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Credit Line Yale Center for British Art, Paul Mellon Collection

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1. The Timber Wain

The Timber Wain
Creator:
Samuel Palmer, 1805–1881
Date:
between 1833 and 1834
Materials & Techniques:
Watercolor and gouache with pen and black ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 5 1/16 x 6 5/16 inches (12.9 x 16 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. The Channel Sketchbook

The Channel Sketchbook
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
ca. 1845
Materials & Techniques:
Sketchbook bound in red calf with marbled end papers, comprising 88 leaves with 74 watercolors and 26 graphite sketches on medium, slightly textured, white wove paper
Dimensions:
Binding: 4 inches (10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. The Angler

The Angler
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
1794
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 x 6 1/8 inches (22.9 x 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. "To the Deists. He never can be a Friend to the Human Race..." (Plate 52)

"To the Deists. He never can be a Friend to the Human Race..." (Plate 52)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. "His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)

"His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. "In awful pomp & gold, in all the precious unhewn stones of Eden..." (Plate 66)

"In awful pomp & gold, in all the precious unhewn stones of Eden..." (Plate 66)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. "And this the form of mighty Hand..." (Plate 70)

"And this the form of mighty Hand..." (Plate 70)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Chapter 4 Frontispiece (Plate 76)

Chapter 4 Frontispiece (Plate 76)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Jerusalem, Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)

Jerusalem, Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. "My tents are fall'n! my pillars are in ruins!..." (Plate 79)

"My tents are fall'n! my pillars are in ruins!..." (Plate 79)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. "Rose up against me thundering..." (Plate 8)

"Rose up against me thundering..." (Plate 8)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. "Encompass'd by the frozen Net..." (Plate 80)

"Encompass'd by the frozen Net..." (Plate 80)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Jerusalem, Frontispiece (Plate 1)

Jerusalem, Frontispiece (Plate 1)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Jerusalem, Plate 28 Proof Impression

Jerusalem, Plate 28 Proof Impression
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1820
Materials & Techniques:
Relief etching printed in blue ink, with watercolor and pen and black ink; proof on medium, smooth wove paper
Dimensions:
Sheet: 4 3/8 x 6 1/4 inches (11.1 x 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. "And that toward Eden, four..." (Plate 13)

"And that toward Eden, four..." (Plate 13)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. "From every-one of the Four Regions..." (Plate 18)

"From every-one of the Four Regions..." (Plate 18)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. "His Children exil'd from his breast..." (Plate 19)

"His Children exil'd from his breast..." (Plate 19)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)

Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. "But when they saw Albion fall'n..." (Plate 20)

"But when they saw Albion fall'n..." (Plate 20)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. "To the Jews..." (Plate 27)

"To the Jews..." (Plate 27)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. "Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)

"Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. "Then the Divine Vision like a silent Sun..." (Plate 29)

"Then the Divine Vision like a silent Sun..." (Plate 29)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. "To the Public. After my three years slumber..." (Plate 3)

"To the Public. After my three years slumber..." (Plate 3)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. "His western heaven with rocky clouds..." (Plate 31)

"His western heaven with rocky clouds..." (Plate 31)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. "Leaning against the pillars..." (Plate 32)

"Leaning against the pillars..." (Plate 32)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. "Bath who is Legions..." (Plate 41)

"Bath who is Legions..." (Plate 41)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. "Bath, mild Physician of Eternity..." (Plate 46)

"Bath, mild Physician of Eternity..." (Plate 46)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. "From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)

"From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. "The banks of the Thames are clouded..." (Plate 5)

"The banks of the Thames are clouded..." (Plate 5)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. "The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)

"The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Chapter 3 Frontispiece (Plate 51)

Chapter 3 Frontispiece (Plate 51)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in black ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 3/8 x 13 1/2 inches (26.4 x 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. "Was living: panting like a frighted wolf..." (Plate 7)

"Was living: panting like a frighted wolf..." (Plate 7)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. "I have heard Jerusalems groans..." (Plate 82)

"I have heard Jerusalems groans..." (Plate 82)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. "Corruptability appears upon thy limbs..." (Plate 83)

"Corruptability appears upon thy limbs..." (Plate 83)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. "Condens'd his Emanations..." (Plate 9)

"Condens'd his Emanations..." (Plate 9)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. "All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)

"All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. "Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)

"Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. "And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)

"And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. "And One stood forth from the Divine Family..." (Plate 37)

"And One stood forth from the Divine Family..." (Plate 37)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. "His face and bosom with petrific hardness..." (Plate 38)

