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Collection
Prints and Drawings
155
Rare Books and Manuscripts
1
Creator
Blake, William, 1757–1827
100
Gray, Thomas, 1716–1771
58
Edwards, Richard, active 1796–1797
42
Young, Edward, 1683–1765
42
Cotman, John Sell, 1782–1842
8
Rowlandson, Thomas, 1756–1827
7
Vaslet, Lewis, 1742–1808
6
Havell, William, 1782–1857
3
Nash, Frederick, 1782–1856
3
Daniell, Samuel, 1775–1811
2
Ferneley, John E., 1782–1860
2
Girtin, Thomas, 1775–1802
2
Munn, Paul Sandby, 1773–1845
2
Smith, John, 1749–1831
2
Anderson, William, 1757–1837
1
Baynes, James, 1766–1837
1
Cleveley, Robert, 1747–1809
1
Corbould, Richard, 1757–1831
1
Cosway, Richard, 1742–1821
1
Dance, George, 1741–1825
1
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Creator
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Date
1800
366
1867
284
1745
262
1802
257
1772
253
1791
231
1790
222
1832
196
1804
185
1771
183
1794
163
1793
160
1814
157
1775
156
1797
[remove]
156
0
143
1752
142
1785
128
1784
127
1789
122
1795
121
1792
119
1825
119
1801
117
1787
112
1799
109
1700
100
1818
100
1839
100
1820
99
1830
92
1780
89
1817
86
1770
85
1763
84
1755
79
1796
78
1836
77
1768
73
1815
73
1798
71
1807
70
1805
68
1774
67
1740
66
1748
62
1786
62
1782
60
1810
60
1812
59
1827
59
1762
58
1783
58
1811
58
1803
57
1808
55
1788
54
1855
54
1764
53
1765
53
1835
52
1821
51
1828
51
1813
50
1819
49
1834
49
1777
48
1778
46
1840
46
1823
45
1826
44
1746
42
1781
41
1809
41
1760
37
1761
36
1833
36
1758
35
1776
34
1843
34
1857
34
1838
33
1844
33
1806
32
1816
32
1829
32
1837
32
1779
31
1717
30
1753
30
1767
30
1848
29
1757
28
1759
28
1831
28
1822
27
1754
26
1824
26
1841
26
1851
26
On-site Access
Accessible in the Study Room
156
Image Use
Free to Use
156
Image Available
Available
[remove]
156
Classification
Drawings & Watercolors
109
Prints
43
Drawing & Watercolors-Architectural
3
Archives & Manuscripts
1
Creator Gender
male
155
unknown
1
Collective Title
The Poems of Thomas Gray
58
Young's Night Thoughts
42
The Spoiled Child
6
Period
18th century
122
18th century-19th century
22
19th century
12
Materials & Techniques
watercolor
149
wove paper
140
graphite
103
black ink
77
etching (printing process)
42
line engraving
41
pen
18
brown ink
12
gouache
10
laid paper
10
gray wash
8
gray ink
7
gum arabic
2
red ink
2
scratching out
2
board
1
brown wash
1
card
1
gum
1
ink
1
more
Materials & Techniques
»
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
10
to
56
Unknown
2
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
9
to
82
Unknown
2
Work Type
watercolor
[remove]
156
drawing
111
intaglio print
43
relief print
40
engraving
1
overlay
1
red book
1
trade card
1
Genre
literary theme
100
religious and mythological subject
39
landscape
19
genre subject
16
architectural subject
15
marine art
7
historical subject
4
animal art
3
cityscape
3
relief print
2
sporting art
2
figure study
1
military art
1
portrait
1
still life
1
Subject Terms
literary theme
99
text
95
men
81
religious and mythological subject
81
women
59
man
46
trees
36
beard
21
children
19
clouds
19
nudes
19
water
18
landscape
17
wings
17
woman
17
angel
16
genre subject
16
nude
16
architectural subject
15
angels
14
more
Subject Terms
»
Associated Places
United Kingdom
26
Europe
19
England
16
Wales
8
Cymru
7
Isle of Wight
4
London
3
Caernarfon Castle
2
Caernarfonshire and Merionethshire
2
Caernarvon
2
Devon
2
Eton College
2
Greater London
2
Gwynedd
2
Norfolk
2
Africa
1
Barmouth
1
Berkshire
1
Buckinghamshire
1
Cader Idris
1
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Associated Places
»
Associated People
Cupid
1
Eve
1
Kemble, Stephen (1758–1822), actor and entertainer
1
Repton, Humphry, 1752–1818
1
Shakespeare, William (1564–1616), playwright and poet
1
Whatman, James, 1741–1798
1
angel
1
Exhibition History
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
13
William Blake - The Artist (Tate Britain, 2019-09-11 - 2020-02-20)
7
William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)
6
William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)
6
Rowlandson Drawings from the Paul Mellon Collection (Royal Academy of Arts, 1978-03-04 - 1978-05-28)
5
Rowlandson Drawings from the Paul Mellon Collection (Yale Center for British Art, 1977-11-16 - 1978-01-15)
5
The Line of Beauty : British Drawings and Watercolors of the Eighteenth Century (Yale Center for British Art, 2001-05-19 - 2001-08-05)
5
William Blake (Tate Britain, 2000-11-02 - 2001-02-04)
5
Art in Focus : Wales (Yale Center for British Art, 2014-04-04 - 2014-08-10)
4
An American's Passion for British Art - Paul Mellon's Legacy (Royal Academy of Arts, 2007-10-20 - 2008-01-27)
3
An American's Passion for British Art - Paul Mellon's Legacy (Yale Center for British Art, 2007-04-18 - 2007-07-29)
3
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (The State Hermitage Museum, 2007-10-23 - 2008-01-13)
3
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Virginia Museum of Fine Arts, 2007-07-11 - 2007-09-30)
3
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Yale Center for British Art, 2008-06-09 - 2008-08-17)
3
