<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

Start Over
You searched for:

Work Type relief print

Remove constraint Work Type: relief print

Search Results

401. "They call'd her Pity, and fled..." (Plate 19)

"They call'd her Pity, and fled..." (Plate 19)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

402. Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)

Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

403. Chapter V, "Thus the Eternal Prophet was divided..." (Plate 20)

Chapter V, "Thus the Eternal Prophet was divided..." (Plate 20)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

404. Los with the child Orc and Enitharmon (Plate 18)

Los with the child Orc and Enitharmon (Plate 18)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

405. Los Falls through Fire (Plate 21)

Los Falls through Fire (Plate 21)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

406. Chapter VII, "Stretch'd for a work of eternity..." (Plate 22)

Chapter VII, "Stretch'd for a work of eternity..." (Plate 22)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

407. Praying Child and Howling Dog (Plate 25)

Praying Child and Howling Dog (Plate 25)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

408. "The Ox in the slaughter house moans..." (Plate 26)

"The Ox in the slaughter house moans..." (Plate 26)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

409. The First Book of Urizen, Plate 23 (Bentley 9)

The First Book of Urizen, Plate 23 (Bentley 9)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

410. Chapter VIII, "Of life on his forsaken mountains..." (Plate 24)

Chapter VIII, "Of life on his forsaken mountains..." (Plate 24)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

411. "Her voice pierc'd Albions clay cold ear..." (Plate 95)

"Her voice pierc'd Albions clay cold ear..." (Plate 95)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, white gouache, and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

412. The Little Black Boy (Plate 30)

The Little Black Boy (Plate 30)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

413. The Complaint, and the Consolation; or, Night Thoughts

The Complaint, and the Consolation; or, Night Thoughts
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Bound volume of engravings
Dimensions:
Spine: 16 3/4in. (42.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

414. The Complaint, and the Consolation; or, Night Thoughts

The Complaint, and the Consolation; or, Night Thoughts
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Bound volume of engravings in brown calf with marbled boards
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

415. Spring, from Songs of Innocence

Spring, from Songs of Innocence
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1795
Materials & Techniques:
Color-printed relief etching, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 1 7/8 x 2 3/4 inches (4.8 x 7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

416. The Shepherd, from Songs of Innocence

The Shepherd, from Songs of Innocence
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1795
Materials & Techniques:
Color-printed relief etching, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 3 x 2 1/2 inches (7.6 x 6.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

417. Illustrations of Eclogue I, Introductory, The Giant Polypheme

Illustrations of Eclogue I, Introductory, The Giant Polypheme
Creator:
Print made by William Blake, 1757–1827
Date:
1821
Materials & Techniques:
Wood-engraving and letterpress on medium, slightly textured, cream wove paper
Dimensions:
Spine: 7 1/8 inches (18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

418. Illustrations of Imitation of Eclogue I, Page 15

Illustrations of Imitation of Eclogue I, Page 15
Creator:
Print made by William Blake, 1757–1827
Date:
1821
Materials & Techniques:
Wood-engraving and letterpress on medium, slightly textured, cream wove paper
Dimensions:
Spine: 7 1/8 inches (18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

419. Illustrations of Imitation of Eclogue I, Page 16

Illustrations of Imitation of Eclogue I, Page 16
Creator:
Print made by William Blake, 1757–1827
Date:
1821
Materials & Techniques:
Wood-engraving and letterpress on medium, slightly textured, cream wove paper
Dimensions:
Spine: 7 1/8 inches (18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

420. Illustrations of Imitation of Eclogue I, Page 17

Illustrations of Imitation of Eclogue I, Page 17
Creator:
Print made by William Blake, 1757–1827
Date:
1821
Materials & Techniques:
Wood-engraving and letterpress on medium, slightly textured, cream wove paper
Dimensions:
Spine: 7 1/8 inches (18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

