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John Constable Ploughing Scene in Suffolk
John Constable, 1776–1837
Ploughing Scene in Suffolk
1824 to 1825
Not on view
George Smith Hop Pickers Outside a Cottage
George Smith, 1714–1776
Hop Pickers Outside a Cottage
mid-18th century
Not on view
James Stark Sheep Washing at Postwick Grove, Norwich
James Stark, 1794–1859
Sheep Washing at Postwick Grove, Norwich
ca. 1822
Not on view
George Jones Study for 'Battle of Waterloo'
George Jones, 1786–1869
Study for 'Battle of Waterloo'
1815
Not on view
Philippe-Jacques de Loutherbourg Coach in a Thunderstorm
Philippe-Jacques de Loutherbourg, 1740–1812
Coach in a Thunderstorm
ca. 1795
Not on view
James Pollard Outside the Pike and Anchor Inn at Ponders End, Middlesex
James Pollard, 1792–1867
Outside the Pike and Anchor Inn at Ponders End, Middlesex
1834
Not on view
Sir Peter Francis Bourgeois Coastal Landscape with a Ferry Boat
Sir Peter Francis Bourgeois, 1756–1811
Coastal Landscape with a Ferry Boat
1796
Not on view
James Pollard Schooling a Pair in a Brake at Lucas's Yard, Clerkenwell
James Pollard, 1792–1867
Schooling a Pair in a Brake at Lucas's Yard, Clerkenwell
1818
Not on view
Claude de Jongh The Thames at Westminster
Claude de Jongh, ca. 1600–1663
The Thames at Westminster
ca. 1630
Not on view
James Arthur O'Connor A Wooded River Landscape with Fishermen
James Arthur O'Connor, 1792–1841
A Wooded River Landscape with Fishermen
ca. 1830
Not on view
Robert Polhill Bevan Timber Hauling
Robert Polhill Bevan, 1865–1925
Timber Hauling
ca. 1917
William Blake 'Till death, that mighty hunter, earths them all' (Page 70)
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
ca. 1797
William Blake 'Is lost in love! thou great Philanthropist' (Page 87)
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
ca. 1797
William Blake 'That touch, with charm celestial heals the soul' (Page 90)
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
ca. 1797
William Blake Night the First. On Life, Death and Immortality; Title Page
Print made by William Blake, 1757–1827
Night the First. On Life, Death and Immortality; Title Page
ca. 1797
William Blake 'As if the sun could envy, check'd his beam' (Page 49)
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
ca. 1797
William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
ca. 1797
William Blake 'The thunder if in that the Almighty dwells' (Page 80)
Print made by William Blake, 1757–1827
'The thunder if in that the Almighty dwells' (Page 80)
ca. 1797
William Blake 'The longest night though longer far, would fail' (Page 15)
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
ca. 1797
William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
ca. 1797
William Blake 'We censure nature for a span too short' (Page 23)
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
ca. 1797
William Blake Christ Appearing to the Apostles after the Resurrection
Print made by William Blake, 1757–1827
Christ Appearing to the Apostles after the Resurrection
1795 to 1805
William Blake 'What, though my soul fantastick measures trod' (Page 4)
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
1797
William Blake 'But for the blessing wrestle not with heaven' (Page 88)
Print made by William Blake, 1757–1827
'But for the blessing wrestle not with heaven' (Page 88)
1797
William Blake 'That touch, with charm celestial heals the soul' (Page 90)
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
1797
William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
1797
William Blake 'If angels tremble, 'tis at such a sight' (Page 93)
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
1797
William Blake 'As if the sun could envy, check'd his beam' (Page 49)
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
1797
William Blake 'Love, and love only, is the loan for love' (Page 37)
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
1797
William Blake 'Angels should paint it, angels ever there' (Page 40)
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
1797
William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
1797
William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
1797
William Blake 'Till death, that mighty hunter, earths them all' (Page 70)
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
1797
William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
1797
William Blake 'Is lost in love! thou great Philanthropist' (Page 87)
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
1797
William Blake 'The present moment terminates our sight' (Page 13)
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
1797
William Blake 'Death! great proprietor of all! 'tis thine' (Page 8)
Print made by William Blake, 1757–1827
'Death! great proprietor of all! 'tis thine' (Page 8)
1797
William Blake 'Disease invades the chastest temperence' (Page 10)
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
1797
William Blake 'Its favours here are trials, not rewards' (Page 12)
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
1797
William Blake 'If angels tremble, 'tis at such a sight' (Page 93)
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
ca. 1797
William Blake 'The present moment terminates our sight' (Page 13)
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
ca. 1797
William Blake Night the Second. On Time, Death and Friendship; Title Page
Print made by William Blake, 1757–1827
Night the Second. On Time, Death and Friendship; Title Page
ca. 1797
William Blake 'Emblem of that which shall awake the dead' (Page 19)
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
ca. 1797
William Blake 'Tis greatly wise to talk with our past hours' (Page 31)
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
ca. 1797
William Blake 'Like that, the dial speaks; and points to thee' (Page 33)
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
ca. 1797
William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
ca. 1797
William Blake 'This King of Terrors is the Prince of Peace' (Page 63)
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
ca. 1797
William Blake 'And vapid; sense and reason shew the door' (Page 72)
Print made by William Blake, 1757–1827
'And vapid; sense and reason shew the door' (Page 72)
ca. 1797
William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
ca. 1797
William Blake 'His hand the good man fastens on the skies' (Page 86)
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
ca. 1797
William Blake 'Disease invades the chastest temperence' (Page 10)
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
ca. 1797
William Blake 'Its favours here are trials, not rewards' (Page 12)
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
ca. 1797
William Blake 'Love, and love only, is the loan for love' (Page 37)
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
ca. 1797
William Blake 'O treacherous conscience!' (Page 27)
Print made by William Blake, 1757–1827
'O treacherous conscience!' (Page 27)
ca. 1797
William Blake 'Teaching, we learn; and giving, we retain' (Page 35)
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
ca. 1797
William Blake 'What, though my soul fantastick measures trod' (Page 4)
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
ca. 1797
John Frederick Lewis Seated Turk
John Frederick Lewis, 1804–1876
Seated Turk
between 1840 and 1841
Paul Sandby North West View of Wakefield Lodge in Whittlebury Forest, Northamptonshire
Paul Sandby, 1731–1809
North West View of Wakefield Lodge in Whittlebury Forest, Northamptonshire
1767
John Frederick Lewis A Street Scene in Granada on the Day of the Bullfight
John Frederick Lewis, 1804–1876
A Street Scene in Granada on the Day of the Bullfight
1833
James Northcote Study for Burying the Royal Children
James Northcote, 1746–1831
Study for Burying the Royal Children
ca. 1790
Francis Wheatley Olivia Returns to Her Family
Francis Wheatley, 1747–1801
Olivia Returns to Her Family
undated
Lawrence Josset The Drummond Family
Lawrence Josset, 1910–1995
The Drummond Family
1960
Lawrence Josset The Drummond Family
Lawrence Josset, 1910–1995
The Drummond Family
1960
Thomas Shotter Boys La rue des Prouvaires et l'église saint Eustache, Paris
Print made by Thomas Shotter Boys, 1803–1874
La rue des Prouvaires et l'église saint Eustache, Paris
1833
Sir Muirhead Bone The Building
Sir Muirhead Bone, 1876–1953
The Building
1904
James Heath "Then go, bid the huntsmen wake them with their horns"
James Heath, 1757–1834
"Then go, bid the huntsmen wake them with their horns"
1802
James Heath "We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."
James Heath, 1757–1834
"We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."
1802
James Heath "Hubert, let me not be bound!"
James Heath, 1757–1834
"Hubert, let me not be bound!"
1802
W. Pyott The Benevolent Effects of Abolishing Slavery, or the Planter instructing his Negro
Print made by W. Pyott, active late 18th century
The Benevolent Effects of Abolishing Slavery, or the Planter instructing his Negro
1792
Samuel Scott A Thames Wharf with Westminster Bridge in the Distance
Samuel Scott, 1701/2–1772
A Thames Wharf with Westminster Bridge in the Distance
undated
William Kentridge Study for ‘Atlas Procession'
Print made by William Kentridge, born 1955
Study for ‘Atlas Procession'
2000
Edward Dayes Queen Square, London
Edward Dayes, 1763–1804
Queen Square, London
1786
Richard Earlom Thomas King and Sophia Baddely in "The Clandestine Marriage"
Richard Earlom, 1743–1822
Thomas King and Sophia Baddely in "The Clandestine Marriage"
1772
Johann Jacobus Haid Mr. Foote in the Character of Major Sturgeon in "The Mayor of Garratt"
Johann Jacobus Haid, 1704–1767
Mr. Foote in the Character of Major Sturgeon in "The Mayor of Garratt"
1765
unknown artist The West Prospect of the Church and Steeple of St. Mary le Bow in Cheapside
Print made by unknown artist
The West Prospect of the Church and Steeple of St. Mary le Bow in Cheapside
between 1720 and 1750
James Heath "Mark your divorce young sir, whom son I dare not call"
James Heath, 1757–1834
"Mark your divorce young sir, whom son I dare not call"
1804
Lawrence Josset The Drummond Family
Lawrence Josset, 1910–1995
The Drummond Family
1960
Sir David Young Cameron The Belfry of Bruges [Belgian Set: No. 6]
Print made by Sir David Young Cameron, 1865–1945
The Belfry of Bruges [Belgian Set: No. 6]
1907
Gerhard Bockman The Guitar Player
Print made by Gerhard Bockman, 1686–1773
The Guitar Player
undated
Andrew Fairbairn Affleck San Lorenzo
Print made by Andrew Fairbairn Affleck, 1874/7–1936
San Lorenzo
undated
Simon François Ravenet Mr. Garrick and Miss Bellamy in the Characters of Romeo and Juliet
Simon François Ravenet, 1706–1774
Mr. Garrick and Miss Bellamy in the Characters of Romeo and Juliet
1753
Samuel Hieronymus Grimm Mill on the Avon, Pershore, Worcestershire
Samuel Hieronymus Grimm, 1733–1794
Mill on the Avon, Pershore, Worcestershire
undated
unknown artist Paultons, Hampshire
unknown artist
Paultons, Hampshire
undated
Thomas Anburey View Within the Northern Entrance of Gundecotta Pass (1 of 6)
Thomas Anburey, 1759–1840
View Within the Northern Entrance of Gundecotta Pass (1 of 6)
ca. 1792
Thomas Anburey The Southern Entrance of Gundecotta Pass (1 of 6)
Thomas Anburey, 1759–1840
The Southern Entrance of Gundecotta Pass (1 of 6)
ca. 1792
Charles Clifford Pont du Manzanaria pres Madrid, (Bridge under Construction near Madrid)
Charles Clifford, ca. 1800–1863
Pont du Manzanaria pres Madrid, (Bridge under Construction near Madrid)
ca. 1858