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Edward Lear Gantara (Suez Canal), 5:25 am, 27 March 1867 (20)

Edward Lear, 1812–1888

Gantara (Suez Canal), 5:25 am, 27 March 1867 (20)

1867

Edward Lear San Marino from Ravenna

Edward Lear, 1812–1888

San Marino from Ravenna

1867

Edward Lear San Leo from San Marino

Edward Lear, 1812–1888

San Leo from San Marino

1867

Edward Lear St. Archangelo, from the Railway Carriage

Edward Lear, 1812–1888

St. Archangelo, from the Railway Carriage

1867

Edward Lear Lago di Garda

Edward Lear, 1812–1888

Lago di Garda

1867

Edward Lear Lago di Garda

Edward Lear, 1812–1888

Lago di Garda

1867

Edward Lear Lago Maggiore...Stresa

Edward Lear, 1812–1888

Lago Maggiore...Stresa

1867

Edward Lear Karnak, 24 February 1867 (545)

Edward Lear, 1812–1888

Karnak, 24 February 1867 (545)

1867

Edward Lear Near El Azerat

Edward Lear, 1812–1888

Near El Azerat

1867

Edward Lear Below Ekhmim

Edward Lear, 1812–1888

Below Ekhmim

1867

Edward Lear Near Rauda

Edward Lear, 1812–1888

Near Rauda

1867

Edward Lear Verrucchio

Edward Lear, 1812–1888

Verrucchio

1867

Edward Lear View near Palermo

Edward Lear, 1812–1888

View near Palermo

1847

Edward Lear The Capo Sant' Angelo, Amalfi

Edward Lear, 1812–1888

The Capo Sant' Angelo, Amalfi

ca. 1885

Edward Lear Bavella, Corsica

Edward Lear, 1812–1888

Bavella, Corsica

ca. 1868

Edward Lear Rocky Valley of Mosta, Malta, 2:15 p.m. (April 3, 1866)

Edward Lear, 1812–1888

Rocky Valley of Mosta, Malta, 2:15 p.m. (April 3, 1866)

1866

Edward Lear Wied Zurrik (Malta)

Edward Lear, 1812–1888

Wied Zurrik (Malta)

1848

Edward Lear Amada, 9:30 am, 12 February 1867

Edward Lear, 1812–1888

Amada, 9:30 am, 12 February 1867

1867

Edward Lear A View of the Harbour at Cannes

Edward Lear, 1812–1888

A View of the Harbour at Cannes

1869

George Romney Study of a Clouded Moonlit Sky

George Romney, 1734–1802

Study of a Clouded Moonlit Sky

undated

George Romney A Procession of the Damned: Study for the Damned in Dante's "Inferno"

George Romney, 1734–1802

A Procession of the Damned: Study for the Damned in Dante's "Inferno"

undated

William Blake 'Its favours here are trials, not rewards' (Page 12)

Print made by William Blake, 1757–1827

'Its favours here are trials, not rewards' (Page 12)

ca. 1797

William Blake Help! Help! (Plate 12)

Print made by William Blake, 1757–1827

Help! Help! (Plate 12)

1793

William Blake "And none but Bromian can hear my lamentations..." (Plate 6)

Print made by William Blake, 1757–1827

"And none but Bromian can hear my lamentations..." (Plate 6)

1793

William Blake Introduction (Plate 34)

Print made by William Blake, 1757–1827

Introduction (Plate 34)

1794

William Blake Air (Plate 6)

Print made by William Blake, 1757–1827

Air (Plate 6)

1793

William Blake I Want! I Want! (Plate 11)

Print made by William Blake, 1757–1827

I Want! I Want! (Plate 11)

1793

William Blake "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)

William Blake, 1757–1827

"Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)

between 1797 and 1798

William Blake The Prophetess Rising from Her Grave (Design 81)

William Blake, 1757–1827

The Prophetess Rising from Her Grave (Design 81)

between 1797 and 1798

William Blake "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)