"His face and bosom with petrific hardness..." (Plate 38)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. "By Satan's Watch-fiends tho' they search..." (Plate 39)

"By Satan's Watch-fiends tho' they search..." (Plate 39)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. "Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)

"Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. "Los shudder'd at beholding Albion..." (Plate 40)

"Los shudder'd at beholding Albion..." (Plate 40)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. "Thus Albion sat, studious of others..." (Plate 42)

"Thus Albion sat, studious of others..." (Plate 42)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. "They saw their Wheels rising up poisonous..." (Plate 43)

"They saw their Wheels rising up poisonous..." (Plate 43)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. "Bath, healing City!..." (Plate 45)

"Bath, healing City!..." (Plate 45)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. "To decide Two Worlds with a great decision..." (Plate 65)

"To decide Two Worlds with a great decision..." (Plate 65)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. Palazzo di Vicenza

Palazzo di Vicenza
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Brown wash, graphite, pen and brown ink on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 4 11/16 × 6 3/16 inches (11.9 × 15.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. Gate of Posillipo - Naples

Gate of Posillipo - Naples
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Brown wash, graphite, pen and brown ink on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 9 1/2 × 6 3/8 inches (24.1 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. Near Genoa

Near Genoa
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 7 9/16 × 10 3/4 inches (19.2 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. Near Genoa

Near Genoa
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 7 3/8 × 10 5/8 inches (18.7 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. On the Road to Newport

On the Road to Newport
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
between 1826 and 1830
Materials & Techniques:
Graphite on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 4 × 6 3/8 inches (10.2 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. Sketch of a Sailing Boat and a Building on the Shore

Sketch of a Sailing Boat and a Building on the Shore
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
between 1826 and 1830
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 × 6 3/8 inches (10.2 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. Hastings Beach, 5 November 1815

Hastings Beach, 5 November 1815
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1815
Materials & Techniques:
Graphite on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 3 3/4 × 6 1/8 inches (9.5 × 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. A Party Going Off near Brighton Beach, 18 September 1815

A Party Going Off near Brighton Beach, 18 September 1815
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1815
Materials & Techniques:
Graphite on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 3 3/4 × 6 1/8 inches (9.5 × 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. On Hastings Beach, August 1821

On Hastings Beach, August 1821
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1821
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 1/2 × 6 1/4 inches (8.9 × 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. Prince Liechtenstein's Palace in Vienna

Prince Liechtenstein's Palace in Vienna
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Graphite on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 5 5/16 × 6 1/8 inches (13.5 × 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. Study of a Stone Mausoleum

Study of a Stone Mausoleum
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Gray wash, Brown wash, graphite, pen and brown ink on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 4 5/8 × 6 3/8 inches (11.7 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

59. Sketch of a Group Preparing the Sails near the Shore, Hastings

Sketch of a Group Preparing the Sails near the Shore, Hastings
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
undated
Materials & Techniques:
Graphite on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 3 3/4 × 6 1/8 inches (9.5 × 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

60. Indian Woman, possibly Bibi Amber Kaur

Indian Woman, possibly Bibi Amber Kaur
Creator:
Gangaram Chintaman Tambat, active 1790s
Date:
undated
Materials & Techniques:
Gray wash and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 7/8 × 7 3/4 inches (30.2 × 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

61. Standing Indian Man

Standing Indian Man
Creator:
James Wales, ca.1747–1795
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 1/2 × 6 3/8 inches (16.5 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

62. Musicians

Musicians
Creator:
Robert Mabon, died 1798
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 × 6 3/8 inches (17.8 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

63. Scops Owl

Scops Owl
Creator:
Samuel Howitt, 1756–1822
Date:
undated
Materials & Techniques:
Watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/4 × 6 1/8 inches (19.7 × 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

64. Retreat Beating at Poona

Retreat Beating at Poona
Creator:
Robert Mabon, died 1798
Date:
undated
Materials & Techniques:
Watercolor, graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Image: 4 1/8 × 5 1/4 inches (10.5 × 13.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

65. Man in a Red Turban Sitting Crosslegged

Man in a Red Turban Sitting Crosslegged
Creator:
Gangaram Chintaman Tambat, active 1790s
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 5/8 × 6 1/4 inches (19.4 × 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

66. Design for Gothic Ornamentation

Design for Gothic Ornamentation
Creator:
Augustus Welby Northmore Pugin, 1812–1852
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 5/8 × 6 1/8 inches (24.4 × 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

67. Fisherfolk on the Beach, Ostend

Fisherfolk on the Beach, Ostend
Creator:
Samuel Prout, 1783–1852
Date:
undated
Materials & Techniques:
Graphite and watercolor on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 3 9/16 × 6 1/4 inches (9 × 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

