Materials & Techniques: watercolor / Image Available: Available / Width [cm]: 16 - YCBA Collections Search Search Results

<< YCBA Home << YCBA Home

Start Over

You searched for:

Materials & Techniques watercolor

Image Available Available

Width [cm] 16

Samuel Palmer The Timber Wain

Samuel Palmer, 1805–1881

The Timber Wain

between 1833 and 1834

Joseph Mallord William Turner The Channel Sketchbook

Joseph Mallord William Turner, 1775–1851

The Channel Sketchbook

ca. 1845

Joseph Mallord William Turner The Angler

Joseph Mallord William Turner, 1775–1851

The Angler

1794

Edward Lear Near Negadeh; 8:00 A.M., 25 Feb. 1867 (549)

Edward Lear, 1812–1888

Near Negadeh; 8:00 A.M., 25 Feb. 1867 (549)

1867

Edward Lear Greek Woodcutter, June 13 /56

Edward Lear, 1812–1888

Greek Woodcutter, June 13 /56

1856

Edward Lear Tabeen Berlin, 4:00 p.m., January 1, 1867 (16)

Edward Lear, 1812–1888

Tabeen Berlin, 4:00 p.m., January 1, 1867 (16)

1867

Edward Lear Thebes

Edward Lear, 1812–1888

Thebes

1854

Edward Lear Dendera

Edward Lear, 1812–1888

Dendera

1867

Edward Lear Dhoura Island

Edward Lear, 1812–1888

Dhoura Island

1854

Edward Lear Gebelein

Edward Lear, 1812–1888

Gebelein

1854

Edward Lear El Kab

Edward Lear, 1812–1888

El Kab

1854

Edward Lear Negadeh

Edward Lear, 1812–1888

Negadeh

1867

Edward Lear Abu Seer

Edward Lear, 1812–1888

Abu Seer

1867

Edward Lear Abu Seer

Edward Lear, 1812–1888

Abu Seer

1867

Edward Lear Gebel Sheikh Abu Fodde, 8:00 am, 4 March 1867 (588)

Edward Lear, 1812–1888

Gebel Sheikh Abu Fodde, 8:00 am, 4 March 1867 (588)

1867

Edward Lear Belbeis

Edward Lear, 1812–1888

Belbeis

1867

Edward Lear Salahiyeh

Edward Lear, 1812–1888

Salahiyeh

1867

Edward Lear Pettenasco, Lago d'Orta

Edward Lear, 1812–1888

Pettenasco, Lago d'Orta

1867

Edward Lear Pettenasco, Lago d'Orta, 4:20 pm, 2 June 1867 (224)

Edward Lear, 1812–1888

Pettenasco, Lago d'Orta, 4:20 pm, 2 June 1867 (224)

1867

Edward Lear El Areesh

Edward Lear, 1812–1888

El Areesh

1867

Edward Lear Gebel Sheikh Eredi, before sunrise

Edward Lear, 1812–1888

Gebel Sheikh Eredi, before sunrise

1867

William Blake Jerusalem, Plate 28 Proof Impression

Print made by William Blake, 1757–1827

Jerusalem, Plate 28 Proof Impression

ca. 1820

William Blake "And that toward Eden, four..." (Plate 13)

Print made by William Blake, 1757–1827

"And that toward Eden, four..." (Plate 13)

1804 to 1820

William Blake "From every-one of the Four Regions..." (Plate 18)

Print made by William Blake, 1757–1827

"From every-one of the Four Regions..." (Plate 18)

1804 to 1820

William Blake "His Children exil'd from his breast..." (Plate 19)

Print made by William Blake, 1757–1827

"His Children exil'd from his breast..." (Plate 19)

1804 to 1820

William Blake Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)

Print made by William Blake, 1757–1827

Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)

1804 to 1820

William Blake "But when they saw Albion fall'n..." (Plate 20)

Print made by William Blake, 1757–1827

"But when they saw Albion fall'n..." (Plate 20)

1804 to 1820

William Blake "Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)

Print made by William Blake, 1757–1827

"Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)

1804 to 1820

William Blake "Then the Divine Vision like a silent Sun..." (Plate 29)

Print made by William Blake, 1757–1827

"Then the Divine Vision like a silent Sun..." (Plate 29)

1804 to 1820

William Blake "To the Public. After my three years slumber..." (Plate 3)

Print made by William Blake, 1757–1827

"To the Public. After my three years slumber..." (Plate 3)

1804 to 1820

William Blake "And One stood forth from the Divine Family..." (Plate 37)

Print made by William Blake, 1757–1827

"And One stood forth from the Divine Family..." (Plate 37)

1804 to 1820

William Blake "His face and bosom with petrific hardness..." (Plate 38)

Print made by William Blake, 1757–1827

"His face and bosom with petrific hardness..." (Plate 38)

1804 to 1820

William Blake "By Satan's Watch-fiends tho' they search..." (Plate 39)

Print made by William Blake, 1757–1827

"By Satan's Watch-fiends tho' they search..." (Plate 39)

1804 to 1820

William Blake "Bath, healing City!..." (Plate 45)

Print made by William Blake, 1757–1827

"Bath, healing City!..." (Plate 45)

1804 to 1820

William Blake "From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)

Print made by William Blake, 1757–1827

"From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)

1804 to 1820

William Blake "The banks of the Thames are clouded..." (Plate 5)

Print made by William Blake, 1757–1827

"The banks of the Thames are clouded..." (Plate 5)

1804 to 1820

William Blake Chapter 3 Frontispiece (Plate 51)

Print made by William Blake, 1757–1827

Chapter 3 Frontispiece (Plate 51)

1804 to 1820

William Blake "To the Deists. He never can be a Friend to the Human Race..." (Plate 52)

Print made by William Blake, 1757–1827

"To the Deists. He never can be a Friend to the Human Race..." (Plate 52)

1804 to 1820

William Blake "To decide Two Worlds with a great decision..." (Plate 65)

Print made by William Blake, 1757–1827

"To decide Two Worlds with a great decision..." (Plate 65)

1804 to 1820

William Blake "Was living: panting like a frighted wolf..." (Plate 7)

Print made by William Blake, 1757–1827

"Was living: panting like a frighted wolf..." (Plate 7)

1804 to 1820

William Blake Chapter 4 Frontispiece (Plate 76)

Print made by William Blake, 1757–1827

Chapter 4 Frontispiece (Plate 76)

1804 to 1820

William Blake Jerusalem, Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)

Print made by William Blake, 1757–1827

Jerusalem, Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)

1804 to 1820

William Blake "My tents are fall'n! my pillars are in ruins!..." (Plate 79)

Print made by William Blake, 1757–1827

"My tents are fall'n! my pillars are in ruins!..." (Plate 79)

1804 to 1820

William Blake "Encompass'd by the frozen Net..." (Plate 80)

Print made by William Blake, 1757–1827

"Encompass'd by the frozen Net..." (Plate 80)

1804 to 1820

William Blake "Rose up against me thundering..." (Plate 8)

Print made by William Blake, 1757–1827

"Rose up against me thundering..." (Plate 8)

1804 to 1820

William Blake "Corruptability appears upon thy limbs..." (Plate 83)

Print made by William Blake, 1757–1827

"Corruptability appears upon thy limbs..." (Plate 83)

1804 to 1820

William Blake "Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)

Print made by William Blake, 1757–1827

"Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)

1804 to 1820

William Blake "And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)

Print made by William Blake, 1757–1827

"And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)

1804 to 1820

William Blake "To the Jews..." (Plate 27)

Print made by William Blake, 1757–1827

"To the Jews..." (Plate 27)

1804 to 1820

William Blake "His western heaven with rocky clouds..." (Plate 31)

Print made by William Blake, 1757–1827

"His western heaven with rocky clouds..." (Plate 31)

1804 to 1820

William Blake "Leaning against the pillars..." (Plate 32)

Print made by William Blake, 1757–1827

"Leaning against the pillars..." (Plate 32)

1804 to 1820

William Blake "Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)

Print made by William Blake, 1757–1827

"Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)

1804 to 1820

William Blake "Los shudder'd at beholding Albion..." (Plate 40)

Print made by William Blake, 1757–1827

"Los shudder'd at beholding Albion..." (Plate 40)

1804 to 1820

William Blake "Bath who is Legions..." (Plate 41)

Print made by William Blake, 1757–1827

"Bath who is Legions..." (Plate 41)

1804 to 1820

William Blake "Thus Albion sat, studious of others..." (Plate 42)

Print made by William Blake, 1757–1827

"Thus Albion sat, studious of others..." (Plate 42)

1804 to 1820

William Blake "They saw their Wheels rising up poisonous..." (Plate 43)

Print made by William Blake, 1757–1827

"They saw their Wheels rising up poisonous..." (Plate 43)

1804 to 1820

William Blake "Bath, mild Physician of Eternity..." (Plate 46)

Print made by William Blake, 1757–1827

"Bath, mild Physician of Eternity..." (Plate 46)

1804 to 1820

William Blake "The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)

Print made by William Blake, 1757–1827

"The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)

1804 to 1820

William Blake "His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)

Print made by William Blake, 1757–1827

"His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)

1804 to 1820

William Blake "I have heard Jerusalems groans..." (Plate 82)

Print made by William Blake, 1757–1827

"I have heard Jerusalems groans..." (Plate 82)

1804 to 1820

William Blake Jerusalem, Frontispiece (Plate 1)

Print made by William Blake, 1757–1827

Jerusalem, Frontispiece (Plate 1)

1804 to 1820

William Blake "In awful pomp & gold, in all the precious unhewn stones of Eden..." (Plate 66)

Print made by William Blake, 1757–1827

"In awful pomp & gold, in all the precious unhewn stones of Eden..." (Plate 66)

1804 to 1820

William Blake "And this the form of mighty Hand..." (Plate 70)

Print made by William Blake, 1757–1827

"And this the form of mighty Hand..." (Plate 70)

1804 to 1820

William Blake "Condens'd his Emanations..." (Plate 9)

Print made by William Blake, 1757–1827

"Condens'd his Emanations..." (Plate 9)

1804 to 1820

William Blake "All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)

Print made by William Blake, 1757–1827

"All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)

1804 to 1820

George Edmund Street Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

George Edmund Street, 1824–1881

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

undated

George Edmund Street Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

George Edmund Street, 1824–1881

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

undated

George Edmund Street Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

George Edmund Street, 1824–1881

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

undated

George Edmund Street Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

George Edmund Street, 1824–1881

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

undated

Sir James Thornhill Diana and Actaeon: A Study for a Panel on a Staircase

follower of Sir James Thornhill, 1675–1734

Diana and Actaeon: A Study for a Panel on a Staircase

undated

Sir James Thornhill The Fall of Phaeton: A Study for a Ceiling

follower of Sir James Thornhill, 1675–1734

The Fall of Phaeton: A Study for a Ceiling

undated

Peter Tillemans From Hampstead

Peter Tillemans, 1684–1734

From Hampstead

1730

Thomas Barker Man in a Blue Cloak

attributed to Thomas Barker, 1769–1847

Man in a Blue Cloak

undated

unknown artist The Globe Inn

unknown artist

The Globe Inn

undated

Louis Philippe Boitard Three Seated Ladies

Louis Philippe Boitard, active 1734–1760

Three Seated Ladies

undated

Louis Philippe Boitard A London Potboy

Louis Philippe Boitard, active 1734–1760

A London Potboy

1759

George Edmund Street Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

George Edmund Street, 1824–1881

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

undated

George Edmund Street Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

George Edmund Street, 1824–1881

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

undated

George Edmund Street Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

George Edmund Street, 1824–1881

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

undated

George Edmund Street Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

George Edmund Street, 1824–1881

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

undated

Francis Wheatley Adelaide

Francis Wheatley, 1747–1801

Adelaide

between 1785 and 1786

unknown artist The Little Gleaner

unknown artist

The Little Gleaner

between 1826 and 1866

John Nixon At Brighton, 1804: Three Women, Child and Man Looking Out to Sea

John Nixon, ca. 1760–1818

At Brighton, 1804: Three Women, Child and Man Looking Out to Sea

1804

George Edmund Street Design for Polychromatic Decoration of a Church

George Edmund Street, 1824–1881

Design for Polychromatic Decoration of a Church

undated

Robert Streatfeild Llanerchydol Hall, Wales

Robert Streatfeild, 1786–1852

Llanerchydol Hall, Wales

undated

unknown artist The Beach at Culbone, Somerset

unknown artist

The Beach at Culbone, Somerset

1826

unknown artist Landscape with Figures

unknown artist

Landscape with Figures

undated

Nicholas Pocock Figure Studies: Boy Standing

Nicholas Pocock, 1740–1821

Figure Studies: Boy Standing

undated

Paul Sandby My Pretty Little Ginny Tarters for a Ha'penny a Stick or a Penny a Stick, or a Stick to Beat Your Wives or Dust Your Clothes

Paul Sandby, 1731–1809

My Pretty Little Ginny Tarters for a Ha'penny a Stick or a Penny a Stick, or a Stick to Beat Your Wives or Dust Your Clothes

ca. 1759

Paul Sandby London Cries: "Do You Want any Spoons..."

Paul Sandby, 1731–1809

London Cries: "Do You Want any Spoons..."

ca. 1759

Paul Sandby London Cries: "Turn your Copper into Silver Now before Your Eyes" (Title Page Design)

Paul Sandby, 1731–1809

London Cries: "Turn your Copper into Silver Now before Your Eyes" (Title Page Design)

1760

Robert Mabon Two Coorgs in their Proper Uniform

Robert Mabon, died 1798

Two Coorgs in their Proper Uniform

undated

William Alfred Delamotte Richmond Bridge

Attributed to William Alfred Delamotte, 1775–1863

Richmond Bridge

undated

James Ward Study of a Kid

James Ward, 1769–1859

Study of a Kid

1796

James Bruce Dik-dik

James Bruce, 1730–1794

Dik-dik

ca. 1768

James Holland Margate

James Holland, 1799–1870

Margate

1861

James Gillray A London Street Crier

James Gillray, 1756–1815

A London Street Crier

undated

James Holland Beach Scene with Figures by a Breakwater

James Holland, 1799–1870

Beach Scene with Figures by a Breakwater

1861

Thomas Lindsay Sky Study, No. 1

Attributed to Thomas Lindsay, 1793–1861

Sky Study, No. 1

undated

Thomas Lindsay Sky Study, No. 7

Attributed to Thomas Lindsay, 1793–1861

Sky Study, No. 7

undated