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Date 1793

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Henry Singleton The Wandering Sailor
Henry Singleton, 1766–1839
The Wandering Sailor
ca. 1798
Not on view
William Anderson Hussars Embarking at Deptford
William Anderson, 1757–1837
Hussars Embarking at Deptford
1793
Not on view
Robert Smirke The Earl of Sandwich Refusing to Abandon His Ship During the Battle of Solebay
Robert Smirke, 1752–1845
The Earl of Sandwich Refusing to Abandon His Ship During the Battle of Solebay
1793
Not on view
Joseph Wright of Derby Landscape with a Rainbow
Joseph Wright of Derby, 1734–1797
Landscape with a Rainbow
between 1793 and 1794
Not on view
George Garrard A Marmoset in Three Attitudes
George Garrard, 1760–1826
A Marmoset in Three Attitudes
1793
Not on view
John Constable Flowers in a Pitcher
John Constable, 1776–1837
Flowers in a Pitcher
undated
Joseph Mallord William Turner Christ Church Gate, Canterbury
Joseph Mallord William Turner, 1775–1851
Christ Church Gate, Canterbury
1793 to 1794
Joseph Mallord William Turner Clare Hall and King’s College Chapel, Cambridge, from the Banks of the River Cam
Joseph Mallord William Turner, 1775–1851
Clare Hall and King’s College Chapel, Cambridge, from the Banks of the River Cam
1793
Joseph Mallord William Turner Windsor
Joseph Mallord William Turner, 1775–1851
Windsor
ca. 1798
William Blake What is Man!, Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
What is Man!, Frontispiece (Plate 1)
1793
William Blake Title Page, For Children. The Gates of Paradise (Plate 2)
Print made by William Blake, 1757–1827
Title Page, For Children. The Gates of Paradise (Plate 2)
1793
William Blake Water (Plate 4)
Print made by William Blake, 1757–1827
Water (Plate 4)
1793
William Blake Fire (Plate 7)
Print made by William Blake, 1757–1827
Fire (Plate 7)
1793
William Blake At Length for Hatching Ripe He Breaks the Shell (Plate 8)
Print made by William Blake, 1757–1827
At Length for Hatching Ripe He Breaks the Shell (Plate 8)
1793
William Blake Alas! (Plate 9)
Print made by William Blake, 1757–1827
Alas! (Plate 9)
1793
William Blake I Found Him Beneath a Tree (Plate 3)
Print made by William Blake, 1757–1827
I Found Him Beneath a Tree (Plate 3)
1793
William Blake Earth (Plate 5)
Print made by William Blake, 1757–1827
Earth (Plate 5)
1793
William Blake Air (Plate 6)
Print made by William Blake, 1757–1827
Air (Plate 6)
1793
William Blake I Want! I Want! (Plate 11)
Print made by William Blake, 1757–1827
I Want! I Want! (Plate 11)
1793
William Blake Death's Door (Plate 17)
Print made by William Blake, 1757–1827
Death's Door (Plate 17)
1793
William Blake My Son! My Son! (Plate 10)
Print made by William Blake, 1757–1827
My Son! My Son! (Plate 10)
1793
William Blake Help! Help! (Plate 12)
Print made by William Blake, 1757–1827
Help! Help! (Plate 12)
1793
William Blake Aged Ignorance (Plate 13)
Print made by William Blake, 1757–1827
Aged Ignorance (Plate 13)
1793
William Blake Does Thy God O Priest Take such Vengeance as This? (Plate 14)
Print made by William Blake, 1757–1827
Does Thy God O Priest Take such Vengeance as This? (Plate 14)
1793
William Blake Fear & Hope Are -- Vision (Plate 15)
Print made by William Blake, 1757–1827
Fear & Hope Are -- Vision (Plate 15)
1793
William Blake The Traveller Hasteth in the Evening (Plate 16)
Print made by William Blake, 1757–1827
The Traveller Hasteth in the Evening (Plate 16)
1793
William Blake I Have Said to the Worm, Thou Art My Mother & My Sister (Plate 18)
Print made by William Blake, 1757–1827
I Have Said to the Worm, Thou Art My Mother & My Sister (Plate 18)
1793
William Blake Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
Frontispiece (Plate 1)
1793
William Blake Title Page, Visions of the Daughters of Albion (Plate 2)
Print made by William Blake, 1757–1827
Title Page, Visions of the Daughters of Albion (Plate 2)
1793
William Blake Visions. "Enslav'd, the Daughters of Albion weep..." (Plate 4)
Print made by William Blake, 1757–1827
Visions. "Enslav'd, the Daughters of Albion weep..." (Plate 4)
1793
William Blake "And none but Bromian can hear my lamentations..." (Plate 6)
Print made by William Blake, 1757–1827
"And none but Bromian can hear my lamentations..." (Plate 6)
1793
William Blake "But when the morn arose, her lamentation renewd..." (Plate 8)
Print made by William Blake, 1757–1827
"But when the morn arose, her lamentation renewd..." (Plate 8)
1793
William Blake "In happy copulation; if in evening mild, wearied with work..." (Plate 10)
Print made by William Blake, 1757–1827
"In happy copulation; if in evening mild, wearied with work..." (Plate 10)
1793
