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Preludium. "Of the primeval Priests assum'd power..." (Plate 2b)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in pale brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Urizen (Plate 21)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"Why wilt thou give to her a Body..." (Plate 12)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"Such visions have appeared to me..."; Chapter 2 Frontispiece (Plate 26)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 3/8 x 13 1/2 inches (26.4 x 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"They saw their Wheels rising up poisonous..." (Plate 43)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"Jerusalem, Chapter 3. But Los, who is the Vehicular Form..." (Plate 53)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 × 10 3/8 inches (34.3 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"Repelling weeping Enion blind & age-bent..." (Plate 87)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
'Time, in advance, behind him hides his wings' (Page 24)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Night the Third. Narcissa; Title Page
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Holy Thursday (Plate 38)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Night the Third. Narcissa; Title Page
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Little Boy Lost (Plate 16)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Little Boy Lost (Plate 20)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"What do I see! The Briton Saxon Roman Norman..." (Plate 92)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Night the First. On Life, Death and Immortality; Title Page
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
'O treacherous conscience! while she seems to sleep" (Page 27)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"Nor fear the rocks, nor seek the shore..." (Design 101)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Mourner at the Tomb (Design 103)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The First Book of Urizen, Plate 28 (Bentley 27)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"At the chapel-door stand sentry... (Design 31)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Welch Bard (Design 53)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Three Fatal Sisters (Design 67)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Bard Singing Owen's Praise (Design 89)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
'Oft bursts my song beyond the bounds of life' (Page 16)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Portrait of a Lady
Creator:
Thomas Day, ca.1733–1807
Date:
1783
Materials & Techniques:
Gouache and watercolor on ivory
Dimensions:
Image: 1 3/4 x 1 3/8 inches (4.4 x 3.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Choice
Creator:
Print made by John Faber the Younger, ca. 1695–1756
Date:
1737
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 10 5/8 x 15 1/8 inches (27 x 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Arithmetica
Creator:
Print made by Jacob Gole, 1660–1737
Date:
ca. 1690
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 1/8 x 10 3/8 inches (25.7 x 26.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Reunion of the Soul & the Body
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1808, published 1813
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 11 3/8 inches (38.1 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Soul Exploring the Recesses of the Grave
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1808, published 1813
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 11 3/8 inches (38.1 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Morning Prayer
Creator:
Print made by Charles West Cope, 1811–1890
Date:
1844
Materials & Techniques:
Etching with chine collé on thick, slightly textured, cream card
Dimensions:
Sheet: 6 1/16 x 4 3/4 inches (15.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A View from Richmond Hill Up the River
Creator:
Charles Grignion, 1717–1810
Date:
1794
Materials & Techniques:
Line engraving and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 7/16 x 18 1/16 inches (31.6 x 45.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Right Honorable Elizabeth, Countess of Northumberland
Creator:
Print made by Alexander Browne, active 1660–1683
Date:
between 1681 and 1685
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 7/16 × 9 7/8 inches (34.1 × 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Strephon and Chloe
Creator:
Print made by James Bretherton, ca. 1730–1806
Date:
1801
Materials & Techniques:
Etching on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 10 1/16 x 13 1/16 inches (25.5 x 33.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Study of a Lady
Creator:
Print made by James Bretherton, ca. 1730–1806
Date:
1781
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 3/8 x 8 15/16 inches (31.4 x 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Captain Conquest and His Baggage Wagon
Creator:
Print made by John Goldar, 1729–1795
Date:
1772
Materials & Techniques:
Line engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 11 1/16 x 8 1/8 inches (28.1 x 20.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Macarony Alderman and His Rib
Creator:
Print made by James Caldwall, 1739–1819
Date:
1772
Materials & Techniques:
Line engraving, stipple engraving, and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 11 x 7 13/16 inches (27.9 x 19.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Melania

Melania
Creator:
Print made by John Condé, 1765–1794
Date:
1792
Materials & Techniques:
Stipple engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 6 5/16 x 4 9/16 inches (16.1 x 11.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mrs. Fitzherbert
Creator:
Print made by John Condé, 1765–1794
Date:
1792
Materials & Techniques:
Stipple engraving with etched border on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 16 × 11 7/8 inches (40.6 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Affectionate Daughter
Creator:
John Eginton, active 1763–1800
Date:
1792
Materials & Techniques:
Stipple engraving, printed in color on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 14 15/16 × 11 7/16 inches (37.9 × 29 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Miss Farren in the Character of Hermione
Creator:
Edward Fisher, 1722–1785
Date:
1781
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 24 3/8 x 16 1/4 inches (61.9 x 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Thomas King and Sophia Baddely in "The Clandestine Marriage"
Creator:
Richard Earlom, 1743–1822
Date:
1772
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 18 3/4 x 22 5/8 inches (47.6 x 57.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mrs. Quarrington as St. Agnes
Creator:
Print made by Thomas Chambars, ca. 1724–1789
Date:
ca. 1787
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 16 15/16 x 13 11/16 inches (43 x 34.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Queen Elizabeth
Creator:
Thomas Anthony Dean, 1801–1860
Date:
ca. 1825
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Discovery
Creator:
Print made by E. J. Dumée, active 1790
Date:
1788
Materials & Techniques:
Stipple engraving and etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/8 × 11 3/16 inches (39 × 28.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lady's Maid Soaping Linen
Creator:
Print made by Philip Dawe, ca.1750–ca.1790
Date:
1769
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 13/16 × 9 13/16 inches (35.1 × 24.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Domestick Employment Ironing
Creator:
Print made by Philip Dawe, ca.1750–ca.1790
Date:
ca. 1769
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 15 3/4 x 11 1/8 inches (40 x 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Unlucky Boy
Creator:
Print made by Philip Dawe, ca.1750–ca.1790
Date:
1772
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, greened white laid paper
Dimensions:
Sheet: 20 1/16 × 14 inches (51 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Pretty Maid with Her Apron Before the Candle
Creator:
Print made by Philip Dawe, ca.1750–ca.1790
Date:
1770
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 1/4 x 11 1/16 inches (38.8 x 28.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Nightingale
Creator:
Print made by Alfred W. Cooper, active 1850–1901
Date:
undated
Materials & Techniques:
Wood-engraving with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 x 7 3/16 inches (26.6 x 18.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Figure Study of a Lady (back view)
Creator:
James Miller, active 1773–1814
Date:
undated
Materials & Techniques:
Watercolor, gouache, graphite, pen and gray ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 11/16 × 6 1/4 inches (19.5 × 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove
Figure Study of a Lady
Creator:
James Miller, active 1773–1814
Date:
undated
Materials & Techniques:
Watercolor, graphite, gouache, pen and gray ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 13/16 × 6 3/8 inches (19.8 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove
North West View, Lincoln's Inn
Creator:
Print made by Day & Co., 1824–1913
Date:
between 1845 and 1850
Materials & Techniques:
Lithograph on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 x 15 1/2 inches (28 x 39.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Figure Study of a Seated Lady
Creator:
James Miller, active 1773–1814
Date:
undated
Materials & Techniques:
Gray wash and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 7 13/16 × 6 5/16 inches (19.8 × 16 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove
Elizabeth, Countess Grosvenor
Creator:
Print made by Samuel Cousins, 1801–1887
Date:
1883
Materials & Techniques:
Mezzotint, stipple engraving, and line engraving on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 18 3/8 x 15 3/16 inches (46.7 x 38.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection; Bequest of Frank Altschul, Yale BA 1908, Yale PhD (HON.) 1967
Study of Two Figures
Creator:
Elizabeth Siddal, 1834–1862
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 5/16 x 14 11/16in. (23.7 x 37.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Richard L. Purdy
Mr. Foote and Mr. Weston in the Characters of the President and Dr. Last
Creator:
Print made by John Finlayson, 1730–1776
Date:
1769
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 18 1/8 x 22 3/8 inches (46 x 56.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mrs. Gautherot
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1790
Materials & Techniques:
Stipple engraving on thin, smooth, cream laid paper
Dimensions:
Sheet: 7 1/2 x 5 13/16 inches (19.1 x 14.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Girl, Full Length, Facing Right
Creator:
Thomas Stothard, 1755–1834
Date:
undated
Materials & Techniques:
Gray wash with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 3/8 × 1 3/4 inches (11.1 × 4.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Solicitude: A Man Supporting a Fainting Woman
Creator:
Thomas Stothard, 1755–1834
Date:
undated
Materials & Techniques:
Gray wash and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 7/8 × 4 3/8 inches (17.5 × 11.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Portrait of a Woman in a Black Dress
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor, gouache, graphite and black ink on card
Dimensions:
Sheet: 4 3/8 x 3 1/2 inches (11.1 x 8.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mr. and Mrs. Alfred H. Barr Jr.
Portrait of a Girl in a Blue Dress
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor and gouache and black ink on card
Dimensions:
Sheet: 4 1/2 x 3 1/2 inches (11.4 x 8.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mr. and Mrs. Alfred H. Barr Jr.
