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George Romney James Romney
George Romney, 1734–1802
James Romney
between 1760 and 1762
On view at YUAG
Ben Nicholson April 1950 (goblets)
Ben Nicholson, 1894–1982
April 1950 (goblets)
1950
Not on view
John Linnell Augustus Wall Callcott, R.A.
John Linnell, 1792–1882
Augustus Wall Callcott, R.A
1847
Not on view
Sir Hubert von Herkomer Hackling Flax
Sir Hubert von Herkomer, 1849–1914
Hackling Flax
1881
Not on view
Euan Uglow Double Square
Euan Uglow, 1932–2000
Double Square
1999 to 2000
Not on view
Cecil Rochfort D'Oyly John St. Tropez
Cecil Rochfort D'Oyly John, 1906–1993
St. Tropez
undated
Not on view
Edward Brian Seago After the Barge Race, Pin Mill
Edward Brian Seago, 1910–1974
After the Barge Race, Pin Mill
undated
Not on view
John Atkinson Grimshaw Evening Glow
John Atkinson Grimshaw, 1836–1893
Evening Glow
ca. 1884
Not on view
George Gower Portrait of Thomas Whythorne, Musician
George Gower, ca. 1538–1596
Portrait of Thomas Whythorne, Musician
1569
Not on view
Philippe-Jacques de Loutherbourg Revellers on a Coach
Philippe-Jacques de Loutherbourg, 1740–1812
Revellers on a Coach
between 1785 and 1790
Not on view
William Mulready An Old Gable
William Mulready, 1786–1863
An Old Gable
ca. 1809
Not on view
Richard Whately West The Perivale Road
Richard Whately West, 1848–1905
The Perivale Road
ca. 1885
Not on view
John Sell Cotman Ruined House
John Sell Cotman, 1782–1842
Ruined House
between 1807 and 1810
Not on view
George Augustus Wallis Study of Rocks and Branches
George Augustus Wallis, 1770–1847
Study of Rocks and Branches
between 1788 and 1806
Not on view
Walter Richard Sickert Dublin from Phoenix Park
Walter Richard Sickert, 1860–1942
Dublin from Phoenix Park
ca. 1930
Not on view
Thomas Lound A View near Norwich
Thomas Lound, 1802–1861
A View near Norwich
ca. 1850
Not on view
Ramsay Richard Reinagle A Wooded Landscape
Ramsay Richard Reinagle, 1775–1862
A Wooded Landscape
1833
Not on view
Robert Salmon The Low Lighthouse, North Shields
Robert Salmon, 1775–ca.1845
The Low Lighthouse, North Shields
1828
Not on view
Marmaduke Cradock Peacocks, Doves, Turkeys, Chickens and Ducks by a Classical Ruin
Marmaduke Cradock, 1660–1716
Peacocks, Doves, Turkeys, Chickens and Ducks by a Classical Ruin
ca. 1700
On view
William Etty Male Nude, Kneeling, from the Back
Attributed to William Etty, 1787–1849
Male Nude, Kneeling, from the Back
ca. 1840
Not on view
Jas Wood Multi-Colored Dots on a Gray Ground
Jas Wood, 1889–1975
Multi-Colored Dots on a Gray Ground
mid-1920s
Not on view
Richard Parkes Bonington In the Forest at Fontainebleau
Richard Parkes Bonington, 1802–1828
In the Forest at Fontainebleau
ca. 1825
Not on view
John White Abbott An Italianate Landscape
John White Abbott, 1763–1851
An Italianate Landscape
ca. 1800
Not on view
William Ashford Mount Kennedy, County Wicklow, Ireland
William Ashford, 1746–1824
Mount Kennedy, County Wicklow, Ireland
1785
Not on view
Sir John Lavery Woman in Japanese Dress
Sir John Lavery, 1856–1941
Woman in Japanese Dress
1883
Not on view
James Smetham Evening Pasture
James Smetham, 1821–1889
Evening Pasture
ca. 1865
Not on view
Dean Wolstenholme Red pied carrier
Dean Wolstenholme, 1798–1882
Red pied carrier
1837
Not on view
Dean Wolstenholme Studies of carrier pigeon
Dean Wolstenholme, 1798–1882
Studies of carrier pigeon
1837
Not on view
Thomas Robins the elder View of a Gloucestershire Country House: A Garden View, with Picnic Party in Center Foreground
Thomas Robins the elder, 1715–1770
View of a Gloucestershire Country House: A Garden View, with Picnic Party in Center Foreground
ca. 1755
Not on view
George Romney Viscountess Bulkeley as Hebe
George Romney, 1734–1802
Viscountess Bulkeley as Hebe
ca. 1776
On view at YUAG
George Romney Study for the Portrait of a Lady, possibly Elizabeth, Countess of Derby
George Romney, 1734–1802
Study for the Portrait of a Lady, possibly Elizabeth, Countess of Derby
late 1770s
On view at YUAG
George Stubbs Human Skeleton, Lateral View
George Stubbs, 1724–1806
Human Skeleton, Lateral View
1795 to 1806
George Stubbs Hay-Makers
George Stubbs, 1724–1806
Hay-Makers
1791
William Hogarth Strolling Actresses Dressing in a Barn
Print made by William Hogarth, 1697–1764
Strolling Actresses Dressing in a Barn
1738
William Hogarth Moses Brought to Pharaoh's Daughter
Print made by William Hogarth, 1697–1764
Moses Brought to Pharaoh's Daughter
1752
William Hogarth Mr. Garrick in the Character of Richard III
Print made by William Hogarth, 1697–1764
Mr. Garrick in the Character of Richard III
