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Samuel Palmer The Vine
Print made by Samuel Palmer, 1805–1881
The Vine
1852
George Romney Two Figures: Probably for the Bath of Diana
George Romney, 1734–1802
Two Figures: Probably for the Bath of Diana
undated
William Blake The Man Sweeping the Interpreter's Parlour
Print made by William Blake, 1757–1827
The Man Sweeping the Interpreter's Parlour
ca. 1822
William Blake "And that toward Eden, four..." (Plate 13)
Print made by William Blake, 1757–1827
"And that toward Eden, four..." (Plate 13)
1804 to 1820
William Blake Jerusalem, Plate 28 Proof Impression
Print made by William Blake, 1757–1827
Jerusalem, Plate 28 Proof Impression
ca. 1820
William Blake "From every-one of the Four Regions..." (Plate 18)
Print made by William Blake, 1757–1827
"From every-one of the Four Regions..." (Plate 18)
1804 to 1820
William Blake "His Children exil'd from his breast..." (Plate 19)
Print made by William Blake, 1757–1827
"His Children exil'd from his breast..." (Plate 19)
1804 to 1820
William Blake Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)
Print made by William Blake, 1757–1827
Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)
1804 to 1820
William Blake "But when they saw Albion fall'n..." (Plate 20)
Print made by William Blake, 1757–1827
"But when they saw Albion fall'n..." (Plate 20)
1804 to 1820
William Blake "By Satan's Watch-fiends tho' they search..." (Plate 39)
Print made by William Blake, 1757–1827
"By Satan's Watch-fiends tho' they search..." (Plate 39)
1804 to 1820
William Blake "To decide Two Worlds with a great decision..." (Plate 65)
Print made by William Blake, 1757–1827
"To decide Two Worlds with a great decision..." (Plate 65)
1804 to 1820
William Blake "In awful pomp & gold, in all the precious unhewn stones of Eden..." (Plate 66)
Print made by William Blake, 1757–1827
"In awful pomp & gold, in all the precious unhewn stones of Eden..." (Plate 66)
1804 to 1820
William Blake Jerusalem, Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)
Print made by William Blake, 1757–1827
Jerusalem, Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)
1804 to 1820
William Blake "All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)
Print made by William Blake, 1757–1827
"All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)
1804 to 1820
William Blake "Bath, mild Physician of Eternity..." (Plate 46)
Print made by William Blake, 1757–1827
"Bath, mild Physician of Eternity..." (Plate 46)
1804 to 1820
William Blake "His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)
Print made by William Blake, 1757–1827
"His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)
1804 to 1820
William Blake "His western heaven with rocky clouds..." (Plate 31)
Print made by William Blake, 1757–1827
"His western heaven with rocky clouds..." (Plate 31)
1804 to 1820
William Blake "And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)
Print made by William Blake, 1757–1827
"And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)
1804 to 1820
William Blake "Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)
Print made by William Blake, 1757–1827
"Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)
1804 to 1820
William Blake "Then the Divine Vision like a silent Sun..." (Plate 29)
Print made by William Blake, 1757–1827
"Then the Divine Vision like a silent Sun..." (Plate 29)
1804 to 1820
William Blake "To the Public. After my three years slumber..." (Plate 3)
Print made by William Blake, 1757–1827
"To the Public. After my three years slumber..." (Plate 3)
1804 to 1820
William Blake "Leaning against the pillars..." (Plate 32)
Print made by William Blake, 1757–1827
"Leaning against the pillars..." (Plate 32)
1804 to 1820
William Blake "To the Jews..." (Plate 27)
Print made by William Blake, 1757–1827
"To the Jews..." (Plate 27)
1804 to 1820
William Blake "Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)
Print made by William Blake, 1757–1827
"Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)
1804 to 1820
William Blake Jerusalem, Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
Jerusalem, Frontispiece (Plate 1)
1804 to 1820
William Blake "And One stood forth from the Divine Family..." (Plate 37)
Print made by William Blake, 1757–1827
"And One stood forth from the Divine Family..." (Plate 37)
1804 to 1820
William Blake "His face and bosom with petrific hardness..." (Plate 38)
Print made by William Blake, 1757–1827
"His face and bosom with petrific hardness..." (Plate 38)
1804 to 1820
William Blake "Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)
Print made by William Blake, 1757–1827
"Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)
1804 to 1820
William Blake "Bath who is Legions..." (Plate 41)
Print made by William Blake, 1757–1827
