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Vanessa Bell Woman in an Armchair
Vanessa Bell, 1879–1961
Woman in an Armchair
ca. 1921
Samuel Palmer The Willow
Print made by Samuel Palmer, 1805–1881
The Willow
1850
Samuel Palmer The Vine
Print made by Samuel Palmer, 1805–1881
The Vine
1852
William Hogarth Trade Sheet for: Richard Hand, The Oldest Original Chelsey Bunn Baker at the King's Arms Chelsey
William Hogarth, 1697–1764
Trade Sheet for: Richard Hand, The Oldest Original Chelsey Bunn Baker at the King's Arms Chelsey
1718
William Blake "And One stood forth from the Divine Family..." (Plate 37)
Print made by William Blake, 1757–1827
"And One stood forth from the Divine Family..." (Plate 37)
1804 to 1820
William Blake "Bath who is Legions..." (Plate 41)
Print made by William Blake, 1757–1827
"Bath who is Legions..." (Plate 41)
1804 to 1820
William Blake "Thus Albion sat, studious of others..." (Plate 42)
Print made by William Blake, 1757–1827
"Thus Albion sat, studious of others..." (Plate 42)
1804 to 1820
William Blake "They saw their Wheels rising up poisonous..." (Plate 43)
Print made by William Blake, 1757–1827
"They saw their Wheels rising up poisonous..." (Plate 43)
1804 to 1820
William Blake "The banks of the Thames are clouded..." (Plate 5)
Print made by William Blake, 1757–1827
"The banks of the Thames are clouded..." (Plate 5)
1804 to 1820
William Blake "To decide Two Worlds with a great decision..." (Plate 65)
Print made by William Blake, 1757–1827
"To decide Two Worlds with a great decision..." (Plate 65)
1804 to 1820
William Blake "Was living: panting like a frighted wolf..." (Plate 7)
Print made by William Blake, 1757–1827
"Was living: panting like a frighted wolf..." (Plate 7)
1804 to 1820
William Blake "My tents are fall'n! my pillars are in ruins!..." (Plate 79)
Print made by William Blake, 1757–1827
"My tents are fall'n! my pillars are in ruins!..." (Plate 79)
1804 to 1820
William Blake Jerusalem, Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
Jerusalem, Frontispiece (Plate 1)
1804 to 1820
William Blake "And that toward Eden, four..." (Plate 13)
Print made by William Blake, 1757–1827
"And that toward Eden, four..." (Plate 13)
1804 to 1820
William Blake Jerusalem, Plate 28 Proof Impression
Print made by William Blake, 1757–1827
Jerusalem, Plate 28 Proof Impression
ca. 1820
William Blake "His western heaven with rocky clouds..." (Plate 31)
Print made by William Blake, 1757–1827
"His western heaven with rocky clouds..." (Plate 31)
1804 to 1820
William Blake "Leaning against the pillars..." (Plate 32)
Print made by William Blake, 1757–1827
"Leaning against the pillars..." (Plate 32)
1804 to 1820
William Blake "His face and bosom with petrific hardness..." (Plate 38)
Print made by William Blake, 1757–1827
"His face and bosom with petrific hardness..." (Plate 38)
1804 to 1820
William Blake "In awful pomp & gold, in all the precious unhewn stones of Eden..." (Plate 66)
Print made by William Blake, 1757–1827
"In awful pomp & gold, in all the precious unhewn stones of Eden..." (Plate 66)
1804 to 1820
William Blake "I have heard Jerusalems groans..." (Plate 82)
Print made by William Blake, 1757–1827
"I have heard Jerusalems groans..." (Plate 82)
1804 to 1820
William Blake Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)
Print made by William Blake, 1757–1827
Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)
1804 to 1820
William Blake "But when they saw Albion fall'n..." (Plate 20)
Print made by William Blake, 1757–1827
"But when they saw Albion fall'n..." (Plate 20)
1804 to 1820
William Blake "And this the form of mighty Hand..." (Plate 70)
Print made by William Blake, 1757–1827
"And this the form of mighty Hand..." (Plate 70)
1804 to 1820
William Blake Chapter 4 Frontispiece (Plate 76)
Print made by William Blake, 1757–1827
Chapter 4 Frontispiece (Plate 76)
1804 to 1820
William Blake Jerusalem, Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)
Print made by William Blake, 1757–1827
Jerusalem, Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)
1804 to 1820
William Blake "Rose up against me thundering..." (Plate 8)
Print made by William Blake, 1757–1827
"Rose up against me thundering..." (Plate 8)
1804 to 1820
William Blake "Encompass'd by the frozen Net..." (Plate 80)
Print made by William Blake, 1757–1827
"Encompass'd by the frozen Net..." (Plate 80)
1804 to 1820
William Blake "From every-one of the Four Regions..." (Plate 18)
Print made by William Blake, 1757–1827
"From every-one of the Four Regions..." (Plate 18)
1804 to 1820
William Blake "To the Jews..." (Plate 27)
Print made by William Blake, 1757–1827
"To the Jews..." (Plate 27)
1804 to 1820
William Blake "Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)
Print made by William Blake, 1757–1827
"Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)
1804 to 1820
William Blake "His Children exil'd from his breast..." (Plate 19)
Print made by William Blake, 1757–1827
"His Children exil'd from his breast..." (Plate 19)
1804 to 1820
William Blake "Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)
Print made by William Blake, 1757–1827
"Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)
1804 to 1820
William Blake "And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)
Print made by William Blake, 1757–1827
"And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)
1804 to 1820
William Blake "Then the Divine Vision like a silent Sun..." (Plate 29)
Print made by William Blake, 1757–1827
"Then the Divine Vision like a silent Sun..." (Plate 29)
1804 to 1820
William Blake "To the Public. After my three years slumber..." (Plate 3)
Print made by William Blake, 1757–1827
"To the Public. After my three years slumber..." (Plate 3)
1804 to 1820
William Blake "By Satan's Watch-fiends tho' they search..." (Plate 39)
Print made by William Blake, 1757–1827
"By Satan's Watch-fiends tho' they search..." (Plate 39)
1804 to 1820
William Blake "Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)
Print made by William Blake, 1757–1827
"Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)
1804 to 1820
William Blake "Los shudder'd at beholding Albion..." (Plate 40)
Print made by William Blake, 1757–1827
"Los shudder'd at beholding Albion..." (Plate 40)
1804 to 1820
William Blake "Bath, healing City!..." (Plate 45)
Print made by William Blake, 1757–1827
"Bath, healing City!..." (Plate 45)
1804 to 1820
William Blake "Bath, mild Physician of Eternity..." (Plate 46)
Print made by William Blake, 1757–1827
"Bath, mild Physician of Eternity..." (Plate 46)
1804 to 1820
William Blake "From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)
Print made by William Blake, 1757–1827
"From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)
1804 to 1820
William Blake "The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)
Print made by William Blake, 1757–1827
"The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)
1804 to 1820
William Blake Chapter 3 Frontispiece (Plate 51)
Print made by William Blake, 1757–1827
Chapter 3 Frontispiece (Plate 51)
1804 to 1820
William Blake "To the Deists. He never can be a Friend to the Human Race..." (Plate 52)
Print made by William Blake, 1757–1827
"To the Deists. He never can be a Friend to the Human Race..." (Plate 52)
1804 to 1820
William Blake "His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)
Print made by William Blake, 1757–1827
"His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)
1804 to 1820
William Blake "Corruptability appears upon thy limbs..." (Plate 83)
Print made by William Blake, 1757–1827
"Corruptability appears upon thy limbs..." (Plate 83)
1804 to 1820
William Blake "Condens'd his Emanations..." (Plate 9)
Print made by William Blake, 1757–1827
"Condens'd his Emanations..." (Plate 9)
1804 to 1820
William Blake "All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)
Print made by William Blake, 1757–1827
"All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)
1804 to 1820
William Blake Thomas Hayley, the Disciple of John Flaxman, from a Medallion
Print made by William Blake, 1757–1827
Thomas Hayley, the Disciple of John Flaxman, from a Medallion
1800
William Blake The Man Sweeping the Interpreter's Parlour
Print made by William Blake, 1757–1827
The Man Sweeping the Interpreter's Parlour
ca. 1822
Robert Wallis Hermitage Castle
Print made by Robert Wallis, 1794–1878
Hermitage Castle
1834
George Murray Neath
Print made by George Murray, died 1822
Neath
1795
S. Porter Durham Cathedral
Print made by S. Porter, active 1802
Durham Cathedral
1802
F. F. Walker Plate 12, The Industrious 'Prentice Lord-Mayor of London
Print made by F. F. Walker, active 1805–1836
Plate 12, The Industrious 'Prentice Lord-Mayor of London
1833
Charles Turner Mrs. Apollonia Wodehouse
Print made by Charles Turner, 1774–1857
Mrs. Apollonia Wodehouse
1823
Jan Thomas of Ypres St. Charles Borromeo
Print made by Jan Thomas of Ypres, 1617–1678
St. Charles Borromeo
between 1650 and 1660
Theodore Casper von Furstenberg Head of Christ, Crowned with Thorns
Print made by Theodore Casper von Furstenberg, ca. 1615–1675
Head of Christ, Crowned with Thorns
between 1656 and 1675
Prince Rupert Head of a Young Woman
Print made by Prince Rupert, 1619–1682
Head of a Young Woman
1658
George H. Phillips Lady Wallscourt
Print made by George H. Phillips, active 1819–1825
Lady Wallscourt
1839
Caroline Watson Lady Elizabeth Foster
Print made by Caroline Watson, 1760–1814
Lady Elizabeth Foster
1788
Prince Rupert The Magdalen
Print made by Prince Rupert, 1619–1682
The Magdalen
1659
Prince Rupert The Magdalen
Print made by Prince Rupert, 1619–1682
The Magdalen
1659
Thomas Watson Mrs. Wilbraham
Print made by Thomas Watson, 1743–1781
Mrs. Wilbraham
1780
Peter Pasquin One of a set of 6: A Day's Journal of a Sponge
Peter Pasquin, active 1824–1826
One of a set of 6: A Day's Journal of a Sponge
1824
Peltro W. Tomkins Mrs. Siddons
Print made by Peltro W. Tomkins, 1760–1840
Mrs. Siddons
undated
John Smith, the mezzotinter Infant Jesus
Print made by John Smith, the mezzotinter, 1652–1743
Infant Jesus
undated
John Smith, the mezzotinter Fording a Brook
Print made by John Smith, the mezzotinter, 1652–1743
Fording a Brook
undated
Abraham Blooteling Virgin and Child
Print made by Abraham Blooteling, 1640–1690
Virgin and Child
between 1670 and 1690
Johan Danckerts Fille de Qualite en Deshabille d'Hiver
Print made by Johan Danckerts, 1615–ca. 1687
Fille de Qualite en Deshabille d'Hiver
undated
Peter Pasquin One of a set of 6 (5): A Day's Journal of a Sponge
Peter Pasquin, active 1824–1826
One of a set of 6 (5): A Day's Journal of a Sponge