William Blake, 1757–1827

"A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)

between 1797 and 1798

William Blake "Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)

William Blake, 1757–1827

"Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)

between 1797 and 1798

William Blake Fame (Design 93)

William Blake, 1757–1827

Fame (Design 93)

between 1797 and 1798

William Blake A Genius Driving Away "Comus & his midnight-crew..." (Design 95)

William Blake, 1757–1827

A Genius Driving Away "Comus & his midnight-crew..." (Design 95)

between 1797 and 1798

William Blake "And One stood forth from the Divine Family..." (Plate 37)

Print made by William Blake, 1757–1827

"And One stood forth from the Divine Family..." (Plate 37)

1804 to 1820

William Blake "They saw their Wheels rising up poisonous..." (Plate 43)

Print made by William Blake, 1757–1827

"They saw their Wheels rising up poisonous..." (Plate 43)

1804 to 1820

William Blake "The banks of the Thames are clouded..." (Plate 5)

Print made by William Blake, 1757–1827

"The banks of the Thames are clouded..." (Plate 5)

1804 to 1820

William Blake "And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)

Print made by William Blake, 1757–1827

"And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)

1804 to 1820

William Blake "To decide Two Worlds with a great decision..." (Plate 65)

Print made by William Blake, 1757–1827

"To decide Two Worlds with a great decision..." (Plate 65)

1804 to 1820

William Blake "Then all the Males conjoined into One Male..." (Plate 69)

Print made by William Blake, 1757–1827

"Then all the Males conjoined into One Male..." (Plate 69)

1804 to 1820

William Blake "What do I see! The Briton Saxon Roman Norman..." (Plate 92)

Print made by William Blake, 1757–1827

"What do I see! The Briton Saxon Roman Norman..." (Plate 92)

1804 to 1820

William Blake "Awake! Awake Jerusalem..." (Plate 97)

Print made by William Blake, 1757–1827

"Awake! Awake Jerusalem..." (Plate 97)

1804 to 1820

William Blake Jerusalem, Tailpiece (Plate 100)

Print made by William Blake, 1757–1827

Jerusalem, Tailpiece (Plate 100)

1804 to 1820

William Blake "Why wilt thou give to her a Body..." (Plate 12)

Print made by William Blake, 1757–1827

"Why wilt thou give to her a Body..." (Plate 12)

1804 to 1820

William Blake "One hair nor particle of dust..." (Plate 14)

Print made by William Blake, 1757–1827

"One hair nor particle of dust..." (Plate 14)

1804 to 1820

William Blake Jerusalem, Plate 28 Proof Impression

Print made by William Blake, 1757–1827

Jerusalem, Plate 28 Proof Impression

ca. 1820

William Blake "And Hand & Hyle rooted into Jerusalem..." (Plate 15)

Print made by William Blake, 1757–1827

"And Hand & Hyle rooted into Jerusalem..." (Plate 15)

1804 to 1820

William Blake Air (Plate 6)

Print made by William Blake, 1757–1827

Air (Plate 6)

1826

William Blake "Help! Help!" (Plate 12)

Print made by William Blake, 1757–1827

"Help! Help!" (Plate 12)

1826

William Blake "Became a Space & an Allegory..." (Plate 85)

Print made by William Blake, 1757–1827

"Became a Space & an Allegory..." (Plate 85)

1804 to 1820

William Blake "Tho divided by the Cross & Nails & Thorns & Spear..." (Plate 89)

Print made by William Blake, 1757–1827

"Tho divided by the Cross & Nails & Thorns & Spear..." (Plate 89)

1804 to 1820

William Blake "Nor fear the rocks, nor seek the shore..." (Design 101)

William Blake, 1757–1827

"Nor fear the rocks, nor seek the shore..." (Design 101)

between 1797 and 1798

William Blake "I have heard Jerusalems groans..." (Plate 82)

Print made by William Blake, 1757–1827

"I have heard Jerusalems groans..." (Plate 82)

1804 to 1820

William Blake 'Its favours here are trials, not rewards' (Page 12)

