Subject Terms: book - YCBA Collections Search Search Results

1. Landscape near Clifton

Creator:: Francis Danby, 1793–1861
Date:: 1822 to 1823
Materials & Techniques:: Oil on canvas
Dimensions:: 36 x 28 inches (91.4 x 71.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. John and Elizabeth Jeffreys and Their Children

Creator:: William Hogarth, 1697–1764
Date:: 1730
Materials & Techniques:: Oil on canvas
Dimensions:: 28 1/4 x 35 3/4 inches (71.8 x 90.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

3. A Woman, possibly Anne (née Ward) Morland, Wife of the Artist

Creator:: George Morland, 1763–1804
Date:: ca. 1795
Materials & Techniques:: Oil on canvas
Dimensions:: 11 11/16 x 9 11/16 inches (29.7 x 24.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

4. Portrait of a Woman

Creator:: Thomas Gainsborough, 1727–1788
Date:: ca. 1750
Materials & Techniques:: Oil on canvas
Dimensions:: 29 7/8 x 26 1/4 inches (75.9 x 66.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

5. The Brown Tea Pot

Creator:: Gwen John, 1876–1939
Date:: between 1915 and 1916
Materials & Techniques:: Oil on canvas
Dimensions:: 13 3/16 × 9 1/8 inches (33.5 × 23.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

6. A Couple, Traditionally Identified as Mr. and Mrs. Hill

Creator:: Arthur Devis, 1712–1787
Date:: between 1750 and 1751
Materials & Techniques:: Oil on canvas
Dimensions:: 30 x 25 inches (76.2 x 63.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

7. John Eardley Wilmot

Creator:: Benjamin West, 1738–1820
Date:: 1812
Materials & Techniques:: Oil on canvas
Dimensions:: 41 1/2 x 58 1/4 inches (105.4 x 148 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

8. Portrait of a Boy

Creator:: Sir William Beechey, 1753–1839
Date:: ca. 1790
Materials & Techniques:: Oil on canvas
Dimensions:: 30 1/16 x 25 3/16 inches (76.4 x 64 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

9. John Varley

Creator:: John Linnell, 1792–1882
Date:: 1820
Materials & Techniques:: Oil on panel
Dimensions:: 12 5/8 x 10 1/8 inches (32.1 x 25.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

10. Probably John Trevor, third Baron Trevor, of St. Anne's Hill, Surrey, and Trevalyn Hall, Denbighshire (formerly T. Travers, Esq.)

Creator:: Arthur Devis, 1712–1787
Date:: 1763
Materials & Techniques:: Oil on canvas
Dimensions:: 30 1/8 x 25 inches (76.5 x 63.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Bequest of Mr. Ernest Hillman, Jr.
On View:: Not on view

11. Study of a Nun

Creator:: Gwen John, 1876–1939
Date:: ca. 1915
Materials & Techniques:: Oil on board laid to panel
Dimensions:: 23 15/16 × 15 15/16 inches (60.8 × 40.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

12. An Unknown Man Seated at a Table

Creator:: Arthur Devis, 1712–1787
Date:: between 1744 and 1746
Materials & Techniques:: Oil on canvas
Dimensions:: 20 x 14 inches (50.8 x 35.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

13. The Seven Ages of Man: Second Childishness, 'As You Like It,' II, vii

Creator:: Robert Smirke, 1752–1845
Date:: between 1798 and 1801
Materials & Techniques:: Pen and ink and oil on panel
Dimensions:: 15 x 19 7/8 inches (38.1 x 50.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

14. The Lady Betty Germain Bedroom at Knole, Kent

Creator:: James Holland, 1799–1870
Date:: 1845
Materials & Techniques:: Oil on canvas
Dimensions:: 27 x 37 1/2 inches (68.6 x 95.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

15. The Hypostyle Hall of the Great Temple at Abu Simbel, Egypt

Creator:: David Roberts, 1796–1864
Date:: 1849
Materials & Techniques:: Oil on panel
Dimensions:: 14 1/2 x 21 1/2 inches (36.8 x 54.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

16. Lovers in Richmond Park

Creator:: James Smetham, 1821–1889
Date:: 1864
Materials & Techniques:: Oil on panel
Dimensions:: 3 7/8 x 5 15/16 inches (9.8 x 15.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

17. Portrait of a Woman as St. Agnes, Traditionally Identified as Catherine Voss

Creator:: Sir Godfrey Kneller, 1646–1723
Date:: between 1697 and 1716
Materials & Techniques:: Oil on canvas
Dimensions:: 31 x 26 inches (78.7 x 66 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

