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Creator:
Print made by William Blake, 1757–1827
Hand colored by William Blake, 1757–1827
Text by Edward Young, 1683–1765
Published by Richard Edwards, active 1796–1797
Title:
'The longest night though longer far, would fail' (Page 15)
Additional Title(s):
Verso: 'Oft bursts my song beyond the bounds of life' (Page 16)
Part Of:

Collective Title: Young's Night Thoughts

Date:
ca. 1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm), Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm), Plate: 16 1/4 x 12 3/4 inches (41.3 x 32.4 cm), Plate: 16 x 12 3/4 inches (40.6 x 32.4 cm)
Inscription(s)/Marks/Lettering:

Lettered inside image: "15 | The thing they can't but purpose, they postpone: | 'Tis not in folly, not to scorn a fool; | And scarce in human wisdom to do more: | All promise is poor dilatory man, | And that through every stage: when young, indeed, | In full content we sometimes nobly rest, | Unanxious for ourselves; and only wish, | As duteous sons, our fathers were more wise: | At thirty man suspects himself a fool; | Knows it at forty, and reforms his plan; | At fifty chides his infamous delay, | Pushes his prudent purpose to resolve; | In all the magnanimity of thought | Resolves, and re-resolves; then dies the same. | And why? because he thinks himself immortal: | All men think all men mortal, but themselves; | Themselves;--when some alarming shock of fate | Strikes through their wounded hearts the sudden dread; | But their hearts wounded, like the wounded air, | Soon close; where pass'd the shaft no trance is found. | As from the wing no scar the sky retains; | The parted wave no furrow from the keel; | So dies in human hearts the thought of death: | Even with the tender tear which nature sheds | O'er those we love, we drop it in their grave. | Can I forget PHILANDER? that were strange: | O my full heart!--but should I give it vent, | *The longest night though longer far, would fail, | And the lark listen to my midnight song."; lower left: "inv & sc | WB"; lower left: "Pubd. June 27 1796, by R. Edwards, No. 142, New Bond Street."; Lettered on verso, inside image: "16 | The sprightly lark's shrill matin wakes the morn, | Grief's sharpest thorn hard pressing on my breast; | I strive, with wakeful melody, to cheer | The sullen gloom, sweet philomel! like thee, | And call the stars to listen; every star | Is deaf to mine, enamour'd of thy lay: | Yet be not vain; there are, who thine excel, | And charm through distant ages: wrapp'd in shade, | Pris'ner of darkness! to the silent hours, | How often I repeat their rage divine, | To lull my griefs, and steal my heart from woe! | I roll their raptures, but not catch their fire: | Dark, though not blind, like thee Maeonides! | Or, Milton! thee; ah, could I reach your strain! | Or his, who made Maeonides our own: | Man too he sung--immortal man I sing: | *Oft bursts my song beyond the bounds of life; | What now, but immortality, can please? | O had he press'd his theme, pursued the track, | Which opens out of darkness into day! | O had he mounted on his wing of fire, | Soar'd, where I sink, and sung immortal man! | How had it bless'd mankind, and rescued me!"; lower right: "inv. & sc | WB"; lower left: "London Pubd. June 21, 1796, by R. Edwards, 142 New Bond Street."

Credit Line:
Yale Center for British Art, Paul Mellon Collection
Copyright Status:
Public Domain
Accession Number:
B1978.43.1387
Classification:
Prints
Collection:
Prints and Drawings
Subject Terms:
birds | book | chains | floating | gowns | leaf | literary theme | lyres | men | night | reading | stars | text | thorns | vines | women
Access:
Accessible in the Study Room [Request]
Link:
https://collections.britishart.yale.edu/catalog/tms:7462
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The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01) [YCBA Objects in the Exhibition] [Exhibition Description]


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