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1. Hampstead Heath

Creator:: John Constable, 1776–1837
Date:: between 1820 and 1830
Materials & Techniques:: Oil on canvas
Dimensions:: 17 3/4 × 14 inches (45.1 × 35.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

2. Lion and Lioness

Creator:: George Stubbs, 1724–1806
Date:: 1770
Materials & Techniques:: Enamel on copper
Dimensions:: 9 1/2 × 11 inches (24.1 × 27.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: On view

3. Stormy Sea Breaking on a Shore

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: between 1840 and 1845
Materials & Techniques:: Oil on canvas
Dimensions:: 17 1/2 x 25 inches (44.5 x 63.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: On view

4. Squally Weather

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: between 1840 and 1845
Materials & Techniques:: Oil on paper, laid on canvas
Dimensions:: 12 x 18 inches (30.5 x 45.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: On view

5. The Blue Passion Flower, for Robert John Thornton’s Temple of Flora (London, 1799–1812)

Creator:: Philip Reinagle, 1749–1833
Date:: 1800
Materials & Techniques:: Oil on canvas
Dimensions:: 17 7/8 x 14 3/4 inches (45.4 x 37.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

6. Lago d'Agnano with the Grotta del Cane

Creator:: Richard Wilson, ca. 1712–1782
Date:: between 1770 and 1775
Materials & Techniques:: Oil on canvas
Dimensions:: 17 1/2 × 21 inches (44.5 × 53.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

7. Falstaff at Herne's Oak, from "The Merry Wives of Windsor," Act V, Scene v

Creator:: James Stephanoff, 1787–1874
Date:: 1832
Materials & Techniques:: Oil on panel
Dimensions:: 17 1/2 x 14 5/8 inches (44.5 x 37.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

8. The Two Sons of Tipu Sahib, Sultan of Mysore, Being Handed over as Hostages to General Cornwallis

Creator:: Robert Smirke, 1752–1845
Date:: ca. 1792
Materials & Techniques:: Oil on canvas
Dimensions:: 17 3/4 x 14 inches (45.1 x 35.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

9. The Judgement of Korah, Dathan and Abiram

Creator:: Maria Hadfield Cosway, 1759–1838
Date:: ca. 1801
Materials & Techniques:: Pen and ink and oil on canvas
Dimensions:: 14 3/4 × 11 1/2 inches (37.5 × 29.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: On view

10. The Barber

Creator:: Marcellus Laroon the Younger, 1679–1772
Date:: between 1760 and 1769
Materials & Techniques:: Oil on canvas
Dimensions:: 17 1/2 x 13 3/4 inches (44.5 x 34.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

11. An Unfinished View of the West Gate, Canterbury

Creator:: Paul Sandby, 1731–1809
Date:: between 1780 and 1785
Materials & Techniques:: Pen and brown ink and oil on paper laid down on panel
Dimensions:: 17 7/8 x 25 inches (45.4 x 63.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

12. Ryelands Sheep, the King's Ram, the King's Ewe and Lord Somerville's Wether

Creator:: James Ward, 1769–1859
Date:: between 1801 and 1807
Materials & Techniques:: Oil on panel
Dimensions:: 17 3/4 × 24 1/4 inches (45.1 × 61.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: On view

13. Lago d'Agnano with Vesuvius in the distance

Creator:: Richard Wilson, ca. 1712–1782
Date:: between 1770 and 1775
Materials & Techniques:: Oil on canvas
Dimensions:: 17 1/2 x 20 3/4 inches (44.5 x 52.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

14. Philosopher Giving a Lecture on the Orrery

Creator:: Joseph Wright of Derby, 1734–1797
Date:: ca. 1768
Materials & Techniques:: Oil on canvas
Dimensions:: 17 5/8 x 23 1/2 inches (44.8 x 59.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

15. Grinding Corn

Creator:: Arthur William Devis, 1762–1822
Date:: between 1792 and 1795
Materials & Techniques:: Oil on canvas
Dimensions:: 17 3/4 × 23 1/2 inches (45.1 × 59.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: On view

