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Ben Nicholson 1934 (still life)
Ben Nicholson, 1894–1982
1934 (still life)
1934
Not on view
Ben Nicholson April 1950 (goblets)
Ben Nicholson, 1894–1982
April 1950 (goblets)
1950
Not on view
Francis Danby The Avon Gorge
Francis Danby, 1793–1861
The Avon Gorge
between 1816 and 1818
Not on view
John Constable Barge below Flatford Lock
John Constable, 1776–1837
Barge below Flatford Lock
ca. 1810
Not on view
John Constable Hampstead Heath Looking Towards Harrow
John Constable, 1776–1837
Hampstead Heath Looking Towards Harrow
1821
Not on view
John Constable Cloud Study with Trees
John Constable, 1776–1837
Cloud Study with Trees
1821
Not on view
John Constable Cloud Study
John Constable, 1776–1837
Cloud Study
ca. 1821
Not on view
William Hogarth Miss Wood
William Hogarth, 1697–1764
Miss Wood
ca. 1730
Not on view
William Blake Virgin and Child
William Blake, 1757–1827
Virgin and Child
between 1810 and 1820
Not on view
Gwen John The Brown Tea Pot
Gwen John, 1876–1939
The Brown Tea Pot
between 1915 and 1916
Not on view
John Frederick Herring The Suffolk Hunt : The Death
John Frederick Herring, 1795–1865
The Suffolk Hunt : The Death
1833
Not on view
George Haugh Catherine Howard (née Proctor), Countess of Effingham with Gun and Shooting Dogs
George Haugh, 1756–1827
Catherine Howard (née Proctor), Countess of Effingham with Gun and Shooting Dogs
1787
Not on view
John Frederick Herring The Suffolk Hunt: Going to Cover near Herringswell
John Frederick Herring, 1795–1865
The Suffolk Hunt: Going to Cover near Herringswell
1833
Not on view
John Frederick Herring The Suffolk Hunt: Gone Away
John Frederick Herring, 1795–1865
The Suffolk Hunt: Gone Away
1833
Not on view
John Frederick Herring The Suffolk Hunt: Full Cry
John Frederick Herring, 1795–1865
The Suffolk Hunt: Full Cry
1833
Not on view
Philip Reinagle The Blue Passion Flower, for Robert John Thornton’s Temple of Flora (London, 1799–1812)
Philip Reinagle, 1749–1833
The Blue Passion Flower, for Robert John Thornton’s Temple of Flora (London, 1799–1812)
1800
Not on view
James Ward A Border Leicester Ewe
James Ward, 1769–1859
A Border Leicester Ewe
between 1795 and 1800
Not on view
James Ward Gloucestershire Old Spot
James Ward, 1769–1859
Gloucestershire Old Spot
between 1800 and 1805
Not on view
Roger Fry Francis Birrell
Roger Fry, 1866–1934
Francis Birrell
ca. 1920
Not on view
Briton Riviere The Old Gardener
Briton Riviere, 1840–1920
The Old Gardener
1863
Not on view
Bryan Wynter Two Menhirs
Bryan Wynter, 1915–1975
Two Menhirs
ca. 1950
Not on view
Alfred Wolmark Young Woman in a Checkered Dress
Alfred Wolmark, 1877–1961
Young Woman in a Checkered Dress
ca. 1910
Not on view
George Chinnery Indian Landscape with Temple
George Chinnery, 1774–1852
Indian Landscape with Temple
ca. 1815
Not on view
John Varley A View along the Thames towards Chelsea Old Church
John Varley, 1778–1842
A View along the Thames towards Chelsea Old Church
between 1810 and 1815
Not on view
Cornelis Ketel Sir John Smythe of Westenhanger, Kent (1557–1608)
Cornelis Ketel, 1548–1616
Sir John Smythe of Westenhanger, Kent (1557–1608)
1579
Not on view
George Jones A 42nd Highlander Attending a General of the 7th Hussars, possibly Henry William Bayly, first earl of Uxbridge, later first Marquess of Anglesey: a study for 'The Battle of Waterloo'