"Bath who is Legions..." (Plate 41)
1804 to 1820
William Blake "Thus Albion sat, studious of others..." (Plate 42)
Print made by William Blake, 1757–1827
"Thus Albion sat, studious of others..." (Plate 42)
1804 to 1820
William Blake "They saw their Wheels rising up poisonous..." (Plate 43)
Print made by William Blake, 1757–1827
"They saw their Wheels rising up poisonous..." (Plate 43)
1804 to 1820
William Blake "Bath, healing City!..." (Plate 45)
Print made by William Blake, 1757–1827
"Bath, healing City!..." (Plate 45)
1804 to 1820
William Blake "From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)
Print made by William Blake, 1757–1827
"From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)
1804 to 1820
William Blake Chapter 3 Frontispiece (Plate 51)
Print made by William Blake, 1757–1827
Chapter 3 Frontispiece (Plate 51)
1804 to 1820
William Blake "To the Deists. He never can be a Friend to the Human Race..." (Plate 52)
Print made by William Blake, 1757–1827
"To the Deists. He never can be a Friend to the Human Race..." (Plate 52)
1804 to 1820
William Blake "Was living: panting like a frighted wolf..." (Plate 7)
Print made by William Blake, 1757–1827
"Was living: panting like a frighted wolf..." (Plate 7)
1804 to 1820
William Blake "And this the form of mighty Hand..." (Plate 70)
Print made by William Blake, 1757–1827
"And this the form of mighty Hand..." (Plate 70)
1804 to 1820
William Blake Chapter 4 Frontispiece (Plate 76)
Print made by William Blake, 1757–1827
Chapter 4 Frontispiece (Plate 76)
1804 to 1820
William Blake "Rose up against me thundering..." (Plate 8)
Print made by William Blake, 1757–1827
"Rose up against me thundering..." (Plate 8)
1804 to 1820
William Blake "Los shudder'd at beholding Albion..." (Plate 40)
Print made by William Blake, 1757–1827
"Los shudder'd at beholding Albion..." (Plate 40)
1804 to 1820
William Blake "The banks of the Thames are clouded..." (Plate 5)
Print made by William Blake, 1757–1827
"The banks of the Thames are clouded..." (Plate 5)
1804 to 1820
William Blake "The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)
Print made by William Blake, 1757–1827
"The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)
1804 to 1820
William Blake "My tents are fall'n! my pillars are in ruins!..." (Plate 79)
Print made by William Blake, 1757–1827
"My tents are fall'n! my pillars are in ruins!..." (Plate 79)
1804 to 1820
William Blake "Encompass'd by the frozen Net..." (Plate 80)
Print made by William Blake, 1757–1827
"Encompass'd by the frozen Net..." (Plate 80)
1804 to 1820
William Blake "I have heard Jerusalems groans..." (Plate 82)
Print made by William Blake, 1757–1827
"I have heard Jerusalems groans..." (Plate 82)
1804 to 1820
William Blake "Corruptability appears upon thy limbs..." (Plate 83)
Print made by William Blake, 1757–1827
"Corruptability appears upon thy limbs..." (Plate 83)
1804 to 1820
William Blake "Condens'd his Emanations..." (Plate 9)
Print made by William Blake, 1757–1827
"Condens'd his Emanations..." (Plate 9)
1804 to 1820
Henry Fuseli Drawing for the Frontispiece of Erasmus Darwin's "The Botanic Garden"
Henry Fuseli, 1741–1825
Drawing for the Frontispiece of Erasmus Darwin's "The Botanic Garden"
1791
unknown artist Musician and Dancer from Bacchantes and Rustic Nymphs
unknown artist
Musician and Dancer from Bacchantes and Rustic Nymphs
undated
unknown artist Sketch for Dance for the Initiation of a Nymph
unknown artist
Sketch for Dance for the Initiation of a Nymph
undated
Sir James Thornhill The Fall of Phaeton: A Study for a Ceiling
follower of Sir James Thornhill, 1675–1734
The Fall of Phaeton: A Study for a Ceiling
undated
Sir James Thornhill Diana and Actaeon: A Study for a Panel on a Staircase
follower of Sir James Thornhill, 1675–1734
Diana and Actaeon: A Study for a Panel on a Staircase
undated
Benjamin West St. Michael and Lucifer
Benjamin West, 1738–1820
St. Michael and Lucifer
undated
Arthur Burgess Venus, after Masters of Tarrochi
Print made by Arthur Burgess, 1844–1886
Venus, after Masters of Tarrochi
undated
unknown artist An Hindu Seal
Print made by unknown artist
An Hindu Seal
ca. 1841
unknown artist Neptune and Britannia
unknown artist
Neptune and Britannia
undated
Sir James Thornhill Design for a Mythological Scene, with Jupiter and Juno
Sir James Thornhill, 1675–1734
Design for a Mythological Scene, with Jupiter and Juno
undated
Giovanni Battista Cipriani Selling of Cupids
Giovanni Battista Cipriani, 1727–1785
Selling of Cupids
undated
unknown artist Scene in Hell
unknown artist
Scene in Hell
undated
unknown artist Initiation of a Rustic Nymph
unknown artist
Initiation of a Rustic Nymph
undated
James Henry Watt St. Cecilia
James Henry Watt, 1799–1867
St. Cecilia
1834
unknown artist Scene from the Temptation of Christ: Devils?
