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Creator:
Print made by William Blake, 1757–1827
Hand colored by William Blake, 1757–1827
Text by Edward Young, 1683–1765
Published by Richard Edwards, active 1796–1797
Title:
'If angels tremble, 'tis at such a sight' (Page 93)
Part Of:

Collective Title: Young's Night Thoughts

Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm), Sheet: 16 3/4 x 13 inches (42.5 x 33 cm), Plate: 15 5/8 x 12 3/4 inches (39.7 x 32.4 cm)
Inscription(s)/Marks/Lettering:

Lettered inside image: "93 | Which, dying, tenfold terror gives to death, | And dips in venom his twice-mortal sting. | Learn hence what honours, what loud paeans due | To those, who push our antidote aside; | Those boasted friends to reason and to man, | Whose fatal love stabs every joy, and leaves | Death's terror heighten'd gnawing on his heart: | These pompous sons of reason idolized | And vilified at once; of reason dead, | Then deified, as monarchs were of old; | What conduct plants proud laurels on their brow? | While love of truth through all their camp resounds, | They draw pride's curtain o'er the noon-tide ray, | Spike up their inch of reason on the point | Of philosophick wit, call'd argument; | And then, exulting in their taper, cry, | 'Behold the sun'; and, Indian-like, adore. | Talk they of morals? O thou bleeding love! | Thou maker of new morals to mankind! | The grand morality is love of THEE. | As wise as Socrates, if such they were, | Nor will they bate of that sublime renown, | As wise as Socrates might justly stand | The definition of a modern fool. | A christian is the highest stile of man: | And is there who the blessed cross wipes off, | As a foul blot, from his dishonour'd brow? | *If angels tremble, 'tis at such a sight; | The wretch they quit, desponding of their charge, | More struck with grief or wonder, who can tell?"; lower right: "in & s | WB"; lower left: "Pubd. June 1st. 1797, by R. Edwards, No. 142 New Bond Street"

Credit Line:
Yale Center for British Art, Paul Mellon Collection
Copyright Status:
Public Domain
Accession Number:
B1992.8.10(40)
Classification:
Prints
Collection:
Prints and Drawings
Subject Terms:
angels | literary theme | man | men | nude | religious and mythological subject | text | women
Access:
Accessible by appointment in the Study Room [Request]
Note: The Study Room is open by appointment. Please visit the Study Room page on our website for more details.
Link:
https://collections.britishart.yale.edu/catalog/tms:3571
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