16. The Brahmin Committing his Daughter Coraly to the Care of Blandford

Creator:: Thomas Kirk, 1765–1797
Date:: ca. 1793
Materials & Techniques:: Oil on canvas
Dimensions:: 17 5/8 x 14 1/8 inches (44.8 x 35.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Anonymous Gift in Appreciation of Paul Mellon
On View:: Not on view

17. A Family Conversation Piece

Creator:: Joseph Highmore, 1692–1780
Date:: 1730 to 1735
Materials & Techniques:: Oil on canvas
Dimensions:: 17 3/4 x 31 1/2 inches (45.1 x 80 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

18. Harriet Smithson as Miss Dorillon, in "Wives as They Were, and Maids as They Are" by Elizabeth Inchbald

Creator:: George Clint, 1770–1854
Date:: ca. 1822
Materials & Techniques:: Oil on panel
Dimensions:: 17 1/2 x 12 1/4 inches (44.5 x 31.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

19. Noon

Creator:: Francis Wheatley, 1747–1801
Date:: 1799
Materials & Techniques:: Oil on canvas
Dimensions:: 17 1/2 x 21 1/2 inches (44.5 x 54.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

20. Night

Creator:: Francis Wheatley, 1747–1801
Date:: 1799
Materials & Techniques:: Oil on canvas
Dimensions:: 17 1/2 x 21 1/2 inches (44.5 x 54.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

21. Evening

Creator:: Francis Wheatley, 1747–1801
Date:: 1799
Materials & Techniques:: Oil on canvas
Dimensions:: 17 1/2 x 21 1/2 inches (44.5 x 54.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

22. Ailsa Craig

Creator:: William Bell Scott, 1811–1890
Date:: 1860
Materials & Techniques:: Oil on canvas
Dimensions:: 12 13/16 x 19 1/4 inches (32.5 x 48.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: On view

23. Nocturne in Blue and Silver

Creator:: James McNeill Whistler, 1834–1903
Date:: 1872 to 1878, butterfly added ca. 1885
Materials & Techniques:: Oil on canvas
Dimensions:: 17 1/2 x 24 inches (44.5 x 61 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: On view

24. L'Enfant du Régiment

Creator:: Sir John Everett Millais, 1829–1896
Date:: 1854 to 1855
Materials & Techniques:: Oil on paper, laid on canvas, mounted on board
Dimensions:: 17 3/4 x 24 inches (45.1 x 61 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: On view

25. Morning

Creator:: Francis Wheatley, 1747–1801
Date:: 1799
Materials & Techniques:: Oil on canvas
Dimensions:: 17 1/2 x 21 1/2 inches (44.5 x 54.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

26. The Angel Binding Satan

Creator:: Philippe-Jacques de Loutherbourg, 1740–1812
Date:: ca. 1797
Materials & Techniques:: Oil on canvas
Dimensions:: 17 3/4 × 14 3/4 inches (45.1 × 37.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: On view

27. A view of Greenwich from the River with many Boats

Creator:: Jan Griffier the Elder, ca. 1645–1718
Date:: Between 1700-1710
Materials & Techniques:: Oil on canvas
Dimensions:: 17 3/4 x 32 3/4 inches (45.1 x 83.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

28. The Assumption and Coronation of the Virgin

Creator:: unknown artist
Date:: 1450 to 1500
Materials & Techniques:: Alabaster
Dimensions:: Overall: 17 1/2 × 10 1/2 × 1 3/4 inches (44.5 × 26.7 × 4.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

29. Human Skeleton, Lateral View Seen from the Left, Running (Finished Study for Table III)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thin, smooth, cream wove paper
Dimensions:: Sheet: 17 1/2 x 11 inches (44.5 x 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Human Skeleton, Lateral View (in Crouching Posture; finished study for an unpublished table)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 17 5/8 x 11 inches (44.8 x 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Human Skeleton, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Ink with traces of graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 17 3/4 x 14 inches (45.1 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Human Skeleton, Posterior View (Right Arm Outstretched; finished study for an unpublished table)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 17 5/8 x 11 1/8 inches (44.8 x 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Strolling Actresses Dressing in a Barn

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1738
Materials & Techniques:: Etching with line engraving
Dimensions:: Sheet: 17 5/8 × 22 3/8 inches (44.8 × 56.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

34. 'The goddess bursts in thunder and in flame' (Page 95)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. 'The longest night though longer far, would fail' (Page 15)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. 'The present moment terminates our sight' (Page 13)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. 'Death! great proprietor of all! 'tis thine' (Page 8)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Study for a Destroying Deity

Creator:: William Blake, 1757–1827
Date:: 1820 to 1825
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 17 3/4 × 24 inches (45.1 × 61 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. 'Time, in advance, behind him hides his wings' (Page 24)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. 'Behold him, when past by; what then is seen' (Page 25)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. 'Love, and love only, is the loan for love' (Page 37)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. 'Angels should paint it, angels ever there' (Page 40)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Night the Third. Narcissa; Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. 'As if the sun could envy, check'd his beam' (Page 49)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. 'The vale of death! that hush'd cimmerian vale' (Page 54)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. 'This King of Terrors is the Prince of Peace' (Page 63)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. 'Is lost in love! thou great Philanthropist' (Page 87)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. 'Till at Death's toll, whose restless iron tongue' (Page 7)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. 'If angels tremble, 'tis at such a sight' (Page 93)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Night the First. On Life, Death, and Immortality; Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. 'Emblem of that which shall awake the dead' (Page 19)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. 'What, though my soul fantastick measures trod' (Page 4)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. 'Till death, that mighty hunter, earths them all' (Page 70)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. 'The thunder, if in that the Almighty dwells' (Page 80)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. 'His hand the good man fastens on the skies' (Page 86)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. 'Oft bursts my song beyond the bounds of life' (Page 16)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. 'We censure nature for a span too short' (Page 23)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. 'Measuring his motions by revolving spheres' (Page 26)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. 'O treacherous conscience! while she seems to sleep" (Page 27)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. 'Tis greatly wise to talk with our past hours' (Page 31)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. 'Like that, the dial speaks; and points to thee' (Page 33)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. 'Swift on his downy pinion flies from woe' (Page 1)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. 'Teaching, we learn; and giving, we retain' (Page 35)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. 'One radiant mark, – the death-bed of the just' (Page 41)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. The Christian Triumph; Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. 'The Sun beheld it – No, the shocking scene' (Page 75)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. 'But for the blessing wrestle not with heaven' (Page 88)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. 'That touch, with charm celestial heals the soul' (Page 90)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. 'When faith is virtue, reason makes it so' (Page 92)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. 'Disease invades the chastest temperence' (Page 10)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. 'Its favours here are trials, not rewards' (Page 12)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Beggar's Opera, Act III

Creator:: William Blake, 1757–1827
Date:: c.1790
Materials & Techniques:: Engraving on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 17 1/2 × 22 5/8 inches (44.5 × 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Classical Male Nude with a Rearing Horse

Creator:: George Romney, 1734–1802
Date:: 1773-1774
Materials & Techniques:: Pen and brown ink with graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 17 7/8 x 13 7/8 inches (45.4 x 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938, to the Yale University Art Gallery

78. St. Donat's Castle, Glamorganshire

Creator:: John Glover, 1767–1849
Date:: undated
Materials & Techniques:: Watercolor over graphite on moderately thick, slightly textured, cream wove paper pasted on thick, slightly textured, beige card
Dimensions:: Mount: 19 x 25 1/4 inches (48.3 x 64.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Elevations of a Room

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Pen and black and gray ink with gray wash on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 5/8 × 12 3/8 inches (44.8 × 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Lullingstone Castle

Creator:: unknown artist
Date:: ca. 1670
Materials & Techniques:: Pen and brown ink with brown and gray wash, over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 17 3/4 × 31 7/8 inches (45.1 × 81 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Shooting, Plate II

Creator:: William Woollett, 1735–1785
Date:: 1770
Materials & Techniques:: Engraving with etching, fifth state
Dimensions:: Image: 15 1/2 x 20 13/16in. (39.4 x 52.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. The Newbus Ox

Creator:: Print made by William Ward, 1766–1826
Date:: 1812
Materials & Techniques:: Mezzotint with hand coloring in watercolor on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 20 1/8 × 24 1/8 inches (51.1 × 61.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Fishermen