Paul Mellon's Legacy : A Passion for British Art (Yale Center for British Art, 2007-04-18 - 2007-07-29)
3
Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10-20 - 1983-02-27)
3
The Art of Paul Sandby (Yale Center for British Art, 1985-04-10 - 1985-06-23)
3
Art in Focus: John Goto's High Summer (Yale Center for British Art, 2018-04-06 - 2018-08-19)
2
Painting Networks - Romantic and Victorian Watercolors (Chazen Museum of Art, 2012-09-22 - 2012-12-02)
2
Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)
2
more
Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Collection
150
Yale Center for British Art, Paul Mellon Fund
3
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948
1
Yale Center for British Art, Gift of Michael D. Coe, Yale MAH 1968
1
Language
English
1
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Date
1797
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1
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
1797
2
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
1797
3
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
1797
4
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
1797
5
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
1797
6
Print made by William Blake, 1757–1827
'The thunder, if in that the Almighty dwells' (Page 80)
1797
7
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
1797
8
Print made by William Blake, 1757–1827
'But for the blessing wrestle not with heaven' (Page 88)
1797
9
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
1797
10
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
1797
11
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
1797
12
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
1797
13
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
1797
14
Print made by William Blake, 1757–1827
'Measuring his motions by revolving spheres' (Page 26)
1797
15
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
1797
16
Print made by William Blake, 1757–1827
'Swift on his downy pinion flies from woe' (Page 1)
1797
17
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
1797
18
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
1797
19
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
1797
20
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
1797
21
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
1797
22
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
1797
23
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
1797
24
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
1797
25
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
1797
26
William Blake, 1757–1827
Poems by Mr. Gray; Title Page
between 1797 and 1798
27
William Blake, 1757–1827
"Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)
between 1797 and 1798
28
Print made by William Blake, 1757–1827
Night the First. On Life, Death, and Immortality; Title Page
1797
29
Print made by William Blake, 1757–1827
'Oft bursts my song beyond the bounds of life' (Page 16)
1797
30
Print made by William Blake, 1757–1827
Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
1797
31
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
1797
32
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
1797
33
Print made by William Blake, 1757–1827
'Time, in advance, behind him hides his wings' (Page 24)
1797
34
Print made by William Blake, 1757–1827
'O treacherous conscience! while she seems to sleep" (Page 27)
1797
35
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
1797
36
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
1797
37
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
1797
38
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
1797
39
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
1797
40
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
1797
41
Print made by William Blake, 1757–1827
'Death! great proprietor of all! 'tis thine' (Page 8)
1797
42
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
1797
43
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
1797
44
William Blake, 1757–1827
"Nor fear the rocks, nor seek the shore..." (Design 101)
between 1797 and 1798
45
William Blake, 1757–1827
Epitaph on Mrs. Clarke; Title Page
between 1797 and 1798
46
William Blake, 1757–1827
Elegy Written in a Country Church-Yard; Title Page
between 1797 and 1798
47
William Blake, 1757–1827
The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
between 1797 and 1798
48
William Blake, 1757–1827
"Oft did the harvest to their sickle yield..." (Design 109)
between 1797 and 1798
49
William Blake, 1757–1827
"Malignant Fate sat by, and smil'd, The slipp'ry verge her feet beguil'd..." (Design 11)
between 1797 and 1798
50
William Blake, 1757–1827
"Somevillage-Hampden, that with dauntless breast, The little tyrant of his fields withstood..," (Design 111)
between 1797 and 1798
51
William Blake, 1757–1827
A Shepherd Reading the Epitaph (Design 115)
between 1797 and 1798
52
William Blake, 1757–1827
Ode on a Distant Prospect of Eton College; Title Page
between 1797 and 1798
53
William Blake, 1757–1827