Print made by William Blake, 1757–1827

'Its favours here are trials, not rewards' (Page 12)

1797

William Blake "But when they saw Albion fall'n..." (Plate 20)

Print made by William Blake, 1757–1827

"But when they saw Albion fall'n..." (Plate 20)

1804 to 1820

William Blake "Albion thy fear has made me tremble..." (Plate 22)

Print made by William Blake, 1757–1827

"Albion thy fear has made me tremble..." (Plate 22)

1804 to 1820

William Blake "What have I said? What have I done?..." (Plate 24)

Print made by William Blake, 1757–1827

"What have I said? What have I done?..." (Plate 24)

1804 to 1820

William Blake "And this the form of mighty Hand..." (Plate 70)

Print made by William Blake, 1757–1827

"And this the form of mighty Hand..." (Plate 70)

1804 to 1820

William Blake "Rose up against me thundering..." (Plate 8)

Print made by William Blake, 1757–1827

"Rose up against me thundering..." (Plate 8)

1804 to 1820

William Blake "From every-one of the Four Regions..." (Plate 18)

Print made by William Blake, 1757–1827

"From every-one of the Four Regions..." (Plate 18)

1804 to 1820

William Blake "Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)

Print made by William Blake, 1757–1827

"Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)

1804 to 1820

William Blake "To the Public. After my three years slumber..." (Plate 3)

Print made by William Blake, 1757–1827

"To the Public. After my three years slumber..." (Plate 3)

1804 to 1820

William Blake "By Satan's Watch-fiends tho' they search..." (Plate 39)

Print made by William Blake, 1757–1827

"By Satan's Watch-fiends tho' they search..." (Plate 39)

1804 to 1820

William Blake "Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)

Print made by William Blake, 1757–1827

"Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)

1804 to 1820

William Blake "Jerusalem, Chapter 3. But Los, who is the Vehicular Form..." (Plate 53)

Print made by William Blake, 1757–1827

"Jerusalem, Chapter 3. But Los, who is the Vehicular Form..." (Plate 53)

1804 to 1820

William Blake "Corruptability appears upon thy limbs..." (Plate 83)

Print made by William Blake, 1757–1827

"Corruptability appears upon thy limbs..." (Plate 83)

1804 to 1820

William Blake "Oft did the harvest to their sickle yield..." (Design 109)

William Blake, 1757–1827

"Oft did the harvest to their sickle yield..." (Design 109)

between 1797 and 1798

William Blake "Somevillage-Hampden, that with dauntless breast, The little tyrant of his fields withstood..," (Design 111)

William Blake, 1757–1827

"Somevillage-Hampden, that with dauntless breast, The little tyrant of his fields withstood..," (Design 111)

between 1797 and 1798

William Blake A Shepherd Reading the Epitaph (Design 115)

William Blake, 1757–1827

A Shepherd Reading the Epitaph (Design 115)

between 1797 and 1798

William Blake "The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43)

William Blake, 1757–1827

"The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43)

between 1797 and 1798

William Blake The Three Fatal Sisters (Design 67)

William Blake, 1757–1827

The Three Fatal Sisters (Design 67)

between 1797 and 1798

William Blake Windsor Terrace, a Boy Contemplating a Distant View of Eton College (Design 13)

William Blake, 1757–1827

Windsor Terrace, a Boy Contemplating a Distant View of Eton College (Design 13)

between 1797 and 1798

William Blake "I want! I want!" (Plate 11)

Print made by William Blake, 1757–1827

"I want! I want!" (Plate 11)

