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Collection
Prints and Drawings
404
Paintings and Sculpture
1
Creator
Blake, William, 1757–1827
139
Edwards, Richard, active 1796–1797
81
Young, Edward, 1683–1765
81
Gray, Thomas, 1716–1771
58
Unknown artist
38
Cotman, John Sell, 1782–1842
28
Gillray, James, 1756–1815
21
Bartolozzi, Francesco, 1727–1815
15
Smith, John Thomas, 1766–1833
14
Cruikshank, Isaac, 1764–1811
13
Malton, Thomas, 1726–1801
11
Turner, J. M. W. (Joseph Mallord William), 1775–1851
9
Dayes, Edward, 1763–1804
8
Newton, Richard, 1777–1798
8
Rowlandson, Thomas, 1756–1827
8
Cleghorn, Claud, active 1797–1800
7
Walker, James, 1748–1808
7
Vaslet, Lewis, 1742–1808
6
Wheatley, Francis, 1747–1801
6
Daniell, Samuel, 1775–1811
5
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Creator
»
Date
1800
1,347
1791
1,050
1802
1,003
1834
655
1796
608
1745
597
1795
571
1771
498
1790
463
1804
460
1827
458
1789
446
1826
442
1792
430
1835
429
1825
425
1793
423
1820
418
1803
408
1799
407
1772
405
1797
[remove]
405
1700
402
1832
389
1814
384
1830
383
1784
375
1775
372
1794
354
1808
349
1782
340
1785
327
1823
319
1780
308
1818
305
1801
302
1833
298
1836
297
1812
293
1767
286
1798
286
1768
279
1853
267
1821
257
1752
253
1807
248
1546
247
1748
245
1787
245
1815
245
1809
238
1783
235
1811
235
1805
233
1817
232
1810
229
1828
228
1770
224
1840
219
1813
218
1819
210
1739
207
1788
207
1755
199
1824
198
1837
196
1758
191
1816
189
1822
185
1778
183
1831
182
1839
182
1630
179
1786
178
1855
174
1806
171
1829
161
1765
158
1777
153
1781
152
1754
150
1763
148
1850
148
1776
140
1742
137
1870
134
1740
131
1877
124
1762
122
1774
122
1753
121
1750
119
1838
119
1841
117
0
116
1779
116
1760
111
1773
109
1730
108
1854
106
On-site Access
Accessible by appointment in the Study Room
404
Not on view
1
Image Use
Free to Use
404
Under Certain Circumstances
1
Image Available
Available
398
Unavailable
7
Classification
Prints
259
Drawings & Watercolors
130
Drawing & Watercolors-Architectural
15
Paintings
1
Creator Gender
male
391
unknown
38
female
3
Collective Title
Young's Night Thoughts
81
The Poems of Thomas Gray
58
'The Copper-Plate Magazine' and 'The Itinerant,' 1794-1798
7
The Spoiled Child
6
Iconographie Anglaise par Reynolds et Autres
4
Three Views of Cottages near Colchester
2
Cries of London
1
Howlett's 'Selection of Views in the County of Lincoln,' 1797-1801
1
Plans for Ardgowan House
1
Selection of Twenty of the Most Picturesque Views of Paris and its Environs
1
The Copper-Plate Magazine and The Itinerant
1
The Cries of London
1
Period
18th century
330
18th century-19th century
49
19th century
25
Materials & Techniques
wove paper
187
watercolor
153
graphite
132
black ink
86
line engraving
58
etching (printing process)
49
pen
25
stipple engraving
21
brown ink
20
laid paper
17
gray wash
16
mezzotint
13
aquatint
8
gouache
8
gray ink
7
wash
6
brown wash
4
soft-ground etching
4
colored ink
2
gum arabic
2
more
Materials & Techniques
»
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
6
to
71
Unknown
98
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
8
to
91
Unknown
98
Work Type
watercolor
149
drawing
144
intaglio print
94
ticket
2
painting
1
Genre
literary theme
102
religious and mythological subject
85
architectural subject
45
landscape
34
genre subject
30
portrait
18
marine art
12
cityscape
11
animal art
9
historical subject
9
military art
4
figure study
3
sporting art
3
still life
1
Subject Terms
literary theme
99
text
95
men
83
religious and mythological subject
81
women
60
man
57
trees
46
architectural subject
37
landscape
32
woman
24
beard
22
clouds
22
genre subject
21
river
20
children
19
nudes
19
water
19
castle
17
wings
17
angel
16
more
Subject Terms
»
Associated Places
United Kingdom
55
England
34
Europe
32
Scotland
9
Wales
9
Cymru
7
London
6
Norfolk
6
Greater London
5
Caernarfonshire and Merionethshire
3
Devon
3
France
3
Isle of Wight
3
Westminster
3
Africa
2
Barmouth
2
Cader Idris
2
Caernarfon Castle
2
Caernarvon
2
Cumbria
2
more
Associated Places
»
Associated People
Cupid
1
Dyck, Sir Anthony Van (1599–1641), painter and etcher
1
Eve
1
Fox, Charles James (1749–1806), politician
1
Medina, Sir John Baptiste de (1659–1710), painter
1
Morland, Anne (Nancy; c.1765–1804)
1
Rebecca, Lady Northwick (nee Bowles, married Sir John Rushout; d. 1818)
1
Rushout, Anne (d. 1849)
1
Shakespeare, William (1564–1616), playwright and poet
1
angel
1
Exhibition History
William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)
44
William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)
44
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
15
William Blake - The Artist (Tate Britain, 2019-09-11 - 2020-02-20)
7
Rowlandson Drawings from the Paul Mellon Collection (Royal Academy of Arts, 1978-03-04 - 1978-05-28)
5
Rowlandson Drawings from the Paul Mellon Collection (Yale Center for British Art, 1977-11-16 - 1978-01-15)
5