421. Illustrations of Imitation of Eclogue I, Page 14

Illustrations of Imitation of Eclogue I, Page 14
Creator:
Print made by William Blake, 1757–1827
Date:
1821
Materials & Techniques:
Wood-engraving and letterpress on medium, slightly textured, cream wove paper
Dimensions:
Spine: 7 1/8 inches (18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

422. Illustrations of Imitation of Eclogue I, Page 18

Illustrations of Imitation of Eclogue I, Page 18
Creator:
Print made by William Blake, 1757–1827
Date:
1821
Materials & Techniques:
Wood-engraving and letterpress on medium, slightly textured, cream wove paper
Dimensions:
Spine: 7 1/8 inches (18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

423. The Complaint, and the Consolation; or, Night Thoughts

The Complaint, and the Consolation; or, Night Thoughts
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Bound volume of engravings; Bentley Copy N
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

424. The Wood Engravings of William Blake for Thornton's 'Pastorals of Virgil'

The Wood Engravings of William Blake for Thornton's 'Pastorals of Virgil'
Creator:
Wood blocks engraved by William Blake, 1757–1827
Date:
1821, reprinted 1977
Materials & Techniques:
Seventeen electrotypes taken from the original wood-engraved blocks, each in a small folio with letterpress text on Japanese Hosho paper
Dimensions:
Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

425. I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)

I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 x 9 1/2 inches (30.5 x 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

426. 'We censure nature for a span too short' (Page 23)

'We censure nature for a span too short' (Page 23)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

427. 'Behold him, when past by; what then is seen' (Page 25)

'Behold him, when past by; what then is seen' (Page 25)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

428. 'Till at Death's toll, whose restless iron tongue' (Page 7)

'Till at Death's toll, whose restless iron tongue' (Page 7)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

429. 'The longest night though longer far, would fail' (Page 15)

'The longest night though longer far, would fail' (Page 15)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

430. Illustrations of Imitation of Eclogue I, Frontispiece

Illustrations of Imitation of Eclogue I, Frontispiece
Creator:
Print made by William Blake, 1757–1827
Date:
1821
Materials & Techniques:
Wood-engraving and letterpress on medium, slightly textured, cream wove paper
Dimensions:
Spine: 7 1/8 inches (18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

431. Jake and Dinos' Disasters of War, Title Page

Jake and Dinos' Disasters of War, Title Page
Creator:
Jake Chapman, born 1966
Date:
1999
Materials & Techniques:
Letterpress on white 300 gsm Somerset TP Textured wove paper
Dimensions:
Sheet: 9 3/4 × 13 1/2 inches (24.8 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Friends of British Art Fund

432. Bridge over River

Bridge over River
Creator:
Robert John Gibbings, 1889–1958
Date:
undated
Materials & Techniques:
Wood-engraving; annotated proof on medium, smooth, cream laid paper
Dimensions:
Sheet: 8 1/8 x 5 3/8 inches (20.6 x 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Daniel Bell.

433. Udaipur, 1916

Udaipur, 1916
Creator:
Print made by Charles W. Bartlett, 1860–1940
Date:
1916
Materials & Techniques:
Color woodblock print on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 3/8 x 15 15/16 inches (28.9 x 40.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

434. The Passage of Mount St Gothard from the Centre of Teufels Broch, 1804

The Passage of Mount St Gothard from the Centre of Teufels Broch, 1804
Creator:
Print made by unknown artist
Date:
1865
Materials & Techniques:
Wood-engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

435. Text (unbound) for River Scenery

Text (unbound) for River Scenery
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1823 to 1827
Materials & Techniques:
Letterpress
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

436. Wrapper to 'Ports of England'

Wrapper to 'Ports of England'
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1826
Materials & Techniques:
Letterpress
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

437. Wrapper and Title Page to 'Ports of England'

Wrapper and Title Page to 'Ports of England'
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1826
Materials & Techniques:
Letterpress and engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

