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Genre religious and mythological subject

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James Ward Diana at the Bath
James Ward, 1769–1859
Diana at the Bath
1830
Not on view
John Frederick Lewis “And the Prayer of Faith Shall Save the Sick”
John Frederick Lewis, 1804–1876
“And the Prayer of Faith Shall Save the Sick”
1872
Not on view
Sir James Thornhill A Sketch of Gratitude Crowned by Peace, with Other Allegorical Figures of Industry, Fame and Plenty
Sir James Thornhill, 1675–1734
A Sketch of Gratitude Crowned by Peace, with Other Allegorical Figures of Industry, Fame and Plenty
between 1712 and 1713
Not on view
unknown artist Aeneas and the Sibyl
unknown artist
Aeneas and the Sibyl
ca. 1800
Not on view
Henry Fuseli Dido
Henry Fuseli, 1741–1825
Dido
1781
Not on view
Louis Laguerre The Rape of Proserpine, design for the staircase of Devonshire House, London
Louis Laguerre, 1663–1721
The Rape of Proserpine, design for the staircase of Devonshire House, London
ca. 1704
Not on view
William Edward Frost The Three Graces
William Edward Frost, 1810–1877
The Three Graces
1856
Not on view
Sir James Thornhill St. Paul before Agrippa
Sir James Thornhill, 1675–1734
St. Paul before Agrippa
ca. 1710
Not on view
Benjamin West Study of the Lamentation on the Dead Christ
Benjamin West, 1738–1820
Study of the Lamentation on the Dead Christ
ca. 1785
Not on view
Benjamin West Rebecca Receiving the Bracelet at the Well
Benjamin West, 1738–1820
Rebecca Receiving the Bracelet at the Well
1775
Not on view
Thomas Jones The Death of Orpheus
Landscape by Thomas Jones, 1742–1803
The Death of Orpheus
ca. 1770
Not on view
John Downman The Ghost of Clytemnestra Awakening the Furies
John Downman, 1750–1824
The Ghost of Clytemnestra Awakening the Furies
1781
Not on view
Michael Chuke The Stowe Reliefs: Mercury conducting Tragic and Comic Poetry to the Hill of Parnassus
Attributed to Michael Chuke, 1679–1742
The Stowe Reliefs: Mercury conducting Tragic and Comic Poetry to the Hill of Parnassus
ca. 1715
Not on view
Michael Chuke The Stowe Reliefs: Allegorical scene, possibly Truth revealing herself to the Liberal Arts
Attributed to Michael Chuke, 1679–1742
The Stowe Reliefs: Allegorical scene, possibly Truth revealing herself to the Liberal Arts
ca. 1715
Not on view
Joseph Mallord William Turner The Deluge
Print made by Joseph Mallord William Turner, 1775–1851
The Deluge
between 1813 and 1823
Joseph Mallord William Turner Apuleia in Search of Apuleius
Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
Joseph Mallord William Turner Apuleia in Search of Apuleius
Print made by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
William Blake "In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)
Print made by William Blake, 1757–1827
"In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)
1793
William Blake Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)
Print made by William Blake, 1757–1827
Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)
1789
William Blake I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
Print made by William Blake, 1757–1827
I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
1789
William Blake III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
Print made by William Blake, 1757–1827
III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
1789
William Blake "Albions Angel rose upon the Stone of Night..." (Plate 12)
Print made by William Blake, 1757–1827
"Albions Angel rose upon the Stone of Night..." (Plate 12)
1794
William Blake Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)
Print made by William Blake, 1757–1827
Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)
1794
William Blake III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
Print made by William Blake, 1757–1827
III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
1789
William Blake "Shot from the heights of Enitharmon..." (Plate 17)
Print made by William Blake, 1757–1827
"Shot from the heights of Enitharmon..." (Plate 17)
1794
William Blake Chapter V, "Two Nostrils bent down to the deep..." (Plate 16)