The Line of Beauty : British Drawings and Watercolors of the Eighteenth Century (Yale Center for British Art, 2001-05-19 - 2001-08-05)
5
William Blake (Tate Britain, 2000-11-02 - 2001-02-04)
5
Art in Focus : Wales (Yale Center for British Art, 2014-04-04 - 2014-08-10)
4
Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)
4
An American's Passion for British Art - Paul Mellon's Legacy (Royal Academy of Arts, 2007-10-20 - 2008-01-27)
3
An American's Passion for British Art - Paul Mellon's Legacy (Yale Center for British Art, 2007-04-18 - 2007-07-29)
3
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (The State Hermitage Museum, 2007-10-23 - 2008-01-13)
3
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Virginia Museum of Fine Arts, 2007-07-11 - 2007-09-30)
3
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Yale Center for British Art, 2008-06-09 - 2008-08-17)
3
Paul Mellon's Legacy : A Passion for British Art (Yale Center for British Art, 2007-04-18 - 2007-07-29)
3
Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10-20 - 1983-02-27)
3
Art in Focus: John Goto's High Summer (Yale Center for British Art, 2018-04-06 - 2018-08-19)
2
English Portrait Drawings & Miniatures (Yale Center for British Art, 1979-12-05 - 1980-02-17)
2
Fairest Isle - The Appreciation of British Scenery 1750-1850 (Yale Center for British Art, 1989-04-12 - 1989-06-25)
2
more
Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Collection
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1797
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1
George Garrard, 1760–1826
Ranger, a setter, the property of Elizabeth Gray
1797
Not on view
2
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
1797
3
Print made by William Blake, 1757–1827
Night the First. On Life, Death, and Immortality; Title Page
1797
4
Print made by William Blake, 1757–1827
'Swift on his downy pinion flies from woe' (Page 1)
1797
5
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
1797
6
Print made by William Blake, 1757–1827
'O treacherous conscience! while she seems to sleep" (Page 27)
1797
7
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
1797
8
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
1797
9
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
1797
10
Print made by William Blake, 1757–1827
'Where sense runs savage broke from reason's chain' (Page 46)
1797
11
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
1797
12
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
1797
13
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
1797
14
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
1797
15
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
1797
16
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
1797
17
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
1797
18
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
1797
19
Print made by William Blake, 1757–1827
Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
1797
20
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
1797
21
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
1797
22
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
1797
23
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
1797
24
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
1797
25
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
1797
26
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
1797
27
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
1797
28
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
1797
29
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
1797
30
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
1797
31
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
1797
32
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
1797
33
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
1797
34
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
1797
35
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
1797
36
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
1797
37
Print made by William Blake, 1757–1827
'The thunder, if in that the Almighty dwells' (Page 80)
1797
38
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
1797
39
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
1797
40
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
1797
41
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
1797
42
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
1797
43
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
1797
44
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
1797
45
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
1797
46
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
1797
47
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
1797
48
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
1797
49
Print made by William Blake, 1757–1827
'But for the blessing wrestle not with heaven' (Page 88)
1797
50
