- Title:
- Fair Rosamund and Queen Eleanor
- Date:
- 1861
- Materials & Techniques:
- Mixed media on paper
- Dimensions:
- 19 1/2 x 14 3/4 inches (49.5 x 37.5 cm)
- Inscription(s)/Marks/Lettering:
Signed and dated, in red paint, lower right: "EBJ | 1861" (initials in monogram)
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
- Copyright Status:
- Public Domain
- Accession Number:
- B1980.24
- Classification:
- Paintings
- Collection:
- Paintings and Sculpture
- Link to Frame:
- B1980.24FR
- Subject Terms:
- costume | curtain | death | historical subject | interior | jealousy | labyrinth | lute | mirror | murder | music | musical instruments | painting (visual work) | pans (containers) | portrait | pots | Pre-Raphaelite | protection | queen (person) | thread | women
- Associated People:
- Henry II (1133–1189), king of England, duke of Normandy and of Aquitaine, and count of Anjou
Clifford, Rosamund [called Fair Rosamund] (b. before 1140?, d. 1175/6), royal mistress
Eleanor [Eleanor of Aquitaine], suo jure duchess of Aquitaine (c.1122–1204), queen of France, consort of Louis VII, and queen of England, consort of Henry II - Access:
- Not on view
- Link:
- https://collections.britishart.yale.edu/catalog/tms:506
- Export:
- XML
- IIIF Manifest:
- JSON
Figuring Women - The Female in Modern British Art (Yale Center for British Art, 2008-03-28 - 2008-06-08) [YCBA Objects in the Exhibition] [Exhibition Description]
Modern Gothic : The Revival of Medieval Art (Yale University Art Gallery, 2000-04-04 - 2000-07-30) [YCBA Objects in the Exhibition]
Pre-Raphaelite Painters and Patrons in the North East (Laing Art Gallery, 1989-10-14 - 1990-01-15) [YCBA Objects in the Exhibition]
Acquisitions : The First Decade 1977-1986 : Yale Center for British Art, , Yale Center for British Art, New Haven, CT, 1986, p. 12, no. 5, fig. 3, N590.2 .A7 OVERSIZE (YCBA) [YCBA]
Malcolm Bell, Sir Edward Burne-Jones : an illustrated record and review, G. Bell & Sons, London, p. 31, NJ18 B92 B45 1910 (YCBA) [YCBA]
Burne-Jones : the paintings, graphic and decorative work of Sir Edward Burne-Jones, 1833-98, Arts Council of Great Britain, London, p. 27, no. 28, NJ18 B92 A77 (YCBA) [YCBA]
Burne-Jones, Barrie & Jenkins, London, p. 15-16, 28, 58, 65-66, 70, no. 11, NJ18 B92 H37 1989 [ORBIS]
Susan P. Casteras, "Edward Burne-Jones and the legend of Fair Rosamund", The Journal of Pre-Raphaelite and Aesthetic Studies, v. 1, Vancouver : BC, Spring 1988, p. 34-40, no. 1, NX543 J682 (YCBA) [YCBA]
Susan P. Casteras, The substance or the shadow : images of Victorian womanhood, , Yale Center for British Art, New Haven, 1982, pp. 43, 64, no. 15, fig. 40, N7630 C27 + (YCBA) [YCBA]
Catalogue of loan exhibition of works by Pre-Raphaelite paainters from collections in Lancashire, The National Gallery, London, London, p. 5, no. 18, N6767.5 P7 C27 1913 (YCBA) [YCBA]
John Christian, "'Theseus and Ariadne' : A Newly-Discovered Burne-Jones", The Burlington Magazine, v. 117, London, September 1975, p. 575-596, Available online available at JSTOR www.jstor.org/stable.878131
Julie F. Codell, Victorian Artists' autograph replicas : auras, aesthetics, patronage and the art market, Taylor & Francis, Ltd, New York, p. 255, ND467 .V515 2020 (YCBA) [YCBA]
Malcolm Cormack, Concise Catalogue of Paintings in the Yale Center for British Art, Yale Center for British Art, New Haven, CT, 1985, pp. 46-47, N590.2 .A83 (YCBA) [YCBA]
Fortunee de Lisle, Little Books on Art, Dodge Publishing Company, New York, p. 180, Available online Available online through HathiTrust babel.hathitrust.org/cgi/pt?id=gri.ark:/13960/t0tq8kq0z&view=1up&seq=5
Edward Burne-Jones : The Earthly Paradise, Hatje Cantz, Ostfildern : Germany, p. 45-48, NJ18 B92 A1213 2009+ (YCBA) [YCBA]
Edward Burne-Jones: a biography, Sutton Publishing Ltd, London, p. 31, NJ18 B92 F57 1997 (YBCA) [ORBIS]
Hidden Burne-Jones : works on paper by Edward Burne-Jones fro Birmingham Museums and Art Gallery, D. Giles Limited, London, p. 12, 70, NJ18 B92 H53 2007 (YCBA) [YCBA]
Memorials of Edward Burne-Jones, The Macmillan Company, London, p. 215, NJ18 B92 B87 1906 (YCBA) [YCBA]
Modern Gothic : the revival of medieval art, Yale University Art Gallery, New Haven; CT, p. 32, 78, no. 87, no. 23, NA610 M27 2000 (YCBA) [YCBA]
Paintings and drawings from the Leathart collection 7th October to 18th November 1962, Laing Art Gallery, Laing Art Gallery, Newcastle upon Tyne : UK, p. 14, no. 29, ND467.5 P7 L35+ (YCBA) [YCBA]
Leslie Parris, The Pre-Raphaelites, Tate Publishing, London, 1994, p. 295-296, N6767.5 P7 P742 1984 + (YCBA) [YCBA]
Paul Mellon's Legacy : a passion for British art [large print labels], , Yale Center for British Art, New Haven, CT, 2007, v. 1, N5220 M552 P381 2007 OVERSIZE (YCBA) [YCBA]
Duncan Robinson, Acquisitions : The First Decade 1977 - 1986, , Burlington Magazine, vol. 128, October 1986, p. 12, no. 5, fig. 3, N1 .B87 128:3 OVERSIZE (YCBA) [YCBA]
Rachel Hostetter Smith, "Divine Provision and the 'Preternatural Imagination of Edward Burne-Jones in the Mosaics of 'The American Church' in Rome", Religion and the Arts, v. 22, Boston : MA, 1 Jan 2018, p. 163-164, Brill?
Sotheby's sales catalogue : Highly important Victorian paintings and drawings : 1 October 1979, Sotheby's, London, lot no. 10, Auction Catalogues (YCBA) October 1979
Allen Staley, "Pre-Raphaelites in the 1860s : I Rosetti", The British Art Journal, v. 4, London, Autumn 2003, p. 12, N6761 B74+ (YCBA) [YCBA]
Allen Staley, The New Painting of the 1860s, between the pre-raphaelites and the aesthetic movement , Yale University Press, New Haven, Conn., 2011, pp. 60, 300-03, 312-12, 323, pl. 279, ND467 .S72 2011 Oversize (YCBA) [YCBA]
Jane Vickers, Pre-raphaelites : painters and patrons in the north east, Tyle and Wear Museum Services, Newcastle upon Tyle : UK, p. 62, no. 17, ND 467.5 P7 P72 1989 (YBCA) [ORBIS]
Adrienne Wong, Figuring women : the female in modern British art., , Yale Center for British Art, New Haven, 2008, p. 6-7, no. 3, V 1925 (YCBA) [YCBA]