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1
- Woman in an Armchair
- ca. 1921
2
- The Vine
- 1852
3
- Streets of the Tombs, Pompeii
- undated
4
- The Willow
- 1850
5
- The Timber Wain
- between 1833 and 1834
6
- The Channel Sketchbook
- ca. 1845
7
- The Angler
- 1794
8
- Near Negadeh; 8:00 A.M., 25 Feb. 1867 (549)
- 1867
9
- Gebelein
- 1854
10
- El Ousta
- 1854
11
- El Kab
- 1854
12
- Abu Seer
- 1867
13
- El Areesh
- 1867
14
- Pettenasco, Lago d'Orta, 4:20 pm, 2 June 1867 (224)
- 1867
15
- Gebel Sheikh Abu Fodde, 8:00 am, 4 March 1867 (588)
- 1867
16
- Gebel Sheikh Eredi, before sunrise
- 1867
17
- Belbeis
- 1867
18
- Salahiyeh
- 1867
19
- Pettenasco, Lago d'Orta
- 1867
20
- Tabeen Berlin, 4:00 p.m., January 1, 1867 (16)
- 1867
21
- Thebes
- 1854
22
- Greek Woodcutter, June 13 /56
- 1856
23
- Dhoura Island
- 1854
24
- Negadeh
- 1867
25
- Dendera
- 1867
26
- Jerusalem, Frontispiece (Plate 1)
- 1804 to 1820
27
- "And this the form of mighty Hand..." (Plate 70)
- 1804 to 1820
28
- "Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)
- 1804 to 1820
29
- "My tents are fall'n! my pillars are in ruins!..." (Plate 79)
- 1804 to 1820
30
- "I have heard Jerusalems groans..." (Plate 82)
- 1804 to 1820
31
- "Rose up against me thundering..." (Plate 8)
- 1804 to 1820
32
- Jerusalem, Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)
- 1804 to 1820
33
- "Encompass'd by the frozen Net..." (Plate 80)
- 1804 to 1820
34
- "Corruptability appears upon thy limbs..." (Plate 83)
- 1804 to 1820
35
- Thomas Hayley, the Disciple of John Flaxman, from a Medallion
- 1800
36
- "But when they saw Albion fall'n..." (Plate 20)
- 1804 to 1820
37
- "To the Jews..." (Plate 27)
- 1804 to 1820
38
- "Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)
- 1804 to 1820
39
- "Then the Divine Vision like a silent Sun..." (Plate 29)
- 1804 to 1820
40
- "To the Public. After my three years slumber..." (Plate 3)
- 1804 to 1820
41
- "His western heaven with rocky clouds..." (Plate 31)
- 1804 to 1820
42
- "Leaning against the pillars..." (Plate 32)
- 1804 to 1820
43
- "And One stood forth from the Divine Family..." (Plate 37)
- 1804 to 1820
44
- "His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)
- 1804 to 1820
45
- "In awful pomp & gold, in all the precious unhewn stones of Eden..." (Plate 66)
- 1804 to 1820
46
- "Was living: panting like a frighted wolf..." (Plate 7)
- 1804 to 1820
47
- Chapter 4 Frontispiece (Plate 76)
- 1804 to 1820
48
- Jerusalem, Plate 28 Proof Impression
- ca. 1820
49
- "His Children exil'd from his breast..." (Plate 19)
- 1804 to 1820
50
- Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)
- 1804 to 1820
51
- "Condens'd his Emanations..." (Plate 9)
- 1804 to 1820
52
- "All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)
- 1804 to 1820
53
- "And that toward Eden, four..." (Plate 13)
- 1804 to 1820
54
- "From every-one of the Four Regions..." (Plate 18)
- 1804 to 1820
55
- "Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)
- 1804 to 1820
56
- "And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)
- 1804 to 1820
57
- "His face and bosom with petrific hardness..." (Plate 38)
- 1804 to 1820
58
- "By Satan's Watch-fiends tho' they search..." (Plate 39)
- 1804 to 1820
59
- "Los shudder'd at beholding Albion..." (Plate 40)
- 1804 to 1820
60
- "Bath who is Legions..." (Plate 41)
- 1804 to 1820
61
- "Thus Albion sat, studious of others..." (Plate 42)
- 1804 to 1820
62
- "They saw their Wheels rising up poisonous..." (Plate 43)
- 1804 to 1820
63
- "Bath, healing City!..." (Plate 45)
- 1804 to 1820
64
- "Bath, mild Physician of Eternity..." (Plate 46)
- 1804 to 1820
65
- "From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)
- 1804 to 1820
66
- "The banks of the Thames are clouded..." (Plate 5)
- 1804 to 1820
67
- "The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)
- 1804 to 1820
68
- Chapter 3 Frontispiece (Plate 51)
- 1804 to 1820
69
- "To the Deists. He never can be a Friend to the Human Race..." (Plate 52)
- 1804 to 1820
70
- "To decide Two Worlds with a great decision..." (Plate 65)
- 1804 to 1820
71
- The Man Sweeping the Interpreter's Parlour
- ca. 1822
72
- Howard Visiting a Prison
- undated
73
- Two Sketches of a Half-Kneeling Figure
- undated
74
- Old Age
- undated
75
- The Abandonment and Rescue of Perdita from "The Winter's Tale"
- undated
76
- Prison Scene
- undated
77
- Loosely Described Figures
- undated
78
- (One of) Twenty-one pen drawings of Decorative Details in Antique Style
- undated
79
- A Raree Show
- between 1792 and 1793
80
- Ruins of St. Paul Covent Garden
- 1795
81
- A Fireworks Display
- undated
82
- Study of a Stonewall and a Gate
- undated
83
- The Little Gleaner
- between 1826 and 1866
84
- The Globe Inn
- undated
85
- Man in a Blue Cloak
- undated
86
- Diana and Actaeon: A Study for a Panel on a Staircase
- undated
87
- A London Street Crier
- undated
88
- Study of J.M.W. Turner Sketching
- undated
89
- Sky Study, No. 1
- undated
90
- Sky Study, No. 7
- undated
91
- A Scene in the Edgware Road, London
- 1806
92
- Margate
- 1861
93
- Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
- undated
94
- Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
- undated
95
- Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
- undated
96
- Landscape with Tower and Approaching Storm
- undated
97
- Mountainous Landscape with Figures and a Rock Above a Lake
- undated
98
- Landscape with Figures
- undated
99
- Llanerchydol Hall, Wales
- undated
100
- The Life of a Nobleman: Scene the First - The Inheritance
- undated