1824
Peter Pasquin One of a set of 6 (6): A Day's Journal of a Sponge
Peter Pasquin, active 1824–1826
One of a set of 6 (6): A Day's Journal of a Sponge
1824
Arthur Burgess Venus, after Masters of Tarrochi
Print made by Arthur Burgess, 1844–1886
Venus, after Masters of Tarrochi
undated
William Johnstone White House of Commons, as it appeared in 1741-2
William Johnstone White, active 1804–died c.1870
House of Commons, as it appeared in 1741-2
Edward Goodall Smailholm Tower
Print made by Edward Goodall, 1795–1870
Smailholm Tower
1834
James S. Storer Chepstow
Print made by James S. Storer, 1771–1853
Chepstow
1794
Thomas Tagg Northampton
Print made by Thomas Tagg, died 1809
Northampton
1796
Edward Goodall The Boy of Egremond
Print made by Edward Goodall, 1795–1870
The Boy of Egremond
1834
unknown artist Half-length Portrait of Man in Peasant Dress
unknown artist
Half-length Portrait of Man in Peasant Dress
undated
Peter Pasquin One of a set of 6 (4): A Day's Journal of a Sponge
Peter Pasquin, active 1824–1826
One of a set of 6 (4): A Day's Journal of a Sponge
1824
Peter Pasquin One of a set of 6 (2): A Day's Journal of a Sponge
Peter Pasquin, active 1824–1826
One of a set of 6 (2): A Day's Journal of a Sponge
1824
Peter Pasquin One of a set of 6 (3): A Day's Journal of a Sponge
Peter Pasquin, active 1824–1826
One of a set of 6 (3): A Day's Journal of a Sponge
1824
Samuel Cousins The Countess of Blessington
Print made by Samuel Cousins, 1801–1887
The Countess of Blessington
1837
Samuel Cousins The Visionary
Print made by Samuel Cousins, 1801–1887
The Visionary
1833
Samuel Cousins The Orphan
Print made by Samuel Cousins, 1801–1887
The Orphan
1834
Sir Joshua Reynolds Charles Rogers, Esq.
after Sir Joshua Reynolds, 1723–1792
Charles Rogers, Esq
1778
Schelte A. Bolswert Maria Ruten
Schelte A. Bolswert, 1586–1659
Maria Ruten
1630-1645
Thomas Trotter Jonathan Shipley, Bishop of St. Asaph
Thomas Trotter, ca. 1750–1803
Jonathan Shipley, Bishop of St. Asaph
1792
unknown artist William Wentforth, 2nd Earl of Strafford
unknown artist
William Wentforth, 2nd Earl of Strafford
1798
George Vertue Sir William Temple
George Vertue, 1684–1756
Sir William Temple
undated
John Samuel Agar Anne (née Bermingham) Caulfield, Countess of Charlemont
Print made by John Samuel Agar, ca. 1773–1858
Anne (née Bermingham) Caulfield, Countess of Charlemont
1812
Niccoló Schiavonetti Charlotte (née Percy) Ashburnham, Viscountess St.Asaph
Niccoló Schiavonetti, 1771–1813
Charlotte (née Percy) Ashburnham, Viscountess St.Asaph
1812
Schelte A. Bolswert Iustus Lipsius
Print made by Schelte A. Bolswert, 1586–1659
Iustus Lipsius
ca. 1635
Schelte A. Bolswert Iustus Lipsius
Print made by Schelte A. Bolswert, 1586–1659
Iustus Lipsius
ca. 1635
William Hondius Franciscus Franck Iunior
Print made by William Hondius, c.1597–c.1660
Franciscus Franck Iunior
ca. 1635
Schelte A. Bolswert Ioannes Baptista Barbé
Print made by Schelte A. Bolswert, 1586–1659
Ioannes Baptista Barbé
ca. 1635
Schelte A. Bolswert Adrianus Brauwer
Print made by Schelte A. Bolswert, 1586–1659
Adrianus Brauwer
ca. 1635
Schelte A. Bolswert Artus Wolfart
Print made by Schelte A. Bolswert, 1586–1659
Artus Wolfart
ca. 1635
Cornelius Galle Artus Wolfart
Print made by Cornelius Galle, 1576–1650
Artus Wolfart
ca. 1635
William Hondius Franciscus Franck Iunior
Print made by William Hondius, c.1597–c.1660
Franciscus Franck Iunior
ca. 1635
William Hondius Franciscus Franck Iunior
Print made by William Hondius, c.1597–c.1660
Franciscus Franck Iunior
ca. 1635