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Collection
Prints and Drawings
288
Creator
Blake, William, 1757–1827
103
Haydon, Benjamin Robert, 1786–1846
63
Smirke the Younger, Robert, Sir, 1781–1867
39
Martin, John, 1789–1854
7
Turner, William of Oxford, 1789–1862
7
Cruikshank, Robert Isaac, 1789–1856
4
Smith, John Thomas, 1766–1833
4
Stubbs, George, 1724–1806
4
Turner, J. M. W. (Joseph Mallord William), 1775–1851
4
Unknown artist
4
Varley, John, 1778–1842
4
Vollweiler, Georg Jacob, active 1805–1807
4
Greig, John, active 1803–1853
3
Havell, William, 1782–1857
3
Pugh, Edward, 1763–1813
3
Blore, Edward, 1787–1879
2
Edridge, Henry, 1769–1821
2
G, & J Robinson, active 1788–1811
2
Hamilton, William, 1751–1801
2
Hayley, William, 1745–1820
2
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Creator
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Date
1800
638
1802
457
1796
377
1834
359
1826
338
1771
334
2004
313
1793
308
1832
308
1867
296
1804
[remove]
288
1795
287
1830
287
1814
251
1827
246
1825
239
1818
238
1794
227
1833
220
1772
217
1820
212
1836
210
1792
205
1797
197
1799
192
1790
189
1791
188
1945
185
1784
179
1789
162
1812
156
1764
155
1801
153
1811
153
1835
150
1775
148
1817
144
1828
139
1839
136
1807
134
1821
133
1831
131
1808
130
1813
128
1819
126
1805
124
1829
120
0
114
1815
113
1810
112
1838
109
1846
109
1758
108
1850
105
1803
102
1823
101
1837
98
1841
98
1999
98
1798
97
1822
97
1768
96
1809
93
1847
92
1788
87
1700
83
1824
83
1845
82
1855
82
1806
81
1840
81
1816
76
1745
75
1843
68
1859
68
1842
67
1848
66
1748
65
1785
65
1910
65
1844
64
1777
63
1857
63
1770
62
1851
62
1860
62
1780
60
1781
59
1990
58
1774
57
1787
55
1893
49
1739
46
1782
46
1783
45
1912
44
1919
42
1762
41
1897
40
1858
34
On-site Access
Accessible in the Study Room
286
On view
2
Image Use
Free to Use
288
Image Available
Available
[remove]
288
Classification
Drawings & Watercolors
146
Prints
138
Drawing & Watercolors-Architectural
4
Creator Gender
male
287
unknown
4
female
1
Collective Title
Jerusalem: The Emanation of The Giant Albion, Copy E
100
Studies of, 167 Drawings, and 1 Print, for Oil Paintings, by Benjamin R. Haydon
62
A Collection of Continental Drawings, From a Set of Four Sketchbooks, 1802-1804
39
Specimens of Polyautography
4
"Antiquities of Westminster; the Old Palace; St. Stephen's Chapel, (now the House of Commons) &c. &c.", J. T. Smith, 1807.
3
Iconographie Anglaise par Reynolds et Autres
2
Storer and Greig's 'Select Views of London and its Environs,' 1804-1805
2
The Life, and Posthumous Writings, of William Cowper
2
The Winter's Tale
2
"Select Views of London and its Environs", James Storer, 1804.
1
Antiquities of Westminster; the Old Palace; St. Stephen's Chapel, (now the House of Commons) &c. &c., J. T. Smith, 1807.
1
Castellated and Domestic Architecture of England and Wales from the 11th Century to the 19th, Vol. 2, Drawn by J. Buckler, F.S.A. & J.C. Buckler for T. L. Parker, Esqr.
1
The Merchant of Venice
1
Period
19th century
285
18th century-19th century
3
Materials & Techniques
wove paper
[remove]
288
watercolor
124
black ink
109
relief etching
100
graphite
96
brown ink
52
pen
50
brown wash
23
black chalk
16
gold
14
etching (printing process)
12
line engraving
12
gray wash
7
white chalk
7
stipple engraving
6
gouache
5
lithography
5
scratching out
5
mezzotint
4
gray ink
3
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Materials & Techniques
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Height [cm]
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128
Unknown
1
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113
Unknown
1
Work Type
drawing
248
watercolor
147
relief print
100
intaglio print
33
planographic print
5
frontispiece
1
Genre
literary theme
108
religious and mythological subject
104
architectural subject
55
landscape
45
figure study
43
anatomical study
17
genre subject
14
portrait
13
cityscape
6
animal art
5
military art
5
historical subject
4
marine art
4
Subject Terms
literary theme
105
religious and mythological subject
102
text
96
men
66
women
62
nudes
60
vines
31
sky
27
architectural subject
24
clouds
24
fire
24
trees
24
flames
22
landscape
21
sun
21
wings
21
anatomical study
17
nude
17
leaf
16
moon
16
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Subject Terms
»
Associated Places
United Kingdom
27
England
26
Europe
14
London
8
City of Westminster
6
Palace of Westminster
6
Thames
3
Devon
2
Hereford and Worcester
2
House of Lords
2
North Yorkshire
2
Oxford
2
Oxfordshire
2
Upton-upon-Severn
2
Washburn
2
Windsor
2
Windsor and Maidenhead
2
All Saints Church
1
Asia
1
Bedfordshire
1
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Associated Places
»
Associated People
Shakespeare, William (1564–1616), playwright and poet
4
Perdita (character in The Winter's Tale)
2
Satan
2
Adam
1
Bassiano (character in The Merchant of Venice)
1
Camillo (character in The Winter's Tale)
1
Cupid
1
Eve
1
Florizel (character in The Winter's Tale)
1
George VI (1895–1952), King of England, succeeded on the abdication of Edward VIII
1
Julius Caesar
1
Polixenes (character in The Winter's Tale)
1
Venus
1
West, Benjamin (1738–1820), American history painter active in Britain
1
interior view
1
Exhibition History
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
101
William Blake (Tate Britain, 2000-11-02 - 2001-02-04)
100
William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)
19
William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)
19
The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)
16
William Blake: Visionary (The J. Paul Getty Museum, 2023-10-17 - 2024-01-14)
10
Paul Mellon's Legacy : A Passion for British Art (Yale Center for British Art, 2007-04-18 - 2007-07-29)
5
An American's Passion for British Art - Paul Mellon's Legacy (Royal Academy of Arts, 2007-10-20 - 2008-01-27)
4
An American's Passion for British Art - Paul Mellon's Legacy (Yale Center for British Art, 2007-04-18 - 2007-07-29)
4
British Vision - Observation and Imagination in British Art (Museum of Fine Arts Ghent, 2007-10-06 - 2008-01-13)
4
The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)
4
English Landscape (Paul Mellon Collection) 1630-1850 (Yale Center for British Art, 1977-04-19 - 1977-07-17)
3
Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10-20 - 1983-02-27)
3
J.M.W. Turner: Romance & Reality (Yale Center for British Art, 2025-03-29 - 2025-07-27)
2
Works of Splendor and Imagination - The Exhibition Watercolor 1770-1870 (Yale Center for British Art, 1981-09-16 - 1981-11-22)
2
A Decade of Gifts and Acquisitions (Yale Center for British Art, 2017-06-01 - 2017-08-13)
1
British Architectural Drawings (Yale Center for British Art) (Yale Center for British Art, 1982-04-21 - 1982-05-30)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Blaffer Gallery, University of Houston, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Block Museum of Art, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Memorial Art Gallery of Rochester, 1985-04 - 1986-08)