William Blake "Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18)
Print made by William Blake, 1757–1827
"Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18)
1793
William Blake Visions of the Daughters of Albion: The Eye Sees More than the Heart Knows
Prints made by William Blake, 1757–1827
Visions of the Daughters of Albion: The Eye Sees More than the Heart Knows
1793
William Blake For Children. The Gates of Paradise, London, by William Blake
Prints made by William Blake, 1757–1827
For Children. The Gates of Paradise, London, by William Blake
1793
William Blake Europe. A Prophecy
Print made by William Blake, 1757–1827
Europe. A Prophecy
1793, printed 1795
William Blake Fiery the Angels rose, & as they rose deep thunder roll'd..." (Plate 13)
Print made by William Blake, 1757–1827
Fiery the Angels rose, & as they rose deep thunder roll'd..." (Plate 13)
1793
William Blake "What time the thirteen Governors that England sent convene..." (Plate 15)
Print made by William Blake, 1757–1827
"What time the thirteen Governors that England sent convene..." (Plate 15)
1793
William Blake "In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)
Print made by William Blake, 1757–1827
"In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)
1793
William Blake Title Page. America, A Prophecy (Plate 2)
Print made by William Blake, 1757–1827
Title Page. America, A Prophecy (Plate 2)
1793
William Blake Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)
Print made by William Blake, 1757–1827
Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)
1793
William Blake "Silent as despairing love, and strong as jealousy..." (Plate 4)
Print made by William Blake, 1757–1827
"Silent as despairing love, and strong as jealousy..." (Plate 4)
1793
William Blake A Prophecy. "The Guardian Prince of Albion burns in his nightly tent..." (Plate 5)
Print made by William Blake, 1757–1827
A Prophecy. "The Guardian Prince of Albion burns in his nightly tent..." (Plate 5)
1793
William Blake "Albions Angel stood beside the Stone of night, and saw..." (Plate 7)
Print made by William Blake, 1757–1827
"Albions Angel stood beside the Stone of night, and saw..." (Plate 7)
1793
William Blake "In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)
Print made by William Blake, 1757–1827
"In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)
1793
William Blake Frontispiece. Albion's Angel (Plate 1)
Print made by William Blake, 1757–1827
Frontispiece. Albion's Angel (Plate 1)
1793
William Blake "Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12)
Print made by William Blake, 1757–1827
"Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12)
1793
William Blake "So cried he, rending off his robe & throwing down his scepter..." (Plate 14)
Print made by William Blake, 1757–1827
"So cried he, rending off his robe & throwing down his scepter..." (Plate 14)
1793
William Blake "The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)
Print made by William Blake, 1757–1827
"The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)
1793
William Blake "Sound! sound! my loud war-trumpets & alarm my Thirteen Angels!..." (Plate 11)
Print made by William Blake, 1757–1827
"Sound! sound! my loud war-trumpets & alarm my Thirteen Angels!..." (Plate 11)
1793
William Blake "On Albions Angels: then the Pestilence began in streaks of red..." (Plate 17)
Print made by William Blake, 1757–1827
"On Albions Angels: then the Pestilence began in streaks of red..." (Plate 17)
1793
William Blake "Appear to the Americans upon the cloudy night..." (Plate 6)
Print made by William Blake, 1757–1827
"Appear to the Americans upon the cloudy night..." (Plate 6)
1793
William Blake "The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)
Print made by William Blake, 1757–1827
"The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)
1793
William Blake Introduction to the Fables, The Shepherd and the Philosopher
Print made by William Blake, 1757–1827
Introduction to the Fables, The Shepherd and the Philosopher
1793
William Blake Fable VI. The Miser and Plutus
Print made by William Blake, 1757–1827
Fable VI. The Miser and Plutus
1793
William Blake Fable XIII. The Tame Stag
Print made by William Blake, 1757–1827
Fable XIII. The Tame Stag
1793
William Blake Fable XVI. The Pin and the Needle
Print made by William Blake, 1757–1827
Fable XVI. The Pin and the Needle
1793
William Blake Fable XXII. The Goat Without a Beard
Print made by William Blake, 1757–1827
Fable XXII. The Goat Without a Beard
1793
William Blake Fable XXIV. The Butterfly and the Snail
Print made by William Blake, 1757–1827
Fable XXIV. The Butterfly and the Snail
1793
William Blake Fable XXVIII. The Persian, the Sun, and the Cloud
Print made by William Blake, 1757–1827
