- Title:
- "At the chapel-door stand sentry... (Design 31)
- Additional Title(s):
Verso: "A sudden fit of ague shook him..." (Design 32)
A Long Story- Part Of:
- Date:
- between 1797 and 1798
- Materials & Techniques:
- Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
- Dimensions:
- Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
- Inscription(s)/Marks/Lettering:
Inscribed in black ink upper right: "9"; in graphite center: "x"; on verso in black ink upper left: "10"; in graphite upper center: "x"
Lettered on inlaid page: "A LONG STORY. 71 | Yet on his way (no sign of grace, | For folks in fear are apt to pray) | To Phoebus he preferr'd his case, | And begg'd his aid that dreadful day. | The Godhead would have back'd his quarrel, | But with a blush on recollection | Own'd that his quiver and his laurel | 'Gainst four such eyes were no protection. | The Court was sat, the Culprit there, | Forth from their gloomy mansions creeping | The Lady Janes and Joans repair, | And from the gallery stand peeping: | Such as in silence of the night | Come (sweep) along some winding entry | (Styack has often seen the sight) | Or at the chapel-door stand sentry; | In"; Lettered on verso, on inlaid page: "72 A LONG STORY. | In peaked hoods and mantles tarnish'd, | Sour visages, enough to scare ye, | High Dames of honour once, that garnish'd | The drawing-room of fierce Queen Mary! | The Peeress comes. The Audience stare, | And doff their hats with due submission: | She curtsies, as she takes her chair, | To all the People of condition. | The Bard with many an artful fib, | Had in imagination fenc'd him, | Disprov'd the arguments of Squib, | And all that Groom could urge against him: | But soon his rhetoric forsook him, | When he the solemn hall had seen; | A sudden fit of ague shook him, | He stood as mute as poor Macleane. | Yet"
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- Copyright Status:
- Public Domain
- Accession Number:
- B1992.8.11(16)
- Classification:
- Drawings & Watercolors
- Collection:
- Prints and Drawings
- Subject Terms:
- bayonet | bench | cap | church | door | dresses | flames | ghost | gown | hats | literary theme | mask | men | pew | religious and mythological subject | rifle | ruff | sermon | text | woman | women
- Access:
- Accessible by appointment in the Study Room [Request]
Note: The Study Room is open by appointment. Please visit the Study Room page on our website for more details. - Link:
- https://collections.britishart.yale.edu/catalog/tms:3619
- Export:
- XML
- IIIF Manifest:
- JSON
William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06) [YCBA Objects in the Exhibition]
William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14) [YCBA Objects in the Exhibition]
Colin Cross, Blake revealed, William Blake : Discovery of a Masterwork , Observer, vol. 12, November 21, 1971, pp. 19-23, V 1245 Detached from Observer colour magazine [ORBIS]
John Russell, Blake the Craftsman, Art , Sunday Times, Issue no. 7749, December 12, 1971, p.27, Sunday Times Digital Archive [ORBIS]
Arnold Fawcus, Unknown Watercolours by William Blake, Illustrated London News, vol. 259, No. 6881, December 25, 1971, pp. 45-46, 49-51, Illustrated London News Historical Archive [ORBIS]