1
more
Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Collection
265
Yale Center for British Art, Paul Mellon Fund
7
Yale Center for British Art; Yale University Art Gallery Collection
5
Yale Center for British Art, Gift of George and Olga Kenney
4
Yale Center for British Art, Yale Art Gallery Collection
2
Yale Center for British Art, Anonymous Gift, The Frederick Benjamin Kaye Memorial Collection, transfer from the Yale University Art Gallery
1
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948
1
Yale Center for British Art, Gift of Michael D. Coe, Yale MAH 1968
1
Yale Center for British Art, Yale Art Gallery Collection, Gift of Allen Evarts Foster, B.A. 1906
1
Yale Center for British Art; Yale University Art Gallery Collection; Gift of Robert W. Carle
1
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Materials & Techniques
wove paper
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1804
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1
Print made after George Stubbs, 1724–1806
Plate VI, Human Body, Frontal View
1804
2
Print made after George Stubbs, 1724–1806
Plate VII, Human Body, Lateral View
1804
3
Print made after George Stubbs, 1724–1806
Plate X, Fowl Body, Lateral View
1804
4
Print made after George Stubbs, 1724–1806
Plate VIII, Human Body, Posterior View
1804
5
John Constable, 1776–1837
Ruin of St. Botolph's Priory, Colchester
ca. 1809
6
Joseph Mallord William Turner, 1775–1851
On the Washburn
ca. 1809–15
On view
7
Joseph Mallord William Turner, 1775–1851
On the Washburn (Study)
ca. 1809–15
On view
8
Print made by William Blake, 1757–1827
"Tho divided by the Cross & Nails & Thorns & Spear..." (Plate 89)
1804 to 1820
9
Print made by William Blake, 1757–1827
"Condens'd his Emanations..." (Plate 9)
1804 to 1820
10
Print made by William Blake, 1757–1827
"It is easier to forgive an enemy..." (Plate 91)
1804 to 1820
11
Print made by William Blake, 1757–1827
"Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)
1804 to 1820
12
Print made by William Blake, 1757–1827
"Albion cold lays on his Rock..." (Plate 94)
1804 to 1820
13
Print made by William Blake, 1757–1827
"As the Sun & Moon lead forward the Visions of Heaven & Earth..." (Plate 96)
1804 to 1820
14
Print made by William Blake, 1757–1827
"Awake! Awake Jerusalem..." (Plate 97)
1804 to 1820
15
Print made by William Blake, 1757–1827
"Then each an Arrow flaming from his Quiver..." (Plate 98)
1804 to 1820
16
Print made by William Blake, 1757–1827
"All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)
1804 to 1820
17
Print made by William Blake, 1757–1827
"Her voice pierc'd Albions clay cold ear..." (Plate 95)
1804 to 1820
18
Print made by William Blake, 1757–1827
A View of St. Edmund's Chapel, in the Church of East Dereham, Containing the Grave of William Cowper Esq
1804
19
Print made by William Blake, 1757–1827
A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq
1804
20
Print made by William Blake, 1757–1827
Jerusalem, Frontispiece (Plate 1)
1804 to 1820
21
Print made by William Blake, 1757–1827
"Into the Furnaces & into the valleys of the Anvils of Death..." (Plate 10)
1804 to 1820
22
Print made by William Blake, 1757–1827
Jerusalem, Tailpiece (Plate 100)
1804 to 1820
23
Print made by William Blake, 1757–1827
"To labours mighty, with vast strength..." (Plate 11)
1804 to 1820
24
Print made by William Blake, 1757–1827
"Why wilt thou give to her a Body..." (Plate 12)
1804 to 1820
25
Print made by William Blake, 1757–1827
"And that toward Eden, four..." (Plate 13)
1804 to 1820
26
Print made by William Blake, 1757–1827
"And Hand & Hyle rooted into Jerusalem..." (Plate 15)
1804 to 1820
27
Print made by William Blake, 1757–1827
"Hampstead Highgate Finchley Hendon Muswell Hill..." (Plate 16)
1804 to 1820
28
Print made by William Blake, 1757–1827
"His Spectre divides & Los in fury compells it to divide..." (Plate 17)
1804 to 1820
29
Print made by William Blake, 1757–1827
"But when they saw Albion fall'n..." (Plate 20)
1804 to 1820
30
Print made by William Blake, 1757–1827
"Albion thy fear has made me tremble..." (Plate 22)
1804 to 1820
31
Print made by William Blake, 1757–1827
"Leaning against the pillars..." (Plate 32)
1804 to 1820
32
Print made by William Blake, 1757–1827
"Elevate into the Region of Brotherhood..." (Plate 34)
1804 to 1820
33
Print made by William Blake, 1757–1827
"Then the Divine hand found the Two Limits..." (Plate 35)
1804 to 1820
34
Print made by William Blake, 1757–1827
"His face and bosom with petrific hardness..." (Plate 38)
1804 to 1820
35
Print made by William Blake, 1757–1827
"By Satan's Watch-fiends tho' they search..." (Plate 39)
1804 to 1820
36
Print made by William Blake, 1757–1827
"Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)
1804 to 1820
37
Print made by William Blake, 1757–1827
"Los shudder'd at beholding Albion..." (Plate 40)
1804 to 1820
38
Print made by William Blake, 1757–1827
"Bath who is Legions..." (Plate 41)
1804 to 1820
39
Print made by William Blake, 1757–1827
"Thus Albion sat, studious of others..." (Plate 42)
1804 to 1820
40
Print made by William Blake, 1757–1827
"They saw their Wheels rising up poisonous..." (Plate 43)
1804 to 1820
41
Print made by William Blake, 1757–1827
"With one accord in love sublime..." (Plate 44)
1804 to 1820
42
Print made by William Blake, 1757–1827
"From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)
1804 to 1820
43
Print made by William Blake, 1757–1827
"To the Deists. He never can be a Friend to the Human Race..." (Plate 52)
1804 to 1820
44
Print made by William Blake, 1757–1827
"Jerusalem, Chapter 3. But Los, who is the Vehicular Form..." (Plate 53)
1804 to 1820
45
Print made by William Blake, 1757–1827
"In Great Eternity every particular Form..." (Plate 54)
1804 to 1820
46
Print made by William Blake, 1757–1827
"And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)
1804 to 1820
47
Print made by William Blake, 1757–1827
"In beauty the Daughters of Albion divide..." (Plate 58)
1804 to 1820
48
Print made by William Blake, 1757–1827
"And formed into Four precious stones..." (Plate 59)
1804 to 1820
49
Print made by William Blake, 1757–1827
"His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)
1804 to 1820
50
Print made by William Blake, 1757–1827
"The clouds of Albions Druid Temples..." (Plate 60)
1804 to 1820
51
William Blake, 1757–1827
Albion Compelling the Four Zoas to Their Proper Tasks
1804 to 1810
52
Print made by William Blake, 1757–1827
"Behold: in the Visions of Elohim Jehovah, behold Joseph & Mary..." (Plate 61)
1804 to 1820
53
Print made by William Blake, 1757–1827
"Repose on me till the morning of the Grave..." (Plate 62)
1804 to 1820
54
Print made by William Blake, 1757–1827
"Jehovah stood among the Druids..." (Plate 63)
1804 to 1820
55
Print made by William Blake, 1757–1827
"Of the Mundane Shell which froze..." (Plate 64)
1804 to 1820
56
Print made by William Blake, 1757–1827
"To decide Two Worlds with a great decision..." (Plate 65)
1804 to 1820
57
Print made by William Blake, 1757–1827
"In awful pomp & gold, in all the precious unhewn stones of Eden..." (Plate 66)
1804 to 1820
58
Print made by William Blake, 1757–1827
"By those who drink their blood & the blood of their Covenant..." (Plate 67)
1804 to 1820
59
Print made by William Blake, 1757–1827
"Then all the Males conjoined into One Male..." (Plate 69)
1804 to 1820
60
Print made by William Blake, 1757–1827
Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)
1804 to 1820
61
Print made by William Blake, 1757–1827
"His Children exil'd from his breast..." (Plate 19)
1804 to 1820
62
Print made by William Blake, 1757–1827
"O Vala! O Jerusalem! do you delight in my groans..." (Plate 21)
1804 to 1820
63
Print made by William Blake, 1757–1827
"Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)
1804 to 1820
64
Print made by William Blake, 1757–1827
"What have I said? What have I done?..." (Plate 24)
1804 to 1820
65
Print made by William Blake, 1757–1827
"And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)
1804 to 1820
66
Print made by William Blake, 1757–1827
"To the Jews..." (Plate 27)
1804 to 1820
67
Print made by William Blake, 1757–1827
"Such visions have appeared to me..."; Chapter 2 Frontispiece (Plate 26)
1804 to 1820
68
Print made by William Blake, 1757–1827
"Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)
1804 to 1820
69
Print made by William Blake, 1757–1827
"Then the Divine Vision like a silent Sun..." (Plate 29)
1804 to 1820
70
Print made by William Blake, 1757–1827
"Turning his back to the Divine Vision..." (Plate 33)
1804 to 1820
71
Print made by William Blake, 1757–1827
"Reuben return'd to his place, in vain..." (Plate 36)
1804 to 1820
72
Print made by William Blake, 1757–1827
"Bath, mild Physician of Eternity..." (Plate 46)
1804 to 1820
73
Print made by William Blake, 1757–1827
"Bath, healing City!..." (Plate 45)
1804 to 1820
74
Print made by William Blake, 1757–1827
"These were his last words, and the merciful Saviour in his arms..." (Plate 48)
1804 to 1820
75
Print made by William Blake, 1757–1827
"The secret coverts of Albion & the hidden places of America..." (Plate 49)
1804 to 1820
76
Print made by William Blake, 1757–1827
"The banks of the Thames are clouded..." (Plate 5)
1804 to 1820
77
Print made by William Blake, 1757–1827
"One hair nor particle of dust..." (Plate 14)
1804 to 1820
78
Print made by William Blake, 1757–1827
"From every-one of the Four Regions..." (Plate 18)
1804 to 1820
79
Print made by William Blake, 1757–1827
Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)
1804 to 1820
80
Print made by William Blake, 1757–1827
"Rose up against me thundering..." (Plate 8)
1804 to 1820
81
Print made by William Blake, 1757–1827
"Encompass'd by the frozen Net..." (Plate 80)
1804 to 1820
82
Print made by William Blake, 1757–1827
"I have mock'd those who refused cruelty..." (Plate 81)
1804 to 1820
83
Print made by William Blake, 1757–1827
"Highgates heights & Hampsteads..." (Plate 84)
1804 to 1820
84
Print made by William Blake, 1757–1827
"Became a Space & an Allegory..." (Plate 85)
1804 to 1820
85
Print made by William Blake, 1757–1827
"I see thy Form O lovely mild Jerusalem..." (Plate 86)
1804 to 1820
86
Print made by William Blake, 1757–1827
"And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)
1804 to 1820
87
Print made by William Blake, 1757–1827
"Was living: panting like a frighted wolf..." (Plate 7)
1804 to 1820
88
Print made by William Blake, 1757–1827
"The Four Zoa's clouded rage..." (Plate 74)
1804 to 1820
89
Print made by William Blake, 1757–1827
"And Rahab Babylon the Great..." (Plate 75)
1804 to 1820
90
Print made by William Blake, 1757–1827
Chapter 4 Frontispiece (Plate 76)
1804 to 1820
91
Print made by William Blake, 1757–1827
"To the Christians..." (Plate 77)
1804 to 1820
92
Print made by William Blake, 1757–1827
"My tents are fall'n! my pillars are in ruins!..." (Plate 79)
1804 to 1820
93
Print made by William Blake, 1757–1827
"I have heard Jerusalems groans..." (Plate 82)
1804 to 1820
94
Print made by William Blake, 1757–1827
"Corruptability appears upon thy limbs..." (Plate 83)
1804 to 1820
95
Print made by William Blake, 1757–1827
"And this the form of mighty Hand..." (Plate 70)
1804 to 1820
96
Print made by William Blake, 1757–1827
"Such are Cathedrons golden Halls..." (Plate 73)
1804 to 1820
97
Print made by William Blake, 1757–1827
"And above Albions Land was seen the Heavenly Canaan..." (Plate 71)
1804 to 1820
98
Print made by William Blake, 1757–1827
"Los answer'd sighing like the Bellows of his Furnaces..." (Plate 88)
1804 to 1820
99
Print made by William Blake, 1757–1827
"Repelling weeping Enion blind & age-bent..." (Plate 87)
1804 to 1820
100
Print made by William Blake, 1757–1827
"The Feminine separates from the Masculine..." (Plate 90)
1804 to 1820
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