1746
William Hogarth Strolling Actresses Dressing in a Barn
William Hogarth, 1697–1764
Strolling Actresses Dressing in a Barn
1738
William Say Cupid and Psyche
Print made by William Say, 1768–1834
Cupid and Psyche
1816
On view at YUAG
Joseph Mallord William Turner Tivoli with the Temple of the Sybil and the Cascades
Joseph Mallord William Turner, 1775–1851
Tivoli with the Temple of the Sybil and the Cascades
ca. 1794–97
On view
Edward Lear Sorrento
Edward Lear, 1812–1888
Sorrento
1838
Edward Lear Reggio
Edward Lear, 1812–1888
Reggio
1847
William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
ca. 1797
William Blake 'The longest night though longer far, would fail' (Page 15)
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
ca. 1797
William Blake 'We censure nature for a span too short' (Page 23)
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
ca. 1797
William Blake 'Behold him, when past by; what then is seen' (Page 25)
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
ca. 1797
William Blake The Parable of the Wise and Foolish Virgins
William Blake, 1757–1827
The Parable of the Wise and Foolish Virgins
ca. 1825
William Blake 'The goddess bursts in thunder and in flame' (Page 95)
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
ca. 1797
William Blake The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
William Blake, 1757–1827
The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
between 1797 and 1798
William Blake "Oft did the harvest to their sickle yield..." (Design 109)
William Blake, 1757–1827
"Oft did the harvest to their sickle yield..." (Design 109)
between 1797 and 1798
William Blake "Malignant Fate sat by, and smil'd, The slipp'ry verge her feet beguil'd..." (Design 11)
William Blake, 1757–1827
"Malignant Fate sat by, and smil'd, The slipp'ry verge her feet beguil'd..." (Design 11)
between 1797 and 1798
William Blake "Somevillage-Hampden, that with dauntless breast, The little tyrant of his fields withstood..," (Design 111)
William Blake, 1757–1827
"Somevillage-Hampden, that with dauntless breast, The little tyrant of his fields withstood..," (Design 111)
between 1797 and 1798
William Blake Elizabeth. "Girt with many a Baron bold..." (Design 63)
William Blake, 1757–1827
Elizabeth. "Girt with many a Baron bold..." (Design 63)
between 1797 and 1798
William Blake "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
William Blake, 1757–1827
"Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
between 1797 and 1798
William Blake The Fatal Sisters, An Ode; Title Page
William Blake, 1757–1827
The Fatal Sisters, An Ode; Title Page
between 1797 and 1798
William Blake Sigtryg with the Silken Beard (Design 69)
William Blake, 1757–1827
Sigtryg with the Silken Beard (Design 69)
between 1797 and 1798
William Blake Ode on the Death of a Favourite Cat, Drowned in a Tub of Gold Fishes; Title Page
William Blake, 1757–1827
Ode on the Death of a Favourite Cat, Drowned in a Tub of Gold Fishes; Title Page
between 1797 and 1798
William Blake "Iron sleet of arrowy shower Hurtles in the darkened air..." (Design 71)
William Blake, 1757–1827
"Iron sleet of arrowy shower Hurtles in the darkened air..." (Design 71)
between 1797 and 1798
William Blake "We the reins to slaughter give..." (Design 73)
William Blake, 1757–1827
"We the reins to slaughter give..." (Design 73)
between 1797 and 1798
William Blake 'The longest night though longer far, would fail' (Page 15)
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
1797
William Blake The Complaint, and the Consolation; or, Night Thoughts
Print made by William Blake, 1757–1827
The Complaint, and the Consolation; or, Night Thoughts
ca. 1797
William Blake The Complaint, and the Consolation; or, Night Thoughts
Print made by William Blake, 1757–1827
The Complaint, and the Consolation; or, Night Thoughts
1797
William Blake Illustrations of The Book of Job
Print made by William Blake, 1757–1827
Illustrations of The Book of Job
1826
William Blake Night the First. On Life, Death, and Immortality; Title Page
Print made by William Blake, 1757–1827
Night the First. On Life, Death, and Immortality; Title Page
1797
William Blake 'O treacherous conscience! while she seems to sleep" (Page 27)
Print made by William Blake, 1757–1827
'O treacherous conscience! while she seems to sleep" (Page 27)
ca. 1797
William Blake 'Tis greatly wise to talk with our past hours' (Page 31)
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
ca. 1797
William Blake 'Teaching, we learn; and giving, we retain' (Page 35)
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
ca. 1797
William Blake 'Like that, the dial speaks; and points to thee' (Page 33)
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
ca. 1797
William Blake 'Love, and love only, is the loan for love' (Page 37)
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
ca. 1797
William Blake 'Angels should paint it, angels ever there' (Page 40)
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
ca. 1797
William Blake 'One radiant mark, – the death-bed of the just' (Page 41)
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
ca. 1797
William Blake 'Where sense runs savage broke from reason's chain' (Page 46)
Print made by William Blake, 1757–1827
'Where sense runs savage broke from reason's chain' (Page 46)
ca. 1797
William Blake 'As if the sun could envy, check'd his beam' (Page 49)
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
ca. 1797
William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
ca. 1797
William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
ca. 1797
William Blake "Hurry, hurry, to the field!" Design 75)
William Blake, 1757–1827
"Hurry, hurry, to the field!" Design 75)
between 1797 and 1798
William Blake The Descent of Odin, An Ode; Title Page
William Blake, 1757–1827
The Descent of Odin, An Ode; Title Page
between 1797 and 1798
William Blake "Him the dog of darkness spied..." (Design 79)
William Blake, 1757–1827
"Him the dog of darkness spied..." (Design 79)
between 1797 and 1798
William Blake The Prophetess Rising from Her Grave (Design 81)
William Blake, 1757–1827
The Prophetess Rising from Her Grave (Design 81)
between 1797 and 1798
William Blake "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
William Blake, 1757–1827
"A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
between 1797 and 1798
William Blake "Hie thee hence, and boast at home..." (Design 85)
William Blake, 1757–1827
"Hie thee hence, and boast at home..." (Design 85)
between 1797 and 1798
William Blake The Triumphs of Owen, A Fragment; Title Page
William Blake, 1757–1827
The Triumphs of Owen, A Fragment; Title Page
between 1797 and 1798
William Blake Night the First. On Life, Death, and Immortality; Title Page
Print made by William Blake, 1757–1827
Night the First. On Life, Death, and Immortality; Title Page
ca. 1797
William Blake 'Swift on his downy pinion flies from woe' (Page 1)
Print made by William Blake, 1757–1827
'Swift on his downy pinion flies from woe' (Page 1)
ca. 1797
William Blake 'What, though my soul fantastick measures trod' (Page 4)
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
ca. 1797
William Blake 'Disease invades the chastest temperence' (Page 10)
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
ca. 1797
William Blake 'Its favours here are trials, not rewards' (Page 12)
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
ca. 1797
William Blake 'The present moment terminates our sight' (Page 13)
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
ca. 1797
William Blake Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
Print made by William Blake, 1757–1827
Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
ca. 1797
William Blake 'Emblem of that which shall awake the dead' (Page 19)
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
ca. 1797
William Blake Night the Third. Narcissa; Title Page
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
ca. 1797
William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
ca. 1797
William Blake 'This King of Terrors is the Prince of Peace' (Page 63)
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
ca. 1797
William Blake The Christian Triumph; Title Page
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
ca. 1797
William Blake 'And vapid; sense and reason shew the door' (Page 72)
Print made by William Blake, 1757–1827
'And vapid; sense and reason shew the door' (Page 72)
ca. 1797
William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
ca. 1797
William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
ca. 1797
William Blake 'The thunder if in that the Almighty dwells' (Page 80)
Print made by William Blake, 1757–1827
'The thunder if in that the Almighty dwells' (Page 80)
ca. 1797
William Blake 'His hand the good man fastens on the skies' (Page 86)
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
ca. 1797
William Blake 'Is lost in love! thou great Philanthropist' (Page 87)
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
ca. 1797
William Blake 'That touch, with charm celestial heals the soul' (Page 90)
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
ca. 1797