Print made by William Blake, 1757–1827
Chapter V, "Two Nostrils bent down to the deep..." (Plate 16)
1794
William Blake Los with the child Orc and Enitharmon (Plate 18)
Print made by William Blake, 1757–1827
Los with the child Orc and Enitharmon (Plate 18)
1794
William Blake "They call'd her Pity, and fled..." (Plate 19)
Print made by William Blake, 1757–1827
"They call'd her Pity, and fled..." (Plate 19)
1794
William Blake Frontispiece. Albion's Angel (Plate 1)
Print made by William Blake, 1757–1827
Frontispiece. Albion's Angel (Plate 1)
1793
William Blake "What time the thirteen Governors that England sent convene..." (Plate 15)
Print made by William Blake, 1757–1827
"What time the thirteen Governors that England sent convene..." (Plate 15)
1793
William Blake "On Albions Angels: then the Pestilence began in streaks of red..." (Plate 17)
Print made by William Blake, 1757–1827
"On Albions Angels: then the Pestilence began in streaks of red..." (Plate 17)
1793
William Blake "In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)
Print made by William Blake, 1757–1827
"In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)
1793
William Blake "Then all the Males conjoined into One Male..." (Plate 69)
Print made by William Blake, 1757–1827
"Then all the Males conjoined into One Male..." (Plate 69)
1804 to 1820
William Blake "What do I see! The Briton Saxon Roman Norman..." (Plate 92)
Print made by William Blake, 1757–1827
"What do I see! The Briton Saxon Roman Norman..." (Plate 92)
1804 to 1820
William Blake "Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)
Print made by William Blake, 1757–1827
"Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)
1804 to 1820
William Blake "Albion cold lays on his Rock..." (Plate 94)
Print made by William Blake, 1757–1827
"Albion cold lays on his Rock..." (Plate 94)
1804 to 1820
William Blake Night the First. On Life, Death and Immortality; Title Page
Print made by William Blake, 1757–1827
Night the First. On Life, Death and Immortality; Title Page
1797
William Blake 'Measuring his motions by revolving spheres' (Page 26)
Print made by William Blake, 1757–1827
'Measuring his motions by revolving spheres' (Page 26)
1797
William Blake 'Teaching, we learn; and giving, we retain' (Page 35)
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
1797
William Blake Night the Third. Narcissa; Title Page
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
1797
William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
1797
William Blake 'What, though my soul fantastick measures trod' (Page 4)
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
1797
William Blake 'When faith is virtue, reason makes it so' (Page 92)
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
1797
William Blake "An ancient pile of building stands... there Employed the power of Fairy hands" (Design 25)
William Blake, 1757–1827
"An ancient pile of building stands... there Employed the power of Fairy hands" (Design 25)
between 1797 and 1798
William Blake The Purple Year awaking from the Roots of Nature (Design 3)
William Blake, 1757–1827
The Purple Year awaking from the Roots of Nature (Design 3)
between 1797 and 1798
William Blake The Beginning of Poesy. The Blind Begging Bard (Design 41)
William Blake, 1757–1827
The Beginning of Poesy. The Blind Begging Bard (Design 41)
between 1797 and 1798
William Blake "The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43)
William Blake, 1757–1827
"The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43)
between 1797 and 1798
William Blake "Became a Space & an Allegory..." (Plate 85)
Print made by William Blake, 1757–1827
"Became a Space & an Allegory..." (Plate 85)
1804 to 1820
William Blake "Condens'd his Emanations..." (Plate 9)
Print made by William Blake, 1757–1827
"Condens'd his Emanations..." (Plate 9)
1804 to 1820
William Blake "As the Sun & Moon lead forward the Visions of Heaven & Earth..." (Plate 96)
Print made by William Blake, 1757–1827
"As the Sun & Moon lead forward the Visions of Heaven & Earth..." (Plate 96)
1804 to 1820
William Blake "All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)
Print made by William Blake, 1757–1827