"An ancient pile of building stands... there Employed the power of Fairy hands" (Design 25)
between 1797 and 1798
54
William Blake, 1757–1827
Ode on the Spring; Title Page
between 1797 and 1798
55
William Blake, 1757–1827
"At the chapel-door stand sentry... (Design 31)
between 1797 and 1798
56
William Blake, 1757–1827
"My Lade rose, and with a grace– She smil'd, and bid him come to dinner..." (Design 33)
between 1797 and 1798
57
William Blake, 1757–1827
"And purple tyrants vainly groan..." (Design 37)
between 1797 and 1798
58
William Blake, 1757–1827
A Long Story; Title Page
between 1797 and 1798
59
William Blake, 1757–1827
"Her Henry's holy shade..." (Design 15)
between 1797 and 1798
60
William Blake, 1757–1827
"A brace of warriors... rustling in their silks and tissues..."(Design 27)
between 1797 and 1798
61
William Blake, 1757–1827
"Up stairs in a whirlwind rattle..." (Design 29)
between 1797 and 1798
62
William Blake, 1757–1827
Ode to Adversity; Title Page
between 1797 and 1798
63
William Blake, 1757–1827
"With screaming Horror's funeral cry, Despair, and fell Disease, and ghastly Poverty..." Design 39)
between 1797 and 1798
64
William Blake, 1757–1827
The Prophetess Rising from Her Grave (Design 81)
between 1797 and 1798
65
William Blake, 1757–1827
"A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
between 1797 and 1798
66
William Blake, 1757–1827
"Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
between 1797 and 1798
67
William Blake, 1757–1827
"To chase the rolling circle's speed..." (Design 17)
between 1797 and 1798
68
William Blake, 1757–1827
"Ambition this shall tempt to rise, The whirl the wretch from high..." (Design 19)
between 1797 and 1798
69
William Blake, 1757–1827
"Where ignorance is bliss, 'Tis folly to be wise." (Design 21)
between 1797 and 1798
70
Print made by William Blake, 1757–1827
The Complaint, and the Consolation; or, Night Thoughts
1797
71
William Blake, 1757–1827
The Progress of Poesy, A Pindaric Ode; Title Page
between 1797 and 1798
72
William Blake, 1757–1827
"The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43)
between 1797 and 1798
73
William Blake, 1757–1827
"Where shaggy forms o'er ice-built mountains roam..." (Design 47)
between 1797 and 1798
74
William Blake, 1757–1827
"To him the mighty mother did unveil Her awful face..." (Design 49)
between 1797 and 1798
75
William Blake, 1757–1827
"Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
between 1797 and 1798
76
William Blake, 1757–1827
"Yet oft before his infant eyes would run Such forms as glitter in the Muse's ray..." (Design 51)
between 1797 and 1798
77
William Blake, 1757–1827
The Bard, A Pindaric Ode; Title Page
between 1797 and 1798
78
William Blake, 1757–1827
"Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61)
between 1797 and 1798
79
William Blake, 1757–1827
Elizabeth. "Girt with many a Baron bold..." (Design 63)
between 1797 and 1798
80
William Blake, 1757–1827
The Fatal Sisters, An Ode; Title Page
between 1797 and 1798
81
William Blake, 1757–1827
Sigtryg with the Silken Beard (Design 69)
between 1797 and 1798
82
William Blake, 1757–1827
Ode on the Death of a Favourite Cat, Drowned in a Tub of Gold Fishes; Title Page
between 1797 and 1798
83
William Blake, 1757–1827
"Iron sleet of arrowy shower Hurtles in the darkened air..." (Design 71)
between 1797 and 1798
84
William Blake, 1757–1827
"We the reins to slaughter give..." (Design 73)
between 1797 and 1798
85
William Blake, 1757–1827
"Hurry, hurry, to the field!" Design 75)
between 1797 and 1798
86
William Blake, 1757–1827
The Descent of Odin, An Ode; Title Page
between 1797 and 1798
87
William Blake, 1757–1827
"Him the dog of darkness spied..." (Design 79)
between 1797 and 1798
88
William Blake, 1757–1827
"Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)
between 1797 and 1798
89
William Blake, 1757–1827
"Cytherea's Day..." (Design 45)
between 1797 and 1798
90
William Blake, 1757–1827
The Bard Weaving Edwards Fate (Design 55)
between 1797 and 1798
91
William Blake, 1757–1827
"O'er thy country hangs The scourge of Heav'n..." (Design 59)
between 1797 and 1798
92
William Blake, 1757–1827
"Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
between 1797 and 1798
93
William Blake, 1757–1827
"Hie thee hence, and boast at home..." (Design 85)
between 1797 and 1798
94
William Blake, 1757–1827
The Triumphs of Owen, A Fragment; Title Page
between 1797 and 1798
95
William Blake, 1757–1827
The Bard Singing Owen's Praise (Design 89)
between 1797 and 1798
96
William Blake, 1757–1827
"The Pensive Selima, Her ears of jet, and emerald eyes, She saw; and purr'd applause..." (Design 9)
between 1797 and 1798
97
William Blake, 1757–1827
"Fear to stop, and shame to fly..." (Design 91)
between 1797 and 1798
98
William Blake, 1757–1827
Ode for Music, Performed in the Senate-House; Title Page
between 1797 and 1798
99
William Blake, 1757–1827
A Genius Driving Away "Comus & his midnight-crew..." (Design 95)
between 1797 and 1798
100
William Blake, 1757–1827
"Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57)
between 1797 and 1798
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