18. Cottage Interior

Creator:: William Ratcliffe, 1870–1955
Date:: 1911 to 1912
Materials & Techniques:: Oil on plywood
Dimensions:: 15 x 20 inches (38.1 x 50.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

19. Woman Reading by a Paper-Bell Shade

Creator:: Henry Robert Morland, 1730–1797
Date:: 1766
Materials & Techniques:: Oil on canvas
Dimensions:: 30 x 25 inches (76.2 x 63.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

20. The Book Worm

Creator:: Bertha Herkomer, 1858–1943
Date:: 1915
Materials & Techniques:: Oil on canvas
Dimensions:: 19 3/4 x 23 3/4 inches (50.2 x 60.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Gift of Hans and Agnes Platenius
On View:: Not on view

21. St. Paul before Agrippa

Creator:: Sir James Thornhill, 1675–1734
Date:: ca. 1710
Materials & Techniques:: Oil on canvas
Dimensions:: 32 1/4 x 29 1/4 inches (81.9 x 74.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

22. Mrs. Stevens

Creator:: Francis Wheatley, 1747–1801
Date:: ca. 1795
Materials & Techniques:: Oil on canvas
Dimensions:: 26 x 18 1/2 inches (66 x 47 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

23. Christening of the Heir

Creator:: William Redmore Bigg, 1755–1828
Date:: ca. 1799
Materials & Techniques:: Oil on canvas
Dimensions:: 25 x 30 inches (63.5 x 76.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

24. Schoolgirls

Creator:: Sir George Clausen, 1852–1944
Date:: 1880
Materials & Techniques:: Oil on canvas
Dimensions:: 20 1/2 x 30 3/8 inches (52.1 x 77.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

25. The Gore Family with George, third Earl Cowper

Creator:: Johan Joseph Zoffany, 1733–1810
Date:: ca. 1775
Materials & Techniques:: Oil on canvas
Dimensions:: 31 x 38 1/2 inches (78.7 x 97.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

26. Elizabeth Erskine, (née Pierrepont), Countess of Kellie

Creator:: Paul van Somer, ca. 1576–1621
Date:: ca. 1619
Materials & Techniques:: Oil on canvas
Dimensions:: 81 x 48 1/2 inches (205.7 x 123.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

27. The Harlowe Family, from Samuel Richardson's "Clarissa"

Creator:: Joseph Highmore, 1692–1780
Date:: between 1745 and 1747
Materials & Techniques:: Oil on canvas
Dimensions:: 25 1/2 x 30 7/8 inches (64.8 x 78.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

28. Conversation Piece

Creator:: Mason Chamberlin, 1727–1787
Date:: 1761
Materials & Techniques:: Oil on canvas
Dimensions:: 25 x 26 3/4 inches (63.5 x 67.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

29. George Robertson

Creator:: Portrait by John Francis Rigaud, 1742–1810
Date:: 1776
Materials & Techniques:: Oil on canvas
Dimensions:: 44 1/4 x 34 5/8 inches (112.4 x 87.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

30. An Unknown Woman with a Book

Creator:: Bartholomew Dandridge, baptized 1691–died in or after 1754
Date:: ca. 1735
Materials & Techniques:: Oil on canvas
Dimensions:: 20 7/8 × 16 1/2 inches (53 × 41.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

31. A Family, Traditionally Identified as the Swaine Family of Fencroft, Cambridgeshire

Creator:: Arthur Devis, 1712–1787
Date:: 1749
Materials & Techniques:: Oil on canvas
Dimensions:: 25 1/4 × 40 3/4 inches (64.1 × 103.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

32. Study for a Group Portrait

Creator:: Joseph Highmore, 1692–1780
Date:: between 1729 and 1730
Materials & Techniques:: Oil on canvas
Dimensions:: 14 1/8 × 18 1/2 inches (35.9 × 47 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

33. A Copy after a Painting Traditionally Attributed to Van Dyck of Two Monks Reading

Creator:: unknown artist
Date:: late 18th century?
Materials & Techniques:: Oil on panel
Dimensions:: 20 1/2 × 18 inches (52.1 × 45.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

34. Mary Adam

Creator:: Allan Ramsay, 1713–1784
Date:: 1754
Materials & Techniques:: Oil on canvas
Dimensions:: 37 x 28 inches (94 x 71.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

35. An Unknown Man

Creator:: John Downman, 1750–1824
Date:: ca. 1780
Materials & Techniques:: Oil on panel
Dimensions:: 14 x 10 1/2 inches (35.6 x 26.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