68. Bathing Tents on the Beach, Ostend

Bathing Tents on the Beach, Ostend
Creator:
Samuel Prout, 1783–1852
Date:
undated
Materials & Techniques:
Graphite and watercolor on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 3 9/16 × 6 5/16 inches (9 × 16.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

69. A Chimpanzee?

A Chimpanzee?
Creator:
James Sowerby, 1756–1822
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 7/8 × 6 3/8 inches (20 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

70. In the American Garden

In the American Garden
Creator:
unknown artist
Date:
ca. 1825
Materials & Techniques:
Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 7 13/16 × 6 5/16 inches (19.8 × 16 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

71. Scene from Don Quixote

Scene from Don Quixote
Creator:
Robert Smirke, 1752–1845
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, gouache, graphite, and varnish, with scratching out; squared for transfer on moderately thick, moderately textured, beige laid paper
Dimensions:
Image: 8 3/8 × 6 3/8 inches (21.3 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

72. The Great Bath of the Alhambra

The Great Bath of the Alhambra
Creator:
Henry Swinburne, 1743–1803
Date:
1775 to 1776
Materials & Techniques:
Pen and black ink, gray ink, gray wash and graphite on medium, moderately textured, cream laid paper
Dimensions:
Mount: 11 1/16 × 16 3/8 inches (28.1 × 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

73. Sketches for Capitals of Columns and Mosaic Squares at Alhambra

Sketches for Capitals of Columns and Mosaic Squares at Alhambra
Creator:
Henry Swinburne, 1743–1803
Date:
1775 to 1776
Materials & Techniques:
Graphite, gray wash, gray ink, black ink and pen on medium, moderately textured, cream laid paper
Dimensions:
Mount: 11 1/8 × 16 3/8 inches (28.3 × 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

74. Gates of the Alhambra: Puerta del Juicio

Gates of the Alhambra: Puerta del Juicio
Creator:
Henry Swinburne, 1743–1803
Date:
1775 to 1776
Materials & Techniques:
Gray wash, graphite, and pen and gray ink on medium, moderately textured, cream laid paper
Dimensions:
Mount: 16 3/8 × 11 3/16 inches (41.6 × 28.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

75. [One of] Miscellaneous Sketches in Wrapper

[One of] Miscellaneous Sketches in Wrapper
Creator:
Luigi Balugani, 1737–1770
Date:
undated
Materials & Techniques:
Graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 8 7/8 x 6 3/8 inches (22.5 x 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

76. [One of] Miscellaneous Sketches in Wrapper

[One of] Miscellaneous Sketches in Wrapper
Creator:
Luigi Balugani, 1737–1770
Date:
undated
Materials & Techniques:
Graphite and pen and black ink on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 8 3/4 x 6 1/4 inches (22.2 x 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

77. Locust

Locust
Creator:
Luigi Balugani, 1737–1770
Date:
undated
Materials & Techniques:
Graphite, watercolor, and gouache on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 8 7/8 x 6 1/4 inches (22.5 x 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

78. Morer

Morer
Creator:
Luigi Balugani, 1737–1770
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 3 x 6 1/4 inches (7.6 x 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

79. Gemero (Capparis tomentosa); Guoneck (Dichrostachys cinerea)

Gemero (Capparis tomentosa); Guoneck (Dichrostachys cinerea)
Creator:
Luigi Balugani, 1737–1770
Date:
undated
Materials & Techniques:
Graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 13 1/4 × 6 1/8 inches (33.7 × 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

80. Head of a Cat

Head of a Cat
Creator:
Luigi Balugani, 1737–1770
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 8 3/4 x 6 1/8 inches (22.2 x 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

81. Bohur

Bohur
Creator:
Luigi Balugani, 1737–1770
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 5 1/2 x 6 1/4 inches (14 x 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

82. Door of the New Palace at the Alhambra

Door of the New Palace at the Alhambra
Creator:
Henry Swinburne, 1743–1803
Date:
1775 to 1776
Materials & Techniques:
Gray wash, brown wash, graphite, pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:
Mount: 16 3/8 × 11 3/16 inches (41.6 × 28.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

83. Near La Rocca

Near La Rocca
Creator:
Henry Swinburne, 1743–1803
Date:
1777 to 1778
Materials & Techniques:
Pen and gray ink on medium, moderately textured, cream laid paper
Dimensions:
Mount: 16 3/8 × 11 1/8 inches (41.6 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

84. Capuchins of Our Lady of Médoux

Capuchins of Our Lady of Médoux
Creator:
Henry Swinburne, 1743–1803
Date:
undated
Materials & Techniques:
Pen and brown ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Mount: 16 5/16 × 11 1/8 inches (41.4 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

85. Near Oropesa

Near Oropesa
Creator:
Henry Swinburne, 1743–1803
Date:
1777 to 1778
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Mount: 11 1/8 × 16 1/4 inches (28.3 × 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

86. Arch Near Tivoli

Arch Near Tivoli
Creator:
Henry Swinburne, 1743–1803
Date:
1777 to 1778
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Mount: 11 1/8 × 16 3/8 inches (28.3 × 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

87. Lang House Farm

Lang House Farm
Creator:
Henry Swinburne, 1743–1803
Date:
undated
Materials & Techniques:
Pen and brown ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:
Mount: 16 5/16 × 11 1/8 inches (41.4 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

88. Mouth of the Guadalquivir River in Spain

Mouth of the Guadalquivir River in Spain
Creator:
Henry Swinburne, 1743–1803
Date:
1775 to 1776
Materials & Techniques:
Graphite on medium, moderately textured, cream wove paper
Dimensions:
Mount: 16 3/8 × 11 1/8 inches (41.6 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

89. Château de Chaumont

Château de Chaumont
Creator:
Henry Swinburne, 1743–1803
Date:
undated
Materials & Techniques:
Pen and brown ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:
Mount: 16 5/16 × 9 5/16 inches (41.4 × 23.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

90. Vaucluse, France

Vaucluse, France
Creator:
Henry Swinburne, 1743–1803
Date:
undated
Materials & Techniques:
Pen and brown ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:
Mount: 16 3/8 × 11 1/16 inches (41.6 × 28.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

91. Barbezieux-Saint HIlaire, France

Barbezieux-Saint HIlaire, France
Creator:
Henry Swinburne, 1743–1803
Date:
undated
Materials & Techniques:
Pen and brown ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:
Mount: 11 1/8 × 16 3/8 inches (28.3 × 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

92. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Watercolor, yellow gouache, pen and black ink, brown ink, and graphite on medium, smooth, brown wove paper
Dimensions:
Sheet: 13 5/8 × 6 3/8 inches (34.6 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

93. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Watercolor, yellow gouache, pen and black ink, and graphite; verso: white gouache on medium, smooth, brown wove paper
Dimensions:
Sheet: 12 × 6 1/8 inches (30.5 × 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

94. Three Men in a Room: Gilchrist Seated at a Table, Tom Adam standing, Seen from Behind, and Matt Haughton seated Legs Outspread and Arms Akimbo before a Fire

Three Men in a Room: Gilchrist Seated at a Table, Tom Adam standing, Seen from Behind, and Matt Haughton seated Legs Outspread and Arms Akimbo before a Fire
Creator:
George Shepheard, ca. 1770–1842
Date:
undated
Materials & Techniques:
Black ink, brown ink, graphite, and red chalk on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 7/8 × 6 1/4 inches (17.5 × 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

95. Sketch of a Man-O-War firing Guns

Sketch of a Man-O-War firing Guns
Creator:
Willem van de Velde the Elder, ca. 1611–1693
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 7/8 × 6 3/16 inches (22.5 × 15.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

96. Study of a Kid

Study of a Kid
Creator:
James Ward, 1769–1859
Date:
1796
Materials & Techniques:
Watercolor and white gouache with graphite and black ink on medium, slightly textured, beige laid paper mounted on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 5 3/8 x 6 1/8 inches (13.7 x 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

97. Dik-dik

Dik-dik
Creator:
James Bruce, 1730–1794
Date:
ca. 1768
Materials & Techniques:
Watercolor, pen and brown ink and graphite on vellum
Dimensions:
Sheet: 5 1/2 × 6 3/8 inches (14 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

98. A Raree Show

A Raree Show
Creator:
William Alexander, 1767–1816
Date:
between 1792 and 1793
Materials & Techniques:
Watercolor and pen and black ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 7 5/8 × 6 1/4 inches (19.4 × 15.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

99. Tree by Steps

Tree by Steps
Creator:
Sir George Howland Beaumont seventh Baronet, 1753–1827
Date:
undated
Materials & Techniques:
Pen and brown ink and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/8 × 6 1/8 inches (23.2 × 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

100. Two Figures with a Skull

Two Figures with a Skull
Creator:
Sir George Howland Beaumont seventh Baronet, 1753–1827
Date:
undated
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 5 3/4 × 6 3/8 inches (14.6 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection