Materials & Techniques: watercolor / Period: 19th century / Subject Terms: men - YCBA Collections Search Search Results

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Materials & Techniques watercolor

Period 19th century

Subject Terms men

Joseph Mallord William Turner Teignmouth, Devonshire

Joseph Mallord William Turner, 1775–1851

Teignmouth, Devonshire

ca. 1813

Joseph Mallord William Turner Folkestone Harbour and Coast to Dover

Joseph Mallord William Turner, 1775–1851

Folkestone Harbour and Coast to Dover

ca. 1829

Joseph Mallord William Turner Rome from Monte Mario

Joseph Mallord William Turner, 1775–1851

Rome from Monte Mario

ca. 1818

Edward Lear Silsilis

Edward Lear, 1812–1888

Silsilis

1854

Edward Lear Opposite Beni Hassan

Edward Lear, 1812–1888

Opposite Beni Hassan

1867

Edward Lear Howatke

Edward Lear, 1812–1888

Howatke

1867

Edward Lear Studies of Camels and Egyptian Men

Edward Lear, 1812–1888

Studies of Camels and Egyptian Men

1867

Edward Lear Near Suez, evening, 15 January 1849 (43)

Edward Lear, 1812–1888

Near Suez, evening, 15 January 1849 (43)

1849

Edward Lear Seated Men

Edward Lear, 1812–1888

Seated Men

1867

William Blake "Turning his back to the Divine Vision..." (Plate 33)

Print made by William Blake, 1757–1827

"Turning his back to the Divine Vision..." (Plate 33)

1804 to 1820

William Blake "And One stood forth from the Divine Family..." (Plate 37)

Print made by William Blake, 1757–1827

"And One stood forth from the Divine Family..." (Plate 37)

1804 to 1820

William Blake "Bath who is Legions..." (Plate 41)

Print made by William Blake, 1757–1827

"Bath who is Legions..." (Plate 41)

1804 to 1820

William Blake "Thus Albion sat, studious of others..." (Plate 42)

Print made by William Blake, 1757–1827

"Thus Albion sat, studious of others..." (Plate 42)

1804 to 1820

William Blake "In Great Eternity every particular Form..." (Plate 54)

Print made by William Blake, 1757–1827

"In Great Eternity every particular Form..." (Plate 54)

1804 to 1820

William Blake "By those who drink their blood & the blood of their Covenant..." (Plate 67)

Print made by William Blake, 1757–1827

"By those who drink their blood & the blood of their Covenant..." (Plate 67)

1804 to 1820

William Blake "Then all the Males conjoined into One Male..." (Plate 69)

Print made by William Blake, 1757–1827

"Then all the Males conjoined into One Male..." (Plate 69)

1804 to 1820

William Blake "Was living: panting like a frighted wolf..." (Plate 7)

Print made by William Blake, 1757–1827

"Was living: panting like a frighted wolf..." (Plate 7)

1804 to 1820

William Blake "Such are Cathedrons golden Halls..." (Plate 73)

Print made by William Blake, 1757–1827

"Such are Cathedrons golden Halls..." (Plate 73)

1804 to 1820

William Blake "And Rahab Babylon the Great..." (Plate 75)

Print made by William Blake, 1757–1827

"And Rahab Babylon the Great..." (Plate 75)

1804 to 1820

William Blake "Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)

Print made by William Blake, 1757–1827

"Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)

1804 to 1820

William Blake "As the Sun & Moon lead forward the Visions of Heaven & Earth..." (Plate 96)

Print made by William Blake, 1757–1827

"As the Sun & Moon lead forward the Visions of Heaven & Earth..." (Plate 96)

1804 to 1820

William Blake "Awake! Awake Jerusalem..." (Plate 97)

Print made by William Blake, 1757–1827

"Awake! Awake Jerusalem..." (Plate 97)

1804 to 1820

William Blake Jerusalem, Frontispiece (Plate 1)

Print made by William Blake, 1757–1827

Jerusalem, Frontispiece (Plate 1)

1804 to 1820

William Blake Jerusalem, Tailpiece (Plate 100)

Print made by William Blake, 1757–1827

Jerusalem, Tailpiece (Plate 100)

1804 to 1820

William Blake "Why wilt thou give to her a Body..." (Plate 12)

Print made by William Blake, 1757–1827

"Why wilt thou give to her a Body..." (Plate 12)

1804 to 1820

William Blake "One hair nor particle of dust..." (Plate 14)

Print made by William Blake, 1757–1827

"One hair nor particle of dust..." (Plate 14)

1804 to 1820

William Blake "And Hand & Hyle rooted into Jerusalem..." (Plate 15)

Print made by William Blake, 1757–1827

"And Hand & Hyle rooted into Jerusalem..." (Plate 15)

1804 to 1820

William Blake "Highgates heights & Hampsteads..." (Plate 84)

Print made by William Blake, 1757–1827

"Highgates heights & Hampsteads..." (Plate 84)

1804 to 1820

William Blake "Became a Space & an Allegory..." (Plate 85)

Print made by William Blake, 1757–1827

"Became a Space & an Allegory..." (Plate 85)

1804 to 1820

William Blake "It is easier to forgive an enemy..." (Plate 91)

Print made by William Blake, 1757–1827

"It is easier to forgive an enemy..." (Plate 91)

1804 to 1820

William Blake "Then the Divine hand found the Two Limits..." (Plate 35)

Print made by William Blake, 1757–1827

"Then the Divine hand found the Two Limits..." (Plate 35)

1804 to 1820

William Blake "Reuben return'd to his place, in vain..." (Plate 36)

Print made by William Blake, 1757–1827

"Reuben return'd to his place, in vain..." (Plate 36)

1804 to 1820

William Blake "In awful pomp & gold, in all the precious unhewn stones of Eden..." (Plate 66)

Print made by William Blake, 1757–1827

"In awful pomp & gold, in all the precious unhewn stones of Eden..." (Plate 66)

1804 to 1820

William Blake "But when they saw Albion fall'n..." (Plate 20)

Print made by William Blake, 1757–1827

"But when they saw Albion fall'n..." (Plate 20)

1804 to 1820

William Blake "O Vala! O Jerusalem! do you delight in my groans..." (Plate 21)

Print made by William Blake, 1757–1827

"O Vala! O Jerusalem! do you delight in my groans..." (Plate 21)

1804 to 1820

William Blake "What have I said? What have I done?..." (Plate 24)

Print made by William Blake, 1757–1827

"What have I said? What have I done?..." (Plate 24)

1804 to 1820

William Blake Chapter 4 Frontispiece (Plate 76)

Print made by William Blake, 1757–1827

Chapter 4 Frontispiece (Plate 76)

1804 to 1820

William Blake Jerusalem, Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)

Print made by William Blake, 1757–1827

Jerusalem, Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)

1804 to 1820

William Blake "From every-one of the Four Regions..." (Plate 18)

Print made by William Blake, 1757–1827

"From every-one of the Four Regions..." (Plate 18)

1804 to 1820

William Blake "His Children exil'd from his breast..." (Plate 19)

Print made by William Blake, 1757–1827

"His Children exil'd from his breast..." (Plate 19)

1804 to 1820

William Blake "Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)

Print made by William Blake, 1757–1827

"Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)

1804 to 1820

William Blake "And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)

Print made by William Blake, 1757–1827

"And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)

1804 to 1820

William Blake "Such visions have appeared to me..."; Chapter 2 Frontispiece (Plate 26)

Print made by William Blake, 1757–1827

"Such visions have appeared to me..."; Chapter 2 Frontispiece (Plate 26)

1804 to 1820

William Blake "Then the Divine Vision like a silent Sun..." (Plate 29)

Print made by William Blake, 1757–1827

"Then the Divine Vision like a silent Sun..." (Plate 29)

1804 to 1820

William Blake "And the Two that escaped..." (Plate 30)

Print made by William Blake, 1757–1827

"And the Two that escaped..." (Plate 30)

1804 to 1820

William Blake "By Satan's Watch-fiends tho' they search..." (Plate 39)

Print made by William Blake, 1757–1827

"By Satan's Watch-fiends tho' they search..." (Plate 39)

1804 to 1820

William Blake "Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)

Print made by William Blake, 1757–1827

"Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)

1804 to 1820

William Blake "Los shudder'd at beholding Albion..." (Plate 40)

Print made by William Blake, 1757–1827

"Los shudder'd at beholding Albion..." (Plate 40)

1804 to 1820

William Blake "Bath, healing City!..." (Plate 45)

Print made by William Blake, 1757–1827

"Bath, healing City!..." (Plate 45)

1804 to 1820

William Blake "Bath, mild Physician of Eternity..." (Plate 46)

Print made by William Blake, 1757–1827

"Bath, mild Physician of Eternity..." (Plate 46)

1804 to 1820

William Blake "From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)

Print made by William Blake, 1757–1827

"From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)

1804 to 1820

William Blake "The secret coverts of Albion & the hidden places of America..." (Plate 49)

Print made by William Blake, 1757–1827

"The secret coverts of Albion & the hidden places of America..." (Plate 49)

1804 to 1820

William Blake "The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)

Print made by William Blake, 1757–1827

"The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)

1804 to 1820

William Blake Chapter 3 Frontispiece (Plate 51)

Print made by William Blake, 1757–1827

Chapter 3 Frontispiece (Plate 51)

1804 to 1820

William Blake "His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)

Print made by William Blake, 1757–1827

"His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)

1804 to 1820

William Blake "Repose on me till the morning of the Grave..." (Plate 62)

Print made by William Blake, 1757–1827

"Repose on me till the morning of the Grave..." (Plate 62)

1804 to 1820

William Blake "Of the Mundane Shell which froze..." (Plate 64)

Print made by William Blake, 1757–1827

"Of the Mundane Shell which froze..." (Plate 64)

1804 to 1820

William Blake "Repelling weeping Enion blind & age-bent..." (Plate 87)

Print made by William Blake, 1757–1827

"Repelling weeping Enion blind & age-bent..." (Plate 87)

1804 to 1820

William Blake "Condens'd his Emanations..." (Plate 9)

Print made by William Blake, 1757–1827

"Condens'd his Emanations..." (Plate 9)

1804 to 1820

William Blake "Albion cold lays on his Rock..." (Plate 94)

Print made by William Blake, 1757–1827

"Albion cold lays on his Rock..." (Plate 94)

1804 to 1820

William Blake "All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)

Print made by William Blake, 1757–1827

"All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)

1804 to 1820

William Blake "Her voice pierc'd Albions clay cold ear..." (Plate 95)

Print made by William Blake, 1757–1827

"Her voice pierc'd Albions clay cold ear..." (Plate 95)