George Jones, 1786–1869
A 42nd Highlander Attending a General of the 7th Hussars, possibly Henry William Bayly, first earl of Uxbridge, later first Marquess of Anglesey: a study for 'The Battle of Waterloo'
1815
Not on view
Peter DeWint Windsor Castle
Attributed to Peter DeWint, 1784–1849
Windsor Castle
early 19th century
Not on view
Sir Charles Lock Eastlake A View of the Church of S. Sabina and the Pyramid of Cestius, Rome
Sir Charles Lock Eastlake, 1793–1865
A View of the Church of S. Sabina and the Pyramid of Cestius, Rome
ca. 1825
Not on view
Edward Burne-Jones Fair Rosamund and Queen Eleanor
Edward Burne-Jones, 1833–1898
Fair Rosamund and Queen Eleanor
1861
Not on view
Jacques-Laurent Agasse Clouded Leopards
Jacques-Laurent Agasse, 1767–1849
Clouded Leopards
ca. 1825
Not on view
Richard Parkes Bonington A Knight and Page (from Johann Wolfgang von Goethe’s “Götz von Berlichingen” )
Richard Parkes Bonington, 1802–1828
A Knight and Page (from Johann Wolfgang von Goethe’s “Götz von Berlichingen” )
ca. 1826
Not on view
John Martin The Last Judgement (study)
John Martin, 1789–1854
The Last Judgement (study)
between 1851 and 1853
Not on view
Sir Edwin Henry Landseer Study of a Dog Lying Down
Sir Edwin Henry Landseer, 1802–1873
Study of a Dog Lying Down
1860
Not on view
Philippe-Jacques de Loutherbourg The Angel Binding Satan
Philippe-Jacques de Loutherbourg, 1740–1812
The Angel Binding Satan
ca. 1797
Not on view
John Jackson Sir David Wilkie
John Jackson, 1778–1831
Sir David Wilkie
ca. 1810
Not on view
Walter Richard Sickert St. Mark's Facade, Venice
Walter Richard Sickert, 1860–1942
St. Mark's Facade, Venice
1901
Not on view
Samuel De Wilde John Quick as Tony Allspice
Samuel De Wilde, 1748–1832
John Quick as Tony Allspice
ca. 1796
Not on view
Sir Edwin Henry Landseer A Highland Landscape
Sir Edwin Henry Landseer, 1802–1873
A Highland Landscape
ca. 1830
Not on view
John Linnell In Dovedale
John Linnell, 1792–1882
In Dovedale
1814 to 1815
Not on view
George Morland Old horses with a dog in a stable
George Morland, 1763–1804
Old horses with a dog in a stable
ca. 1791
Not on view
Kenneth Armitage Triarchy
Kenneth Armitage, 1916–2002
Triarchy
1957
Not on view
William Brodie Alfred, Lord Tennyson, Poet Laureate
William Brodie, 1815–1881
Alfred, Lord Tennyson, Poet Laureate
1857
Not on view
Edward Hodges Baily Edward Hodges
Edward Hodges Baily, 1788–1867
Edward Hodges
1820
Not on view
John Henry Foley Edmund Burke
John Henry Foley, 1818–1874
Edmund Burke
1865
Not on view
John Henry Foley Oliver Goldsmith
John Henry Foley, 1818–1874
Oliver Goldsmith
1863
Not on view
John Constable Ruin of St. Botolph's Priory, Colchester
John Constable, 1776–1837
Ruin of St. Botolph's Priory, Colchester
ca. 1809
John R. Skeaping Cow Nylgha [aka] Reedback Feeding
John R. Skeaping, 1901–1980
Cow Nylgha [aka] Reedback Feeding
1928
Robert Polhill Bevan The White House (Gould's Farm Luppitt)
Robert Polhill Bevan, 1865–1925
The White House (Gould's Farm Luppitt)
ca. 1920
Robert Polhill Bevan The Horse Mart (Barbican No. 1)
Robert Polhill Bevan, 1865–1925
The Horse Mart (Barbican No. 1)
1920
Robert Polhill Bevan The Horse Mart (with further sketches in the margin)
Robert Polhill Bevan, 1865–1925
The Horse Mart (with further sketches in the margin)
ca. 1918
