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Joseph Mallord William Turner Apuleia in Search of Apuleius
Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
Edward Lear Egyptian Men
Edward Lear, 1812–1888
Egyptian Men
1867
Edward Lear Egyptian Man
Edward Lear, 1812–1888
Egyptian Man
1867
William Blake Air (Plate 6)
Print made by William Blake, 1757–1827
Air (Plate 6)
1793
William Blake Does Thy God O Priest Take such Vengeance as This? (Plate 14)
Print made by William Blake, 1757–1827
Does Thy God O Priest Take such Vengeance as This? (Plate 14)
1793
William Blake I Have Said to the Worm, Thou Art My Mother & My Sister (Plate 18)
Print made by William Blake, 1757–1827
I Have Said to the Worm, Thou Art My Mother & My Sister (Plate 18)
1793
William Blake The Ecchoing Green (Plate 8)
Print made by William Blake, 1757–1827
The Ecchoing Green (Plate 8)
1789
On view
William Blake "Bath who is Legions..." (Plate 41)
Print made by William Blake, 1757–1827
"Bath who is Legions..." (Plate 41)
1804 to 1820
William Blake "Became a Space & an Allegory..." (Plate 85)
Print made by William Blake, 1757–1827
"Became a Space & an Allegory..." (Plate 85)
1804 to 1820
William Blake Chapter 3 Frontispiece (Plate 51)
Print made by William Blake, 1757–1827
Chapter 3 Frontispiece (Plate 51)
1804 to 1820
On view
William Blake "Then all the Males conjoined into One Male..." (Plate 69)
Print made by William Blake, 1757–1827
"Then all the Males conjoined into One Male..." (Plate 69)
1804 to 1820
William Blake Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)
Print made by William Blake, 1757–1827
Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)
1804 to 1820
William Blake "Does thy God O Priest take such vengeance as this?" (Plate 14)
Print made by William Blake, 1757–1827
"Does thy God O Priest take such vengeance as this?" (Plate 14)
1826
William Blake "I have said to the Worm: Thou art my mother & my sister" (Plate 18)
Print made by William Blake, 1757–1827
"I have said to the Worm: Thou art my mother & my sister" (Plate 18)
1826
William Blake Poems by Mr. Gray; Title Page
William Blake, 1757–1827
Poems by Mr. Gray; Title Page
between 1797 and 1798
William Blake "Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
William Blake, 1757–1827
"Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
between 1797 and 1798
William Blake "Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61)
William Blake, 1757–1827
"Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61)
between 1797 and 1798
William Blake "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
William Blake, 1757–1827
"Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
between 1797 and 1798
William Blake Epitaph on Mrs. Clarke; Title Page
William Blake, 1757–1827
Epitaph on Mrs. Clarke; Title Page
between 1797 and 1798
William Blake "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
William Blake, 1757–1827
"A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
between 1797 and 1798
William Blake The Ecchoing Green (Plate 10)
Print made by William Blake, 1757–1827
The Ecchoing Green (Plate 10)
1789
On view
William Blake On Anothers Sorrow (Plate 24)
Print made by William Blake, 1757–1827
On Anothers Sorrow (Plate 24)
1789
William Blake Laughing Song (Plate 28)
Print made by William Blake, 1757–1827
Laughing Song (Plate 28)
1789
William Blake Water (Plate 4)
Print made by William Blake, 1757–1827
Water (Plate 4)
1826
William Blake Air (Plate 6)
Print made by William Blake, 1757–1827
Air (Plate 6)
1826
William Blake "Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)
William Blake, 1757–1827
"Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)
between 1797 and 1798
William Blake 'Teaching, we learn; and giving, we retain' (Page 35)
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
1797
William Blake III. "From a perception of only 3 senses..." (Plate 5)
Print made by William Blake, 1757–1827
III. "From a perception of only 3 senses..." (Plate 5)
ca. 1788
William Blake "The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)
Print made by William Blake, 1757–1827
"The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)
1793
On view
William Blake Famine (Plate 8)
Print made by William Blake, 1757–1827
Famine (Plate 8)
1794
William Blake 'Tis greatly wise to talk with our past hours' (Page 31)
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
ca. 1797
William Blake 'Teaching, we learn; and giving, we retain' (Page 35)
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
ca. 1797
William Blake Water (Plate 4)
Print made by William Blake, 1757–1827
Water (Plate 4)
1793
William Blake The Chimney Sweeper (Plate 10)
Print made by William Blake, 1757–1827
The Chimney Sweeper (Plate 10)
1789
On view
William Blake Laughing Song (Plate 14)
Print made by William Blake, 1757–1827
Laughing Song (Plate 14)
1789
On view
William Blake Chapter IV, "From the caverns of his jointed spine..." (Plate 10)
Print made by William Blake, 1757–1827
Chapter IV, "From the caverns of his jointed spine..." (Plate 10)
1794
William Blake There Is No Natural Religion; Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
There Is No Natural Religion; Frontispiece (Plate 1)
ca. 1788
William Blake III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
Print made by William Blake, 1757–1827
III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
1789
William Blake Chapter IV, "From the caverns of his jointed spine..." (Plate 14)
Print made by William Blake, 1757–1827
Chapter IV, "From the caverns of his jointed spine..." (Plate 14)
1794
William Blake 'Tis greatly wise to talk with our past hours' (Page 31)
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
1797
William Blake Spring, from Songs of Innocence
Print made by William Blake, 1757–1827
Spring, from Songs of Innocence
ca. 1795
William Blake Study for a Destroying Deity
William Blake, 1757–1827
Study for a Destroying Deity
1820 to 1825
On view
George Romney Emma, Lady Hamilton as Nature
George Romney, 1734–1802
Emma, Lady Hamilton as Nature
1790
George Romney Study for Self-Portrait at Edgware Row
George Romney, 1734–1802
Study for Self-Portrait at Edgware Row
undated
James Heath "Here, I and sorrows sit; here is my throne, bid kings come and bow to it"
James Heath, 1757–1834
"Here, I and sorrows sit; here is my throne, bid kings come and bow to it"
1802
Charles W. Bartlett Udaipur, 1916
Print made by Charles W. Bartlett, 1860–1940
Udaipur, 1916
1916
Robert Dixon West Tower, Wymondham Church
Robert Dixon, 1780–1815
West Tower, Wymondham Church
1810
Robert Dixon Cottage at Diss
Robert Dixon, 1780–1815
Cottage at Diss
1811
Thomas Burke Cupid and Cephisa: "Cephisa says, we ought to cut the Wings of Love..."
Print made by Thomas Burke, 1749–1815
Cupid and Cephisa: "Cephisa says, we ought to cut the Wings of Love..."
1789
John Crome Landscape with Oak Trees
Print made by John Crome, 1768–1821
Landscape with Oak Trees
ca. 1812
John Crome Road Scene, Trowse Hall, near Norwich
Print made by John Crome, 1768–1821
Road Scene, Trowse Hall, near Norwich
1813
David Hockney Ossie Seated
David Hockney, born 1937
Ossie Seated
1966
Bradshaw & Blacklock Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.
Print made by Bradshaw & Blacklock, active ca.1850
Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things
after 1850
Robert Smirke Claudio and Isabella
Robert Smirke, 1752–1845
Claudio and Isabella
1823
Robert Smirke Prospero Conjuring a Masque for Ferdinand and Miranda
Robert Smirke, 1752–1845
Prospero Conjuring a Masque for Ferdinand and Miranda
ca. 1810
Robert Smirke Hotspur and the Plotters at Bangor
Robert Smirke, 1752–1845
Hotspur and the Plotters at Bangor
1825
Robert Smirke The Death of Ophelia
Robert Smirke, 1752–1845
The Death of Ophelia
ca. 1810
Robert Austin Hero's Widow
Print made by Robert Austin, 1895–1973
Hero's Widow
1932
Robert Austin Women at Prayer
Print made by Robert Austin, 1895–1973
Women at Prayer
1936
Benjamin Robert Haydon Study of a Male Nude
Benjamin Robert Haydon, 1786–1846
Study of a Male Nude
1806
Benjamin Robert Haydon Study of a Seated Male Nude
Benjamin Robert Haydon, 1786–1846
Study of a Seated Male Nude
1806
Bradshaw & Blacklock View near Bingen
Print made by Bradshaw & Blacklock, active ca.1850
View near Bingen
after 1850
Bradshaw & Blacklock Eight Rural Subjects
Print made by Bradshaw & Blacklock, active ca.1850
Eight Rural Subjects
after 1850
Bradshaw & Blacklock Specimens of Rocks. Proof of an Illustration for Wright's 'Globe Prepared for Man'.
Bradshaw & Blacklock, active ca.1850
Specimens of Rocks. Proof of an Illustration for Wright's 'Globe Prepared for Man'
after 1850
Richard Parkes Bonington Vue Generale de l'Eglise de l'Abbaye de Tournus
Print made by Richard Parkes Bonington, 1802–1828
Vue Generale de l'Eglise de l'Abbaye de Tournus
1825
Hubert-François Gravelot Study of a Seated Lady
Hubert-François Gravelot, 1699–1773
Study of a Seated Lady
ca. 1740
Thomas Hearne Windsor Castle from the Eton Playing Fields
Thomas Hearne, 1744–1817
Windsor Castle from the Eton Playing Fields
undated
John Linnell Edgware Road, London
John Linnell, 1792–1882
Edgware Road, London
1806
William Henry Hunt A Fallen Oak
attributed to William Henry Hunt, 1790–1864
A Fallen Oak
ca. 1815
John Linnell Millbank
John Linnell, 1792–1882
Millbank
1806
Thomas Rowlandson The Undergraduate's Room
Thomas Rowlandson, 1756–1827
The Undergraduate's Room
undated
Edward Burne-Jones Study for The Wedding Feast of Sir Degrevaunt
Edward Burne-Jones, 1833–1898
Study for The Wedding Feast of Sir Degrevaunt
undated
John Linnell The Wrath of Elihu
circle of John Linnell, 1792–1882
The Wrath of Elihu
undated
Alexander George Fraser A Seated Man Drinking
Print made by Alexander George Fraser, 1786–1865
A Seated Man Drinking
undated
George Cooke Florence, from the Chiesa al Monte
Print made by George Cooke, 1781–1834
Florence, from the Chiesa al Monte
1820
John Linnell Job Accepting Charity
circle of John Linnell, 1792–1882
Job Accepting Charity
undated
John Linnell Satan Going Forth from the Presence of the Lord
circle of John Linnell, 1792–1882
Satan Going Forth from the Presence of the Lord
undated
John Linnell Job's Comforters
circle of John Linnell, 1792–1882
Job's Comforters
undated
Robert Isaac Cruikshank A Correct Representation of Her Majesty Queen Caroline Returning from the House of Lords, 1820
Print made by Robert Isaac Cruikshank, 1789–1856
A Correct Representation of Her Majesty Queen Caroline Returning from the House of Lords, 1820
after 1820
Robert Barnes Girl Pinning Flowers on a Hat
Print made by Robert Barnes, 1840–1895
Girl Pinning Flowers on a Hat
undated
Robert Barnes Two Boys
Print made by Robert Barnes, 1840–1895
Two Boys
undated
Alexander George Fraser A Highland Interior
Print made by Alexander George Fraser, 1786–1865
A Highland Interior
undated
Henry Fuseli A Woman Sitting by the Window (Evening thou Bringest All)
Print made by Henry Fuseli, 1741–1825
A Woman Sitting by the Window (Evening thou Bringest All)
1802, published 1806
George Cooke Florence, from the Chiesa al Monte
Print made by George Cooke, 1781–1834
Florence, from the Chiesa al Monte
1820
Daniel Maclise Study of a Young Girl, Seated
Daniel Maclise, 1806–1870
Study of a Young Girl, Seated
undated
Thomas Rowlandson The Picnic
Thomas Rowlandson, 1756–1827
The Picnic
undated
Sir George Howland Beaumont seventh Baronet Man Sitting
Sir George Howland Beaumont seventh Baronet, 1753–1827
Man Sitting
1811
Daniel Maclise Henry Sass
Daniel Maclise, 1806–1870
Henry Sass
between 1830 and 1835
George Morland Fisherman and Dog Sitting by the Coast
George Morland, 1763–1804
Fisherman and Dog Sitting by the Coast
1803
Michel Jean Cazabon Avenue and Entrance to St. James Barracks
Michel Jean Cazabon, 1813–1888
Avenue and Entrance to St. James Barracks
1857
William Callow Landscape with Sheep
William Callow, 1812–1908
Landscape with Sheep
undated
George Henry Harlow Queen Katherine's Dream
George Henry Harlow, 1787–1819
Queen Katherine's Dream
1807
Thomas Hearne View of Bath from Spring Gardens
Thomas Hearne, 1744–1817
View of Bath from Spring Gardens
1790
John Linnell Figures on a Bank, Kensington Gravel Pits
John Linnell, 1792–1882
Figures on a Bank, Kensington Gravel Pits
1812
John Linnell Widecombe Village
John Linnell, 1792–1882
Widecombe Village
undated
William Henry Hunt Two Peasants by a Window
attributed to William Henry Hunt, 1790–1864
Two Peasants by a Window
undated
William Henry Hunt Bushey Churchyard with the Tombs of Edridge, Hearne and H. Monro
William Henry Hunt, 1790–1864
Bushey Churchyard with the Tombs of Edridge, Hearne and H. Monro
ca. 1822
William Henry Hunt Portrait of a Young Man with a Slate
William Henry Hunt, 1790–1864
Portrait of a Young Man with a Slate
ca. 1835
William Henry Hunt A Young Scholar Goes Fishing
William Henry Hunt, 1790–1864
A Young Scholar Goes Fishing
ca. 1820
William Henry Hunt Aldenham Church
William Henry Hunt, 1790–1864
Aldenham Church
ca. 1817