"Albions Angel rose upon the Stone of Night..." (Plate 12)
1794
2
Print made by William Blake, 1757–1827
Aged Ignorance (Plate 13)
1826
3
Print made by William Blake, 1757–1827
'Measuring his motions by revolving spheres' (Page 26)
1797
4
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
1797
5
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
1797
6
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
1797
7
Print made by William Blake, 1757–1827
'O treacherous conscience! while she seems to sleep" (Page 27)
1797
8
Print made by William Blake, 1757–1827
"The Four Zoa's clouded rage..." (Plate 74)
1804 to 1820
9
Print made by William Blake, 1757–1827
'Swift on his downy pinion flies from woe' (Page 1)
1797
10
Print made by William Blake, 1757–1827
Frontispiece, Europe. A Prophecy
ca. 1820
11
Print made by William Blake, 1757–1827
"Albion thy fear has made me tremble..." (Plate 22)
1804 to 1820
12
Print made by William Blake, 1757–1827
"To the Public. After my three years slumber..." (Plate 3)
1804 to 1820
13
Print made by William Blake, 1757–1827
"To labours mighty, with vast strength..." (Plate 11)
1804 to 1820
14
Print made by William Blake, 1757–1827
Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)
1804 to 1820
15
Print made by William Blake, 1757–1827
"Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)
1804 to 1820
16
Print made by William Blake, 1757–1827
"By Satan's Watch-fiends tho' they search..." (Plate 39)
1804 to 1820
17
Print made by William Blake, 1757–1827
"Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)
1804 to 1820
18
Print made by William Blake, 1757–1827
"One hair nor particle of dust..." (Plate 14)
1804 to 1820
19
Print made by William Blake, 1757–1827
"And the Two that escaped..." (Plate 30)
1804 to 1820
20
Print made by William Blake, 1757–1827
"And One stood forth from the Divine Family..." (Plate 37)
1804 to 1820
21
Print made by William Blake, 1757–1827
"With one accord in love sublime..." (Plate 44)
1804 to 1820
22
Print made by William Blake, 1757–1827
"These were his last words, and the merciful Saviour in his arms..." (Plate 48)
1804 to 1820
23
Print made by William Blake, 1757–1827
"Bath, mild Physician of Eternity..." (Plate 46)
1804 to 1820
24
Print made by William Blake, 1757–1827
III. "From a perception of only 3 senses..." (Plate 5)
ca. 1788
25
Print made by William Blake, 1757–1827
"And above Albions Land was seen the Heavenly Canaan..." (Plate 71)
1804 to 1820
26
Print made by William Blake, 1757–1827
"And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)
1804 to 1820
27
Print made by William Blake, 1757–1827
"And Rahab Babylon the Great..." (Plate 75)
1804 to 1820
28
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
1797
29
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
1797
30
Print made by William Blake, 1757–1827
Night (Plate 16)
1789
31
Print made by William Blake, 1757–1827
The Little Boy Lost (Plate 20)
1789
32
Print made by William Blake, 1757–1827
Spring (Plate 26)
1789
33
Print made by William Blake, 1757–1827
The Lamb (Plate 8)
1789
34
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
ca. 1797
35
Print made by William Blake, 1757–1827
At Length for Hatching Ripe He Breaks the Shell (Plate 8)
1793
36
Print made by William Blake, 1757–1827
Spring (Plate 12)
1789
37
Print made by William Blake, 1757–1827
The Little Boy Lost (Plate 16)
1789
38
Print made by William Blake, 1757–1827
Infant Joy (Plate 28)
1789
39
Print made by William Blake, 1757–1827
Night (Plate 30)
1789
40
Print made by William Blake, 1757–1827
Songs of Experience, Frontispiece (Plate 32)
1794
41
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
ca. 1797
42
Print made by William Blake, 1757–1827
'O treacherous conscience!' (Page 27)
ca. 1797
43
Print made by William Blake, 1757–1827
'Swift on His Downy Pinion Flies from Woe' (Page 1)
ca. 1797
44
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
ca. 1797
45
Print made by William Blake, 1757–1827
The Angel (Plate 40)
1794
46
Print made by William Blake, 1757–1827
Aged Ignorance (Plate 13)
1793
47
Print made by William Blake, 1757–1827
Infant Joy (Plate 14)
1789
48
Print made by William Blake, 1757–1827
"In beauty the Daughters of Albion divide..." (Plate 58)
1804 to 1820
49
Print made by William Blake, 1757–1827
"His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)
1804 to 1820
50
Print made by William Blake, 1757–1827
Preludium, "The nameless shadowy female rose from out the breast of Orc..." (Plate 3)
1794
51
Print made by William Blake, 1757–1827
A Prophecy. "The deep of winter came..." (Plate 5)
1794
52
Print made by William Blake, 1757–1827
"Now comes the night of Enitharmons joy!..." (Plate 7)
1794
53
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Title Page (Plate 1)
1826
54
Print made by William Blake, 1757–1827
"To The Accuser who is The God of This World..." (Plate 19)
1826
55
Print made by William Blake, 1757–1827
"At length for hatching ripe he breaks the shell" (Plate 8)
1826
56
Print made by William Blake, 1757–1827
The Man Sweeping the Interpreter's Parlour
ca. 1822
57
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
ca. 1797
58
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
ca. 1797
59
Print made by Francesco Bartolozzi, 1728–1815
The Virgin
1778
60
Print made by Francesco Bartolozzi, 1728–1815
Cupid Disarmed by Venus
1804
61
Print made by Francesco Bartolozzi, 1728–1815
Venus Chiding Cupid
1784
62
Edward Fisher, 1722–1785
Hope Nursing Love
1771
63
Print made by George Bickham the Elder, 1683/4–1758
One eagle, one owl and three owlets, a Pl. for 'A New Drawing Book...of Various Kinds of Birds Drawn from the Life by Mr. Francis Barlow' 1731 (1 of 9)
1731
64
Print made by Placido Columbani, born ca. 1744, active 1801
At Rome
undated
65
Print made by Placido Columbani, born ca. 1744, active 1801
At the Minerva at Rome
undated
66
Print made by Placido Columbani, born ca. 1744, active 1801
At the City of Albano
undated
67
Print made by Francesco Bartolozzi, 1728–1815
Ticket: For the Benefit of Mr. Salomon
1794
68
Print made by Francesco Bartolozzi, 1728–1815
Ticket: For the Benefit of Mr. Salpietro
1799
69
Print made by Francesco Bartolozzi, 1728–1815
Ticket to Westminster Abbey
before 1791
70
Print made by Francesco Bartolozzi, 1728–1815
Ticket: Walker's Lectures
1794
71
Print made by Francesco Bartolozzi, 1728–1815
Ticket: Mr. Cox's Museum
1772
72
Print made by Andrew Fairbairn Affleck, 1874/7–1936
Porta della Carta
undated
73
George H. Phillips, active 1819–1825
The Paphian Bower
1826
74
Print made by Austin, Robert, 1895-1973, 1895–1973
Romance
1922
75
Print made by Andrew Fairbairn Affleck, 1874/7–1936
Six Venice Etchings, Title Page
undated
76
Print made by Henry J. Townsend, 1810–1890
Where the Bee Sucks. The Tempest, Act V, Scene I, Ariel on a Hammock of Convolvulus
1853
77
Charles Grignion, 1717–1810
Britannia Allegory
between 1743 and 1747
78
Print made by Richard Earlom, 1743–1822
Vulcan's Forge
1802
79
Print made by Anthony Cardon, 1772–1813
Cupid Wounded
1801
80
Simon Gribelin, 1662–1733
From the Painting of the Ceiling in the Banqueting House at White-Hall in the Year 1720
ca. 1720
81
unknown artist
Ornamental Ticket for Society of Painters
1690
82
Print made by Guillaume Sulpice Chevalier, 1804–1866
Intemperance
undated
83
Print made by Thomas Burke, 1749–1815
Cupid and Cephisa: "Cephisa says, we ought to cut the Wings of Love..."
1789
84
Print made by Samuel Freeman, 1773–1857
Iris
1808
85
Print made by Luigi Schiavonetti, 1765–1810
The Meeting of a Family in Heaven
1808, published 1813
86
Print made by Luigi Schiavonetti, 1765–1810
The Day of Judgment
1808, published 1813
87
Print made by Isaac Fuller, ca. 1620–1672
Putto Holding a Torch
undated
88
Print made by John Smith, the mezzotinter, 1652–1743