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
1797
51
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
1797
52
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
1797
53
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
1797
54
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
1797
55
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
1797
56
Print made by William Blake, 1757–1827
'Death! great proprietor of all! 'tis thine' (Page 8)
1797
57
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
1797
58
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
1797
59
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
1797
60
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
1797
61
William Blake, 1757–1827
Title Page, The Pindaric Genius Receiving His Lyre (Design 1)
between 1797 and 1798
62
William Blake, 1757–1827
The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
between 1797 and 1798
63
Print made by William Blake, 1757–1827
'And vapid; sense and reason shew the door' (Page 72)
1797
64
William Blake, 1757–1827
"Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)
between 1797 and 1798
65
William Blake, 1757–1827
A Shepherd Reading the Epitaph (Design 115)
between 1797 and 1798
66
William Blake, 1757–1827
Windsor Terrace, a Boy Contemplating a Distant View of Eton College (Design 13)
between 1797 and 1798
67
William Blake, 1757–1827
"Her Henry's holy shade..." (Design 15)
between 1797 and 1798
68
William Blake, 1757–1827
"A brace of warriors... rustling in their silks and tissues..."(Design 27)
between 1797 and 1798
69
William Blake, 1757–1827
"At the chapel-door stand sentry... (Design 31)
between 1797 and 1798
70
William Blake, 1757–1827
The Purple Year awaking from the Roots of Nature (Design 3)
between 1797 and 1798
71
William Blake, 1757–1827
"My Lade rose, and with a grace– She smil'd, and bid him come to dinner..." (Design 33)
between 1797 and 1798
72
William Blake, 1757–1827
A Widower and Children (Design 35)
between 1797 and 1798
73
William Blake, 1757–1827
"And purple tyrants vainly groan..." (Design 37)
between 1797 and 1798
74
William Blake, 1757–1827
"The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43)
between 1797 and 1798
75
William Blake, 1757–1827
"Where shaggy forms o'er ice-built mountains roam..." (Design 47)
between 1797 and 1798
76
William Blake, 1757–1827
"Yet oft before his infant eyes would run Such forms as glitter in the Muse's ray..." (Design 51)
between 1797 and 1798
77
William Blake, 1757–1827
A Welch Bard (Design 53)
between 1797 and 1798
78
William Blake, 1757–1827
"A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
between 1797 and 1798
79
William Blake, 1757–1827
"Hie thee hence, and boast at home..." (Design 85)
between 1797 and 1798
80
William Blake, 1757–1827
A Standard Bearer Fainting in the Routed Battle (Design 87)
between 1797 and 1798
81
William Blake, 1757–1827
The Bard Singing Owen's Praise (Design 89)
between 1797 and 1798
82
William Blake, 1757–1827
The Pensive Selima, "Her ears of jet, and emerald eyes, She saw; and purr'd applause..." (Design 9)
between 1797 and 1798
83
William Blake, 1757–1827
A Genius Driving Away "Comus & his midnight-crew..." (Design 95)
between 1797 and 1798
84
William Blake, 1757–1827
"Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)
between 1797 and 1798
85
William Blake, 1757–1827
"Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
between 1797 and 1798
86
William Blake, 1757–1827
"Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61)
between 1797 and 1798
87
William Blake, 1757–1827
The Three Fatal Sisters (Design 67)
between 1797 and 1798
88
William Blake, 1757–1827
Sigtryg with the Silken Beard (Design 69)
between 1797 and 1798
89
William Blake, 1757–1827
"Midst the tide, Two angel forms were seen to glide..." (Design 7)
between 1797 and 1798
90
William Blake, 1757–1827
"Iron sleet of arrowy shower Hurtles in the darkened air..." (Design 71)
between 1797 and 1798
91
William Blake, 1757–1827
"Hurry, hurry, to the field!" Design 75)
between 1797 and 1798
92
William Blake, 1757–1827
The Bard Weaving Edwards Fate (Design 55)
between 1797 and 1798
93
William Blake, 1757–1827
Elizabeth. "Girt with many a Baron bold..." (Design 63)
between 1797 and 1798
94
William Blake, 1757–1827
"Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
between 1797 and 1798
95
William Blake, 1757–1827
"We the reins to slaughter give..." (Design 73)
between 1797 and 1798
96
William Blake, 1757–1827
Fame (Design 93)
between 1797 and 1798
97
Print made by William Blake, 1757–1827
Night the First. On Life, Death and Immortality; Title Page
1797
98
Print made by William Blake, 1757–1827
Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
1797
99
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
1797
100
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
1797
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