438. Front of Wrapper for Rivers of England (Number One)

Front of Wrapper for Rivers of England (Number One)
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1823
Materials & Techniques:
Letterpress and engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

439. Front of Wrapper for the Prose of Sir Walter Scott, Part Three

Front of Wrapper for the Prose of Sir Walter Scott, Part Three
Creator:
Print made by William Miller, 1796–1882
Date:
1834 to 1836
Materials & Techniques:
Letterpress
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

440. Advertisements for 'Turner's Marine Views: A Sunrise' and number five of 'Rivers of England'

Advertisements for 'Turner's Marine Views: A Sunrise' and number five of 'Rivers of England'
Creator:
Print made by unknown artist
Date:
1825
Materials & Techniques:
Letterpress
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

441. List of Plates in Part XII of Scotland Delineated

List of Plates in Part XII of Scotland Delineated
Creator:
Print made by unknown artist
Date:
1851 to 1852
Materials & Techniques:
Letterpress
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

442. Advertisement for 'List of New Prints and Engraved Works published by W.B. Cooke 9 Soho Square'

Advertisement for 'List of New Prints and Engraved Works published by W.B. Cooke 9 Soho Square'
Creator:
Print made by unknown artist
Date:
1824 to 1825
Materials & Techniques:
Letterpress
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

443. Advertisement for 'List of New Prints and Engraved Works published by W.B. Cooke 9 Soho Square'

Advertisement for 'List of New Prints and Engraved Works published by W.B. Cooke 9 Soho Square'
Creator:
Print made by unknown artist
Date:
1815 to 1823
Materials & Techniques:
Letterpress
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

444. Snowstorm, Mont Cenis

Snowstorm, Mont Cenis
Creator:
Print made by unknown artist
Date:
1865
Materials & Techniques:
Wood-engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

445. House at Chelsea, in which died J.M.W. Turner R.A.

House at Chelsea, in which died J.M.W. Turner R.A.
Creator:
Print made by unknown artist
Date:
1852
Materials & Techniques:
Wood-engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

446. A First Rate Taking in Stores

A First Rate Taking in Stores
Creator:
Print made by unknown artist
Date:
1865
Materials & Techniques:
Wood-engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

447. The Fall of the Reichenbach

The Fall of the Reichenbach
Creator:
Print made by W. J. Linton, 1812–1898
Date:
1865
Materials & Techniques:
Wood-engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

448. Front Wrapper for the Prose Works of Sir Walter Scott, Part One (two copies)

Front Wrapper for the Prose Works of Sir Walter Scott, Part One (two copies)
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Letterpress
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

449. Wrapper to 'Ports of England'

Wrapper to 'Ports of England'
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1826
Materials & Techniques:
Letterpress and engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

450. Front Wrapper for the Prose Works of Sir Walter Scott, Part One (two copies)

Front Wrapper for the Prose Works of Sir Walter Scott, Part One (two copies)
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Letterpress
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

451. Front of Wrapper for The Prose Works of Sir Walter Scott, Part Two (two copies)

Front of Wrapper for The Prose Works of Sir Walter Scott, Part Two (two copies)
Creator:
Print made by William Miller, 1796–1882
Date:
1836
Materials & Techniques:
Letterpress
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

452. Front of Wrapper for The Prose Works of Sir Walter Scott, Part Two (two copies)

Front of Wrapper for The Prose Works of Sir Walter Scott, Part Two (two copies)
Creator:
Print made by William Miller, 1796–1882
Date:
1836
Materials & Techniques:
Letterpress
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

453. River Scenery (Directions to the Binder)

River Scenery (Directions to the Binder)
Creator:
Print made by unknown artist
Date:
1823 to 1827
Materials & Techniques:
Letterpress
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

454. Advertisement for 'Ports of England'

Advertisement for 'Ports of England'
Creator:
Engraved by Thomas Goff Lupton, 1791–1873
Date:
1826
Materials & Techniques:
Letterpress
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

