Materials & Techniques: watercolor / Collection: Prints and Drawings / Width [cm]: 16

1. The Timber Wain

Creator:: Samuel Palmer, 1805–1881
Date:: between 1833 and 1834
Materials & Techniques:: Watercolor and gouache with pen and black ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 5 1/16 x 6 5/16 inches (12.9 x 16 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. The Channel Sketchbook

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1845
Materials & Techniques:: Sketchbook bound in red calf with marbled end papers, comprising 88 leaves with 74 watercolors and 26 graphite sketches on medium, slightly textured, white wove paper
Dimensions:: Binding: 4 inches (10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. The Angler

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: 1794
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 x 6 1/8 inches (22.9 x 15.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Near Gezir Shendowiel; sunset, 5:22 P.M., 10 Jan. 1867 (121)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, pen and purple ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 2 7/16 × 6 3/16 inches (6.2 × 15.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

5. Erment (Rahel Erment); 3:00 P.M., 23 Jan. 1867 (217)j

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, pen and brown ink, white gouche, and graphite, on medium, slightly textured, blue wove paper
Dimensions:: Sheet: 2 3/16 × 6 7/16 inches (5.6 × 16.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

6. Near Negadeh; 8:00 A.M., 25 Feb. 1867 (549)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, pen and brown ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 2 3/8 × 6 1/4 inches (6 × 15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

7. Abu Seer

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, pen and black ink on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 3 1/16 x 6 3/16 inches (7.8 x 15.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

8. Gebel Sheikh Abu Fodde, 8:00 am, 4 March 1867 (588)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on thick, rough, cream wove paper
Dimensions:: Sheet: 3 3/8 × 6 1/4 inches (8.6 × 15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

9. Salahiyeh

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, pen and brown ink on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 4 3/8 x 6 5/16 inches (11.1 x 16 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

10. El Areesh

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, pen and brown ink on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 4 1/16 x 6 5/16 inches (10.3 x 16 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

11. Pettenasco, Lago d'Orta

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, pen and brown ink on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/4 x 6 5/16 inches (10.8 x 16 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

12. Gebelein

Creator:: Edward Lear, 1812–1888
Date:: 1854
Materials & Techniques:: Watercolor, graphite, pen and brown ink and red ink on moderately thick, rough, brown wove paper
Dimensions:: Sheet: 2 5/8 x 6 1/8 inches (6.7 x 15.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of George E. Dix, B.A. 1934, M.A. 1942

13. Dhoura Island

Creator:: Edward Lear, 1812–1888
Date:: 1854
Materials & Techniques:: Watercolor, graphite, pen and black ink on moderately thick, rough, brown wove paper
Dimensions:: Sheet: 2 x 6 1/8 inches (5.1 x 15.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of George E. Dix, B.A. 1934, M.A. 1942

14. El Kab

Creator:: Edward Lear, 1812–1888
Date:: 1854
Materials & Techniques:: Watercolor, pen and red ink on moderately thick, rough, beige wove paper
Dimensions:: Sheet: 2 1/2 x 6 1/8 inches (6.4 x 15.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of George E. Dix, B.A. 1934, M.A. 1942

15. Tabeen Berlin, 4:00 p.m., January 1, 1867 (16)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, white gouache, pen and brown ink on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 2 5/8 x 6 3/16 inches (6.7 x 15.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

16. Dendera

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, gouache, pen and brown ink on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 2 5/8 x 6 5/16 inches (6.7 x 16 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

17. Gebel Sheikh Eredi, before sunrise

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, white gouache, pen and brown ink on moderately thick, slightly textured, brown wove paper, mounted on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 3 1/4 x 6 3/16 inches (8.3 x 15.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

18. Belbeis

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, pen and brown ink on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 4 1/16 x 6 5/16 inches (10.3 x 16 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

19. Pettenasco, Lago d'Orta, 4:20 pm, 2 June 1867 (224)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor with pen and brown ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/4 x 6 3/8 inches (10.8 x 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

20. Abu Seer

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, pen and black ink on medium, slightly textured, blue laid paper
Dimensions:: Sheet: 3 3/8 x 6 5/16 inches (8.6 x 16 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

21. Thebes

Creator:: Edward Lear, 1812–1888
Date:: 1854
Materials & Techniques:: Watercolor, graphite, and pen and brown ink on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 1 7/8 x 6 3/16 inches (4.8 x 15.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939, in memory of Paul Horgan

22. Greek Woodcutter, June 13 /56

Creator:: Edward Lear, 1812–1888
Date:: 1856
Materials & Techniques:: Watercolor with pen in brown ink over graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 9 1/16 x 6 1/8 inches (23 x 15.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

23. Negadeh

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, and pen and black ink on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 2 3/16 x 6 3/8 inches (5.6 x 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

24. Jerusalem, Plate 28 Proof Impression

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1820
Materials & Techniques:: Relief etching printed in blue ink, with watercolor and pen and black ink; proof on medium, smooth wove paper
Dimensions:: Sheet: 4 3/8 x 6 1/4 inches (11.1 x 15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: On view

25. Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief and white-line etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: On view

26. "His Children exil'd from his breast..." (Plate 19)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. "Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. "And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: On view

29. "His western heaven with rocky clouds..." (Plate 31)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. "Bath who is Legions..." (Plate 41)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. "Thus Albion sat, studious of others..." (Plate 42)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. "They saw their Wheels rising up poisonous..." (Plate 43)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. "Bath, healing City!..." (Plate 45)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief and white-line etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. "From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief and white-line etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. "And this the form of mighty Hand..." (Plate 70)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: On view

36. Chapter 4 Frontispiece (Plate 76)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief and white-line etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: On view

37. "My tents are fall'n! my pillars are in ruins!..." (Plate 79)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Jerusalem, Frontispiece (Plate 1)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: White-line etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: On view

39. "And that toward Eden, four..." (Plate 13)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. "From every-one of the Four Regions..." (Plate 18)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. "But when they saw Albion fall'n..." (Plate 20)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. "The banks of the Thames are clouded..." (Plate 5)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. "The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief and white-line etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Chapter 3 Frontispiece (Plate 51)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief and white-line etching printed in black ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 3/8 x 13 1/2 inches (26.4 x 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: On view

45. "To the Deists. He never can be a Friend to the Human Race..." (Plate 52)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. "His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. "To decide Two Worlds with a great decision..." (Plate 65)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. "In awful pomp & gold, in all the precious unhewn stones of Eden..." (Plate 66)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. "Was living: panting like a frighted wolf..." (Plate 7)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. "Rose up against me thundering..." (Plate 8)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: On view

52. "Encompass'd by the frozen Net..." (Plate 80)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. "I have heard Jerusalems groans..." (Plate 82)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. "Corruptability appears upon thy limbs..." (Plate 83)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. "All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: On view

56. "To the Jews..." (Plate 27)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. "Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief and white-line etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: On view

58. "Then the Divine Vision like a silent Sun..." (Plate 29)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. "To the Public. After my three years slumber..." (Plate 3)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief and white-line etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: On view

60. "Leaning against the pillars..." (Plate 32)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. "And One stood forth from the Divine Family..." (Plate 37)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief and white-line etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. "His face and bosom with petrific hardness..." (Plate 38)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. "By Satan's Watch-fiends tho' they search..." (Plate 39)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. "Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief and white-line etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: On view

65. "Los shudder'd at beholding Albion..." (Plate 40)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. "Bath, mild Physician of Eternity..." (Plate 46)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief and white-line etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: On view

67. "Condens'd his Emanations..." (Plate 9)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Study of a Kid

Creator:: James Ward, 1769–1859
Date:: 1796
Materials & Techniques:: Watercolor and white gouache with graphite and black ink on medium, slightly textured, beige laid paper mounted on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 5 3/8 x 6 1/8 inches (13.7 x 15.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Ashkoko

Creator:: Print made by James Heath, 1757–1834
Date:: 1789
Materials & Techniques:: Etching and engraving with hand coloring in watercolor on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 12 × 9 3/8 inches (30.5 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Marengo, Bonaparte's Arab

Creator:: Charles Hamilton Smith, 1776–1859
Date:: ca. 1837
Materials & Techniques:: Watercolor with pen and black ink, over graphite on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 4 × 6 1/8 inches (10.2 × 15.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. The English Race-Horse

Creator:: Charles Hamilton Smith, 1776–1859
Date:: ca. 1837
Materials & Techniques:: Watercolor, graphite, pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/4 × 6 3/8 inches (10.8 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. The Koomrah Horse

Creator:: Charles Hamilton Smith, 1776–1859
Date:: ca. 1837
Materials & Techniques:: Watercolor, graphite, pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 × 6 7/16 inches (10.2 × 16.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. The Tarpan. Wild Horse. Native to Russia

Creator:: Charles Hamilton Smith, 1776–1859
Date:: ca. 1837
Materials & Techniques:: Watercolor, graphite, pen and brown ink and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 15/16 × 6 3/8 inches (10 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Asinus Hippagrus The Yo-To-Tze

Creator:: Charles Hamilton Smith, 1776–1859
Date:: ca. 1837
Materials & Techniques:: Watercolor, graphite, pen and brown ink and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/8 × 6 3/8 inches (10.5 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Colt Third Issue of Brood Mare and Second by the Black Arab

Creator:: Charles Hamilton Smith, 1776–1859
Date:: ca. 1837
Materials & Techniques:: Watercolor, graphite, pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/8 × 6 3/8 inches (10.5 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Filley Bearing Marks of Quagga

Creator:: Charles Hamilton Smith, 1776–1859
Date:: ca. 1837
Materials & Techniques:: Watercolor, graphite, pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 × 6 7/16 inches (10.2 × 16.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. The Bornou Race

Creator:: Charles Hamilton Smith, 1776–1859
Date:: ca. 1837
Materials & Techniques:: Watercolor, graphite, pen and gray ink and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/16 × 6 5/16 inches (10.3 × 16 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Hippotigris Quacha

Creator:: Charles Hamilton Smith, 1776–1859
Date:: ca. 1837
Materials & Techniques:: Watercolor, pen and brown ink and graphite on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 4 1/8 × 6 1/8 inches (10.5 × 15.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. The Zebra

Creator:: Charles Hamilton Smith, 1776–1859
Date:: ca. 1837
Materials & Techniques:: Watercolor, pen and brown ink and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 7/8 × 6 7/16 inches (9.8 × 16.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Senegalese Wolf or Grey Jackal

Creator:: Charles Hamilton Smith, 1776–1859
Date:: ca. 1837
Materials & Techniques:: Watercolor, pen and black ink, gray ink, brown ink and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/8 × 6 3/8 inches (10.5 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. New Holland Dingo

Creator:: Charles Hamilton Smith, 1776–1859
Date:: ca. 1837
Materials & Techniques:: Watercolor, pen and black ink, brown ink, gouache and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/16 × 6 7/16 inches (10.6 × 16.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Dongola Horse

Creator:: Charles Hamilton Smith, 1776–1859
Date:: ca. 1837
Materials & Techniques:: Watercolor, pen and black ink, brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/4 × 6 3/8 inches (10.8 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. English Draught Horse

Creator:: Charles Hamilton Smith, 1776–1859
Date:: ca. 1837
Materials & Techniques:: Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 × 6 3/8 inches (10.2 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Peruvian Paso

Creator:: Charles Hamilton Smith, 1776–1859
Date:: ca. 1837
Materials & Techniques:: Watercolor, pen and brown ink and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 4 × 6 3/8 inches (10.2 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. The Hlymar, or Hamur, Persian Wild Ass

Creator:: Charles Hamilton Smith, 1776–1859
Date:: ca. 1837
Materials & Techniques:: Watercolor, pen and brown ink, black ink and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 3 7/8 × 6 3/8 inches (9.8 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Crisp-Haired Horse, Primeval Black Stock

Creator:: Charles Hamilton Smith, 1776–1859
Date:: ca. 1837
Materials & Techniques:: Watercolor, pen and gray ink and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/16 × 6 1/8 inches (10.3 × 15.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. The Hinny

Creator:: Charles Hamilton Smith, 1776–1859
Date:: ca. 1837
Materials & Techniques:: Watercolor, pen and gray ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 7/8 × 6 3/8 inches (9.8 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Villous Horse, Primeval White Stock

Creator:: Charles Hamilton Smith, 1776–1859
Date:: ca. 1837
Materials & Techniques:: Watercolor, pen and gray ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 × 6 7/16 inches (10.2 × 16.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. The Capybara

Creator:: Charles Hamilton Smith, 1776–1859
Date:: ca. 1837
Materials & Techniques:: Watercolor, pen and brown ink and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 1/16 × 6 7/16 inches (10.3 × 16.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Hare in a Landscape

Creator:: Newton Limbird Smith Fielding, 1799–1856
Date:: 1827
Materials & Techniques:: Watercolor, gouache and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/4 × 6 1/4 inches (22.2 × 15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

91. Scene from Don Quixote

Creator:: Robert Smirke, 1752–1845
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, gouache, graphite, and varnish, with scratching out; squared for transfer on moderately thick, moderately textured, beige laid paper
Dimensions:: Image: 8 3/8 × 6 3/8 inches (21.3 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. A London Street Crier

Creator:: James Gillray, 1756–1815
Date:: undated
Materials & Techniques:: Watercolor with pen and brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/8 × 6 1/8 inches (23.2 × 15.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Sky Study, No. 1

Creator:: Attributed to Thomas Lindsay, 1793–1861
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 2 5/8 × 6 1/4 inches (6.7 × 15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. The Beach at Culbone, Somerset

Creator:: unknown artist
Date:: 1826
Materials & Techniques:: Watercolor with graphite and scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 3/8 x 6 1/8 inches (8.5 x 15.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. A Foliated Branch

Creator:: James Ward, 1769–1859
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, smooth, cream laid paper
Dimensions:: Sheet: 7 7/8 x 6 1/4 inches (20 x 15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Vulcan and The Gods and Goddesses

Creator:: Edward Francis Burney, 1760–1848
Date:: undated
Materials & Techniques:: Pen and black ink and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/8 × 6 1/4 inches (13 × 15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Abel Cary Thomas, Yale BA 1905, transfer from the Yale University Library and the Yale University Art Gallery

97. Floating Barrel in a Stream

Creator:: James Miller, active 1773–1814
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium,slightly textured, cream laid paper
Dimensions:: Sheet: 7 13/16 × 6 5/16 inches (19.8 × 16 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove

98. View of a Building with Chimneys

Creator:: James Miller, active 1773–1814
Date:: undated
Materials & Techniques:: Watercolor, graphite, pen and black ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 7 13/16 × 6 3/8 inches (19.8 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove

99. Three Men and Two Boys Sitting on a Pier

Creator:: Print made by Robert Barnes, 1840–1895
Date:: undated
Materials & Techniques:: Wood-engraving with watercolor on moderately thick, slightly textured, cream wove paper mounted on moderately thick, slightly textured, beige wove paper
Dimensions:: Mount: 5 9/16 x 7 9/16 inches (14.2 x 19.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Creator:: George Edmund Street, 1824–1881
Date:: undated
Materials & Techniques:: Black ink, graphite, pen, watercolor and gouache on thin, smooth, brown wove paper
Dimensions:: Sheet: 11 1/4 × 6 3/8 inches (28.6 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

