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Genre literary theme
Remove constraint Genre: literary themeSubject Terms religious and mythological subject
Remove constraint Subject Terms: religious and mythological subjectSearch Results
1
- The Lady of Shalott
- 1862
- Not on view
2
- 'The Triumph of Mercy,' from Collins' 'Ode To Mercy'
- 1788 to 1790
- Not on view
3
- "The Lady of Shalott"
- ca. 1875
- Not on view
4
- The Cave of Despair
- 1772
- Not on view
5
- Cymon and Iphigenia
- ca. 1766
- Not on view
6
- The Ghost of Clytemnestra Awakening the Furies
- 1781
- Not on view
7
- Sylvia and the Wounded Stag
- 1824
- Not on view
8
- The Cypress Grove
- plate etched between ca. 1880 and 1883; impression printed in 1924
9
- The Vine
- 1852
10
- Apuleia in Search of Apuleius
- between 1813 and 1823
11
- Procris and Cephalus
- 1812
12
- The Deluge
- between 1813 and 1823
13
- Aesacus and Hesperie
- 1819
14
- Apuleia in Search of Apuleius
- between 1813 and 1823
15
- Songs of Innocence, Frontispiece (Plate 1)
- 1789
16
- "From every-one of the Four Regions..." (Plate 18)
- 1804 to 1820
17
- "His Children exil'd from his breast..." (Plate 19)
- 1804 to 1820
18
- Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)
- 1804 to 1820
19
- "But when they saw Albion fall'n..." (Plate 20)
- 1804 to 1820
20
- "Then the Divine Vision like a silent Sun..." (Plate 29)
- 1804 to 1820
21
- "And the Two that escaped..." (Plate 30)
- 1804 to 1820
22
- "His western heaven with rocky clouds..." (Plate 31)
- 1804 to 1820
23
- "Leaning against the pillars..." (Plate 32)
- 1804 to 1820
24
- "And One stood forth from the Divine Family..." (Plate 37)
- 1804 to 1820
25
- "His face and bosom with petrific hardness..." (Plate 38)
- 1804 to 1820
26
- "Was living: panting like a frighted wolf..." (Plate 7)
- 1804 to 1820
27
- "It is easier to forgive an enemy..." (Plate 91)
- 1804 to 1820
28
- "As the Sun & Moon lead forward the Visions of Heaven & Earth..." (Plate 96)
- 1804 to 1820
29
- "Awake! Awake Jerusalem..." (Plate 97)
- 1804 to 1820
30
- "Then each an Arrow flaming from his Quiver..." (Plate 98)
- 1804 to 1820
31
- 'The vale of death! that hush'd cimmerian vale' (Page 54)
- 1797
32
- 'Trembling each gulp, lest death should snatch the bowl' (Page 57)
- 1797
33
- 'Till death, that mighty hunter, earths them all' (Page 70)
- 1797
34
- 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
- 1797
35
- 'The Sun beheld it – No, the shocking scene' (Page 75)
- 1797
36
- 'The thunder, if in that the Almighty dwells' (Page 80)
- 1797
37
- 'When faith is virtue, reason makes it so' (Page 92)
- 1797
38
- 'If angels tremble, 'tis at such a sight' (Page 93)
- 1797
39
- 'Till at Death's toll, whose restless iron tongue' (Page 7)
- 1797
40
- 'The goddess bursts in thunder and in flame' (Page 95)
- 1797
41
- 'Disease invades the chastest temperence' (Page 10)
- 1797
42
- 'Its favours here are trials, not rewards' (Page 12)
- 1797
43
- 'The present moment terminates our sight' (Page 13)
- 1797
44
- 'The longest night though longer far, would fail' (Page 15)
- 1797
45
- Ode to Adversity; Title Page
- between 1797 and 1798
46
- The Progress of Poesy, A Pindaric Ode; Title Page
- between 1797 and 1798
47
- "The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43)
- between 1797 and 1798
48
- "Cytherea's Day..." (Design 45)
- between 1797 and 1798
49
- The Bard Weaving Edwards Fate (Design 55)
- between 1797 and 1798
50
- "O'er thy country hangs The scourge of Heav'n..." (Design 59)
- between 1797 and 1798
51
- "Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61)
- between 1797 and 1798
52
- "We the reins to slaughter give..." (Design 73)
- between 1797 and 1798
