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Collection
Prints and Drawings
83
Creator
Blake, William, 1757–1827
69
Gray, Thomas, 1716–1771
39
Edwards, Richard, active 1796–1797
30
Young, Edward, 1683–1765
30
Rowlandson, Thomas, 1756–1827
3
Ferneley, John E., 1782–1860
2
Vaslet, Lewis, 1742–1808
2
Corbould, Richard, 1757–1831
1
Cotman, John Sell, 1782–1842
1
Rooker, Michael "Angelo", 1746–1801
1
Smith, John, 1749–1831
1
Towne, Francis, 1740–1816
1
Uwins, Thomas, 1782–1857
1
Varley, Cornelius, 1781–1873
1
Date
1800
121
1772
105
1797
[remove]
83
1794
69
1804
68
1792
53
1793
49
1825
40
1789
39
1745
36
1850
35
1771
32
1807
32
1770
30
1795
30
1818
30
1830
30
1798
29
1820
29
1799
26
1815
26
1821
26
1773
25
1835
25
1790
24
1780
23
1785
23
1817
23
1826
23
1767
22
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22
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21
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21
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21
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21
1748
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18
1787
17
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1802
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15
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14
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13
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13
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13
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13
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13
1833
13
1765
12
1808
12
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1840
12
1842
12
1847
12
1712
11
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11
1720
11
1779
11
1782
11
1788
11
1845
11
1855
11
1756
10
1761
10
1764
10
1768
10
1786
10
1791
10
1806
10
1828
10
1750
9
1759
9
1762
9
1796
9
1837
9
1751
8
1754
8
1781
8
1816
8
1836
8
1838
8
1844
8
1725
7
1736
7
1760
7
1803
7
1832
7
1834
7
1839
7
On-site Access
Accessible in the Study Room
83
Image Use
Free to Use
83
Image Available
Available
83
Classification
Drawings & Watercolors
53
Prints
30
Creator Gender
male
83
Collective Title
The Poems of Thomas Gray
39
Young's Night Thoughts
30
The Spoiled Child
2
Period
18th century
75
18th century-19th century
5
19th century
3
Materials & Techniques
watercolor
80
wove paper
80
graphite
51
black ink
49
etching (printing process)
30
line engraving
30
pen
8
brown ink
4
gouache
3
gray wash
3
gray ink
2
laid paper
2
board
1
brown wash
1
gum arabic
1
oil paint
1
red ink
1
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
10
to
45
Width [cm]
Width [cm] range begin
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Width [cm] range end
Current results range from
9
to
50
Work Type
watercolor
81
drawing
53
intaglio print
30
Genre
literary theme
69
religious and mythological subject
57
landscape
6
genre subject
5
historical subject
4
marine art
3
cityscape
2
sporting art
2
animal art
1
architectural subject
1
figure study
1
Subject Terms
men
[remove]
83
literary theme
69
text
66
religious and mythological subject
58
women
45
man
26
beard
20
trees
20
children
16
nudes
14
nude
12
angels
11
armor
11
clouds
11
lyre
11
book
10
water
10
dead
9
horse (animal)
9
angel
8
more
Subject Terms
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Associated Places
United Kingdom
7
England
5
Europe
5
Barmouth
1
Berkshire
1
Cader Idris
1
Clare
1
Clare Castle
1
Cymru
1
Eton College
1
Great Yarmouth
1
Isle of Wight
1
Leicestershire
1
Loughborough
1
Newport
1
Norfolk
1
Suffolk
1
Wales
1
Windsor
1
Associated People
Eve
1
angel
1
Exhibition History
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
6
William Blake - The Artist (Tate Britain, 2019-09-11 - 2020-02-20)
5
Art in Focus : Wales (Yale Center for British Art, 2014-04-04 - 2014-08-10)
4
William Blake (Tate Britain, 2000-11-02 - 2001-02-04)
4
William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)
4
William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)
4
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (The State Hermitage Museum, 2007-10-23 - 2008-01-13)
3
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Virginia Museum of Fine Arts, 2007-07-11 - 2007-09-30)
3
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Yale Center for British Art, 2008-06-09 - 2008-08-17)
3
