Search Constraints
You searched for:
Materials & Techniques black ink
Remove constraint Materials & Techniques: black inkCollection Prints and Drawings
Remove constraint Collection: Prints and DrawingsSearch Results
1
- The Little Black Boy (Plate 6)
- 1789
2
- Title Page, Visions of the Daughters of Albion (Plate 2)
- 1793
3
- "And none but Bromian can hear my lamentations..." (Plate 6)
- 1793
4
- The Little Girl Lost (Plate 20)
- 1789
5
- The Divine Image (Plate 24)
- 1789
6
- Night (Plate 30)
- 1789
7
- Introduction (Plate 34)
- 1794
8
- Frontispiece (Plate 1)
- 1793
9
- Preludium. "Of the primeval Priests assum'd power..." (Plate 2b)
- 1794
10
- "In happy copulation; if in evening mild, wearied with work..." (Plate 10)
- 1793
11
- The Shepherd (Plate 4)
- 1789
12
- The Ecchoing Green (Plate 8)
- 1789
13
- Laughing Song (Plate 14)
- 1789
14
- The Lamb (Plate 18)
- 1789
15
- "Cytherea's Day..." (Design 45)
- between 1797 and 1798
16
- "Where shaggy forms o'er ice-built mountains roam..." (Design 47)
- between 1797 and 1798
17
- "To him the mighty mother did unveil Her awful face..." (Design 49)
- between 1797 and 1798
18
- "Yet oft before his infant eyes would run Such forms as glitter in the Muse's ray..." (Design 51)
- between 1797 and 1798
19
- A Welch Bard (Design 53)
- between 1797 and 1798
20
- "Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57)
- between 1797 and 1798
21
- "Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61)
- between 1797 and 1798
22
- Elizabeth. "Girt with many a Baron bold..." (Design 63)
- between 1797 and 1798
23
- "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
- between 1797 and 1798
24
- The Prophetess Rising from Her Grave (Design 81)
- between 1797 and 1798
25
- "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
- between 1797 and 1798
26
- A Standard Bearer Fainting in the Routed Battle (Design 87)
- between 1797 and 1798
27
- The Bard Singing Owen's Praise (Design 89)
- between 1797 and 1798
28
- "Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
- between 1797 and 1798
29
- Songs of Innocence, Frontispiece (Plate 1)
- 1789
30
- Night (Plate 16)
- 1789
31
- Nurse's Song (Plate 22)
- 1789
32
- On Anothers Sorrow (Plate 24)
- 1789
33
- "Hie thee hence, and boast at home..." (Design 85)
- between 1797 and 1798
34
- The Pensive Selima, "Her ears of jet, and emerald eyes, She saw; and purr'd applause..." (Design 9)
- between 1797 and 1798
35
- "Fear to stop, and shame to fly..." (Design 91)
- between 1797 and 1798
36
- Fame (Design 93)
- between 1797 and 1798
37
- A Genius Driving Away "Comus & his midnight-crew..." (Design 95)
- between 1797 and 1798
38
- "Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)
- between 1797 and 1798
39
- The Divine Image (Plate 12)
- 1789
40
- Spring (Plate 26)
- 1789
41
- The Lamb (Plate 8)
- 1789
42
- "Turning his back to the Divine Vision..." (Plate 33)
- 1804 to 1820
43
- "And One stood forth from the Divine Family..." (Plate 37)
- 1804 to 1820
44
- "Bath who is Legions..." (Plate 41)
- 1804 to 1820
45
- "Thus Albion sat, studious of others..." (Plate 42)
- 1804 to 1820
46
- "They saw their Wheels rising up poisonous..." (Plate 43)
- 1804 to 1820
47
- "These were his last words, and the merciful Saviour in his arms..." (Plate 48)
- 1804 to 1820
48
- "The banks of the Thames are clouded..." (Plate 5)
- 1804 to 1820
49
- "In Great Eternity every particular Form..." (Plate 54)
- 1804 to 1820
50
- "Then Los heaved his thund'ring Bellows on the Valley of Middlesex..." (Plate 56)
- 1804 to 1820
51
- "And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)