Samuel Palmer The Primitive Cottage, Shoreham
Samuel Palmer, 1805–1881
The Primitive Cottage, Shoreham
undated
Samuel Palmer The Early Ploughman
Print made by Samuel Palmer, 1805–1881
The Early Ploughman
begun before 1861
Samuel Palmer Wilmot's Hill, Kent
Samuel Palmer, 1805–1881
Wilmot's Hill, Kent
ca. 1851
Samuel Palmer A Barn with a Mossy Roof, Shoreham
Samuel Palmer, 1805–1881
A Barn with a Mossy Roof, Shoreham
undated
Samuel Palmer Tintern Abbey
Samuel Palmer, 1805–1881
Tintern Abbey
1835
Samuel Palmer A Cow Lodge with a Mossy Roof
Samuel Palmer, 1805–1881
A Cow Lodge with a Mossy Roof
ca. 1829
George Stubbs Fowl Skeleton, Lateral View (Outline drawing)
George Stubbs, 1724–1806
Fowl Skeleton, Lateral View (Outline drawing)
1795 to 1806
George Stubbs Fowl Body, Lateral View (Outline drawing, related to Table XV)
George Stubbs, 1724–1806
Fowl Body, Lateral View (Outline drawing, related to Table XV)
1795 to 1806
George Stubbs Human Skeleton, Posterior View
George Stubbs, 1724–1806
Human Skeleton, Posterior View
1795 to 1806
George Stubbs Human Skeleton, Lateral View
George Stubbs, 1724–1806
Human Skeleton, Lateral View
1795 to 1806
George Stubbs Human Skeleton, Lateral View (May have been initially prepared for use as a key figure to Table III but later abandoned)
George Stubbs, 1724–1806
Human Skeleton, Lateral View (May have been initially prepared for use as a key figure to Table III but later abandoned)
1795 to 1806
George Stubbs Fowl Body, Lateral View (Study for the Key Figure to Table XV)
George Stubbs, 1724–1806
Fowl Body, Lateral View (Study for the Key Figure to Table XV)
1795 to 1806
George Stubbs Fowl Body, Lateral View (Probably Prepared for Transfer to the Plate for Engraving of Table XV)
George Stubbs, 1724–1806
Fowl Body, Lateral View (Probably Prepared for Transfer to the Plate for Engraving of Table XV)
1795 to 1806
George Stubbs Plate X, Fowl Body, Lateral View
Print made after George Stubbs, 1724–1806
Plate X, Fowl Body, Lateral View
1804
George Stubbs Plate VII, Human Body, Lateral View
Print made after George Stubbs, 1724–1806
Plate VII, Human Body, Lateral View
1804
George Stubbs Plate VI, Human Body, Frontal View
Print made after George Stubbs, 1724–1806
Plate VI, Human Body, Frontal View
1804
George Stubbs Plate VIII, Human Body, Posterior View
Print made after George Stubbs, 1724–1806
Plate VIII, Human Body, Posterior View
1804
William Hogarth A Rake's Progress, Plate VI: He Gambles
William Hogarth, 1697–1764
A Rake's Progress, Plate VI: He Gambles
1735
William Hogarth A Rake's Progress, Plate VIII: In Bedlam
William Hogarth, 1697–1764
A Rake's Progress, Plate VIII: In Bedlam
1735
William Hogarth A Rake's Progress, Plate VII: In Fleet Street Prison
Print made by William Hogarth, 1697–1764
A Rake's Progress, Plate VII: In Fleet Street Prison
1735
William Hogarth The Invasion, Plate I: France
William Hogarth, 1697–1764
The Invasion, Plate I: France
1756
William Hogarth The Invasion, Plate II: England
William Hogarth, 1697–1764
The Invasion, Plate II: England
1756
William Hogarth The Cockpit
William Hogarth, 1697–1764
The Cockpit
1759
William Hogarth The Four Times of Day, Plate I: Morning
Print made by William Hogarth, 1697–1764
The Four Times of Day, Plate I: Morning
1738
Joseph Mallord William Turner Landscape with Barn
Joseph Mallord William Turner, 1775–1851
Landscape with Barn
ca. 1795
Joseph Mallord William Turner Ships in a Breeze
Etched by Joseph Mallord William Turner, 1775–1851
Ships in a Breeze
1808
Joseph Mallord William Turner The Drawing of the Clyde
Etched by Joseph Mallord William Turner, 1775–1851
The Drawing of the Clyde
1809
Joseph Mallord William Turner The Woman and Tambourine
Etched by Joseph Mallord William Turner, 1775–1851
The Woman and Tambourine
1807
Joseph Mallord William Turner Raglan Castle
Etched by Joseph Mallord William Turner, 1775–1851
Raglan Castle
1816
Joseph Mallord William Turner Crowhurst
Print made by Joseph Mallord William Turner, 1775–1851
Crowhurst
between 1813 and 1823
Joseph Mallord William Turner The Woman and Tambourine
Etched by Joseph Mallord William Turner, 1775–1851
The Woman and Tambourine
1807
Joseph Mallord William Turner The Fifth Plague of Egypt
Etched by Joseph Mallord William Turner, 1775–1851
The Fifth Plague of Egypt
1808
Joseph Mallord William Turner The Castle above the Meadows
Etched by Joseph Mallord William Turner, 1775–1851
The Castle above the Meadows
1808
Joseph Mallord William Turner Pembury Mill, Kent
Etched by Joseph Mallord William Turner, 1775–1851
Pembury Mill, Kent
1808
Joseph Mallord William Turner The Bridge in Middle Distance
Etched by Joseph Mallord William Turner, 1775–1851
The Bridge in Middle Distance
1808
Joseph Mallord William Turner London from Greenwich
Print made by Joseph Mallord William Turner, 1775–1851
London from Greenwich
1811
Joseph Mallord William Turner Juvenile Tricks
Etched by Joseph Mallord William Turner, 1775–1851
Juvenile Tricks
1811
Joseph Mallord William Turner Via Mala
Attributed to Joseph Mallord William Turner, 1775–1851
Via Mala
between 1813 and 1823
Joseph Mallord William Turner Norham Castle on the Tweed
Etched by Joseph Mallord William Turner, 1775–1851
Norham Castle on the Tweed
1816
Joseph Mallord William Turner Morpeth, Northumberland
Etched by Joseph Mallord William Turner, 1775–1851
Morpeth, Northumberland
1809
Joseph Mallord William Turner Villa Salviati on the Arno
Joseph Mallord William Turner, 1775–1851
Villa Salviati on the Arno
between 1796 and 1797
Joseph Mallord William Turner Near Grindelwald
Joseph Mallord William Turner, 1775–1851
Near Grindelwald
ca. 1796
William Blake Christ Giving Sight to Bartimaeus
William Blake, 1757–1827
Christ Giving Sight to Bartimaeus
1799 to 1800
Edward Lear Plyctolophus Galeritus. Greater Sulphur-crested Cockatoo.
Print made by Edward Lear, 1812–1888
Plyctolophus Galeritus. Greater Sulphur-crested Cockatoo
1832
Edward Lear Knowsley Hall
Edward Lear, 1812–1888
Knowsley Hall
undated
Edward Lear Knowsley Hall
Edward Lear, 1812–1888
Knowsley Hall
ca. 1834
Edward Lear Knowsley Hall
Edward Lear, 1812–1888
Knowsley Hall
ca. 1834
Edward Lear At Knowsley?
Edward Lear, 1812–1888
At Knowsley?
1834
Edward Lear Illustrations of the Family of Psittacidae , Or Parrots, Part 1: Folio Wrapper,Title Page, Dedication Page, Subscriber's Page
Edward Lear, 1812–1888
Illustrations of the Family of Psittacidae , Or Parrots, Part 1: Folio Wrapper,Title Page, Dedication Page, Subscriber's Page
1832
Edward Lear Plyctophus Sulphureus / Lesser Sulphur-crested Cockatoo (Plate 4)
Edward Lear, 1812–1888
Plyctophus Sulphureus / Lesser Sulphur-crested Cockatoo (Plate 4)
1832