455. Advertisement for 'Ports of England'

Advertisement for 'Ports of England'
Creator:
Engraved by Thomas Goff Lupton, 1791–1873
Date:
1826
Materials & Techniques:
Letterpress
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

456. List of Plates in Part XII of Scotland Delineated

List of Plates in Part XII of Scotland Delineated
Creator:
Print made by unknown artist
Date:
1851 to 1852
Materials & Techniques:
Letterpress
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

457. Advertisement for the Half Length Engraving of J.M.W. Turner by C. Turner

Advertisement for the Half Length Engraving of J.M.W. Turner by C. Turner
Creator:
Print made by unknown artist
Date:
1856
Materials & Techniques:
Letterpress
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

458. River Scenery (Directions to the Binder)

River Scenery (Directions to the Binder)
Creator:
Print made by unknown artist
Date:
1823 to 1827
Materials & Techniques:
Letterpress
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

459. Advertisement for Color Facsimile of Turner's 'The Blue Lights'

Advertisement for Color Facsimile of Turner's 'The Blue Lights'
Creator:
Print made by Day & Co., 1824–1913
Date:
1852
Materials & Techniques:
Letterpress
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

460. Advertisement for 'List of New Prints and Engraved Works published by W.B. Cooke 9 Soho Square'

Advertisement for 'List of New Prints and Engraved Works published by W.B. Cooke 9 Soho Square'
Creator:
Print made by unknown artist
Materials & Techniques:
Letterpress and engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

461. Advertisement for 'The Lady's Pocket Magazine...'

Advertisement for 'The Lady's Pocket Magazine...'
Creator:
Print made by unknown artist
Date:
1795 to 1796
Materials & Techniques:
Letterpress
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

462. Advertisement for Part I of 'Views at Hastings'

Advertisement for Part I of 'Views at Hastings'
Creator:
Engraved by William Bernard Cooke, 1778–1855
Date:
1820
Materials & Techniques:
Letterpress
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

463. Advertisement for 'Rivers of England' published by W.B. Cooke

Advertisement for 'Rivers of England' published by W.B. Cooke
Creator:
Print made by unknown artist
Date:
1825
Materials & Techniques:
Letterpress
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

464. The Top of the Rise

The Top of the Rise
Creator:
Print made by Clare Leighton, 1898–1989
Date:
1944
Materials & Techniques:
Wood-engraving on thin, smooth, cream wove paper
Dimensions:
Sheet: 8 1/8 × 5 7/8 inches (20.6 × 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mr. and Mrs. Jerome Stein

465. Ancient Strong Box in the Possession of the Dyers Company

Ancient Strong Box in the Possession of the Dyers Company
Creator:
J. Sachs, active 1858–1899
Date:
undated
Materials & Techniques:
Wood-engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

466. Arms of the Dyers Company

Arms of the Dyers Company
Creator:
J. Sachs, active 1858–1899
Date:
undated
Materials & Techniques:
Wood-engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

467. Her Majesty Queen Victoria & Family

Her Majesty Queen Victoria & Family
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
ca. 1851
Materials & Techniques:
Aquatint, etching, stipple engraving and color woodcut on thick, smooth, cream wove paper
Dimensions:
Sheet: 4 13/16 × 7 5/16 inches (12.3 × 18.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

468. Greenwich Hospital

Greenwich Hospital
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Etching, aquatint and color woodcut on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 5 5/8 × 8 7/8 inches (14.3 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

469. Hampton Court

Hampton Court
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, etching, and color woodcut on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 5 1/2 × 8 1/8 inches (14 × 20.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

470. Haddon Hall

Haddon Hall
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, etching, and color woodcut on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 5 9/16 × 4 3/16 inches (14.2 × 10.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

471. Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, stipple engraving, etching and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Image: 5 9/16 x 2 7/16 inches (14.1 x 6.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

472. Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, stipple engraving, etching and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Image: 5 9/16 x 2 7/16 inches (14.1 x 6.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

473. The Last Supper

The Last Supper
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
ca. 1854
Materials & Techniques:
Etching and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 5 5/8 × 8 3/4 inches (14.3 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

474. Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, stipple engraving, etching and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Image: 5 9/16 x 2 7/16 inches (14.1 x 6.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

475. Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, stipple engraving, etching and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Image: 5 9/16 x 2 3/8 inches (14.1 x 6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

476. Italian Peasants - Tryoliean Waltz.

Italian Peasants - Tryoliean Waltz.
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, etching, stipple engraving and color woodcut on cream card mounted on cream card
Dimensions:
Image: 4 5/16 x 6 3/8 inches (11 x 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

477. Oriental Scenes

Oriental Scenes
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Etching, stipple engraving and color woodcut on cream card mounted on beige card
Dimensions:
Image: 2 3/4 x 6 13/16 inches (7 x 17.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

478. Eaton Hall

Eaton Hall
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Etching and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 5 7/16 × 7 3/8 inches (13.8 × 18.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

479. Newstead Abbey

Newstead Abbey
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Etching and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 5 9/16 × 7 15/16 inches (14.2 × 20.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

480. Rural Scenes

Rural Scenes
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Etching, stipple engraving, and color woodcut on cream card mounted on beige card
Dimensions:
Image: 2 3/4 x 6 13/16 inches (7 x 17.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

481. Balmoral Castle

Balmoral Castle
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Etching, stipple engraving, and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 1/4 × 7 3/8 inches (26 × 18.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

482. Prince Albert

Prince Albert
Creator:
after George Baxter, 1804–1867
Date:
after 1855
Materials & Techniques:
Aquatint, stipple engraving, etching and color woodcut on moderately thick, smooth, cream wove paper mounted on contemporary cream card with unevenly painted gold border
Dimensions:
Mount: 10 1/16 x 8 1/16 inches (25.5 x 20.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

483. Christ's Charge to Peter

Christ's Charge to Peter
Creator:
after George Baxter, 1804–1867
Date:
after 1855
Materials & Techniques:
Aquatint, etching, stipple engraving, and color woodcut on thick, smooth, cream wove paper mounted on beige card
Dimensions:
Image: 4 1/2 x 7 inches (11.4 x 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

484. Queen Victoria

Queen Victoria
Creator:
after George Baxter, 1804–1867
Date:
ca. 1860
Materials & Techniques:
Aquatint, stipple engraving, etching, and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 13/16 × 7 1/2 inches (27.5 × 19 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

485. Returning from the Spring. Virginia.

Returning from the Spring. Virginia.
Creator:
Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, stipple engraving and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 5 7/8 × 11 5/16 inches (15 × 28.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

486. Ten Needle-Box Prints

Ten Needle-Box Prints
Creator:
Print made by Vincent Robert Alfred Brooks, 1814–1885
Date:
undated
Materials & Techniques:
Etching, aquatint, and stipple engraving with color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 4 3/16 x 5 1/2 inches (10.6 x 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

487. Scene Illustration: Milton's 'L'Allegro'

Scene Illustration: Milton's 'L'Allegro'
Creator:
Print made by Benjamin Fawcett, 1808–1893
Date:
between 1860 and 1885
Materials & Techniques:
Wood-engraving, printed in color with additional hand-coloring on moderately thick, smooth, cream card
Dimensions:
Sheet: 6 13/16 x 9 3/4 inches (17.3 x 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

488. Bearded Lady

Bearded Lady
Creator:
Sir Peter Blake, born 1932
Date:
between 1974 and 1978
Materials & Techniques:
Wood engraving on beige Japanese Tonosawa handmade paper
Dimensions:
Sheet: 10 1/2 × 8 1/4 inches (26.7 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

