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Credit Line Yale Center for British Art, Paul Mellon Collection
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1
- The Avon Gorge at Sunset
- ca. 1850
- Not on view
2
- East Bergholt Church
- 1809
- Not on view
3
- A View of London Bridge
- early 19th century
- Not on view
4
- A View of Westminster Bridge
- early 19th century
- Not on view
5
- Foxhunting: Clearing a Bank
- ca. 1840
- Not on view
6
- The Vine
- 1852
7
- The Timber Wain
- between 1833 and 1834
8
- Trade Sheet for: Richard Hand, The Oldest Original Chelsey Bunn Baker at the King's Arms Chelsey
- 1718
9
- The Channel Sketchbook
- ca. 1845
10
- The Angler
- 1794
11
- "To the Deists. He never can be a Friend to the Human Race..." (Plate 52)
- 1804 to 1820
12
- "His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)
- 1804 to 1820
13
- "In awful pomp & gold, in all the precious unhewn stones of Eden..." (Plate 66)
- 1804 to 1820
14
- "And this the form of mighty Hand..." (Plate 70)
- 1804 to 1820
15
- Chapter 4 Frontispiece (Plate 76)
- 1804 to 1820
16
- Jerusalem, Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)
- 1804 to 1820
17
- "My tents are fall'n! my pillars are in ruins!..." (Plate 79)
- 1804 to 1820
18
- "Rose up against me thundering..." (Plate 8)
- 1804 to 1820
19
- "Encompass'd by the frozen Net..." (Plate 80)
- 1804 to 1820
20
- Jerusalem, Frontispiece (Plate 1)
- 1804 to 1820
21
- Jerusalem, Plate 28 Proof Impression
- ca. 1820
22
- "And that toward Eden, four..." (Plate 13)
- 1804 to 1820
23
- "From every-one of the Four Regions..." (Plate 18)
- 1804 to 1820
24
- "His Children exil'd from his breast..." (Plate 19)
- 1804 to 1820
25
- Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)
- 1804 to 1820
26
- "But when they saw Albion fall'n..." (Plate 20)
- 1804 to 1820
27
- "To the Jews..." (Plate 27)
- 1804 to 1820
28
- "Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)
- 1804 to 1820
29
- "Then the Divine Vision like a silent Sun..." (Plate 29)
- 1804 to 1820
30
- "To the Public. After my three years slumber..." (Plate 3)
- 1804 to 1820
31
- "His western heaven with rocky clouds..." (Plate 31)
- 1804 to 1820
32
- "Leaning against the pillars..." (Plate 32)
- 1804 to 1820
33
- "Bath who is Legions..." (Plate 41)
- 1804 to 1820
34
- "Bath, mild Physician of Eternity..." (Plate 46)
- 1804 to 1820
35
- "From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)
- 1804 to 1820
36
- "The banks of the Thames are clouded..." (Plate 5)
- 1804 to 1820
37
- "The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)
- 1804 to 1820
38
- Chapter 3 Frontispiece (Plate 51)
- 1804 to 1820
39
- "Was living: panting like a frighted wolf..." (Plate 7)
- 1804 to 1820
40
- "I have heard Jerusalems groans..." (Plate 82)
- 1804 to 1820
41
- "Corruptability appears upon thy limbs..." (Plate 83)
- 1804 to 1820
42
- "Condens'd his Emanations..." (Plate 9)
- 1804 to 1820
43
- "All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)
- 1804 to 1820
44
- "Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)
- 1804 to 1820
45
- "And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)
- 1804 to 1820
46
- "And One stood forth from the Divine Family..." (Plate 37)
- 1804 to 1820
47
- "His face and bosom with petrific hardness..." (Plate 38)
- 1804 to 1820
48
- "By Satan's Watch-fiends tho' they search..." (Plate 39)
- 1804 to 1820
49
- "Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)
- 1804 to 1820
50
- "Los shudder'd at beholding Albion..." (Plate 40)
- 1804 to 1820
51
- "Thus Albion sat, studious of others..." (Plate 42)
- 1804 to 1820
52
- "They saw their Wheels rising up poisonous..." (Plate 43)
- 1804 to 1820
53
- "Bath, healing City!..." (Plate 45)
- 1804 to 1820
54
- "To decide Two Worlds with a great decision..." (Plate 65)
- 1804 to 1820
55
- The Man Sweeping the Interpreter's Parlour
- ca. 1822
56
- Benjamin West, Esqr., Historical Painer to His Majesty
- 1786
57
- Ioannes Baptista Barbé
- ca. 1635
58
- Iustus Lipsius
- ca. 1635
59
- Artus Wolfart
- ca. 1635
60
- Artus Wolfart
- ca. 1635
61
- Franciscus Franck Iunior
- ca. 1635
62
- Franciscus Franck Iunior
- ca. 1635
63
- Palazzo di Vicenza
- 1802-1804
64
- Franciscus Franck Iunior
- ca. 1635
65
- Gate of Posillipo - Naples
- 1802-1804
66
- Cornelius Poelenbourch
- ca. 1635
67
- Ioannes Snellincx
- ca. 1635
68
- Lelio Blancatcio
- ca. 1635
69
- Carolus de Columna
- ca. 1635
70
- Emanuel Frockas
- ca. 1635
71
- Casperius Gevartius
- ca. 1635
72
- Caspar Ravestyn
- ca. 1635
73
- Ioannes van Ravesteyn
- ca. 1635
74
- Theodorus Rombouts
- ca. 1635
75
- Near Genoa
- 1802-1804
76
- Near Genoa
- 1802-1804
77
- Adrianus Brauwer
- ca. 1635
78
- Iustus Lipsius
- ca. 1635
79
- Iustus Lipsius
- ca. 1635
80
- Henricus van Baelen
- ca. 1635
81
- On the Road to Newport
- between 1826 and 1830
82
- Theodorus Rombouts
- ca. 1635
83
- Theodorus Rombouts
- ca. 1635
84
- Petrus Paulus Rubbens
- ca. 1635
85
- Petrus Paulus Rubbens
- ca. 1635
86
- Petrus Paulus Rubbens
- ca. 1635
87
- Sketch of a Sailing Boat and a Building on the Shore
- between 1826 and 1830
88
- Hastings Beach, 5 November 1815
- 1815
89
- A Party Going Off near Brighton Beach, 18 September 1815
- 1815
90
- On Hastings Beach, August 1821
- 1821
91
- Franciscus Franck Iunior
- ca. 1635
92
- Guilielmus Hondius
- ca. 1635
93
- Prince Liechtenstein's Palace in Vienna
- 1802-1804
94
- Guilielmus Hondius
- ca. 1635
95
- Guilielmus Hondius
- ca. 1635
96
- Study of a Stone Mausoleum
- 1802-1804
97
- Carolus de Columna
- ca. 1635
98
- Carolus de Columna
- ca. 1635
99
- Sketch of a Group Preparing the Sails near the Shore, Hastings
- undated
100
- Indian Woman, possibly Bibi Amber Kaur
- undated