Brighton Town and Church
Creator:
unknown artist
Date:
ca. 1780
Materials & Techniques:
Watercolor with black ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 13/16 × 18 13/16 inches (30 × 47.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mr. Edwin and Mrs. Wells in the Characters of Lingo and Cowslip
Creator:
Print made by Hugh Downman, d. 1789
Date:
ca. 1787
Materials & Techniques:
Stipple engraving on moderately thick, slightly textured, beige laid paper, pasted on mount
Dimensions:
Sheet: 19 × 13 1/4 inches (48.2 × 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Miss Crockatt as Julia de Roubigné
Creator:
Print made by John Dean, 1754–1798
Date:
1786
Materials & Techniques:
Mezzotint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 13/16 x 11 7/16 inches (37.7 x 29 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Miss Croker
Creator:
Print made by Samuel Cousins, 1801–1887
Date:
1828
Materials & Techniques:
Mezzotint, line engraving, and stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Julia, Lady Peel
Creator:
Print made by Samuel Cousins, 1801–1887
Date:
1832
Materials & Techniques:
Mezzotint, line engraving, and stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 17 11/16 x 14 3/8 inches (45 x 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Sensibility
Creator:
Print made by Richard Earlom, 1743–1822
Date:
1789
Materials & Techniques:
Stipple engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 9/16 × 11 7/16 inches (37 × 29.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Miss Ann Parry
Creator:
Print made by John Dean, 1754–1798
Date:
1777
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.9 x 26.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Ann Elizabeth, Countess of Aldborough
Creator:
Print made by S. Einslie, active 1785–1808
Date:
1788
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 18 3/4 x 13 1/4 inches (47.7 x 33.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Miss Mary Palmer
Creator:
Print made by William Doughty, 1757–1782
Date:
1779
Materials & Techniques:
Mezzotint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 19 1/16 x 14 7/16 inches (48.4 x 36.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Miss Mary Anne Kirkley
Creator:
Print made by George Dawe, 1781–1829
Date:
1801
Materials & Techniques:
Mezzotint and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 7/8 x 11 15/16 inches (40.3 x 30.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Age of Innocence
Creator:
Print made by Joseph Grozer, ca. 1755–1798
Date:
ca. 1794
Materials & Techniques:
Stipple engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 13 1/2 x 10 1/16 inches (34.3 x 25.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Mrs. Le Maistre
Creator:
Print made by Valentine Green, 1739–1813
Date:
1771
Materials & Techniques:
Mezzotint on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 16 13/16 x 12 inches (42.7 x 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Mrs. Billington
Creator:
Print made by Robert Dunkarton, 1744–1811
Date:
1786
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 14 1/8 x 11 1/8 inches (35.9 x 28.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Miss Eliza Farren
Creator:
Print made by Joseph Collyer, 1748–1827
Date:
1788
Materials & Techniques:
Stipple engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 3/8 x 9 9/16 inches (31.5 x 24.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Nannette Thelluson
Creator:
Print made by Valentine Green, 1739–1813
Date:
ca. 1773
Materials & Techniques:
Mezzotint on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 12 13/16 x 10 9/16 inches (32.5 x 26.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Miss Polly Jones
Creator:
Print made by Valentine Green, 1739–1813
Date:
1771
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 17 3/8 x 12 11/16 inches (44.2 x 32.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Mrs. Cosway
Creator:
Print made by Valentine Green, 1739–1813
Date:
1787
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 17 3/8 × 13 3/4 inches (44.1 × 34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
West Hill in Surrey, the Seat of D. H. Rucker Esqr.
