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Date 1797

William Blake "A brace of warriors... rustling in their silks and tissues..."(Design 27)

William Blake, 1757–1827

"A brace of warriors... rustling in their silks and tissues..."(Design 27)

between 1797 and 1798

William Blake "An ancient pile of building stands... there Employed the power of Fairy hands" (Design 25)

William Blake, 1757–1827

"An ancient pile of building stands... there Employed the power of Fairy hands" (Design 25)

between 1797 and 1798

William Blake "Up stairs in a whirlwind rattle..." (Design 29)

William Blake, 1757–1827

"Up stairs in a whirlwind rattle..." (Design 29)

between 1797 and 1798

William Blake Ode on the Spring; Title Page

William Blake, 1757–1827

Ode on the Spring; Title Page

between 1797 and 1798

William Blake Ode to Adversity; Title Page

William Blake, 1757–1827

Ode to Adversity; Title Page

between 1797 and 1798

William Blake "Cytherea's Day..." (Design 45)

William Blake, 1757–1827

"Cytherea's Day..." (Design 45)

between 1797 and 1798

On view

William Blake "And purple tyrants vainly groan..." (Design 37)

William Blake, 1757–1827

"And purple tyrants vainly groan..." (Design 37)

between 1797 and 1798

William Blake "At the chapel-door stand sentry... (Design 31)

William Blake, 1757–1827

"At the chapel-door stand sentry... (Design 31)

between 1797 and 1798

On view

William Blake "My Lade rose, and with a grace– She smil'd, and bid him come to dinner..." (Design 33)

William Blake, 1757–1827

"My Lade rose, and with a grace– She smil'd, and bid him come to dinner..." (Design 33)

between 1797 and 1798

William Blake "With screaming Horror's funeral cry, Despair, and fell Disease, and ghastly Poverty..." Design 39)

William Blake, 1757–1827

"With screaming Horror's funeral cry, Despair, and fell Disease, and ghastly Poverty..." Design 39)

between 1797 and 1798

On view

William Blake The Progress of Poesy, A Pindaric Ode; Title Page

William Blake, 1757–1827

The Progress of Poesy, A Pindaric Ode; Title Page

between 1797 and 1798

William Blake "The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43)

William Blake, 1757–1827

"The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43)

between 1797 and 1798

William Blake The Bard, A Pindaric Ode; Title Page

William Blake, 1757–1827

The Bard, A Pindaric Ode; Title Page

between 1797 and 1798

William Blake "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)

William Blake, 1757–1827

"A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)

between 1797 and 1798

William Blake "Hie thee hence, and boast at home..." (Design 85)

William Blake, 1757–1827

"Hie thee hence, and boast at home..." (Design 85)

between 1797 and 1798

William Blake The Triumphs of Owen, A Fragment; Title Page

William Blake, 1757–1827

The Triumphs of Owen, A Fragment; Title Page

between 1797 and 1798

William Blake The Bard Singing Owen's Praise (Design 89)

William Blake, 1757–1827

The Bard Singing Owen's Praise (Design 89)

between 1797 and 1798

William Blake "Where shaggy forms o'er ice-built mountains roam..." (Design 47)

William Blake, 1757–1827

"Where shaggy forms o'er ice-built mountains roam..." (Design 47)

between 1797 and 1798

William Blake "To him the mighty mother did unveil Her awful face..." (Design 49)

William Blake, 1757–1827

"To him the mighty mother did unveil Her awful face..." (Design 49)

between 1797 and 1798

William Blake "Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)

William Blake, 1757–1827

"Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)

between 1797 and 1798

William Blake "Yet oft before his infant eyes would run Such forms as glitter in the Muse's ray..." (Design 51)

William Blake, 1757–1827

"Yet oft before his infant eyes would run Such forms as glitter in the Muse's ray..." (Design 51)

between 1797 and 1798

William Blake 'Tis greatly wise to talk with our past hours' (Page 31)

Print made by William Blake, 1757–1827

'Tis greatly wise to talk with our past hours' (Page 31)

1797

William Blake 'Like that, the dial speaks; and points to thee' (Page 33)

Print made by William Blake, 1757–1827

'Like that, the dial speaks; and points to thee' (Page 33)

1797

William Blake 'Swift on his downy pinion flies from woe' (Page 1)

Print made by William Blake, 1757–1827

'Swift on his downy pinion flies from woe' (Page 1)

1797

William Blake 'But for the blessing wrestle not with heaven' (Page 88)

Print made by William Blake, 1757–1827

'But for the blessing wrestle not with heaven' (Page 88)

1797

William Blake 'That touch, with charm celestial heals the soul' (Page 90)

Print made by William Blake, 1757–1827

'That touch, with charm celestial heals the soul' (Page 90)

1797

William Blake 'When faith is virtue, reason makes it so' (Page 92)

Print made by William Blake, 1757–1827

'When faith is virtue, reason makes it so' (Page 92)

1797

William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)

Print made by William Blake, 1757–1827

'Till at Death's toll, whose restless iron tongue' (Page 7)

1797

William Blake 'The goddess bursts in thunder and in flame' (Page 95)

Print made by William Blake, 1757–1827

'The goddess bursts in thunder and in flame' (Page 95)

1797

William Blake 'If angels tremble, 'tis at such a sight' (Page 93)

Print made by William Blake, 1757–1827

'If angels tremble, 'tis at such a sight' (Page 93)

1797

William Blake 'Death! great proprietor of all! 'tis thine' (Page 8)

Print made by William Blake, 1757–1827

'Death! great proprietor of all! 'tis thine' (Page 8)

1797

William Blake 'The present moment terminates our sight' (Page 13)

Print made by William Blake, 1757–1827

'The present moment terminates our sight' (Page 13)

1797

William Blake 'The longest night though longer far, would fail' (Page 15)

Print made by William Blake, 1757–1827

'The longest night though longer far, would fail' (Page 15)

1797

William Blake Poems by Mr. Gray; Title Page

William Blake, 1757–1827

Poems by Mr. Gray; Title Page

between 1797 and 1798

William Blake 'Its favours here are trials, not rewards' (Page 12)

Print made by William Blake, 1757–1827

'Its favours here are trials, not rewards' (Page 12)

1797

William Blake "Nor fear the rocks, nor seek the shore..." (Design 101)

William Blake, 1757–1827

"Nor fear the rocks, nor seek the shore..." (Design 101)

between 1797 and 1798

William Blake Epitaph on Mrs. Clarke; Title Page

William Blake, 1757–1827

Epitaph on Mrs. Clarke; Title Page

between 1797 and 1798

William Blake "Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)

William Blake, 1757–1827

"Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)

between 1797 and 1798

William Blake The Complaint, and the Consolation; or, Night Thoughts

Print made by William Blake, 1757–1827

The Complaint, and the Consolation; or, Night Thoughts

1797

William Blake The Complaint, and the Consolation; or, Night Thoughts

Print made by William Blake, 1757–1827

The Complaint, and the Consolation; or, Night Thoughts

1797

Thomas Uwins A Village Fair

Thomas Uwins, 1782–1857

A Village Fair

undated

Thomas Sunderland Bridge over the Severn at Newtown, Looking up the River

Thomas Sunderland, 1744–1828

Bridge over the Severn at Newtown, Looking up the River

1797

James Walker Hampton Court Palace, Herefordshire

Print made by James Walker, 1748–1808

Hampton Court Palace, Herefordshire

1797

John Walker Flint, from Park-Gate

Print made by John Walker, active 1792–1803

Flint, from Park-Gate

1797

William Havell River Scene with Boy and Sheep

William Havell, 1782–1857

River Scene with Boy and Sheep

undated

William Havell Welsh Landscape

Attributed to William Havell, 1782–1857

Welsh Landscape

undated

Paul Sandby The Entrance to Chepstow Castle

Paul Sandby, 1731–1809

The Entrance to Chepstow Castle

ca. 1802

Thomas Uwins Farm House Kitchen at Brackham in Surrey

Thomas Uwins, 1782–1857

Farm House Kitchen at Brackham in Surrey

undated

William Henry Brooke Herstmonceux Castle from the South

William Henry Brooke, 1772–1860

Herstmonceux Castle from the South

undated

Lewis Vaslet The Spoiled Child, Scene I

Lewis Vaslet, 1742–1808

The Spoiled Child, Scene I

ca. 1802

Lewis Vaslet The Spoiled Child, Scene II

Lewis Vaslet, 1742–1808

The Spoiled Child, Scene II

ca. 1802

Lewis Vaslet The Spoiled Child, Scene VI

Lewis Vaslet, 1742–1808

The Spoiled Child, Scene VI

ca. 1802

Lewis Vaslet The Spoiled Child, Scene III

Lewis Vaslet, 1742–1808

The Spoiled Child, Scene III

ca. 1802

Lewis Vaslet The Spoiled Child, Scene IV

Lewis Vaslet, 1742–1808

The Spoiled Child, Scene IV

ca. 1802

Lewis Vaslet The Spoiled Child, Scene V

Lewis Vaslet, 1742–1808

The Spoiled Child, Scene V

ca. 1802

Thomas Gaugain Diligence and Dissipation: The Modest Girl and the Wanton/ Fellow Servants in a Gentleman's House (Plate 1)

