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Credit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionDate 1797
Remove constraint Date: 1797Work Type watercolor
Remove constraint Work Type: watercolorSearch Results
1
- 'We censure nature for a span too short' (Page 23)
- 1797
2
- 'Death! great proprietor of all! 'tis thine' (Page 8)
- 1797
3
- 'Disease invades the chastest temperence' (Page 10)
- 1797
4
- 'Trembling each gulp, lest death should snatch the bowl' (Page 57)
- 1797
5
- 'Is lost in love! thou great Philanthropist' (Page 87)
- 1797
6
- 'But for the blessing wrestle not with heaven' (Page 88)
- 1797
7
- 'The thunder, if in that the Almighty dwells' (Page 80)
- 1797
8
- 'That touch, with charm celestial heals the soul' (Page 90)
- 1797
9
- 'When faith is virtue, reason makes it so' (Page 92)
- 1797
10
- 'Till at Death's toll, whose restless iron tongue' (Page 7)
- 1797
11
- "Up stairs in a whirlwind rattle..." (Design 29)
- between 1797 and 1798
12
- "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
- between 1797 and 1798
13
- "We the reins to slaughter give..." (Design 73)
- between 1797 and 1798
14
- "Him the dog of darkness spied..." (Design 79)
- between 1797 and 1798
15
- The Prophetess Rising from Her Grave (Design 81)
- between 1797 and 1798
16
- "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
- between 1797 and 1798
17
- "Hie thee hence, and boast at home..." (Design 85)
- between 1797 and 1798
18
- "Fear to stop, and shame to fly..." (Design 91)
- between 1797 and 1798
19
- Title Page, The Pindaric Genius Receiving His Lyre (Design 1)
- between 1797 and 1798
20
- "Nor fear the rocks, nor seek the shore..." (Design 101)
- between 1797 and 1798
21
- The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
- between 1797 and 1798
22
- "Oft did the harvest to their sickle yield..." (Design 109)
- between 1797 and 1798
23
- "Malignant Fate sat by, and smil'd, The slipp'ry verge her feet beguil'd..." (Design 11)
- between 1797 and 1798
24
- "Somevillage-Hampden, that with dauntless breast, The little tyrant of his fields withstood..," (Design 111)
- between 1797 and 1798
25
- "Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)
- between 1797 and 1798
26
- Night the First. On Life, Death and Immortality; Title Page
- 1797
27
- 'Behold him, when past by; what then is seen' (Page 25)
- 1797
28
- 'Measuring his motions by revolving spheres' (Page 26)
- 1797
29
- 'Tis greatly wise to talk with our past hours' (Page 31)
- 1797
30
- 'Like that, the dial speaks; and points to thee' (Page 33)
- 1797
31
- 'The vale of death! that hush'd cimmerian vale' (Page 54)
- 1797
32
- 'Ungrateful, shall we grieve their hovering shades' (Page 55)
- 1797
33
- Windsor Terrace, a Boy Contemplating a Distant View of Eton College (Design 13)
- between 1797 and 1798
34
- A Circular Dance (Design 23)
- between 1797 and 1798
35
- "A brace of warriors... rustling in their silks and tissues..."(Design 27)
- between 1797 and 1798
36
- "My Lade rose, and with a grace– She smil'd, and bid him come to dinner..." (Design 33)
- between 1797 and 1798
37
- A Widower and Children (Design 35)
- between 1797 and 1798
38
- The Beginning of Poesy. The Blind Begging Bard (Design 41)
- between 1797 and 1798
39
- 'Oft bursts my song beyond the bounds of life' (Page 16)
- 1797
40
- Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
- 1797
41
- 'Emblem of that which shall awake the dead' (Page 19)
- 1797
42
- 'Time, in advance, behind him hides his wings' (Page 24)
- 1797
43
- 'O treacherous conscience! while she seems to sleep" (Page 27)
- 1797
44
- 'Swift on his downy pinion flies from woe' (Page 1)
- 1797
45
- 'Teaching, we learn; and giving, we retain' (Page 35)
- 1797
46
- 'Love, and love only, is the loan for love' (Page 37)
- 1797
47
- 'Angels should paint it, angels ever there' (Page 40)
- 1797
48
- 'One radiant mark, – the death-bed of the just' (Page 41)
- 1797
49
- Night the Third. Narcissa; Title Page
- 1797
50
- 'As if the sun could envy, check'd his beam' (Page 49)
- 1797
51
- 'This King of Terrors is the Prince of Peace' (Page 63)
- 1797
52
- 'What, though my soul fantastick measures trod' (Page 4)
- 1797
53
- The Christian Triumph; Title Page
- 1797
54
- 'Till death, that mighty hunter, earths them all' (Page 70)
- 1797
55
- 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
- 1797
56
- 'The Sun beheld it – No, the shocking scene' (Page 75)
- 1797
57
- 'His hand the good man fastens on the skies' (Page 86)
- 1797
58
- 'The goddess bursts in thunder and in flame' (Page 95)
- 1797
59
- A Shepherd Reading the Epitaph (Design 115)
- between 1797 and 1798
60
- "Where ignorance is bliss, 'Tis folly to be wise." (Design 21)
- between 1797 and 1798
61
- "At the chapel-door stand sentry... (Design 31)
- between 1797 and 1798
62
- "And purple tyrants vainly groan..." (Design 37)
- between 1797 and 1798
63
- "Cytherea's Day..." (Design 45)
- between 1797 and 1798
64
- A Welch Bard (Design 53)
- between 1797 and 1798
65
- The Bard Weaving Edwards Fate (Design 55)
- between 1797 and 1798
66
- "O'er thy country hangs The scourge of Heav'n..." (Design 59)
- between 1797 and 1798
67
- "Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61)
- between 1797 and 1798
68
- Elizabeth. "Girt with many a Baron bold..." (Design 63)
- between 1797 and 1798
69
- The Three Fatal Sisters (Design 67)
- between 1797 and 1798
70
- Sigtryg with the Silken Beard (Design 69)
- between 1797 and 1798
71
- "Hurry, hurry, to the field!" Design 75)
- between 1797 and 1798
72
- "Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
- between 1797 and 1798
73
- "Her Henry's holy shade..." (Design 15)
- between 1797 and 1798
74
- "To chase the rolling circle's speed..." (Design 17)
- between 1797 and 1798
75
- "Ambition this shall tempt to rise, The whirl the wretch from high..." (Design 19)
- between 1797 and 1798
76
- "An ancient pile of building stands... there Employed the power of Fairy hands" (Design 25)
- between 1797 and 1798
77
- The Purple Year awaking from the Roots of Nature (Design 3)
- between 1797 and 1798
78
- "With screaming Horror's funeral cry, Despair, and fell Disease, and ghastly Poverty..." Design 39)
- between 1797 and 1798
79
- "The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43)
- between 1797 and 1798
80
- "Where shaggy forms o'er ice-built mountains roam..." (Design 47)
- between 1797 and 1798
81
- "To him the mighty mother did unveil Her awful face..." (Design 49)
- between 1797 and 1798
82
- "Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
- between 1797 and 1798
83
- "Yet oft before his infant eyes would run Such forms as glitter in the Muse's ray..." (Design 51)
- between 1797 and 1798
84
- "Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57)
- between 1797 and 1798
85
- "Midst the tide, Two angel forms were seen to glide..." (Design 7)
- between 1797 and 1798
86
- "Iron sleet of arrowy shower Hurtles in the darkened air..." (Design 71)
- between 1797 and 1798
87
- The Serpent who Girds the Earth (Design 77)
- between 1797 and 1798
88
- A Standard Bearer Fainting in the Routed Battle (Design 87)
- between 1797 and 1798
89
- The Bard Singing Owen's Praise (Design 89)
- between 1797 and 1798
90
- The Pensive Selima, "Her ears of jet, and emerald eyes, She saw; and purr'd applause..." (Design 9)
- between 1797 and 1798
91
- Fame (Design 93)
- between 1797 and 1798
92
- A Genius Driving Away "Comus & his midnight-crew..." (Design 95)
- between 1797 and 1798
93
- "Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)
- between 1797 and 1798
94
- 'If angels tremble, 'tis at such a sight' (Page 93)
- 1797
95
- 'Its favours here are trials, not rewards' (Page 12)
- 1797
96
- 'The present moment terminates our sight' (Page 13)
- 1797
97
- 'The longest night though longer far, would fail' (Page 15)
- 1797
98
- The Mourner at the Tomb (Design 103)
- between 1797 and 1798
99
- The Author Writing (Design 105)
- between 1797 and 1798
100
- The Seine with Notre Dame
- undated