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John Constable Hampstead Heath
John Constable, 1776–1837
Hampstead Heath
between 1820 and 1830
Not on view
George Stubbs Lion and Lioness
George Stubbs, 1724–1806
Lion and Lioness
1770
On view
Joseph Mallord William Turner Stormy Sea Breaking on a Shore
Joseph Mallord William Turner, 1775–1851
Stormy Sea Breaking on a Shore
between 1840 and 1845
On view
Joseph Mallord William Turner Squally Weather
Joseph Mallord William Turner, 1775–1851
Squally Weather
between 1840 and 1845
On view
Philip Reinagle The Blue Passion Flower, for Robert John Thornton’s Temple of Flora (London, 1799–1812)
Philip Reinagle, 1749–1833
The Blue Passion Flower, for Robert John Thornton’s Temple of Flora (London, 1799–1812)
1800
Not on view
James Ward Ryelands Sheep, the King's Ram, the King's Ewe and Lord Somerville's Wether
James Ward, 1769–1859
Ryelands Sheep, the King's Ram, the King's Ewe and Lord Somerville's Wether
between 1801 and 1807
On view
Joseph Wright of Derby Philosopher Giving a Lecture on the Orrery
Joseph Wright of Derby, 1734–1797
Philosopher Giving a Lecture on the Orrery
ca. 1768
Not on view
Arthur William Devis Grinding Corn
Arthur William Devis, 1762–1822
Grinding Corn
between 1792 and 1795
On view
Jan Griffier the Elder A view of Greenwich from the River with many Boats
Jan Griffier the Elder, ca. 1645–1718
A view of Greenwich from the River with many Boats
Between 1700-1710
Not on view
Joseph Highmore A Family Conversation Piece
Joseph Highmore, 1692–1780
A Family Conversation Piece
1730 to 1735
Not on view
Robert Smirke The Two Sons of Tipu Sahib, Sultan of Mysore, Being Handed over as Hostages to General Cornwallis
Robert Smirke, 1752–1845
The Two Sons of Tipu Sahib, Sultan of Mysore, Being Handed over as Hostages to General Cornwallis
ca. 1792
Not on view
Maria Hadfield Cosway The Judgement of Korah, Dathan and Abiram
Maria Hadfield Cosway, 1759–1838
The Judgement of Korah, Dathan and Abiram
ca. 1801
On view
James Stephanoff Falstaff at Herne's Oak, from "The Merry Wives of Windsor," Act V, Scene v
James Stephanoff, 1787–1874
Falstaff at Herne's Oak, from "The Merry Wives of Windsor," Act V, Scene v
1832
Not on view
William Bell Scott Ailsa Craig
William Bell Scott, 1811–1890
Ailsa Craig
1860
On view
Sir John Everett Millais L'Enfant du Régiment
Sir John Everett Millais, 1829–1896
L'Enfant du Régiment
1854 to 1855
On view
James McNeill Whistler Nocturne in Blue and Silver
James McNeill Whistler, 1834–1903
Nocturne in Blue and Silver
1872 to 1878, butterfly added ca. 1885
On view
Richard Wilson Lago d'Agnano with Vesuvius in the distance
Richard Wilson, ca. 1712–1782
Lago d'Agnano with Vesuvius in the distance
between 1770 and 1775
Not on view
Richard Wilson Lago d'Agnano with the Grotta del Cane
Richard Wilson, ca. 1712–1782
Lago d'Agnano with the Grotta del Cane
between 1770 and 1775
Not on view
Marcellus Laroon the Younger The Barber
Marcellus Laroon the Younger, 1679–1772
The Barber
between 1760 and 1769
Not on view
Thomas Kirk The Brahmin Committing his Daughter Coraly to the Care of Blandford
Thomas Kirk, 1765–1797
The Brahmin Committing his Daughter Coraly to the Care of Blandford
ca. 1793
Not on view
Paul Sandby An Unfinished View of the West Gate, Canterbury
Paul Sandby, 1731–1809
An Unfinished View of the West Gate, Canterbury
between 1780 and 1785
Not on view
Francis Wheatley Night
Francis Wheatley, 1747–1801
Night
1799
Not on view
Francis Wheatley Noon
Francis Wheatley, 1747–1801
Noon
1799
Not on view
Francis Wheatley Morning
Francis Wheatley, 1747–1801
Morning
1799
Not on view
Francis Wheatley Evening
Francis Wheatley, 1747–1801
Evening
1799
Not on view
George Clint Harriet Smithson as Miss Dorillon, in "Wives as They Were, and Maids as They Are" by Elizabeth Inchbald
George Clint, 1770–1854
Harriet Smithson as Miss Dorillon, in "Wives as They Were, and Maids as They Are" by Elizabeth Inchbald
ca. 1822
Not on view
Philippe-Jacques de Loutherbourg The Angel Binding Satan
Philippe-Jacques de Loutherbourg, 1740–1812
The Angel Binding Satan
ca. 1797
On view
unknown artist The Assumption and Coronation of the Virgin
unknown artist
The Assumption and Coronation of the Virgin
1450 to 1500
Not on view
George Stubbs Human Skeleton, Lateral View
George Stubbs, 1724–1806
Human Skeleton, Lateral View
1795 to 1806
George Stubbs Human Skeleton, Posterior View (Right Arm Outstretched; finished study for an unpublished table)
George Stubbs, 1724–1806
Human Skeleton, Posterior View (Right Arm Outstretched; finished study for an unpublished table)
1795 to 1806
George Stubbs Human Skeleton, Lateral View (in Crouching Posture; finished study for an unpublished table)