Print made by Thomas Gaugain, 1748–1812

Diligence and Dissipation: The Modest Girl and the Wanton/ Fellow Servants in a Gentleman's House (Plate 1)

1797

Thomas Gaugain Diligence and Dissipation: The Wanton in her Bed Chamber (Plate 3)

Print made by Thomas Gaugain, 1748–1812

Diligence and Dissipation: The Wanton in her Bed Chamber (Plate 3)

1797

Thomas Gaugain Diligence and Dissipation: The Modest Girl in her Bed Chamber (Plate 4)

Print made by Thomas Gaugain, 1748–1812

Diligence and Dissipation: The Modest Girl in her Bed Chamber (Plate 4)

1797

Thomas Gaugain Diligence and Dissipation: The Wanton turn'd out of Doors for Misconduct (Plate 5)

Thomas Gaugain, 1748–1812

Diligence and Dissipation: The Wanton turn'd out of Doors for Misconduct (Plate 5)

1797

Thomas Gaugain Diligence and Dissipation: The Wanton Dying in Poverty and Disease Visited by the Modest Girl (Plate 9)

Print made by Thomas Gaugain, 1748–1812

Diligence and Dissipation: The Wanton Dying in Poverty and Disease Visited by the Modest Girl (Plate 9)

1797

Thomas Gaugain Diligence and Dissipation: The Wanton Revelling with her Companions (Plate7)

Print made by Thomas Gaugain, 1748–1812

Diligence and Dissipation: The Wanton Revelling with her Companions (Plate7)

1797

Thomas Gaugain Diligence and Dissipation: The Good Girl Married to her Master/ The Wanton laid in her Grave (Plate 10)

Print made by Thomas Gaugain, 1748–1812

Diligence and Dissipation: The Good Girl Married to her Master/ The Wanton laid in her Grave (Plate 10)

1797

Thomas Gaugain Diligence and Dissipation: The Good Girl Receives the Honourable Addresses of her Master (Plate 8)

Print made by Thomas Gaugain, 1748–1812

Diligence and Dissipation: The Good Girl Receives the Honourable Addresses of her Master (Plate 8)

1797

Thomas Gaugain Diligence and Dissipation: The Modest Girl rejects the Illicit Addresses of her Master (Plate 6)

Print made by Thomas Gaugain, 1748–1812

Diligence and Dissipation: The Modest Girl rejects the Illicit Addresses of her Master (Plate 6)

1797

Richard Earlom Vice Admiral Colpoys

Richard Earlom, 1743–1822

Vice Admiral Colpoys

1797

George Cruikshank A Fancy Sketch, to the Memory of Shakespeare

Print made by George Cruikshank, 1792–1878

A Fancy Sketch, to the Memory of Shakespeare

1797

William Nelson Gardiner Mr. Kemble, of the Theatre Royal, Drury Lane

Print made by William Nelson Gardiner, 1766–1814

Mr. Kemble, of the Theatre Royal, Drury Lane

1797

Benjamin Smith "Tempest", Act I, Scene I

Benjamin Smith, 1775–1833

"Tempest", Act I, Scene I

1797

George Siegmund Facius John Smith, D.D.F.S.A.

George Siegmund Facius, 1750–1804

John Smith, D.D.F.S.A

1797

Frederick Nash The Seine with Notre Dame

Frederick Nash, 1782–1856

The Seine with Notre Dame

undated

Frederick Nash Ambulatory, Westminster Abbey

Frederick Nash, 1782–1856

Ambulatory, Westminster Abbey

undated

Frederick Nash Apsley House and Piccadilly ... from Hyde Park Corner

Frederick Nash, 1782–1856

Apsley House and Piccadilly ... from Hyde Park Corner

undated

Paul Sandby Munn View of Side Farm, Patterdale

Paul Sandby Munn, 1773–1845

View of Side Farm, Patterdale

ca. 1802

James Baynes Rocks with Central Cavern Among Trees

James Baynes, 1766–1837

Rocks with Central Cavern Among Trees

1797

William Ridley Miss Seward

Print made by William Ridley, 1764–1838

Miss Seward

1797

Thomas Gaugain Turnips and Carrots Ho

Thomas Gaugain, 1748–1812

Turnips and Carrots Ho

1797

George Robert Lewis Haymakers in a Field

George Robert Lewis, 1782–1871

Haymakers in a Field

undated

Thomas Rowlandson The Return of the Fleet to Great Yarmouth in 1797

Thomas Rowlandson, 1756–1827

The Return of the Fleet to Great Yarmouth in 1797

1797

William Ward [Fox-hunting] Outside of a Country Alehouse

William Ward, 1766–1826

[Fox-hunting] Outside of a Country Alehouse

1797

Charles Knight Lady Hamilton as a Bacchante

Print made by Charles Knight, 1743–c.1826

Lady Hamilton as a Bacchante

1797

Francesco Bartolozzi The Right Honorable Lady Jane Dundas

Print made by Francesco Bartolozzi, 1728–1815

The Right Honorable Lady Jane Dundas

ca. 1802

William Ward The Daughters of Sir Thomas Frankland

Print made by William Ward, 1766–1826

The Daughters of Sir Thomas Frankland

1797

George Morland The Horse Feeder

George Morland, 1763–1804

The Horse Feeder

1797

William Ward Inside of a Country Alehouse

William Ward, 1766–1826

Inside of a Country Alehouse

1797

Francis Haward Cymon and Iphigenia

Print made by Francis Haward, 1759–1797

Cymon and Iphigenia

1797

Charles Wilkin The Right Honourable Lady Charlotte Duncombe

Print made by Charles Wilkin, 1750–1814

The Right Honourable Lady Charlotte Duncombe

1797

Charles Wilkin The Right Honourable Charlotte Viscountess St. Asaph

Print made by Charles Wilkin, 1750–1814

The Right Honourable Charlotte Viscountess St. Asaph

1797

Thomas Tagg View of Westminster Bridge

Thomas Tagg, died 1809

View of Westminster Bridge

1797

unknown artist St. Paul's from Ludgate Hill

unknown artist

St. Paul's from Ludgate Hill

1797

unknown artist St. Paul's Cathedral from the West Entrance

unknown artist

St. Paul's Cathedral from the West Entrance

1797

James Peller Malcolm Richmond Church, Surry, Western Outer Suburb

James Peller Malcolm, 1767–1815

Richmond Church, Surry, Western Outer Suburb

1797

Thomas Prattent Spanish Ambassadors House Manchester Square and Old Houses in Long Lane West Smithfield

Thomas Prattent, active 1780–1810

Spanish Ambassadors House Manchester Square and Old Houses in Long Lane West Smithfield

1797

unknown artist St. Dunstan's Fleet Street

unknown artist

St. Dunstan's Fleet Street

1797

John Thomas Smith Near Deptford, Kent

John Thomas Smith, 1766–1833

Near Deptford, Kent

1797

John Thomas Smith In Bury Street, Edmonton, Outer Suburb - North

John Thomas Smith, 1766–1833

In Bury Street, Edmonton, Outer Suburb - North

1797

John Thomas Smith Near Palmer's Green, Edmonton, Outer Suburb - North

John Thomas Smith, 1766–1833

Near Palmer's Green, Edmonton, Outer Suburb - North

1797

John Thomas Smith Near Ball's Cross, Enfield, Outer Suburb - North

John Thomas Smith, 1766–1833

Near Ball's Cross, Enfield, Outer Suburb - North

1797

unknown artist Entrance of Piccadilly or Hyde Park Corner Turnpike

unknown artist

Entrance of Piccadilly or Hyde Park Corner Turnpike

1797

Thomas Prattent North View of the New Buildings at the Bank of England (page 20, volume 1)

Print made by Thomas Prattent, active 1780–1810

North View of the New Buildings at the Bank of England (page 20, volume 1)

1797

William Evans Sir Henry Charles Englefield, 7th Baronet

William Evans, active 1797–1856

Sir Henry Charles Englefield, 7th Baronet

undated