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1
- Hampstead Heath, Sunset
- ca. 1845
- Not on view
2
- Hampstead Heath looking towards Harrow
- 1821 to 1822
- Not on view
3
- Portrait of Carolina dell'Acqua
- 1903
- Not on view
4
- Dancing on Ice
- 2011
- Not on view
5
- On the Clyde - Study of Elise Agnes Coats (née Walker), later Lady Glen Coats
- 1890
- On view
6
- A Man Carrying Faggots
- ca. 1799
- Not on view
7
- Charles Beale
- ca. 1660
- On view
8
- A View Supposedly Near Arundel, Sussex, with Figures in a Lane
- mid-18th century
- Not on view
9
- A Scene from Don Quixote (Vol.II, Ch.XXIII)
- between 1730 and 1736
- Not on view
10
- A Review of the London Volunteer Cavalry and Flying Artillery in Hyde Park in 1804
- ca. 1804
- Not on view
11
- Old Walton Bridge
- 1785
- Not on view
12
- Buckenham Ferry, on the River Yare, Norfolk
- 1826
- Not on view
13
- Pheasant Shooting
- ca. 1790
- Not on view
14
- Partridge Shooting
- ca. 1790
- Not on view
15
- "Stop"
- 1988
- Not on view
16
- A Shepherd and his Flock under the Moon and Stars
- ca. 1827
17
- Study of Waves
- undated
18
- Cornfield and Church by Moonlight
- early 1830s
19
- The Bruiser
- 1763
20
- The Election, Plate I: An Election Entertainment
- 1755
21
- The Election, Plate III: The Polling
- 1758
22
- The Election, Plate IV: Chairing the Members
- 1758
23
- Hogarth Painting the Comic Muse
- 1764
24
- Tiger Skeleton, Lateral View
- 1795 to 1806
25
- Tiger Body, Lateral View (Study of the muscles for the key figure to Table IX)
- 1795 to 1806
26
- Tiger Body, Lateral View
- 1795 to 1806
27
- Tiger Body, Lateral View
- 1795 to 1806
28
- Tiger Body, Lateral View (Outline study of the surface muscles and their blood supply, probably made for a key figure)
- 1795 to 1806
29
- Tiger Body, Lateral View (Probably made as the basis for a key figure)
- 1795 to 1806
30
- Tiger Skeleton, Lateral View (Finished Study for Table IV)
- between 1795 and 1806
31
- Tiger Body, Lateral View
- 1795 to 1806
32
- Siracusa, 12. June 1847
- 1847
33
- Study of Tiber River Diety Sculpture
- mid-1770s
34
- Landscape Study: Copse, Lake, and Mountains
- 1780s
35
- Job's Evil Dreams
- 1826
36
- When the Morning Stars Sang Together
- 1826
37
- The Vision of Christ
- 1826
38
- 'We censure nature for a span too short' (Page 23)
- ca. 1797
39
- 'Behold him, when past by; what then is seen' (Page 25)
- ca. 1797
40
- Beggar's Opera, Act III
- ca.1790
41
- Night the First. On Life, Death, and Immortality; Title Page
- ca. 1797
42
- 'Its favours here are trials, not rewards' (Page 12)
- ca. 1797
43
- Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
- ca. 1797
44
- 'What, though my soul fantastick measures trod' (Page 4)
- ca. 1797
45
- 'Like that, the dial speaks; and points to thee' (Page 33)
- ca. 1797
46
- 'The vale of death! that hush'd cimmerian vale' (Page 54)
- ca. 1797
47
- 'Ungrateful, shall we grieve their hovering shades' (Page 55)
- ca. 1797
48
- 'And vapid; sense and reason shew the door' (Page 72)
- ca. 1797
49
- 'The Sun beheld it – No, the shocking scene' (Page 75)
- ca. 1797
50
- 'When faith is virtue, reason makes it so' (Page 92)
- ca. 1797
51
- 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
- ca. 1797
52
- 'Is lost in love! thou great Philanthropist' (Page 87)
- ca. 1797
53
- 'That touch, with charm celestial heals the soul' (Page 90)
- ca. 1797
54
- 'The goddess bursts in thunder and in flame' (Page 95)
- ca. 1797
55
- Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
- 1797
56
- 'Swift on his downy pinion flies from woe' (Page 1)
- 1797
57
- 'Time, in advance, behind him hides his wings' (Page 24)
- 1797
58
- 'Measuring his motions by revolving spheres' (Page 26)
- 1797
59
- 'Ungrateful, shall we grieve their hovering shades' (Page 55)
- 1797
60
- 'What, though my soul fantastick measures trod' (Page 4)
- 1797
61
- The Christian Triumph; Title Page
- 1797
62
- 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
- 1797
63
- 'The Sun beheld it – No, the shocking scene' (Page 75)
- 1797
64
- 'Is lost in love! thou great Philanthropist' (Page 87)
- 1797
65
- 'But for the blessing wrestle not with heaven' (Page 88)
- 1797
66
- 'That touch, with charm celestial heals the soul' (Page 90)
- 1797
67
- 'Its favours here are trials, not rewards' (Page 12)
- 1797
68
- 'When faith is virtue, reason makes it so' (Page 92)
- 1797
69
- 'If angels tremble, 'tis at such a sight' (Page 93)
- 1797
70
- 'The goddess bursts in thunder and in flame' (Page 95)
- 1797
71
- Beggar's Opera, Act III
- 1790
72
- The Pit of Disease: The Falsifiers (Plate 6)
- 1827
73
- Madeleine
- between 1917 and 1918
![Charles Bentley Steeple-chasing [set of six]: St. Albans Grand Steeple Chase. / 8 March 1832. Plate 3. Turning an Angle...](https://media.collections.yale.edu/thumbnail/ycba/f80d7f83-5419-44e6-ad97-08b3615960ef)
74
- Steeple-chasing [set of six]: St. Albans Grand Steeple Chase. / 8 March 1832. Plate 3. Turning an Angle..
- 1832
75
- A View of the London Dock
- 1808
76
- Elevation of an Unidentified Church
- undated
77
- Wollaton Park, Nottingham: South Elevation
- ca. 1801
78
- Wollaton Hall, Nottingham: Elevation
- ca. 1801
79
- The Raising of Lazarus
- 1927
80
- The Benevolent Effects of Abolishing Slavery, or the Planter instructing his Negro
- 1792
81
- The Reconciliation of the Montagues and the Capulets
- 1854
82
- Princess
- 1996
83
- A Man-Trap
- c.1780
84
- David Cox
- undated
85
- Charles Fox
- 1849
86
- Sir William Beechey, R. A
- 1814
87
- Lissotis hartlaubii (Hartlaub's Bustard)
- undated
88
- Cassypha semirufa (Ruppell's Robin Chat)
- undated
89
- Chalcomitra senegalensis (Scarlet Chested Sunbird)
- undated
90
- Untitled
- undated
91
- A Lecture on Gadding
- 1789
92
- A View of Pont Neuf, the Mint, & c
- 1803
93
- Abergavenny Steeple Chase: "Taking the Wall" / Pontiff, General, Thurgarton, Dearest Mae, Ploughboy
- 1853
94
- Abergavenny Steeple Chase: "Taking the Brook" / Dearest Mae, The Nun, Pontiff, General, Physician, Thurgarton, Ploughboy
- 1853
95
- Abergavenny Steeple Chase: "The Finish" / (1) General (2) Dearest Mae (3) Ploughboy
- 1853
96
- Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
- 1745
97
- Two Men with Telescope Looking Across A River
- 1777
98
- Ceapen Pichan Bridge, Moelwyn Mawr
- undated
99
- Fantastic Landscape
- 1780 to 1785
100
- River Scene and Bridge with Artist Sketching in Foreground
- 1777