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Credit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionSubject Terms gown
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1
- A View of Thames Street, Windsor
- 1827 to 1830
- Not on view
2
- First Class—The Meeting. "And at first meeting loved."
- 1855
- Not on view
3
- The Wandering Sailor
- ca. 1798
- Not on view
4
- The Mill
- ca. 1820
- Not on view
5
- Captain Vincenzo Lunardi with his Assistant George Biggin, and Letitia Anne Sage (née Hoare), in a Balloon
- 1785
- Not on view
6
- The Rev. Thomas Gisborne and Mary Gisborne (née Babington)
- 1786
- Not on view
7
- Woman Reading by a Paper-Bell Shade
- 1766
- Not on view
8
- Arabella Pershall, Lady Glenorchy
- 1740
- Not on view
9
- Portrait of a Young Woman
- 1567
- Not on view
10
- Family Group
- between 1774 and 1780
- Not on view
11
- Preludium. "Of the primeval Priests assum'd power..." (Plate 2b)
- 1794
12
- Urizen (Plate 21)
- 1794
13
- "Why wilt thou give to her a Body..." (Plate 12)
- 1804 to 1820
14
- "Such visions have appeared to me..."; Chapter 2 Frontispiece (Plate 26)
- 1804 to 1820
15
- "They saw their Wheels rising up poisonous..." (Plate 43)
- 1804 to 1820
16
- "Jerusalem, Chapter 3. But Los, who is the Vehicular Form..." (Plate 53)
- 1804 to 1820
17
- "Repelling weeping Enion blind & age-bent..." (Plate 87)
- 1804 to 1820
18
- 'Time, in advance, behind him hides his wings' (Page 24)
- 1797
19
- Night the Third. Narcissa; Title Page
- 1797
20
- Holy Thursday (Plate 38)
- 1794
21
- Night the Third. Narcissa; Title Page
- ca. 1797
22
- The Little Boy Lost (Plate 16)
- 1789
23
- The Little Boy Lost (Plate 20)
- 1789
24
- "What do I see! The Briton Saxon Roman Norman..." (Plate 92)
- 1804 to 1820
25
- Night the First. On Life, Death and Immortality; Title Page
- 1797
26
- 'O treacherous conscience! while she seems to sleep" (Page 27)
- 1797
27
- "Nor fear the rocks, nor seek the shore..." (Design 101)
- between 1797 and 1798
28
- The Mourner at the Tomb (Design 103)
- between 1797 and 1798
29
- Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)
- 1794
30
- The First Book of Urizen, Plate 28 (Bentley 27)
- 1794
31
- "At the chapel-door stand sentry... (Design 31)
- between 1797 and 1798
32
- A Welch Bard (Design 53)
- between 1797 and 1798
33
- The Three Fatal Sisters (Design 67)
- between 1797 and 1798
34
- "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
- between 1797 and 1798
35
- The Bard Singing Owen's Praise (Design 89)
- between 1797 and 1798
36
- 'Oft bursts my song beyond the bounds of life' (Page 16)
- 1797
37
- Portrait of a Lady
- 1783
38
- The Reunion of the Soul & the Body
- 1808, published 1813
39
- The Soul Exploring the Recesses of the Grave
- 1808, published 1813
40
- Morning Prayer
- 1844
41
- A View from Richmond Hill Up the River
- 1794
42
- The Right Honorable Elizabeth, Countess of Northumberland
- between 1681 and 1685
43
- Strephon and Chloe
- 1801
44
- Study of a Lady
- 1781
45
- Captain Conquest and His Baggage Wagon
- 1772
46
- A Macarony Alderman and His Rib
- 1772
47
- Melania
- 1792
48
- Mrs. Fitzherbert
- 1792
49
- The Affectionate Daughter
- 1792
50
- Miss Farren in the Character of Hermione
- 1781
51
- Thomas King and Sophia Baddely in "The Clandestine Marriage"
- 1772
52
- Queen Elizabeth
- ca. 1825
53
- The Discovery
- 1788
54
- Lady's Maid Soaping Linen
- 1769
55
- Domestick Employment Ironing
- ca. 1769
56
- The Unlucky Boy
- 1772
57
- The Pretty Maid with Her Apron Before the Candle
- 1770
58
- The Nightingale
- undated
59
- North West View, Lincoln's Inn
- between 1845 and 1850
60
- Mr. Foote and Mr. Weston in the Characters of the President and Dr. Last
- 1769
61
- Mrs. Gautherot
- 1790
62
- Girl, Full Length, Facing Right
- undated
63
- Solicitude: A Man Supporting a Fainting Woman
- undated
64
- Brighton Town and Church
- ca. 1780
65
- Mr. Edwin and Mrs. Wells in the Characters of Lingo and Cowslip
- ca. 1787
66
- West Hill in Surrey, the Seat of D. H. Rucker Esqr
- 1810
67
- Barbara Duchess of Cleaveland as a Shepherdess
- 1670
68
- Study for a Girl Reading
- undated
69
- The Gate at Blenheim
- 1787
70
- Pomare, Queen of Tahiti
- 1845
71
- Edward, Prince of Wales, Presenting the Captive King John of France and His Sons to His Father Edward the Third After the Battle of Poictiers
- 1788
72
- Mrs. Sophia (née Heywood) Musters as Hebe
- 1785
73
- Mary Hale (née Chaloner), as Euphrosyne in 'L'Allegro'
- undated
74
- The Barbadoes Mulatto Girl
- 1779
75
- Lady Pointing with a Stick
- 1782
76
- A Modern Spread Eagle
- 1782
77
- Mrs. Cosway
- 1787
78
- Sensibility
- 1789
79
- Sensibility
- 1789
80
- Mary, Countess of Seaforth
- 1751
81
- A Girl Spinning Thread
- undated
82
- View of Queen Square
- 1789
83
- Angelica Kauffman
- undated
84
- John Edwin and Mrs. Mary Wells as Lingo and Cowslip in "The Agreeable Surprise"
- 1787
85
- Queen Square, London
- 1786
86
- Portrait of a Girl Holding a Garland
- undated
87
- Portrait of a Lady, Facing Left
- undated
88
- Portrait of a Woman taken from life, facing right
- undated
89
- Portrait of Mrs. Wilks of Madras
- 1793
90
- Lady Macartney's Villa at Chiswick
- after 1808
91
- Portrait of Maria Elizabeth Dadd, the Artist's Sister
- 1839
92
- Clapham
- 1792