Fable XXVIII. The Persian, the Sun, and the Cloud
1793
William Blake Fable XXX. The Setting-dog and the Partridge
Print made by William Blake, 1757–1827
Fable XXX. The Setting-dog and the Partridge
1793
William Blake Fable XLI. The Owl and the Farmer
Print made by William Blake, 1757–1827
Fable XLI. The Owl and the Farmer
1793
William Blake Fable I. The Dog and the Fox
Print made by William Blake, 1757–1827
Fable I. The Dog and the Fox
1793
William Blake Fable XVI. The Ravens, the Sexton, and the Earth-Worm
Print made by William Blake, 1757–1827
Fable XVI. The Ravens, the Sexton, and the Earth-Worm
1793
William Blake Fable XII. Pan and Fortune
Print made by William Blake, 1757–1827
Fable XII. Pan and Fortune
1793
George Romney Figure Composition Study 4
George Romney, 1734–1802
Figure Composition Study 4
1793
George Romney Figure Composition Study 48
George Romney, 1734–1802
Figure Composition Study 48
1793
George Romney Wolgemuth Rescuing the Shipwrecked off the Cape of Good Hope
George Romney, 1734–1802
Wolgemuth Rescuing the Shipwrecked off the Cape of Good Hope
1793
George Romney Devils for the Temptation of Christ
George Romney, 1734–1802
Devils for the Temptation of Christ
1793
Joseph Clarendon Smith Tintern Abbey
Joseph Clarendon Smith, 1778–1810
Tintern Abbey
undated
John Varley Romatic Landscape with a Castle and a Tree on the Right
John Varley, 1778–1842
Romatic Landscape with a Castle and a Tree on the Right
undated
John Varley Landscape Composition, Dolbadern
pupil of John Varley, 1778–1842
Landscape Composition, Dolbadern
undated
John Varley Romantic Landscape with Cliffs and a Castle
John Varley, 1778–1842
Romantic Landscape with Cliffs and a Castle
undated
John Varley London from the Thames
John Varley, 1778–1842
London from the Thames
undated
John Varley Trees Overhanging a River
John Varley, 1778–1842
Trees Overhanging a River
undated
John Varley The Fisherman
John Varley, 1778–1842
The Fisherman
undated
John Varley Linlithgow Palace
John Varley, 1778–1842
Linlithgow Palace
undated
James Ward Mother and Infant
James Ward, 1769–1859
Mother and Infant
ca. 1798
John Varley River Landscape with Two Figures, Lake and Distant Mountains
John Varley, 1778–1842
River Landscape with Two Figures, Lake and Distant Mountains
undated
John Varley Millbank
John Varley, 1778–1842
Millbank
undated
John Varley Romantic Composition
John Varley, 1778–1842
Romantic Composition
undated
John Varley Farm House with a Well
John Varley, 1778–1842
Farm House with a Well
undated
John Varley View of New Street, near London Bridge
John Varley, 1778–1842
View of New Street, near London Bridge
undated
John Varley On the Thames
pupil of John Varley, 1778–1842
On the Thames
undated
John Varley View of York
John Varley, 1778–1842
View of York
undated
Thomas Hand Wooded Landscape with Figures Round a Cooking Pot
Thomas Hand, died 1804
Wooded Landscape with Figures Round a Cooking Pot
1793
George Harley Landscape with a Boatshed
Attributed to George Harley, 1791–1871
Landscape with a Boatshed
undated
John Samuel Hayward A Young Woman Looking Down
John Samuel Hayward, 1778–1822
A Young Woman Looking Down
undated
John Jackson Frederick Howard, fifth Earl of Carlisle
John Jackson, 1778–1831
Frederick Howard, fifth Earl of Carlisle
undated
Richard Banks Harraden Clare College, Cambridge
Richard Banks Harraden, 1778–1862
Clare College, Cambridge
undated
Richard Banks Harraden Milton's Mulberry Tree, Christ's College Gardens, Cambridge
Richard Banks Harraden, 1778–1862
Milton's Mulberry Tree, Christ's College Gardens, Cambridge
undated
Charles Gore Ruins du Château du Heidelberg
Charles Gore, 1729–1807
Ruins du Château du Heidelberg
1793
Richard Banks Harraden Trinity Hall from the Garden, Cambridge
Richard Banks Harraden, 1778–1862
Trinity Hall from the Garden, Cambridge
undated
Samuel Howitt A Park Landscape with Shepherd and Sheep
Samuel Howitt, 1756–1822
A Park Landscape with Shepherd and Sheep
1793
John Varley Architectural Drawing of a Building with Astrological Symbols
John Varley, 1778–1842
Architectural Drawing of a Building with Astrological Symbols
undated
John Varley Mountain Landscape with Castle Ruins on a Cliff
John Varley, 1778–1842
Mountain Landscape with Castle Ruins on a Cliff
undated
David Allan View of the High Street of Edinburgh and the Commissioner
David Allan, 1744–1796
View of the High Street of Edinburgh and the Commissioner
1793
David Allan The High Street of Edinburgh from the East
David Allan, 1744–1796
The High Street of Edinburgh from the East
1793
Gangaram Chintaman Tambat Inside View of Indur Subba
Gangaram Chintaman Tambat, active 1790s
Inside View of Indur Subba
between 1793 and 1795