Creator:: George Morland, 1763–1804
Date:: 1793
Materials & Techniques:: Hand colored mezzotint
Dimensions:: Sheet: 17 13/16 x 21 15/16in. (45.2 x 55.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. The Cottagers

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1794
Materials & Techniques:: Etching and stipple engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 21 × 16 1/4 inches (53.3 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

85. Mrs. Montagu

Creator:: Print made by John Raphael Smith, 1752–1812
Date:: 1776
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 20 1/4 × 14 1/4 inches (51.4 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

86. Richard Grenville-Temple, 2nd Earl Temple

Creator:: Print made by William Dickinson, 1746–1823
Date:: 1778
Materials & Techniques:: Mezzotint (second state) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 20 1/4 × 14 1/4 inches (51.4 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

87. Shipping Scene in the Harbor of Dunkerque

Creator:: Alfred Gomersal Vickers, 1810–1837
Date:: undated
Materials & Techniques:: Watercolor, graphite and white gouache on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 3/4 × 23 1/2 inches (45.1 × 59.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Pffeffen Bad/ Switzerland

Creator:: Isaac Weld, 1774–1856
Date:: ca. 1817
Materials & Techniques:: Watercolor, pen and black ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 17 7/8 × 12 3/16 inches (45.4 × 31 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. St. Giles' Catholic Church: Elevation of the Steeple

Creator:: Print made by Augustus Welby Northmore Pugin, 1812–1852
Date:: undated
Materials & Techniques:: Pen and black ink, with line engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 17 1/2 × 13 1/8 inches (44.5 × 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Caroline Duchess of Marlborough with Lady Caroline Spencer Her Daughter

Creator:: Print made by James Watson, 1740–1790
Date:: 1768
Materials & Techniques:: Mezzotint on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 17 1/2 × 13 inches (44.5 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

91. Miss Theophila Palmer

Creator:: Print made by John Raphael Smith, 1752–1812
Date:: 1777
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 17 13/16 × 11 15/16 inches (45.2 × 30.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

92. Hon. Mrs. Stanhope

Creator:: Print made by John Raphael Smith, 1752–1812
Date:: 1783
Materials & Techniques:: Mezzotint (first state) on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 25 5/8 × 18 1/4 inches (65.1 × 46.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

93. Shooting, Plate I

Creator:: William Woollett, 1735–1785
Date:: 1769
Materials & Techniques:: Engraving and etching, fifth published state
Dimensions:: Sheet: 17 1/2 x 21 3/4in. (44.5 x 55.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Elizabeth Godden (née Houghton), Lady Taylor

Creator:: Print made by William Dickinson, 1746–1823
Date:: ca. 1775
Materials & Techniques:: Mezzotint (only state) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 21 1/4 × 16 1/2 inches (54 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

95. A Red Parrot

Creator:: Sarah Stone, ca. 1760–1844
Date:: 1786
Materials & Techniques:: Watercolor and gouache on card on very thick, slightly textured, beige card
Dimensions:: Sheet: 17 7/8 x 13 7/8in. (45.4 x 35.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Alleyne Fitzherbert, 1st Baron St. Helens

Creator:: William Ward, 1766–1826
Date:: 1795
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 × 14 3/16 inches (46.4 × 36 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Henrietta, Countess of Rochester

Creator:: Thomas Watson, 1743–1781
Date:: 1779
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 5/8 × 16 3/8 inches (49.8 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Honourable George, Lord Pigot

Creator:: Scawen, active 1770s
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 20 1/16 × 13 7/8 inches (51 × 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. General John Leslie, 10th Earl of Rothes

Creator:: James McArdell, ca. 1729–1765
Date:: undated
Materials & Techniques:: Mezzotint on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 20 × 13 7/8 inches (50.8 × 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Sir Joshua Reynolds

Creator:: Samuel William Reynolds, 1773–1835
Date:: 1796
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 21 1/16 × 14 7/8 inches (53.5 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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1. Hampstead Heath

2. Lion and Lioness

3. Stormy Sea Breaking on a Shore

4. Squally Weather

5. The Blue Passion Flower, for Robert John Thornton’s Temple of Flora (London, 1799–1812)

6. Lago d'Agnano with the Grotta del Cane

7. Falstaff at Herne's Oak, from "The Merry Wives of Windsor," Act V, Scene v

8. The Two Sons of Tipu Sahib, Sultan of Mysore, Being Handed over as Hostages to General Cornwallis

9. The Judgement of Korah, Dathan and Abiram

10. The Barber

11. An Unfinished View of the West Gate, Canterbury

12. Ryelands Sheep, the King's Ram, the King's Ewe and Lord Somerville's Wether

13. Lago d'Agnano with Vesuvius in the distance

14. Philosopher Giving a Lecture on the Orrery

15. Grinding Corn

16. The Brahmin Committing his Daughter Coraly to the Care of Blandford

17. A Family Conversation Piece

18. Harriet Smithson as Miss Dorillon, in "Wives as They Were, and Maids as They Are" by Elizabeth Inchbald

19. Noon

20. Night

21. Evening

22. Ailsa Craig

23. Nocturne in Blue and Silver

24. L'Enfant du Régiment

25. Morning

26. The Angel Binding Satan

27. A view of Greenwich from the River with many Boats

28. The Assumption and Coronation of the Virgin

29. Human Skeleton, Lateral View Seen from the Left, Running (Finished Study for Table III)

30. Human Skeleton, Lateral View (in Crouching Posture; finished study for an unpublished table)

31. Human Skeleton, Lateral View

32. Human Skeleton, Posterior View (Right Arm Outstretched; finished study for an unpublished table)

33. Strolling Actresses Dressing in a Barn

34. 'The goddess bursts in thunder and in flame' (Page 95)

35. 'The longest night though longer far, would fail' (Page 15)

36. 'The present moment terminates our sight' (Page 13)

37. 'Death! great proprietor of all! 'tis thine' (Page 8)

38. Study for a Destroying Deity

39. 'Time, in advance, behind him hides his wings' (Page 24)

40. 'Behold him, when past by; what then is seen' (Page 25)

41. 'Love, and love only, is the loan for love' (Page 37)

42. 'Angels should paint it, angels ever there' (Page 40)

43. Night the Third. Narcissa; Title Page

44. 'As if the sun could envy, check'd his beam' (Page 49)

45. 'The vale of death! that hush'd cimmerian vale' (Page 54)

46. 'Ungrateful, shall we grieve their hovering shades' (Page 55)

47. 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

48. 'This King of Terrors is the Prince of Peace' (Page 63)

49. 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

50. 'Is lost in love! thou great Philanthropist' (Page 87)

51. 'Till at Death's toll, whose restless iron tongue' (Page 7)

52. 'If angels tremble, 'tis at such a sight' (Page 93)

53. Night the First. On Life, Death, and Immortality; Title Page

54. 'Emblem of that which shall awake the dead' (Page 19)

55. 'What, though my soul fantastick measures trod' (Page 4)

56. 'Till death, that mighty hunter, earths them all' (Page 70)

57. 'The thunder, if in that the Almighty dwells' (Page 80)

58. 'His hand the good man fastens on the skies' (Page 86)

59. 'Oft bursts my song beyond the bounds of life' (Page 16)

60. Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

61. 'We censure nature for a span too short' (Page 23)

62. 'Measuring his motions by revolving spheres' (Page 26)

63. 'O treacherous conscience! while she seems to sleep" (Page 27)

64. 'Tis greatly wise to talk with our past hours' (Page 31)

65. 'Like that, the dial speaks; and points to thee' (Page 33)

66. 'Swift on his downy pinion flies from woe' (Page 1)

67. 'Teaching, we learn; and giving, we retain' (Page 35)

68. 'One radiant mark, – the death-bed of the just' (Page 41)

69. The Christian Triumph; Title Page

70. 'The Sun beheld it – No, the shocking scene' (Page 75)

71. 'But for the blessing wrestle not with heaven' (Page 88)

72. 'That touch, with charm celestial heals the soul' (Page 90)

73. 'When faith is virtue, reason makes it so' (Page 92)

74. 'Disease invades the chastest temperence' (Page 10)