53
- The Bard Singing Owen's Praise (Design 89)
- between 1797 and 1798
54
- A Genius Driving Away "Comus & his midnight-crew..." (Design 95)
- between 1797 and 1798
55
- "Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)
- between 1797 and 1798
56
- "Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
- between 1797 and 1798
57
- The Prophetess Rising from Her Grave (Design 81)
- between 1797 and 1798
58
- "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
- between 1797 and 1798
59
- "Hie thee hence, and boast at home..." (Design 85)
- between 1797 and 1798
60
- Ode for Music, Performed in the Senate-House; Title Page
- between 1797 and 1798
61
- Songs of Innocence, Frontispiece (Plate 1)
- 1789
62
- The Descent of Odin, An Ode; Title Page
- between 1797 and 1798
63
- "Him the dog of darkness spied..." (Design 79)
- between 1797 and 1798
64
- "Hurry, hurry, to the field!" Design 75)
- between 1797 and 1798
65
- "What do I see! The Briton Saxon Roman Norman..." (Plate 92)
- 1804 to 1820
66
- "Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)
- 1804 to 1820
67
- 'Like that, the dial speaks; and points to thee' (Page 33)
- 1797
68
- 'One radiant mark, – the death-bed of the just' (Page 41)
- 1797
69
- 'As if the sun could envy, check'd his beam' (Page 49)
- 1797
70
- The Christian Triumph; Title Page
- 1797
71
- 'His hand the good man fastens on the skies' (Page 86)
- 1797
72
- 'Is lost in love! thou great Philanthropist' (Page 87)
- 1797
73
- Poems by Mr. Gray; Title Page
- between 1797 and 1798
74
- "With screaming Horror's funeral cry, Despair, and fell Disease, and ghastly Poverty..." Design 39)
- between 1797 and 1798
75
- Elizabeth. "Girt with many a Baron bold..." (Design 63)
- between 1797 and 1798
76
- Sigtryg with the Silken Beard (Design 69)
- between 1797 and 1798
77
- Ode on the Death of a Favourite Cat, Drowned in a Tub of Gold Fishes; Title Page
- between 1797 and 1798
78
- "And Rahab Babylon the Great..." (Plate 75)
- 1804 to 1820
79
- Chapter 4 Frontispiece (Plate 76)
- 1804 to 1820
80
- Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)
- 1804 to 1820
81
- "My tents are fall'n! my pillars are in ruins!..." (Plate 79)
- 1804 to 1820
82
- "I have mock'd those who refused cruelty..." (Plate 81)
- 1804 to 1820
83
- "Highgates heights & Hampsteads..." (Plate 84)
- 1804 to 1820
84
- "Became a Space & an Allegory..." (Plate 85)
- 1804 to 1820
85
- "I see thy Form O lovely mild Jerusalem..." (Plate 86)
- 1804 to 1820
86
- "Tho divided by the Cross & Nails & Thorns & Spear..." (Plate 89)
- 1804 to 1820
87
- The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
- between 1797 and 1798
88
- "An ancient pile of building stands... there Employed the power of Fairy hands" (Design 25)
- between 1797 and 1798
89
- Ode on the Spring; Title Page
- between 1797 and 1798
90
- "Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
- between 1797 and 1798
91
- "Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57)
- between 1797 and 1798
92
- "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
- between 1797 and 1798
93
- The Fatal Sisters, An Ode; Title Page
- between 1797 and 1798
94
- "Iron sleet of arrowy shower Hurtles in the darkened air..." (Design 71)
- between 1797 and 1798
95
- "I have heard Jerusalems groans..." (Plate 82)
- 1804 to 1820
96
- "Corruptability appears upon thy limbs..." (Plate 83)
- 1804 to 1820
97
- "Repelling weeping Enion blind & age-bent..." (Plate 87)
- 1804 to 1820
98
- "Los answer'd sighing like the Bellows of his Furnaces..." (Plate 88)
- 1804 to 1820
99
- "To the Christians..." (Plate 77)
- 1804 to 1820
100
- "Encompass'd by the frozen Net..." (Plate 80)
- 1804 to 1820