Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
1797
4
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
1797
5
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
1797
6
Print made by William Blake, 1757–1827
'Swift on his downy pinion flies from woe' (Page 1)
1797
7
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
1797
8
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
1797
9
Print made by William Blake, 1757–1827
'Time, in advance, behind him hides his wings' (Page 24)
1797
10
Print made by William Blake, 1757–1827
'Measuring his motions by revolving spheres' (Page 26)
1797
11
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
1797
12
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
1797
13
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
1797
14
Print made by William Blake, 1757–1827
'But for the blessing wrestle not with heaven' (Page 88)
1797
15
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
1797
16
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
1797
17
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
1797
18
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
1797
19
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
ca. 1797
20
Print made by William Blake, 1757–1827
'And vapid; sense and reason shew the door' (Page 72)
ca. 1797
21
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
ca. 1797
22
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
ca. 1797
23
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
ca. 1797
24
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
ca. 1797
25
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
ca. 1797
26
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
ca. 1797
27
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
ca. 1797
28
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
ca. 1797
29
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
ca. 1797
30
Print made by William Blake, 1757–1827
Night the Second. On Time, Death and Friendship; Title Page
ca. 1797
31
Print made by William Blake, 1757–1827
Night the First. On Life, Death and Immortality; Title Page
ca. 1797
32
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
ca. 1797
33
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
ca. 1797
34
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
ca. 1797
35
George Romney, 1734–1802
Glade in a Forest
undated
36
George Romney, 1734–1802
River God
undated
37
Richard Henry Nibbs, 1816–1893
Hay and Log Barges on the Conway
undated
38
Sir Charles Barry, 1795–1860
Perspective View: the New Houses of Parliament
ca. 1840-1849
39
Samuel Prout, 1783–1852
The Monnow Bridge, Monmouthshire
before 1814
40
James Bruce, 1730–1794
XVLL Arch at Makther
undated
41
James Bruce, 1730–1794
Arch of Trajan Makther
undated
42
James Bruce, 1730–1794
Arch and Corinthian Temple of Assuras mod. Zanfour
undated
43
James Bruce, 1730–1794
Constantine
undated
44
Andrew Fyfe, 1752–1824
Eragrostis Tef
1775
45
James Bruce, 1730–1794
Plate XV Back of Temple at Sheitla [sic]
undated
46
Ceri Richards, 1903–1971
Piano Recital
1943
47
Sir Richard Colt Hoare, 1758–1838
View on the River Liris, near Isola
1790
48
Sir Richard Colt Hoare, 1758–1838
View on the river Liris, near Isola
1790
49
Sir Richard Colt Hoare, 1758–1838
View on the River Liris near Isola
1790
50
Sir Richard Colt Hoare, 1758–1838
Castle of Balzerrano, in Abbruzo
1791
51
Samuel Austin, 1796–1834
Church of Notre Dame, Bruges
undated
52
Sir John Soane, 1753–1837
Design for Hyde Park and St. James' Park Entrance
ca. 1826
53
William Green, 1760–1823
Landscape, Castle and Cattle
undated
54
William Green, 1760–1823
Landscape with Vale and Mountains
undated
55
George Edmund Street, 1824–1881
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
undated
56
Sir Richard Colt Hoare, 1758–1838
The Carthusian Convent at Trisulto, near Alatri
1790
57
Sir Richard Colt Hoare, 1758–1838
The Carthusian Convent at Trisulto
1790
58
Sir Richard Colt Hoare, 1758–1838
The Carthusian Convent at Trisulto
1790
59
Sir Richard Colt Hoare, 1758–1838
Monastery of La Trappe, at Casamare
1790
60
Sir Richard Colt Hoare, 1758–1838
View on the river Liris, near Isola
1790
61
Sir Richard Colt Hoare, 1758–1838
View on the river Vulturnus, Sept.r 1790
1790
62
Sir Richard Colt Hoare, 1758–1838
The Monastery of the order of La Trappe, at Casamare between Frusinone and Sora
1790
63
Sir Richard Colt Hoare, 1758–1838
Palace of the Duca di Sora Where the Rivers Separate, at Isola di Sora
1791
64
Sir Richard Colt Hoare, 1758–1838
Ducal Palace at Isola di Sora
1790
65
Sir Richard Colt Hoare, 1758–1838
Ducal Palace etc at Isola di Sora
1791
66
Sir Richard Colt Hoare, 1758–1838
Ducal Palace at Isola di Sora
1791
67
Sir Richard Colt Hoare, 1758–1838
Convento del Carmine, at Isola di Sora
1790
68
Sir Richard Colt Hoare, 1758–1838
View on the River Liris at Isola di Sora
1791
69
Sir Richard Colt Hoare, 1758–1838
View on the river Liris, near Isola di Sora
1790
70
Sir Richard Colt Hoare, 1758–1838
View on the Liris near Isola
1790
71
Sir Richard Colt Hoare, 1758–1838
View at Isola di Sora
1790
72
Sir Richard Colt Hoare, 1758–1838
View on the Liris, near Isola di Sora
1790
73
Sir Richard Colt Hoare, 1758–1838
View on the River Liris
1790
74
Sir Richard Colt Hoare, 1758–1838
Castle of Balzerrano, and Vale of Roveto, in Abbruzzo
1791
75
George Vicat Cole, 1833–1893
The Mill Pond, Evelyn Woods
1860
76
Sir Richard Colt Hoare, 1758–1838
View on the Liris at Isola di Sora
1790
77
Sir Richard Colt Hoare, 1758–1838
Church of S. Domenico near Sora built upon the ruins of Cicero's Villa
1790
78
Sir Richard Colt Hoare, 1758–1838
View near Sora on the Liris
1790
79
James Wyatt, 1746–1813
Goodwood, West Sussex: Ceiling Design
undated
80
Arthur Bradley, active 1740
Record Drawing of the 1639 Altarpiece in Exeter Cathedral
undated
81
William Green, 1760–1823
The Devil's Bridge, Kirkby Lonsdale
undated
82
William Green, 1760–1823
Landscape, Castle by a River
undated
83
William Green, 1760–1823
Landscape with River and a Bridge
undated
84
Julius Caesar Ibbetson, 1759–1817
Robbing the Mail
ca. 1790
85
Hugh William "Grecian" Williams, 1773–1829
View of the Forum in Rome
1828
86
William Alexander, 1767–1816
Wigmore Castle, Herefordshire
undated
87
George Moutard Woodward, ca. 1760–1809
The Royal Rush Light
1798
88
Thomas Barker, 1769–1847
Woodland Landscape
undated
89
Luigi Balugani, 1737–1770
African Wildcat or Serval
undated
90
John Buckler FSA, 1770–1851
The Spanish Pointer
ca. 1799
91
unknown artist
L'Orient 1776: Map of the Port of Orient
1776
92
Joseph Cartwright, c.1789–1829
Single Brigantine, Sails Furled
undated
93
Joseph Cartwright, c.1789–1829
Lord Craven's Yacht, July 23, 1817
1817
94
George Richardson, ca.1738–ca.1813
Design for a Ceiling
undated
95
Paul Sandby Munn, 1773–1845
Shanklin Chine, Isle of Wight
1797
96
John Varley, 1778–1842
Harlech Castle and Twgwyn Ferry
1804
97
follower of John Varley, 1778–1842
Saint Peter's Church, Hereford, from Butcher's Row
1802
98
Joseph Crawhall, 1861–1913
Tangier
1887
99
Lionel Grimston Fawkes, 1849–1931
Windward Islands, Barbados: The Pavilion, Queen's House, showing the verandah of the Artist's bedroom (the upper windows) and the covered way to the left leading to Queen's House, July 28, 1881