional Title(s):

Verso: Great Edward, with the lilies on his brow... To hail their Fitzroy's festal morning come..." (Design 98)

Ode for Music
Part Of:

Collective Title: The Poems of Thomas Gray

Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Inscription(s)/Marks/Lettering:

Inscribed in black ink upper right: "5"; in graphite center: "x"; on verso in black ink upper left: "6"; in graphite center: "x"

Lettered on inlaid page: "ODE FOR MUSIC. 137 | Meek Newton's self bends from his state sublime, | And nods his hoary head, and listens to the | rhyme. | III. | 'Ye brown o'er-arching Groves, | 'That Contemplation loves, | 'Where willowy Camus lingers with delight! | 'Oft at the blush of dawn | 'I trod your level lawn, | 'Oft woo'd the gleam of Cynthia silver-bright | 'In cloisters dim, far from the haunts of Folly, | 'With Freedom by my side, and soft-ey'd | 'Melancholy.' | IV. | But hark! the portals sound, and pacing forth | With solemn steps and slow, | High Potentates, and Dames of royal birth, | And mitred fathers in long order go: | Great:"; Lettered on verso, on inlaid page: "138 ODE FOR MUSIC. | Great Edward, with the lilies on his brow | From haughty Gallia torn, | And sad Chatillon, on her bridal morn | That wept her bleeding Love, and princely | Clare, | And Anjou's Heroine, and the paler Rose, | The rival of her crown and of her woes, | And either Henry there, | The murder'd Saint, and the majestic Lord, | That broke the bonds of Rome. | (Their tears, their little triumphs o'er, | Their human passions now no more, | Save Charity, that glows beyond the tomb) | All that on Granta's fruitful plain | Rich streams of regal bounty pour'd, | And bad these awful fanes and turrets rise, | To hail their Fitzroy's festal morning come; | And thus they speak in soft accord | The liquid language of the skies. | V."

Credit Line:
Yale Center for British Art, Paul Mellon Collection
Copyright Status:
Public Domain
Accession Number:
B1992.8.11(49)
Classification:
Drawings & Watercolors
Collection:
Prints and Drawings
Subject Terms:
beards | branches | castle | church | crescent moons | crown (costume component) | dead | flowers (plants) | leaf | literary theme | men | moon | night | religious and mythological subject | shore (landform) | spires | stream | text | trees | trunks | woman
Access:
Accessible by appointment in the Study Room [Request]
Note: The Study Room is open by appointment. Please visit the Study Room page on our website for more details.
Link:
https://collections.britishart.yale.edu/catalog/tms:3691
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The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06) [YCBA Objects in the Exhibition] [Exhibition Description]

Colin Cross, Blake revealed, William Blake : Discovery of a Masterwork , Observer, vol. 12, November 21, 1971, pp. 19-23, V 1245 Detached from Observer colour magazine [ORBIS]

Arnold Fawcus, Unknown Watercolours by William Blake, Illustrated London News, vol. 259, No. 6881, December 25, 1971, pp. 45-46, 49-51, Illustrated London News Historical Archive [ORBIS]


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