"All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)
1804 to 1820
William Blake 'We censure nature for a span too short' (Page 23)
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
1797
William Blake 'Time, in advance, behind him hides his wings' (Page 24)
Print made by William Blake, 1757–1827
'Time, in advance, behind him hides his wings' (Page 24)
1797
William Blake 'O treacherous conscience! while she seems to sleep" (Page 27)
Print made by William Blake, 1757–1827
'O treacherous conscience! while she seems to sleep" (Page 27)
1797
William Blake "Was living: panting like a frighted wolf..." (Plate 7)
Print made by William Blake, 1757–1827
"Was living: panting like a frighted wolf..." (Plate 7)
1804 to 1820
William Blake "And this the form of mighty Hand..." (Plate 70)
Print made by William Blake, 1757–1827
"And this the form of mighty Hand..." (Plate 70)
1804 to 1820
William Blake "The Four Zoa's clouded rage..." (Plate 74)
Print made by William Blake, 1757–1827
"The Four Zoa's clouded rage..." (Plate 74)
1804 to 1820
William Blake "Encompass'd by the frozen Net..." (Plate 80)
Print made by William Blake, 1757–1827
"Encompass'd by the frozen Net..." (Plate 80)
1804 to 1820
William Blake 'Angels should paint it, angels ever there' (Page 40)
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
1797
William Blake 'Its favours here are trials, not rewards' (Page 12)
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
1797
William Blake The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
William Blake, 1757–1827
The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
between 1797 and 1798
William Blake A Shepherd Reading the Epitaph (Design 115)
William Blake, 1757–1827
A Shepherd Reading the Epitaph (Design 115)
between 1797 and 1798
William Blake "At the chapel-door stand sentry... (Design 31)
William Blake, 1757–1827
"At the chapel-door stand sentry... (Design 31)
between 1797 and 1798
William Blake A Widower and Children (Design 35)
William Blake, 1757–1827
A Widower and Children (Design 35)
between 1797 and 1798
William Blake "With screaming Horror's funeral cry, Despair, and fell Disease, and ghastly Poverty..." Design 39)
William Blake, 1757–1827
"With screaming Horror's funeral cry, Despair, and fell Disease, and ghastly Poverty..." Design 39)
between 1797 and 1798
William Blake "Cytherea's Day..." (Design 45)
William Blake, 1757–1827
"Cytherea's Day..." (Design 45)
between 1797 and 1798
William Blake "I have mock'd those who refused cruelty..." (Plate 81)
Print made by William Blake, 1757–1827
"I have mock'd those who refused cruelty..." (Plate 81)
1804 to 1820
William Blake "What have I said? What have I done?..." (Plate 24)
Print made by William Blake, 1757–1827
"What have I said? What have I done?..." (Plate 24)
1804 to 1820
William Blake "And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)
Print made by William Blake, 1757–1827
"And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)
1804 to 1820
William Blake "Such visions have appeared to me..."; Chapter 2 Frontispiece (Plate 26)
Print made by William Blake, 1757–1827
"Such visions have appeared to me..."; Chapter 2 Frontispiece (Plate 26)
1804 to 1820
William Blake "Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)
Print made by William Blake, 1757–1827
"Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)
1804 to 1820
William Blake "Then the Divine Vision like a silent Sun..." (Plate 29)
Print made by William Blake, 1757–1827
"Then the Divine Vision like a silent Sun..." (Plate 29)
1804 to 1820
William Blake "To the Public. After my three years slumber..." (Plate 3)
Print made by William Blake, 1757–1827
"To the Public. After my three years slumber..." (Plate 3)
1804 to 1820
William Blake Jerusalem, Plate 28 Proof Impression
Print made by William Blake, 1757–1827
Jerusalem, Plate 28 Proof Impression
ca. 1820
William Blake "To labours mighty, with vast strength..." (Plate 11)
Print made by William Blake, 1757–1827
"To labours mighty, with vast strength..." (Plate 11)
1804 to 1820
William Blake Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)
Print made by William Blake, 1757–1827
Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)
1804 to 1820
William Blake "But when they saw Albion fall'n..." (Plate 20)
Print made by William Blake, 1757–1827
"But when they saw Albion fall'n..." (Plate 20)
1804 to 1820
William Blake "O Vala! O Jerusalem! do you delight in my groans..." (Plate 21)
Print made by William Blake, 1757–1827
"O Vala! O Jerusalem! do you delight in my groans..." (Plate 21)
1804 to 1820
William Blake "Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)
Print made by William Blake, 1757–1827
"Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)
1804 to 1820
William Blake "Then the Divine hand found the Two Limits..." (Plate 35)
Print made by William Blake, 1757–1827
"Then the Divine hand found the Two Limits..." (Plate 35)
1804 to 1820
William Blake "Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)
Print made by William Blake, 1757–1827
"Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)
1804 to 1820
William Blake "Los shudder'd at beholding Albion..." (Plate 40)
Print made by William Blake, 1757–1827
"Los shudder'd at beholding Albion..." (Plate 40)
1804 to 1820
William Blake "Bath who is Legions..." (Plate 41)
Print made by William Blake, 1757–1827
"Bath who is Legions..." (Plate 41)
1804 to 1820
William Blake "Thus Albion sat, studious of others..." (Plate 42)
Print made by William Blake, 1757–1827
"Thus Albion sat, studious of others..." (Plate 42)
1804 to 1820
William Blake "Why wilt thou give to her a Body..." (Plate 12)
Print made by William Blake, 1757–1827
"Why wilt thou give to her a Body..." (Plate 12)
1804 to 1820
William Blake "One hair nor particle of dust..." (Plate 14)
Print made by William Blake, 1757–1827
"One hair nor particle of dust..." (Plate 14)
1804 to 1820
William Blake "From every-one of the Four Regions..." (Plate 18)
Print made by William Blake, 1757–1827
"From every-one of the Four Regions..." (Plate 18)
1804 to 1820
William Blake "His western heaven with rocky clouds..." (Plate 31)
Print made by William Blake, 1757–1827
"His western heaven with rocky clouds..." (Plate 31)
1804 to 1820
William Blake "Leaning against the pillars..." (Plate 32)
Print made by William Blake, 1757–1827
"Leaning against the pillars..." (Plate 32)
1804 to 1820
William Blake "And One stood forth from the Divine Family..." (Plate 37)
Print made by William Blake, 1757–1827
"And One stood forth from the Divine Family..." (Plate 37)
1804 to 1820
William Blake "His face and bosom with petrific hardness..." (Plate 38)
Print made by William Blake, 1757–1827
"His face and bosom with petrific hardness..." (Plate 38)
1804 to 1820
William Blake "Bath, healing City!..." (Plate 45)
Print made by William Blake, 1757–1827
"Bath, healing City!..." (Plate 45)
1804 to 1820
William Blake "From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)
Print made by William Blake, 1757–1827
"From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)
1804 to 1820
William Blake "And that toward Eden, four..." (Plate 13)
Print made by William Blake, 1757–1827
"And that toward Eden, four..." (Plate 13)
1804 to 1820
William Blake "His Children exil'd from his breast..." (Plate 19)
Print made by William Blake, 1757–1827
"His Children exil'd from his breast..." (Plate 19)
1804 to 1820
William Blake "And above Albions Land was seen the Heavenly Canaan..." (Plate 71)
Print made by William Blake, 1757–1827
"And above Albions Land was seen the Heavenly Canaan..." (Plate 71)
1804 to 1820
William Blake "And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)
Print made by William Blake, 1757–1827
"And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)
1804 to 1820
William Blake "And Rahab Babylon the Great..." (Plate 75)
Print made by William Blake, 1757–1827
"And Rahab Babylon the Great..." (Plate 75)
1804 to 1820
William Blake "Rose up against me thundering..." (Plate 8)
Print made by William Blake, 1757–1827
"Rose up against me thundering..." (Plate 8)
1804 to 1820
William Blake "Repelling weeping Enion blind & age-bent..." (Plate 87)
Print made by William Blake, 1757–1827
"Repelling weeping Enion blind & age-bent..." (Plate 87)
1804 to 1820