Creator:
Print made by William Angus, 1752–1821
Date:
1810
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/4 × 10 3/8 inches (20.9 × 26.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Scene from "The Abbot"
Creator:
Sir David Wilkie, 1785–1841
Date:
1833
Materials & Techniques:
Watercolor with pen and brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/4 x 7 1/8 inches (23.5 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Everett V. Meeks, Fund
Barbara Duchess of Cleaveland as a Shepherdess
Creator:
William Sherwin, 1645–1711
Date:
1670
Materials & Techniques:
Engraving
Dimensions:
Sheet: 28 x 22in. (71.1 x 55.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Study for a Girl Reading
Creator:
William Mulready, 1786–1863
Date:
undated
Materials & Techniques:
Watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 5/8 × 3 inches (11.7 × 7.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hero and Leander
Creator:
William Hamilton, 1751–1801
Date:
1801
Materials & Techniques:
Watercolor, pen and brown ink, black ink, gouache, and graphite on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 16 5/8 × 11 inches (42.2 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Miss Sarah Campbell
Creator:
Print made by Valentine Green, 1739–1813
Date:
ca. 1779
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 17 5/16 × 13 3/16 inches (43.9 × 33.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Honorable Miss Harris
Creator:
Print made by Joseph Grozer, ca. 1755–1798
Date:
1791
Materials & Techniques:
Mezzotint on moderately thick, moderately texetured, cream laid paper
Dimensions:
Sheet: 18 3/8 × 13 15/16 inches (46.7 × 35.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Phoebe Hoppner as Caroline de Lichtfield
Creator:
Print made by John Dean, 1754–1798
Date:
1786
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 5/16 x 11 9/16 inches (36.3 x 29.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Countess of Blessington
Creator:
Print made by Samuel Cousins, 1801–1887
Date:
1837
Materials & Techniques:
Mezzotint, line engraving, and stipple engraving on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 15/16 x 12 15/16 inches (40.5 x 32.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Gate at Blenheim
Creator:
Michael "Angelo" Rooker, 1746–1801
Date:
1787
Materials & Techniques:
Watercolor and gray ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 3/8 x 14 3/4 inches (26.4 x 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Pomare, Queen of Tahiti
Creator:
Print made by George Baxter, 1804–1867
Date:
1845
Materials & Techniques:
Aquatint and stipple engraving with color woodcut on moderately thick, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, discolored cream card
Dimensions:
Mount: 14 13/16 x 11 13/16 inches (37.6 x 30 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Robert Carr, Earl of Somerset, with His Countess, Frances Howard
Creator:
Renold Elstrack, 1570–1625(?)
Date:
ca. 1615
Materials & Techniques:
Line engraving on medium, smooth, cream laid paper, pasted on mount, laid on additional larger mount
Dimensions:
Sheet: 7 1/2 × 5 9/16 inches (19.1 × 14.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of John Hay Whitney, Yale BA 1926, Yale MA (HON.) 1956, transfer from the Yale University Library and the Yale University Art Gallery
Beatrice d'Este
Creator:
Print made by Samuel Arlent Edwards, 1861–1938
Date:
between 1895 and 1923
Materials & Techniques:
Color printed mezzotint with hand coloring in watercolor on very thick, slightly textured, beige card
Dimensions:
Sheet: 13 1/4 x 9 3/16 inches (33.7 x 23.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mrs. Lyall Dean, Mrs. Borden Helmer, and the Estate of Bliss Reed Crocker in memory of Mr and Mrs. Edward Bliss Reed, transfer from the Yale University Art Gallery
Profile Portrait of a Renaissance Maiden
Creator:
Print made by Samuel Arlent Edwards, 1861–1938
Date:
1905
Materials & Techniques:
Color printed mezzotint with hand colring in watercolor on very thick, slightly textured, beige card
Dimensions:
Sheet: 13 1/4 x 9 1/4 inches (33.6 x 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Estate of Bliss Reed Crocker in memory of Mr. and Mrs. Edward Bliss Reed, transfer from the Yale University Art Gallery
Edward, Prince of Wales, Presenting the Captive King John of France and His Sons to His Father Edward the Third After the Battle of Poictiers
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1788
Materials & Techniques:
Stipple engraving and line engraving on medium, moderately textured, cream laid paper laid on mount
Dimensions:
Mount: 15 1/4 x 19 1/16 inches (38.8 x 48.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Juliette Récamier
Creator:
Print made by Samuel Arlent Edwards, 1861–1938
Date:
undated
Materials & Techniques:
Color printed mezzotint with hand coloring in watercolor on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 16 3/16 x 13 5/16 inches (41.1 x 33.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Yale Stevens from her Father's (Richard V, Sharpe, B.S. 1873) Collection
The Exposition of Cyrus
Creator:
Print made by Richard Earlom, 1743–1822
Date:
1781
Materials & Techniques:
Mezzotint and etching on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 11 15/16 x 15 1/4 inches (30.3 x 38.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Dairymaid's Occupation
Creator:
Print made by John Faber the Younger, ca. 1695–1756
Date:
undated
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 1/8 x 9 1/8 inches (33.4 x 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
A Scene in "The Recruiting Officer"
Creator:
Print made by John Faber the Younger, ca. 1695–1756
Date:
ca. 1739
Materials & Techniques:
Mezzotint on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 9 3/4 x 13 3/16 inches (24.7 x 33.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

100. Augustus

Augustus
Creator:
Print made by Jacob Gole, 1660–1737
Date:
undated
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 1/16 x 7 9/16 inches (25.6 x 19.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund