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Collection
Prints and Drawings
68
Creator
Blake, William, 1757–1827
54
Martin, John, 1789–1854
5
Haydon, Benjamin Robert, 1786–1846
4
Cruikshank, Robert Isaac, 1789–1856
2
Clennell, Luke, 1781–1840
1
Cox, David, 1783–1859
1
Fuseli, Henry, 1741–1825
1
Rowlandson, Thomas, 1756–1827
1
Varley, John, 1778–1842
1
Date
1800
122
1772
99
1804
[remove]
68
1797
53
1792
35
1793
32
1771
28
1789
28
1807
28
1794
27
1798
26
1749
24
1799
24
1825
24
1770
23
1818
23
1795
22
1748
20
1780
20
1790
20
1830
20
1775
19
1801
19
1787
18
1821
18
1841
18
1767
17
1817
17
1717
16
1755
16
1805
16
1812
16
1700
15
1774
15
1785
15
1815
15
1822
15
1762
13
1784
13
1809
13
1810
13
1831
13
1783
12
1820
12
1712
11
1823
11
1782
10
1814
10
1827
10
1835
10
1745
9
1761
9
1796
9
1816
9
1848
9
1756
8
1759
8
1768
8
1788
8
1811
8
1843
8
1764
7
1765
7
1779
7
1786
7
1802
7
1819
7
1838
7
1873
7
1736
6
1740
6
1747
6
1834
6
1840
6
1876
6
1699
5
1715
5
1773
5
1776
5
1778
5
1791
5
1806
5
1813
5
1837
5
1854
5
1855
5
1867
5
1882
5
0
4
1660
4
1728
4
1746
4
1757
4
1781
4
1803
4
1808
4
1824
4
1826
4
1828
4
1832
4
On-site Access
Accessible by appointment in the Study Room
68
Image Use
Free to Use
68
Image Available
Available
68
Classification
Prints
53
Drawings & Watercolors
15
Creator Gender
male
68
Collective Title
Jerusalem: The Emanation of The Giant Albion, Copy E
53
Studies of, 167 Drawings, and 1 Print, for Oil Paintings, by Benjamin R. Haydon
3
The Merchant of Venice
1
Period
19th century
67
18th century-19th century
1
Materials & Techniques
wove paper
62
watercolor
59
black ink
56
relief etching
53
graphite
12
gold
9
brown ink
7
pen
4
gray wash
3
laid paper
3
black chalk
2
scratching out
2
white gouache
2
brown wash
1
gouache
1
gray ink
1
red ink
1
white chalk
1
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
5
to
57
Width [cm]
Width [cm] range begin
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Width [cm] range end
Current results range from
7
to
34
Work Type
drawing
[remove]
68
watercolor
62
relief print
53
frontispiece
1
Genre
religious and mythological subject
59
literary theme
55
figure study
4
genre subject
4
landscape
2
anatomical study
1
Subject Terms
men
[remove]
68
religious and mythological subject
58
literary theme
55
text
49
nudes
45
women
36
fire
17
flames
15
sun
15
sky
13
moon
12
stars
11
vines
10
wings
10
beard
9
leaf
8
roots
7
trees
7
clouds
6
figure study
6
more
Subject Terms
»
Associated Places
United Kingdom
2
Birmingham
1
England
1
Europe
1
Greater London
1
Kensington Gardens
1
Associated People
Bassiano (character in The Merchant of Venice)
1
Jesus Christ (7–2 BC/BCE to 30–36 AD/CE)
1
Satan
1
Shakespeare, William (1564–1616), playwright and poet
1
Stephen, Saint (c.5–34), protomartyr
1
The Virgin Mary
1
Exhibition History
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
54
William Blake (Tate Britain, 2000-11-02 - 2001-02-04)
53
William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)
12
William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)
12
The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)
10
William Blake: Visionary (The J. Paul Getty Museum, 2023-10-17 - 2024-01-14)
8
British Vision - Observation and Imagination in British Art (Museum of Fine Arts Ghent, 2007-10-06 - 2008-01-13)
4
An American's Passion for British Art - Paul Mellon's Legacy (Royal Academy of Arts, 2007-10-20 - 2008-01-27)
3
An American's Passion for British Art - Paul Mellon's Legacy (Yale Center for British Art, 2007-04-18 - 2007-07-29)
3
Paul Mellon's Legacy : A Passion for British Art (Yale Center for British Art, 2007-04-18 - 2007-07-29)
3
The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)
3
Roads to Rails - Revolution in British Transport (Yale Center for British Art, 1992-04-15 - 1992-06-28)
1
Shakespeare and British Art (Yale Center for British Art, 1981-04-23 - 1981-07-05)
1
Shakespeare in Western Art (Isetan Museum of Art, 1992-10-29 - 1992-11-24)
1
Shakespeare in Western Art (Kintetsu Museum of Art, 1993-01-09 - 1993-02-02)
1
Shakespeare in Western Art (Museum of Modern Art, Ibaraki, 1992-11-28 - 1992-12-23)
1
Shakespeare in Western Art (Takamatsu City Museum of Art, 1993-01-09 - 1993-02-08)
1
William Blake (Tokyo) (The National Museum of Western Art, 1990-09-18 - 1990-11-25)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
66
Yale Center for British Art, Anonymous Gift, The Frederick Benjamin Kaye Memorial Collection, transfer from the Yale University Art Gallery
1
Yale Center for British Art, Yale Art Gallery Collection
1
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Date
1804
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1
Print made by William Blake, 1757–1827
Jerusalem, Frontispiece (Plate 1)
1804 to 1820
2
Print made by William Blake, 1757–1827
Jerusalem, Tailpiece (Plate 100)
1804 to 1820
3
Print made by William Blake, 1757–1827
"Then all the Males conjoined into One Male..." (Plate 69)
1804 to 1820
4
Print made by William Blake, 1757–1827
"Turning his back to the Divine Vision..." (Plate 33)
1804 to 1820
5
Print made by William Blake, 1757–1827
"Then the Divine hand found the Two Limits..." (Plate 35)
1804 to 1820
6
Print made by William Blake, 1757–1827
"Reuben return'd to his place, in vain..." (Plate 36)
1804 to 1820
7
Print made by William Blake, 1757–1827
"Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)
1804 to 1820
8
Print made by William Blake, 1757–1827
"Of the Mundane Shell which froze..." (Plate 64)
1804 to 1820
9
Print made by William Blake, 1757–1827
"Highgates heights & Hampsteads..." (Plate 84)
1804 to 1820
10
Print made by William Blake, 1757–1827
"Became a Space & an Allegory..." (Plate 85)
1804 to 1820
11
Print made by William Blake, 1757–1827
Jerusalem, Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)
1804 to 1820
12
Print made by William Blake, 1757–1827
"Repelling weeping Enion blind & age-bent..." (Plate 87)
1804 to 1820
13
Print made by William Blake, 1757–1827
"But when they saw Albion fall'n..." (Plate 20)
1804 to 1820
14
Print made by William Blake, 1757–1827
"O Vala! O Jerusalem! do you delight in my groans..." (Plate 21)
1804 to 1820
15
Print made by William Blake, 1757–1827
"Such visions have appeared to me..."; Chapter 2 Frontispiece (Plate 26)
1804 to 1820
16
Print made by William Blake, 1757–1827
"Then the Divine Vision like a silent Sun..." (Plate 29)
1804 to 1820
17
Print made by William Blake, 1757–1827
"And the Two that escaped..." (Plate 30)
1804 to 1820
18
Print made by William Blake, 1757–1827
"And One stood forth from the Divine Family..." (Plate 37)
1804 to 1820
19
Print made by William Blake, 1757–1827
"The secret coverts of Albion & the hidden places of America..." (Plate 49)
1804 to 1820
20
Print made by William Blake, 1757–1827
"In Great Eternity every particular Form..." (Plate 54)
1804 to 1820
21
Print made by William Blake, 1757–1827
"His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)
1804 to 1820
22
Print made by William Blake, 1757–1827
"Repose on me till the morning of the Grave..." (Plate 62)
1804 to 1820
23
Print made by William Blake, 1757–1827
"In awful pomp & gold, in all the precious unhewn stones of Eden..." (Plate 66)
1804 to 1820
24
Print made by William Blake, 1757–1827
"Was living: panting like a frighted wolf..." (Plate 7)
1804 to 1820
25
Print made by William Blake, 1757–1827
"And Rahab Babylon the Great..." (Plate 75)
1804 to 1820
26
Print made by William Blake, 1757–1827
Chapter 4 Frontispiece (Plate 76)
1804 to 1820
27
Print made by William Blake, 1757–1827
"One hair nor particle of dust..." (Plate 14)
1804 to 1820
28
Print made by William Blake, 1757–1827
"His Children exil'd from his breast..." (Plate 19)
1804 to 1820
29
Print made by William Blake, 1757–1827
"Condens'd his Emanations..." (Plate 9)
1804 to 1820
30
Print made by William Blake, 1757–1827
"It is easier to forgive an enemy..." (Plate 91)
1804 to 1820
31
Print made by William Blake, 1757–1827
"Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)
1804 to 1820
32
Print made by William Blake, 1757–1827
"Albion cold lays on his Rock..." (Plate 94)
1804 to 1820
33
Print made by William Blake, 1757–1827
"As the Sun & Moon lead forward the Visions of Heaven & Earth..." (Plate 96)
1804 to 1820
34
Print made by William Blake, 1757–1827
"Awake! Awake Jerusalem..." (Plate 97)
1804 to 1820
35
Print made by William Blake, 1757–1827
"All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)
1804 to 1820
36
Print made by William Blake, 1757–1827
"Her voice pierc'd Albions clay cold ear..." (Plate 95)
1804 to 1820
37
Print made by William Blake, 1757–1827
"Why wilt thou give to her a Body..." (Plate 12)
1804 to 1820
38
Print made by William Blake, 1757–1827
"And Hand & Hyle rooted into Jerusalem..." (Plate 15)
1804 to 1820
39
Print made by William Blake, 1757–1827
"From every-one of the Four Regions..." (Plate 18)
1804 to 1820
40
Print made by William Blake, 1757–1827
"Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)
1804 to 1820
41
Print made by William Blake, 1757–1827
"What have I said? What have I done?..." (Plate 24)
1804 to 1820
42
Print made by William Blake, 1757–1827
"And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)
1804 to 1820
43
Print made by William Blake, 1757–1827
"By Satan's Watch-fiends tho' they search..." (Plate 39)
1804 to 1820
44
Print made by William Blake, 1757–1827
"Los shudder'd at beholding Albion..." (Plate 40)
1804 to 1820
45
Print made by William Blake, 1757–1827
"Bath who is Legions..." (Plate 41)
1804 to 1820
46
Print made by William Blake, 1757–1827
"Thus Albion sat, studious of others..." (Plate 42)
1804 to 1820
47
Print made by William Blake, 1757–1827
"Bath, healing City!..." (Plate 45)
1804 to 1820
48
Print made by William Blake, 1757–1827
"Bath, mild Physician of Eternity..." (Plate 46)
1804 to 1820
49
Print made by William Blake, 1757–1827
"From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)
1804 to 1820
50
Print made by William Blake, 1757–1827
"The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)
1804 to 1820
51
Print made by William Blake, 1757–1827
Chapter 3 Frontispiece (Plate 51)
1804 to 1820
52
Print made by William Blake, 1757–1827
"By those who drink their blood & the blood of their Covenant..." (Plate 67)
1804 to 1820
53
Print made by William Blake, 1757–1827
"Such are Cathedrons golden Halls..." (Plate 73)
1804 to 1820
54
William Blake, 1757–1827
Albion Compelling the Four Zoas to Their Proper Tasks
1804 to 1810
55
Henry Fuseli, 1741–1825
Study for 'Finding of the Body of Bassanio'
1804
56
Attributed to John Martin, 1789–1854
The Stoning of Saint Stephen
undated
57
Attributed to John Martin, 1789–1854
Christ with Three Figures
undated
58
attributed to John Martin, 1789–1854
Mountainous Landscape with Figures and a Rock Above a Lake
undated
59
Attributed to John Martin, 1789–1854
Shadrach, Meshack and Abed-Nego before Nebuchadnezzar
undated
60
John Martin, 1789–1854
Kensington Gardens
undated
61
Benjamin Robert Haydon, 1786–1846
Study of the Crucifixion
undated
62
Benjamin Robert Haydon, 1786–1846
Study of a Biblical Scene
undated
63
Benjamin Robert Haydon, 1786–1846
Figure Studies of the Virgin Mary
undated
64
Benjamin Robert Haydon, 1786–1846
Study of Two Male Nudes
1804
65
Thomas Rowlandson, 1756–1827
Mother Bundle in a Rage or Too late for the Stage
ca. 1809
66
David Cox, 1783–1859
Boat Building - Dockyard at Birmingham
mid to late 1800s
67
Robert Isaac Cruikshank, 1789–1856
Public Refreshment in High Society
undated
68
Robert Isaac Cruikshank, 1789–1856
Public Refreshment in Low Society
undated