- 1804 to 1820
52
- "In beauty the Daughters of Albion divide..." (Plate 58)
- 1804 to 1820
53
- "To decide Two Worlds with a great decision..." (Plate 65)
- 1804 to 1820
54
- "By those who drink their blood & the blood of their Covenant..." (Plate 67)
- 1804 to 1820
55
- "O Skofield why art thou cruel?..." (Plate 68)
- 1804 to 1820
56
- "Then all the Males conjoined into One Male..." (Plate 69)
- 1804 to 1820
57
- "Was living: panting like a frighted wolf..." (Plate 7)
- 1804 to 1820
58
- "And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)
- 1804 to 1820
59
- "Such are Cathedrons golden Halls..." (Plate 73)
- 1804 to 1820
60
- "The Four Zoa's clouded rage..." (Plate 74)
- 1804 to 1820
61
- "And Rahab Babylon the Great..." (Plate 75)
- 1804 to 1820
62
- "To the Christians..." (Plate 77)
- 1804 to 1820
63
- "My tents are fall'n! my pillars are in ruins!..." (Plate 79)
- 1804 to 1820
64
- "I have mock'd those who refused cruelty..." (Plate 81)
- 1804 to 1820
65
- "What do I see! The Briton Saxon Roman Norman..." (Plate 92)
- 1804 to 1820
66
- "Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)
- 1804 to 1820
67
- "As the Sun & Moon lead forward the Visions of Heaven & Earth..." (Plate 96)
- 1804 to 1820
68
- "Awake! Awake Jerusalem..." (Plate 97)
- 1804 to 1820
69
- Jerusalem, Frontispiece (Plate 1)
- 1804 to 1820
70
- "Into the Furnaces & into the valleys of the Anvils of Death..." (Plate 10)
- 1804 to 1820
71
- Jerusalem, Tailpiece (Plate 100)
- 1804 to 1820
72
- "To labours mighty, with vast strength..." (Plate 11)
- 1804 to 1820
73
- "Why wilt thou give to her a Body..." (Plate 12)
- 1804 to 1820
74
- "And that toward Eden, four..." (Plate 13)
- 1804 to 1820
75
- "One hair nor particle of dust..." (Plate 14)
- 1804 to 1820
76
- Jerusalem, Plate 28 Proof Impression
- ca. 1820
77
- Frontispiece, Europe. A Prophecy
- ca. 1820
78
- "Hampstead Highgate Finchley Hendon Muswell Hill..." (Plate 16)
- 1804 to 1820
79
- "And Hand & Hyle rooted into Jerusalem..." (Plate 15)
- 1804 to 1820
80
- "His Spectre divides & Los in fury compells it to divide..." (Plate 17)
- 1804 to 1820
81
- The Little Black Boy (Plate 30)
- 1789
82
- "Highgates heights & Hampsteads..." (Plate 84)
- 1804 to 1820
83
- "Became a Space & an Allegory..." (Plate 85)
- 1804 to 1820
84
- "Tho divided by the Cross & Nails & Thorns & Spear..." (Plate 89)
- 1804 to 1820
85
- "The Feminine separates from the Masculine..." (Plate 90)
- 1804 to 1820
86
- "It is easier to forgive an enemy..." (Plate 91)
- 1804 to 1820
87
- "Then each an Arrow flaming from his Quiver..." (Plate 98)
- 1804 to 1820
88
- Title Page, The Pindaric Genius Receiving His Lyre (Design 1)
- between 1797 and 1798
89
- "Nor fear the rocks, nor seek the shore..." (Design 101)
- between 1797 and 1798
90
- The Mourner at the Tomb (Design 103)
- between 1797 and 1798
91
- "His western heaven with rocky clouds..." (Plate 31)
- 1804 to 1820
92
- "Leaning against the pillars..." (Plate 32)
- 1804 to 1820
93
- "Elevate into the Region of Brotherhood..." (Plate 34)
- 1804 to 1820
94
- "Then the Divine hand found the Two Limits..." (Plate 35)
- 1804 to 1820
95
- "Reuben return'd to his place, in vain..." (Plate 36)
- 1804 to 1820
96
- "His face and bosom with petrific hardness..." (Plate 38)
- 1804 to 1820
97
- "And formed into Four precious stones..." (Plate 59)
- 1804 to 1820
98
- "In awful pomp & gold, in all the precious unhewn stones of Eden..." (Plate 66)
- 1804 to 1820
99
- "I have heard Jerusalems groans..." (Plate 82)
- 1804 to 1820
100
- The Author Writing (Design 105)
- between 1797 and 1798