Refine your search

Search Constraints

Materials & Techniques watercolor

Collection Prints and Drawings

Width [cm] 16

Search Results

1. The Timber Wain

2. The Channel Sketchbook

3. The Angler

4. Near Gezir Shendowiel; sunset, 5:22 P.M., 10 Jan. 1867 (121)

5. Erment (Rahel Erment); 3:00 P.M., 23 Jan. 1867 (217)j

6. Near Negadeh; 8:00 A.M., 25 Feb. 1867 (549)

7. Abu Seer

8. Gebel Sheikh Abu Fodde, 8:00 am, 4 March 1867 (588)

9. Salahiyeh

10. El Areesh

11. Pettenasco, Lago d'Orta

12. Gebelein

13. Dhoura Island

14. El Kab

15. Tabeen Berlin, 4:00 p.m., January 1, 1867 (16)

16. Dendera

17. Gebel Sheikh Eredi, before sunrise

18. Belbeis

19. Pettenasco, Lago d'Orta, 4:20 pm, 2 June 1867 (224)

20. Abu Seer

21. Thebes

22. Greek Woodcutter, June 13 /56

23. Negadeh

24. Jerusalem, Plate 28 Proof Impression

25. Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)

26. "His Children exil'd from his breast..." (Plate 19)

27. "Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)

28. "And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)

29. "His western heaven with rocky clouds..." (Plate 31)

30. "Bath who is Legions..." (Plate 41)

31. "Thus Albion sat, studious of others..." (Plate 42)

32. "They saw their Wheels rising up poisonous..." (Plate 43)

33. "Bath, healing City!..." (Plate 45)

34. "From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)

35. "And this the form of mighty Hand..." (Plate 70)

36. Chapter 4 Frontispiece (Plate 76)

37. "My tents are fall'n! my pillars are in ruins!..." (Plate 79)

38. Jerusalem, Frontispiece (Plate 1)

39. "And that toward Eden, four..." (Plate 13)

40. "From every-one of the Four Regions..." (Plate 18)

41. "But when they saw Albion fall'n..." (Plate 20)

42. "The banks of the Thames are clouded..." (Plate 5)

43. "The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)

44. Chapter 3 Frontispiece (Plate 51)

45. "To the Deists. He never can be a Friend to the Human Race..." (Plate 52)

46. "His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)

47. "To decide Two Worlds with a great decision..." (Plate 65)

48. "In awful pomp & gold, in all the precious unhewn stones of Eden..." (Plate 66)

49. "Was living: panting like a frighted wolf..." (Plate 7)

50. Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)

51. "Rose up against me thundering..." (Plate 8)

52. "Encompass'd by the frozen Net..." (Plate 80)

53. "I have heard Jerusalems groans..." (Plate 82)

54. "Corruptability appears upon thy limbs..." (Plate 83)

55. "All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)

56. "To the Jews..." (Plate 27)

57. "Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)

58. "Then the Divine Vision like a silent Sun..." (Plate 29)

59. "To the Public. After my three years slumber..." (Plate 3)

60. "Leaning against the pillars..." (Plate 32)

61. "And One stood forth from the Divine Family..." (Plate 37)

62. "His face and bosom with petrific hardness..." (Plate 38)

63. "By Satan's Watch-fiends tho' they search..." (Plate 39)

64. "Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)

65. "Los shudder'd at beholding Albion..." (Plate 40)

66. "Bath, mild Physician of Eternity..." (Plate 46)

67. "Condens'd his Emanations..." (Plate 9)

68. Study of a Kid

69. Ashkoko

70. Marengo, Bonaparte's Arab

71. The English Race-Horse

72. The Koomrah Horse

73. The Tarpan. Wild Horse. Native to Russia