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Creator:
Print made by William Blake, 1757–1827
Title:
A Prophecy. "The Guardian Prince of Albion burns in his nightly tent..." (Plate 5)
Part Of:

Collective Title: America. A Prophecy, Copy M

Date:
1793
Materials & Techniques:
Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm), Plate: 9 1/4 x 6 5/8 inches (23.5 x 16.8 cm)
Inscription(s)/Marks/Lettering:

Inscribed in blue-gray ink upper right: "3"

Lettered upper center: "A PROPHECY"; lower center: "The Guardian Prince of Albion burns in his nightly tent, Sullen fires across the Atlantic glow to America's shore: Piercing the souls of warlike men, who rise in silent night. Washington, Franklin, Paine & Warren, Gates, Hancock & Green; Meet on the coast glowing with blood from Albions fiery Prince. | Washington spoke: “Friends of America look over the Atlantic sea; A bended bow is lifted in heaven, & a heavy iron chain Descends link by link from Albions cliffs across the sea to bind Brothers & sons of America, till our faces pale and yellow; Heads deprest, voices weak, eyes downcast, hands work-bruis'd, Feet bleeding on the sultry sands, and the furrows of the whip Descend to generations that in future times forget. | The strong voice ceas'd; for a terrible blast swept over the heaving sea; The eastern cloud rent: on his cliffs stood Albions wrathful Prince A dragon form clashing his scales at midnight he arose, And flam'd red meteors round the land of Albion beneath. His voice, his locks, his awful shoulders, and his glowing eyes,"

Credit Line:
Yale Center for British Art, Paul Mellon Collection
Copyright Status:
Public Domain
Accession Number:
B1992.8.2(5)
Classification:
Prints
Collection:
Prints and Drawings
Subject Terms:
chains | children | flames | men | nudes | religious and mythological subject | shackles | text | women
Access:
On view
Link:
https://collections.britishart.yale.edu/catalog/tms:3864
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IIIF Manifest:
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At the height of the political and social upheaval of the French Revolution, William Blake printed his first full-scale prophetic book, America. A Prophecy. Rather than recounting the horrors that reverberated from France throughout Europe, his illustrated poem reflects on the revolutionary spirit in the American colonies, which had ended in American independence a decade earlier. Blake and many other radicals in the 1790s viewed the American Revolution as the beginning of a global process of liberating nations from superstition and despotism. Although America. A Prophecy is rooted in recent events, the text and accompanying plates do not offer a historical chronology but rather transform history into a mythical narrative of universal relevance.

Gallery label for the Critique of Reason: Romantic Art (Yale Center for British Art, 2015-03-06 - 2015-07-26)

William Blake: Burning Bright (Yale Center for British Art, 2025-09-04 - 2025-12-07) [YCBA Objects in the Exhibition]

William Blake: Visionary (The J. Paul Getty Museum, 2023-10-17 - 2024-01-14) [YCBA Objects in the Exhibition]

William Blake - The Artist (Tate Britain, 2019-09-11 - 2020-02-20) [YCBA Objects in the Exhibition]

The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26) [YCBA Objects in the Exhibition]

The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01) [YCBA Objects in the Exhibition] [Exhibition Description]

The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06) [YCBA Objects in the Exhibition] [Exhibition Description]

William Blake, Libros profe´ticos, vol. 1, Atalanta, Vilau¨r, Spain, 2013, p. 204, PR4142 .S35 2013 [ORBIS]

William Blake : Visionary, The J. Paul Getty Museum, Los Angeles, p. 119, pl. 76, NJ18.B57 A12 2020 OVERSIZE (YCBA) [YCBA]


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