1826

William Blake Abraham and Isaac

William Blake, 1757–1827

Abraham and Isaac

1799 to 1800

Francis Towne Houses near Plymouth

Francis Towne, 1740–1816

Houses near Plymouth

1810

John Raphael Smith The Infant Jupiter

Print made by John Raphael Smith, 1752–1812

The Infant Jupiter

1775

John Robert Cozens The City of Bath taken from the London Road

Print made by John Robert Cozens, 1752–1797

The City of Bath taken from the London Road

1773

Cornelius Varley View in Suffolk

Cornelius Varley, 1781–1873

View in Suffolk

1803

Thomas Park Mrs. Jordan in the Character of the Comic Muse

Print made by Thomas Park, ca. 1760–1834

Mrs. Jordan in the Character of the Comic Muse

1787

James Ward Landscape

James Ward, 1769–1859

Landscape

undated

James Ward Cloud Study

James Ward, 1769–1859

Cloud Study

undated

Paul Sandby Bridgenorth, Shropshire

Paul Sandby, 1731–1809

Bridgenorth, Shropshire

ca. 1801

Thomas Girtin A Border Tower

Thomas Girtin, 1775–1802

A Border Tower

undated

Keith Vaughan Study for Fishermen and Bathers

Keith Vaughan, 1912–1977

Study for Fishermen and Bathers

ca. 1951

John Linnell Ascent of Balloon from Burlington House, Piccadilly, from the Window at Mr. B. Palmer's

John Linnell, 1792–1882

Ascent of Balloon from Burlington House, Piccadilly, from the Window at Mr. B. Palmer's

after 1812

John Henry Mole Study of a Cottage Interior

John Henry Mole, 1814–1886

Study of a Cottage Interior

undated

Robert Dunkarton Sisters Contemplating on Mortality

Print made by Robert Dunkarton, 1744–1811

Sisters Contemplating on Mortality

1770

Thomas Watson The Honourable Mrs. Beresford with the Marchioness Townshend and the Hon. Mrs. Gardiner Adoring a Term of Hymen

Print made by Thomas Watson, 1743–1781

The Honourable Mrs. Beresford with the Marchioness Townshend and the Hon. Mrs. Gardiner Adoring a Term of Hymen

1776

John Dixon Mrs. Blake as Juno

Print made by John Dixon, ca. 1740–1811

Mrs. Blake as Juno

1771

Thomas Cheesman Marchioness of Townshend and Child

Print made by Thomas Cheesman, 1760–1834/35

Marchioness of Townshend and Child

1792

William Callow Landscape after Wynants (in the Louvre)

William Callow, 1812–1908

Landscape after Wynants (in the Louvre)

undated

George Siegmund Facius West Window of the Chapel, New College Oxford, Clouds, Part of the Nativity Scene

George Siegmund Facius, 1750–1804

West Window of the Chapel, New College Oxford, Clouds, Part of the Nativity Scene

1785

George Siegmund Facius West Window of the Chapel, New College Oxford, Part of Clouds From the Nativity Scene

George Siegmund Facius, 1750–1804

West Window of the Chapel, New College Oxford, Part of Clouds From the Nativity Scene

1785

James H. Baker Come Gentle Night: "Romeo and Juliet," Act III, Scene II

Print made by James H. Baker, born 1829

Come Gentle Night: "Romeo and Juliet," Act III, Scene II

between 1839 and 1849

Paul Sandby The Bayswater Turnpike

Paul Sandby, 1731–1809

The Bayswater Turnpike

undated

Francis Towne Dunkerswell Abbey, August 20, 1783

Francis Towne, 1740–1816

Dunkerswell Abbey, August 20, 1783

1783

James Holland Evening Sky on the Coast

James Holland, 1799–1870

Evening Sky on the Coast

between 1859 and 1861

Thomas Lindsay Cloud Study - Evening Twilight, Rodney Terrace

Thomas Lindsay, 1793–1861

Cloud Study - Evening Twilight, Rodney Terrace

1837

Thomas Lindsay Sky Study, No. 3

Attributed to Thomas Lindsay, 1793–1861

Sky Study, No. 3

undated

Thomas Lindsay Sky Study, No. 4

Attributed to Thomas Lindsay, 1793–1861

Sky Study, No. 4

undated

Thomas Lindsay Sky Study, No. 6

Attributed to Thomas Lindsay, 1793–1861

Sky Study, No. 6

undated