An American's Passion for British Art - Paul Mellon's Legacy (Royal Academy of Arts, 2007-10-20 - 2008-01-27)
2
An American's Passion for British Art - Paul Mellon's Legacy (Yale Center for British Art, 2007-04-18 - 2007-07-29)
2
Painting Networks - Romantic and Victorian Watercolors (Chazen Museum of Art, 2012-09-22 - 2012-12-02)
2
Paul Mellon's Legacy : A Passion for British Art (Yale Center for British Art, 2007-04-18 - 2007-07-29)
2
Captive Bodies: British Prisons, 1750-1900 (Yale Center for British Art, 2018-08-27 - 2018-12-17)
1
Fairest Isle - The Appreciation of British Scenery 1750-1850 (Yale Center for British Art, 1989-04-12 - 1989-06-25)
1
Pleasures and Pastimes (Yale Center for British Art, 1990-02-21 - 1990-04-29)
1
Rowlandson Drawings from the Paul Mellon Collection (Royal Academy of Arts, 1978-03-04 - 1978-05-28)
1
Rowlandson Drawings from the Paul Mellon Collection (Yale Center for British Art, 1977-11-16 - 1978-01-15)
1
The Art of Paul Sandby (Yale Center for British Art, 1985-04-10 - 1985-06-23)
1
The Line of Beauty : British Drawings and Watercolors of the Eighteenth Century (Yale Center for British Art, 2001-05-19 - 2001-08-05)
1
more
Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Collection
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83
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1
Print made by William Blake, 1757–1827
Night the First. On Life, Death, and Immortality; Title Page
1797
2
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
1797
3
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
1797
4
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
1797
5
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
1797
6
Print made by William Blake, 1757–1827
'The thunder, if in that the Almighty dwells' (Page 80)
1797
7
William Blake, 1757–1827
"Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)
between 1797 and 1798
8
William Blake, 1757–1827
"Her Henry's holy shade..." (Design 15)
between 1797 and 1798
9
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
1797
10
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
1797
11
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
1797
12
Print made by William Blake, 1757–1827
'But for the blessing wrestle not with heaven' (Page 88)
1797
13
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
1797
14
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
1797
15
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
1797
16
Print made by William Blake, 1757–1827
'Death! great proprietor of all! 'tis thine' (Page 8)
1797
17
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
1797
18
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
1797
19
Print made by William Blake, 1757–1827
'Measuring his motions by revolving spheres' (Page 26)
1797
20
Print made by William Blake, 1757–1827
'O treacherous conscience! while she seems to sleep" (Page 27)
1797
21
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
1797
22
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
1797
23
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
1797
24
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
1797
25
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
1797
26
William Blake, 1757–1827
"To chase the rolling circle's speed..." (Design 17)
between 1797 and 1798
27
William Blake, 1757–1827
A Long Story; Title Page
between 1797 and 1798
28
William Blake, 1757–1827
Ode to Adversity; Title Page
between 1797 and 1798
29
William Blake, 1757–1827
"And purple tyrants vainly groan..." (Design 37)
between 1797 and 1798
30
William Blake, 1757–1827
"Ambition this shall tempt to rise, The whirl the wretch from high..." (Design 19)
between 1797 and 1798
31
William Blake, 1757–1827
"My Lade rose, and with a grace– She smil'd, and bid him come to dinner..." (Design 33)
between 1797 and 1798
32
William Blake, 1757–1827
"At the chapel-door stand sentry... (Design 31)
between 1797 and 1798
33
Print made by William Blake, 1757–1827
Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
1797
34
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
1797
35
Print made by William Blake, 1757–1827
'Time, in advance, behind him hides his wings' (Page 24)
1797
36
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
1797
37
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
1797
38
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
1797
39
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
1797
40
William Blake, 1757–1827
Poems by Mr. Gray; Title Page
between 1797 and 1798
41
William Blake, 1757–1827
The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
between 1797 and 1798
42
William Blake, 1757–1827
"Oft did the harvest to their sickle yield..." (Design 109)
between 1797 and 1798
43
William Blake, 1757–1827
"Somevillage-Hampden, that with dauntless breast, The little tyrant of his fields withstood..," (Design 111)
between 1797 and 1798
44
William Blake, 1757–1827
"Where shaggy forms o'er ice-built mountains roam..." (Design 47)
between 1797 and 1798
45
William Blake, 1757–1827
"To him the mighty mother did unveil Her awful face..." (Design 49)
between 1797 and 1798
46
William Blake, 1757–1827
"Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
between 1797 and 1798
47
William Blake, 1757–1827
The Progress of Poesy, A Pindaric Ode; Title Page
between 1797 and 1798
48
William Blake, 1757–1827
"The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43)
between 1797 and 1798
49
William Blake, 1757–1827
"An ancient pile of building stands... there Employed the power of Fairy hands" (Design 25)
between 1797 and 1798
50
William Blake, 1757–1827
Ode on the Spring; Title Page
between 1797 and 1798
51
William Blake, 1757–1827
"O'er thy country hangs The scourge of Heav'n..." (Design 59)
between 1797 and 1798
52
William Blake, 1757–1827
Sigtryg with the Silken Beard (Design 69)
between 1797 and 1798
53
William Blake, 1757–1827
"Iron sleet of arrowy shower Hurtles in the darkened air..." (Design 71)
between 1797 and 1798
54
William Blake, 1757–1827
"We the reins to slaughter give..." (Design 73)
between 1797 and 1798
55
William Blake, 1757–1827
The Bard Singing Owen's Praise (Design 89)
between 1797 and 1798
56
William Blake, 1757–1827
The Bard, A Pindaric Ode; Title Page
between 1797 and 1798
57
William Blake, 1757–1827
The Bard Weaving Edwards Fate (Design 55)
between 1797 and 1798
58
William Blake, 1757–1827
"Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57)
between 1797 and 1798
59
William Blake, 1757–1827
"Fear to stop, and shame to fly..." (Design 91)
between 1797 and 1798
60
William Blake, 1757–1827
A Genius Driving Away "Comus & his midnight-crew..." (Design 95)
between 1797 and 1798
61
William Blake, 1757–1827
"Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)
between 1797 and 1798
62
William Blake, 1757–1827
"Yet oft before his infant eyes would run Such forms as glitter in the Muse's ray..." (Design 51)
between 1797 and 1798
63
William Blake, 1757–1827
"Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61)
between 1797 and 1798
64
William Blake, 1757–1827
"Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
between 1797 and 1798
65
William Blake, 1757–1827
"Him the dog of darkness spied..." (Design 79)
between 1797 and 1798
66
William Blake, 1757–1827
The Prophetess Rising from Her Grave (Design 81)
between 1797 and 1798
67
William Blake, 1757–1827
The Triumphs of Owen, A Fragment; Title Page
between 1797 and 1798
68
William Blake, 1757–1827
Elizabeth. "Girt with many a Baron bold..." (Design 63)
between 1797 and 1798
69
William Blake, 1757–1827
"Hurry, hurry, to the field!" Design 75)
between 1797 and 1798
70
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene III
ca. 1802
71
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene VI
ca. 1802
72
Attributed to Thomas Uwins, 1782–1857
The Death of - set by William Etty R.A
undated
73
Michael "Angelo" Rooker, 1746–1801
Clare Castle, Suffolk
between 1797 and 1800
74
Cornelius Varley, 1781–1873
A Horse pulling a Drag
undated
75
Thomas Rowlandson, 1756–1827
The Return of the Fleet to Great Yarmouth in 1797
1797
76
Thomas Rowlandson, 1756–1827
The Recruiting Officer
1797
77
Francis Towne, 1740–1816
Vauxhall Stairs, from Millbank, July 5, 1797
1797
78
John Ferneley, 1782–1860
The Duke of Cumberland Riding With Mr. de Burgh's Hunt
undated
79
John Ferneley, 1782–1860
A Meet of the Quorn at Garrendon Park, Loughborough, Leicestershire
undated
80
Thomas Rowlandson, 1756–1827
Newport High Street, Isle of Wight
between 1797 and 1800
81
John Warwick Smith, 1749–1831
Craig y Ladron - The Thieves Precipice
1797
82
John Sell Cotman, 1782–1842
Cader Idris from the Mawddach Estuary above Barmouth
ca. 1802
83
Richard Corbould, 1757–1831
Winter
ca. 1802