36. An Unknown Man in a Library

Creator:: Arthur Devis, 1712–1787
Date:: between 1740 and 1741
Materials & Techniques:: Oil on canvas
Dimensions:: 19 3/4 x 13 3/4 inches (50.2 x 34.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

37. George and Margaret Rogers

Creator:: Francis Hayman, 1707/8–1776
Date:: between 1748 and 1750
Materials & Techniques:: Oil on canvas
Dimensions:: 35 1/2 x 27 1/2 inches (90.2 x 69.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

38. An Unknown Man

Creator:: Philippe Mercier, 1689 or 1691–1760
Date:: 1746
Materials & Techniques:: Oil on canvas
Dimensions:: 35 3/4 × 27 3/4 inches (90.8 × 70.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

39. Brick Piece 1

Creator:: Phillip King, 1934–2021
Date:: 1974
Materials & Techniques:: Brick, steel mesh, steel
Dimensions:: Overall: 15 1/2 x 16 1/2 x 11 inches (39.4 x 41.9 x 27.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Friends of British Art Fund
On View:: Not on view

40. A Cleric: rotund figure in white clerical collar and black robes, with a red book tucked under his arm

Creator:: Derby porcelain factory, founded 1756
Date:: ca. 1810
Materials & Techniques:: Derby figure
Dimensions:: Sheet: 6in. (15.2cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

41. The Sleeping Shepherd

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1857
Materials & Techniques:: Etching and drypoint with chine collé on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 13/16 x 8 9/16 inches (30 x 21.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. The Sleeping Shepherd

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1857
Materials & Techniques:: Etching and drypoint with chine collé on thick, smooth, cream wove paper
Dimensions:: Sheet: 4 13/16 x 4 1/16 inches (12.2 x 10.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. The Sleeping Shepherd

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1857
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 5/16 x 7 inches (21.1 x 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

44. Simon, Lord Lovat

Creator:: Print made by William Hogarth, 1697–1764
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Isabelle Hollister Tuttle for the Emerson Tuttle Memoiral Collection

45. "Albions Angel rose upon the Stone of Night..." (Plate 12)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. "Therefore God becomes as we are..." (Plate 9)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. VI. "The desires & perceptions of man untaught..." (Plate 8)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. 'What, though my soul fantastick measures trod' (Page 4)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. The Author Writing (Design 105)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. "Up stairs in a whirlwind rattle..." (Design 29)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. 'O treacherous conscience! while she seems to sleep" (Page 27)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. The Mourner at the Tomb (Design 103)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. "And purple tyrants vainly groan..." (Design 37)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. "Bath who is Legions..." (Plate 41)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. 'Till at Death's toll, whose restless iron tongue' (Page 7)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. 'The longest night though longer far, would fail' (Page 15)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Title Page, The Pindaric Genius Receiving His Lyre (Design 1)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. "Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Elizabeth. "Girt with many a Baron bold..." (Design 63)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. The Lamb (Plate 8)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. "In living creations appear'd..." (Plate 6)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Songs of Innocence, Title Page (Plate 2)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in green ink, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. The Lamb (Plate 18)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in green ink, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Infant Joy (Plate 28)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in green ink, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Title Page, The First Book of Urizen (Plate 1)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching printed in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. 'What, though my soul fantastick measures trod' (Page 4)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Thomas Hayley, the Disciple of John Flaxman, from a Medallion

Creator:: Print made by William Blake, 1757–1827
Date:: 1800
Materials & Techniques:: Stipple engraving and line engraving on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 8 3/4 × 6 1/8 inches (22.3 × 15.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Charles J. Rosenbloom, B.A. 1920

69. Songs of Innocence, Title Page (Plate 2)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. "Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. "Of the Mundane Shell which froze..." (Plate 64)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Title Page, The First Book of Urizen (Plate 1)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. "In living creations appear'd..." (Plate 8)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul

Creator:: Prints made by William Blake, 1757–1827
Date:: 1789-1794
Materials & Techniques:: Bound volume of relief etchings printed in dark-brown ink, with hand coloring in watercolor on wove paper
Dimensions:: Spine: 7 3/8 inches (18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Moses Receiving the Law

Creator:: William Blake, 1757–1827
Date:: ca. 1780
Materials & Techniques:: Pen and black ink with gray wash, black wash and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 26 x 12 1/4 inches (66 x 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Thomas Alphonso Hayley, Half-Length Drawing

Creator:: attributed to William Blake, 1757–1827
Date:: ca. 1800
Materials & Techniques:: Graphite and gouache on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/4 x 5 1/4 inches (17.1 x 13.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Charles Rosenbloom

77. 'The longest night though longer far, would fail' (Page 15)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Thomas Hayley the Disciple of John Flaxman, from a Medallion

Creator:: Print made by William Blake, 1757–1827
Date:: 1800
Materials & Techniques:: Stipple engraving and line engraving on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 11 5/16 x 8 11/16 inches (28.7 x 22.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Sibyl

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Graphite and gray wash on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 5 3/4 x 5 3/8 inches (14.6 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

80. Couple Examining a Book

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Pen and brown ink; verso: graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 3/4 x 6 1/2 inches (19.7 x 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

81. Studies of a Seated Draped Figure with a Book

Creator:: George Frederic Watts, 1817–1904
Date:: undated
Materials & Techniques:: Pen and brown ink and graphite on medium, smooth, blue wove paper
Dimensions:: Sheet: 13 9/16 × 8 1/16 inches (34.4 × 20.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

82. She Never Told Her Love, But Sat Like Patience on a Monument

Creator:: Robert Smirke, 1752–1845
Date:: 1827
Materials & Techniques:: Brown ink with brown wash and gouache and oil on medium, smooth, beige wove paper
Dimensions:: Sheet: 5 1/8 x 3 7/8 inches (13 x 9.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Allegory of Painting and Literature

Creator:: Edward Francis Burney, 1760–1848
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 8 1/4 × 7 inches (21 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Abel Cary Thomas, Yale BA 1905, transfer from the Yale University Library and the Yale University Art Gallery

84. Elderly Couple on a Park Bench, with Two Men Beyond

Creator:: Print made by Robert Barnes, 1840–1895
Date:: undated
Materials & Techniques:: Wood-engraving with watercolor on thick, slightly textured, cream wove paper mounted on moderately thick, slightly textured, beige wove paper
Dimensions:: Mount: 6 1/4 x 8 1/16 inches (15.9 x 20.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. By the Sea

Creator:: Print made by Alfred W. Cooper, active 1850–1901
Date:: undated
Materials & Techniques:: Wood-engraving with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 4 15/16 x 6 5/8 inches (12.5 x 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Girl Reading a Picture Book

Creator:: Print made by Robert Barnes, 1840–1895
Date:: undated
Materials & Techniques:: Wood-engraving with watercolor on moderately thick, slightly textured, cream wove paper mounted on moderately thick, slightly textured, beige wove paper
Dimensions:: Mount: 7 1/2 x 5 9/16 inches (19.1 x 14.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Joseph Baretti, Secretary for Foreign Correspondence to the Royal Academy

Creator:: James Hardy, active 1770s
Date:: undated
Materials & Techniques:: Stipple engraving and etching on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 11 5/8 x 8 1/8 inches (29.5 x 20.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

88. Maria Cosway

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1785
Materials & Techniques:: Stipple engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/8 × 5 7/8 inches (23.1 × 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Miss Anna Crouch

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1788
Materials & Techniques:: Stipple engraving, on medium, moderately textured, cream laid paper, laid on mount
Dimensions:: Mount: 12 11/16 x 8 5/8 inches (32.2 x 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Mrs. Lenox

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1792
Materials & Techniques:: Stipple engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 × 5 7/16 inches (19 × 13.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Thomas Maggi

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1788
Materials & Techniques:: Stipple engraving and etching on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 13 x 10 3/8 inches (33 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Rev. Dr. Thomas Percy, Dean of Carlisle

Creator:: William Dickinson, 1746–1823
Date:: 1775
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 14 3/4 × 10 15/16 inches (37.5 × 27.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Henry Bunbury Esqr.

Creator:: Print made by John Blackmore, active 1740–1780
Date:: ca. 1769
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 15/16 × 9 15/16 inches (35.4 × 25.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Earl and Countess of Pembroke and Son

Creator:: Print made by James Watson, 1740–1790
Date:: 1773
Materials & Techniques:: Mezzotint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Elizabeth, Countess of Pembroke, and the Rt. Honble. George, Lord Herbert

Creator:: Print made by John Dixon, ca. 1740–1811
Date:: 1771
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 17 15/16 × 13 inches (45.6 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Mrs. Fitzherbert

Creator:: Print made by John Condé, 1765–1794
Date:: 1792
Materials & Techniques:: Stipple engraving with etched border on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 16 × 11 7/8 inches (40.6 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Reading by a Paper-Bell Shade

Creator:: Print made by Philip Dawe, ca.1750–ca.1790
Date:: 1768
Materials & Techniques:: Mezzotint and etching on moderately thick, moderately textured, cream laid paper, laid in mount
Dimensions:: Sheet: 16 1/8 x 10 11/16 inches (41 x 27.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. George Graham, Clockmaker

Creator:: John Faber the Younger, ca. 1695–1756
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper, pasted on moderately thick, moderately textured, gray-blue Asian paper
Dimensions:: Sheet: 14 1/4 x 10 3/16 inches (36.2 x 25.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Ticket: Walker's Lectures

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1794
Materials & Techniques:: Line engraving and stipple engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 × 4 1/8 inches (15.2 × 10.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Imogen's Bedchamber in Cymbeline's Palace, 'Cymbeline,' Act II, Scene II

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1786
Materials & Techniques:: Mezzotint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 13/16 x 16 3/4 inches (32.5 x 42.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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1. Landscape near Clifton

2. John and Elizabeth Jeffreys and Their Children

3. A Woman, possibly Anne (née Ward) Morland, Wife of the Artist

4. Portrait of a Woman

5. The Brown Tea Pot

6. A Couple, Traditionally Identified as Mr. and Mrs. Hill

7. John Eardley Wilmot

8. Portrait of a Boy

9. John Varley

10. Probably John Trevor, third Baron Trevor, of St. Anne's Hill, Surrey, and Trevalyn Hall, Denbighshire (formerly T. Travers, Esq.)

11. Study of a Nun

12. An Unknown Man Seated at a Table

13. The Seven Ages of Man: Second Childishness, 'As You Like It,' II, vii

14. The Lady Betty Germain Bedroom at Knole, Kent

15. The Hypostyle Hall of the Great Temple at Abu Simbel, Egypt

16. Lovers in Richmond Park

17. Portrait of a Woman as St. Agnes, Traditionally Identified as Catherine Voss

18. Cottage Interior

19. Woman Reading by a Paper-Bell Shade

20. The Book Worm

21. St. Paul before Agrippa

22. Mrs. Stevens

23. Christening of the Heir

24. Schoolgirls

25. The Gore Family with George, third Earl Cowper

26. Elizabeth Erskine, (née Pierrepont), Countess of Kellie

27. The Harlowe Family, from Samuel Richardson's "Clarissa"

28. Conversation Piece

29. George Robertson

30. An Unknown Woman with a Book

31. A Family, Traditionally Identified as the Swaine Family of Fencroft, Cambridgeshire

32. Study for a Group Portrait

33. A Copy after a Painting Traditionally Attributed to Van Dyck of Two Monks Reading

34. Mary Adam

35. An Unknown Man

36. An Unknown Man in a Library

37. George and Margaret Rogers

38. An Unknown Man

39. Brick Piece 1

40. A Cleric: rotund figure in white clerical collar and black robes, with a red book tucked under his arm

41. The Sleeping Shepherd

42. The Sleeping Shepherd

43. The Sleeping Shepherd

44. Simon, Lord Lovat

45. "Albions Angel rose upon the Stone of Night..." (Plate 12)

46. "Therefore God becomes as we are..." (Plate 9)

47. VI. "The desires & perceptions of man untaught..." (Plate 8)

48. 'What, though my soul fantastick measures trod' (Page 4)

49. The Author Writing (Design 105)

50. "Up stairs in a whirlwind rattle..." (Design 29)

51. 'O treacherous conscience! while she seems to sleep" (Page 27)

52. The Mourner at the Tomb (Design 103)

53. The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)

54. "And purple tyrants vainly groan..." (Design 37)

55. "Bath who is Legions..." (Plate 41)

56. 'Till at Death's toll, whose restless iron tongue' (Page 7)

57. 'The longest night though longer far, would fail' (Page 15)

58. Title Page, The Pindaric Genius Receiving His Lyre (Design 1)

59. "Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)

60. Elizabeth. "Girt with many a Baron bold..." (Design 63)

61. The Lamb (Plate 8)

62. "In living creations appear'd..." (Plate 6)

63. Songs of Innocence, Title Page (Plate 2)

64. The Lamb (Plate 18)

65. Infant Joy (Plate 28)

66. Title Page, The First Book of Urizen (Plate 1)

67. 'What, though my soul fantastick measures trod' (Page 4)

68. Thomas Hayley, the Disciple of John Flaxman, from a Medallion

69. Songs of Innocence, Title Page (Plate 2)

70. "Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)

71. "Of the Mundane Shell which froze..." (Plate 64)

72. Title Page, The First Book of Urizen (Plate 1)

73. "In living creations appear'd..." (Plate 8)

74. Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul

75. Moses Receiving the Law