1804 to 1820

William Blake Sealing the Stone and Setting a Watch

William Blake, 1757–1827

Sealing the Stone and Setting a Watch

1800 to 1803

William Blake Joseph and Potiphar's Wife

William Blake, 1757–1827

Joseph and Potiphar's Wife

1803 to 1805

William Blake Mary Magdalen at the Sepulchre

William Blake, 1757–1827

Mary Magdalen at the Sepulchre

ca. 1805

John White Abbott A View of Core's Library, Dawlish, Devon

John White Abbott, 1763–1851

A View of Core's Library, Dawlish, Devon

1837

Henry Thomas Alken Shot from a Gun

Henry Thomas Alken, 1785–1851

Shot from a Gun

undated

Thomas Shotter Boys Regent Street, Looking Toward Piccadilly From Waterloo Place

Thomas Shotter Boys, 1803–1874

Regent Street, Looking Toward Piccadilly From Waterloo Place

undated

unknown artist Welsh Fisherwomen

unknown artist

Welsh Fisherwomen

undated

Cornelius Varley A Sailing Barge being loaded with Hay, December 1827

Cornelius Varley, 1781–1873

A Sailing Barge being loaded with Hay, December 1827

1827

George Bryant Campion Coastal Scene with Troops Embarking

George Bryant Campion, 1796–1870

Coastal Scene with Troops Embarking

undated

Thomas Girtin The Village of Kirkstall, Yorkshire

Thomas Girtin, 1775–1802

The Village of Kirkstall, Yorkshire

1801

John Martin Kensington Gardens

John Martin, 1789–1854

Kensington Gardens

undated

Thomas Rowlandson Angry Scene in a Street

Thomas Rowlandson, 1756–1827

Angry Scene in a Street

between 1805 and 1810

George Sidney Shepherd The Times and Evening Mail Office

George Sidney Shepherd, 1784–1862

The Times and Evening Mail Office

1811

Frederick Catherwood Ruins at Sabachtsche

Frederick Catherwood, 1799–1854

Ruins at Sabachtsche

undated

Robert Hills Studies of Haymakers

Robert Hills, 1769–1844

Studies of Haymakers

ca. 1807

William James Muller Cairo Bazaar

William James Muller, 1812–1845

Cairo Bazaar

undated

William Bradford Pass in the Mountains Between Nisa and Villa Velha

William Bradford, active 1809

Pass in the Mountains Between Nisa and Villa Velha

1809

Richard Dadd Landscape with Cottages, Broadmoor

Richard Dadd, 1817–1886

Landscape with Cottages, Broadmoor

1873

Thomas Rowlandson Harvesters Resting in a Corn Field

Thomas Rowlandson, 1756–1827

Harvesters Resting in a Corn Field

between 1805 and 1810

Thomas Rowlandson A Pier at Amsterdam

Thomas Rowlandson, 1756–1827

A Pier at Amsterdam

1801

John Linnell Horses in a Paddock

John Linnell, 1792–1882

Horses in a Paddock

1811

Edmund Thomas Parris Sketches from Life

Edmund Thomas Parris, 1793–1873

Sketches from Life

1826

Augustus Welby Northmore Pugin Window West End, South Aisle, Saint Vincent

Augustus Welby Northmore Pugin, 1812–1852

Window West End, South Aisle, Saint Vincent

undated

Samuel Prout Group of Four Seated Men

Samuel Prout, 1783–1852

Group of Four Seated Men

undated

Samuel Prout Sketches of Peasants and Work-Horses

Samuel Prout, 1783–1852

Sketches of Peasants and Work-Horses

undated

Samuel Prout Fisherfolk on the Beach, Ostend

Samuel Prout, 1783–1852

Fisherfolk on the Beach, Ostend

undated

Samuel Prout Bathing Tents on the Beach, Ostend

Samuel Prout, 1783–1852

Bathing Tents on the Beach, Ostend

undated

Alfred Priest Coldham Hall, with H. Priest and C. Turner Angling, 1835

Alfred Priest, 1810–1850

Coldham Hall, with H. Priest and C. Turner Angling, 1835

1835

Samuel Prout Figures on a Beach

Samuel Prout, 1783–1852

Figures on a Beach

after 1827

Samuel Prout An East Indiaman Moored, Small Boats Alongside, Other Boats Further Off

Samuel Prout, 1783–1852

An East Indiaman Moored, Small Boats Alongside, Other Boats Further Off

undated

Samuel Prout A Harbour; Breakwater Left, Small Boats Moored Alongside a Quay with Figures Right

Follower of Samuel Prout, 1783–1852

A Harbour; Breakwater Left, Small Boats Moored Alongside a Quay with Figures Right

undated

Samuel Prout Study of Figures at Ulm

Samuel Prout, 1783–1852

Study of Figures at Ulm

undated

T. J. Rawlins The Hazard Room at Crockford's

T. J. Rawlins, active 1837–1840

The Hazard Room at Crockford's

1837

David Roberts The Royal Palace, Madrid, 1832

David Roberts, 1796–1864

The Royal Palace, Madrid, 1832

1832

unknown artist Farmers Harvesting

unknown artist

Farmers Harvesting

undated

Sir John Gilbert Apotheosis of Shakespeare's Characters

Sir John Gilbert, 1817–1897

Apotheosis of Shakespeare's Characters

1871

Sir John Gilbert Enter Malvolio, Crossgartered...

Sir John Gilbert, 1817–1897

Enter Malvolio, Crossgartered..

1863

John Frederick Lewis Roman Pilgrims

John Frederick Lewis, 1804–1876

Roman Pilgrims

1854