George Stubbs, 1724–1806
Human Skeleton, Lateral View (in Crouching Posture; finished study for an unpublished table)
1795 to 1806
George Stubbs Human Skeleton, Lateral View Seen from the Left, Running (Finished Study for Table III)
George Stubbs, 1724–1806
Human Skeleton, Lateral View Seen from the Left, Running (Finished Study for Table III)
1795 to 1806
William Hogarth Strolling Actresses Dressing in a Barn
Print made by William Hogarth, 1697–1764
Strolling Actresses Dressing in a Barn
1738
William Blake 'Tis greatly wise to talk with our past hours' (Page 31)
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
1797
William Blake 'Like that, the dial speaks; and points to thee' (Page 33)
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
1797
William Blake 'Teaching, we learn; and giving, we retain' (Page 35)
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
1797
William Blake 'Love, and love only, is the loan for love' (Page 37)
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
1797
William Blake 'Angels should paint it, angels ever there' (Page 40)
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
1797
William Blake 'One radiant mark, – the death-bed of the just' (Page 41)
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
1797
William Blake 'What, though my soul fantastick measures trod' (Page 4)
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
1797
William Blake 'Is lost in love! thou great Philanthropist' (Page 87)
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
1797
William Blake 'But for the blessing wrestle not with heaven' (Page 88)
Print made by William Blake, 1757–1827
'But for the blessing wrestle not with heaven' (Page 88)
1797
William Blake 'If angels tremble, 'tis at such a sight' (Page 93)
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
1797
William Blake 'The goddess bursts in thunder and in flame' (Page 95)
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
1797
William Blake 'Death! great proprietor of all! 'tis thine' (Page 8)
Print made by William Blake, 1757–1827
'Death! great proprietor of all! 'tis thine' (Page 8)
1797
William Blake 'Disease invades the chastest temperence' (Page 10)
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
1797
William Blake 'Its favours here are trials, not rewards' (Page 12)
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
1797
William Blake 'The present moment terminates our sight' (Page 13)
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
1797
William Blake Night the First. On Life, Death, and Immortality; Title Page
Print made by William Blake, 1757–1827
Night the First. On Life, Death, and Immortality; Title Page
1797
William Blake 'Oft bursts my song beyond the bounds of life' (Page 16)
Print made by William Blake, 1757–1827
'Oft bursts my song beyond the bounds of life' (Page 16)
1797
William Blake Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
Print made by William Blake, 1757–1827
Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
1797
William Blake 'Emblem of that which shall awake the dead' (Page 19)
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
1797
William Blake 'We censure nature for a span too short' (Page 23)
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
1797
William Blake 'Time, in advance, behind him hides his wings' (Page 24)
Print made by William Blake, 1757–1827
'Time, in advance, behind him hides his wings' (Page 24)
1797
William Blake 'Behold him, when past by; what then is seen' (Page 25)
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
1797
William Blake 'Measuring his motions by revolving spheres' (Page 26)
Print made by William Blake, 1757–1827
'Measuring his motions by revolving spheres' (Page 26)
1797
William Blake 'O treacherous conscience! while she seems to sleep" (Page 27)
Print made by William Blake, 1757–1827
'O treacherous conscience! while she seems to sleep" (Page 27)
1797
William Blake 'Swift on his downy pinion flies from woe' (Page 1)
Print made by William Blake, 1757–1827
'Swift on his downy pinion flies from woe' (Page 1)
1797
William Blake Night the Third. Narcissa; Title Page
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
1797
William Blake 'As if the sun could envy, check'd his beam' (Page 49)
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
1797
William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
1797
William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
1797
William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
1797
William Blake 'This King of Terrors is the Prince of Peace' (Page 63)
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
1797
William Blake 'Till death, that mighty hunter, earths them all' (Page 70)
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
1797
William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
1797
William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
1797
William Blake 'The thunder, if in that the Almighty dwells' (Page 80)
Print made by William Blake, 1757–1827
'The thunder, if in that the Almighty dwells' (Page 80)
1797
William Blake 'His hand the good man fastens on the skies' (Page 86)
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
1797
William Blake 'That touch, with charm celestial heals the soul' (Page 90)
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
1797
William Blake 'When faith is virtue, reason makes it so' (Page 92)
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
1797
William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
1797
William Blake The Christian Triumph; Title Page
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
1797
William Blake 'The longest night though longer far, would fail' (Page 15)
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
1797
William Blake Study for a Destroying Deity
William Blake, 1757–1827
Study for a Destroying Deity
1820 to 1825
William Blake Beggar's Opera, Act III
William Blake, 1757–1827
Beggar's Opera, Act III
c.1790
George Romney Classical Male Nude with a Rearing Horse
George Romney, 1734–1802
Classical Male Nude with a Rearing Horse
1773-1774
John Glover St. Donat's Castle, Glamorganshire
John Glover, 1767–1849
St. Donat's Castle, Glamorganshire
undated
William James Muller At Venice
William James Muller, 1812–1845
At Venice
ca. 1834
Paul Sandby Design for a Church. Elevation of West Front
attributed to Paul Sandby, 1731–1809
Design for a Church. Elevation of West Front
undated
James Bruce St. Agnes (after Domenichino)
James Bruce, 1730–1794
St. Agnes (after Domenichino)
undated
George Fennell Robson Loch Coruisk, Isle of Skye, Dawn
George Fennell Robson, 1788–1833
Loch Coruisk, Isle of Skye, Dawn
between 1826 and 1832
James Bruce Drawing of Temple Ruins and Figures
James Bruce, 1730–1794
Drawing of Temple Ruins and Figures
ca. 1768
Allan Ramsay Man Standing Holding a Staff in His Left Hand, Full Length
Allan Ramsay, 1713–1784
Man Standing Holding a Staff in His Left Hand, Full Length
undated
Adam Buck The Artist and his Family
Adam Buck, 1759–1833
The Artist and his Family
1813
Raphael Lamar West Distant View of Windsor Castle in a Storm (The Great Oak, Windsor Castle in the Distance)
Raphael Lamar West, 1769–1850
Distant View of Windsor Castle in a Storm (The Great Oak, Windsor Castle in the Distance)
undated
Richard Henry Nibbs Greenwich Hospital
Richard Henry Nibbs, 1816–1893
Greenwich Hospital
undated
Robert Dodd "The Indian Emperor" or "The Conquest of Mexico"
Robert Dodd, 1748–1816
"The Indian Emperor" or "The Conquest of Mexico"
1792
Henry Holland Design for Extending the Garden Front at Carlton House, Pall Mall, London: Elevation
Henry Holland, 1745–1806
Design for Extending the Garden Front at Carlton House, Pall Mall, London: Elevation
between 1783 and 1796
John Farey Jr. Machinery for the Manufacture of Paper
John Farey Jr., 1791–1851
Machinery for the Manufacture of Paper
ca. 1810
John Frederick Lewis Study for the Proclamation of Don Carlos
John Frederick Lewis, 1804–1876
Study for the Proclamation of Don Carlos
between 1834 and 1838
unknown artist Elevations of a Room
unknown artist
Elevations of a Room
undated
Sir Richard Colt Hoare View at Valmontone. November 1790
Sir Richard Colt Hoare, 1758–1838
View at Valmontone. November 1790
1790
John Chapman St. Botolphs
John Chapman, active ca. 1792–1823
St. Botolphs
1816
Edward Rooker The Magicians Marching off After the Success of their Incantations
Edward Rooker, 1724–1774
The Magicians Marching off After the Success of their Incantations
ca. 1763
William Bernard Cooke Neptune's Trident
Print made by William Bernard Cooke, 1778–1855
Neptune's Trident
1824 to 1825
unknown artist The Villagers Charm to Lure the Bees
unknown artist
The Villagers Charm to Lure the Bees
John Dixon Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry
John Dixon, ca. 1740–1811
Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry
1771
Charles Rosenberg Conflagration of the City of Bristol, Taken from the Centre of Somerset Street - (Below) A View of the Gloucester Gaol..
Charles Rosenberg, active 1828–1848
Conflagration of the City of Bristol, Taken from the Centre of Somerset Street - (Below) A View of the Gloucester Gaol.
1831
William Doughty The Rev. William Mason, M. A.
Print made by William Doughty, 1757–1782
The Rev. William Mason, M. A
1779