unknown artist
Scene from the Temptation of Christ: Devils?
undated
unknown artist Head of Diana
unknown artist
Head of Diana
undated
unknown artist A Large Christmas Card
Print made by unknown artist
A Large Christmas Card
1895
Edward Francis Burney Vulcan and The Gods and Goddesses
Edward Francis Burney, 1760–1848
Vulcan and The Gods and Goddesses
undated
Thomas Trotter Jonathan Shipley, Bishop of St. Asaph
Thomas Trotter, ca. 1750–1803
Jonathan Shipley, Bishop of St. Asaph
1792
Richard Westall Christ Appears to Mary Magdalene (John 20:13-14)
Richard Westall, 1765–1836
Christ Appears to Mary Magdalene (John 20:13-14)
before 1836
Henry Swinburne Capuchins of Our Lady of Médoux
Henry Swinburne, 1743–1803
Capuchins of Our Lady of Médoux
undated
George Vertue Bookplate: The Spalding Gentlemen's Society
Print made by George Vertue, 1684–1756
Bookplate: The Spalding Gentlemen's Society
1746
George Vertue Bookplate: The Spalding Gentlemen's Society
Print made by George Vertue, 1684–1756
Bookplate: The Spalding Gentlemen's Society
1746
Theodore Casper von Furstenberg Head of Christ, Crowned with Thorns
Print made by Theodore Casper von Furstenberg, ca. 1615–1675
Head of Christ, Crowned with Thorns
between 1656 and 1675
Bernard Lens II Salvator Mundi
Print made by Bernard Lens II, 1659–1725
Salvator Mundi
undated
Bernard Lens II Salvator Mundi
Print made by Bernard Lens II, 1659–1725
Salvator Mundi
undated
John Smith, the mezzotinter Tobit and the Angel
Print made by John Smith, the mezzotinter, 1652–1743
Tobit and the Angel
undated
Abraham Blooteling Virgin and Child
Print made by Abraham Blooteling, 1640–1690
Virgin and Child
between 1670 and 1690
Bernard Lens II Ecce Homo
Print made by Bernard Lens II, 1659–1725
Ecce Homo
undated
John Smith, the mezzotinter Infant Jesus
Print made by John Smith, the mezzotinter, 1652–1743
Infant Jesus
undated
Prince Rupert The Magdalen
Print made by Prince Rupert, 1619–1682
The Magdalen
1659
Bernard Lens II Christ and Ye Woman of Samaria
Print made by Bernard Lens II, 1659–1725
Christ and Ye Woman of Samaria
undated
Luigi Schiavonetti The Soul Exploring the Recesses of the Grave
Print made by Luigi Schiavonetti, 1765–1810
The Soul Exploring the Recesses of the Grave
1808, published 1813
Lucas Vorsterman I Isabella Clara Eugenia
Print made by Lucas Vorsterman I, 1595–1675
Isabella Clara Eugenia
ca. 1635
Stephen Frederick Gooden The Satyrs
Stephen Frederick Gooden, 1892–1955
The Satyrs
1937
Francesco Bartolozzi The Virgin and Child
Print made by Francesco Bartolozzi, 1728–1815
The Virgin and Child
1770
John Smith, the mezzotinter Tobias and the Angel
Print made by John Smith, the mezzotinter, 1652–1743
Tobias and the Angel
ca. 1685
John Bell The Assault
Print made by John Bell, 1811–1895
The Assault
between 1838 and 1850
Anthony Cardon Cupid Wounded
Print made by Anthony Cardon, 1772–1813
Cupid Wounded
1801
Bill Jay The Photographer's Burden
Bill Jay, 1940–2009
The Photographer's Burden
before 1992
Luigi Schiavonetti The Soul Exploring the Recesses of the Grave
Print made by Luigi Schiavonetti, 1765–1810
The Soul Exploring the Recesses of the Grave
1808
Luigi Schiavonetti The Meeting of a Family in Heaven
Print made by Luigi Schiavonetti, 1765–1810
The Meeting of a Family in Heaven
1808
Luigi Schiavonetti The Soul Exploring the Recesses of the Grave
Print made by Luigi Schiavonetti, 1765–1810
The Soul Exploring the Recesses of the Grave
1808
Luigi Schiavonetti The Meeting of a Family in Heaven
Print made by Luigi Schiavonetti, 1765–1810
The Meeting of a Family in Heaven
1808
Luigi Schiavonetti The Meeting of a Family in Heaven
Print made by Luigi Schiavonetti, 1765–1810
The Meeting of a Family in Heaven
1808
Stephen Frederick Gooden Absalom
Stephen Frederick Gooden, 1892–1955
Absalom
1923
Arnold Fawcus First proof of Arnold Fawcus's facsimile of Blake's Illustrations of the Book of Job
Published by Arnold Fawcus, 1917–1979
First proof of Arnold Fawcus's facsimile of Blake's Illustrations of the Book of Job
1972