489. Dog and the Shadow

Dog and the Shadow
Creator:
Print made by Thomas Bewick, 1753–1828
Date:
1909
Materials & Techniques:
Wood-engraving on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 3 3/16 x 4 1/8 inches (8.1 x 10.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

490. The History of the Blind Beggar of Bethnal Green

The History of the Blind Beggar of Bethnal Green
Creator:
Print made by unknown artist
Date:
1909
Materials & Techniques:
Woodcut on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 6 1/4 x 5 inches (15.9 x 12.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

491. Illustrations used for 17th Century Chapbook

Illustrations used for 17th Century Chapbook
Creator:
Print made by unknown artist
Date:
1909
Materials & Techniques:
Woodcut on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 5 1/2 x 5 5/16 inches (14 x 13.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

492. The Cyder Feast

The Cyder Feast
Creator:
Print made by Edward Calvert, 1799–1883
Date:
1828
Materials & Techniques:
Wood-engraving on thin, smooth, cream Asian paper
Dimensions:
Sheet: 3 7/16 x 5 1/2 inches (8.8 x 13.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

493. The Brook

The Brook
Creator:
Print made by Edward Calvert, 1799–1883
Date:
1829
Materials & Techniques:
Wood-engraving on thin, slightly textured, cream Asian paper
Dimensions:
Sheet: 3 7/16 x 4 7/16 inches (8.7 x 11.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

494. Giant

Giant
Creator:
Sir Peter Blake, born 1932
Date:
between 1974 and 1978
Materials & Techniques:
Wood engraving on beige Japanese Tonosawa handmade paper
Dimensions:
Sheet: 10 1/2 × 8 1/4 inches (26.7 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

495. The Lady and the Rooks

The Lady and the Rooks
Creator:
Print made by Edward Calvert, 1799–1883
Date:
1829
Materials & Techniques:
Wood-engraving on thin, smooth, cream Asian paper
Dimensions:
Sheet: 2 3/16 x 3 1/2 inches (5.6 x 8.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

496. Illustrations used for 17th Century Chapbook

Illustrations used for 17th Century Chapbook
Creator:
Print made by unknown artist
Date:
1909
Materials & Techniques:
Woodcut on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 5 7/8 x 4 1/2 inches (15 x 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

497. Balmoral Castle

Balmoral Castle
Creator:
Engraved by George Baxter, 1804–1867
Date:
after 1850
Materials & Techniques:
Aquatint and stipple engraving with later color woodcut additions on moderately thick, slightly textured, cream wove paper, laid on mount
Dimensions:
Sheet: 2 5/8 × 4 inches (6.6 × 10.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

498. The Great Exhibition: Exterior View from the Southwest

The Great Exhibition: Exterior View from the Southwest
Creator:
Print made by George Baxter, 1804–1867
Date:
1851
Materials & Techniques:
Aquatint, stipple engraving, and etching with color woodcut on medium, smooth, cream wove paper, surrounded with gold dome-shaped border, laid on contemporary mount made of thick, smooth, beige card
Dimensions:
Sheet: 5 11/16 × 12 5/8 inches (14.4 × 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

499. Little Red Riding Hood

Little Red Riding Hood
Creator:
Print made by imitator of George Baxter, 1804–1867
Date:
after 1856
Materials & Techniques:
Aquatint and stipple engraving; color woodcut done by Le Blond & Co. on moderately thick, slightly textured, cream wove paper, laid on mount
Dimensions:
Sheet: 7 1/16 × 5 1/8 inches (17.9 × 13 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

500. George Pritchard, Her Britannic Majesty's Consul

George Pritchard, Her Britannic Majesty's Consul
Creator:
Print made by George Baxter, 1804–1867
Date:
1845
Materials & Techniques:
Aquatint, stipple engraving, and etching with colored woodcut on moderately thick, slightly textured, cream wove paper
Dimensions:
Mount: 16 1/4 x 12 1/2 inches (41.2 x 31.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection