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Joseph Mallord William Turner The Woman and Tambourine
Etched by Joseph Mallord William Turner, 1775–1851
The Woman and Tambourine
1807
Joseph Mallord William Turner The Drawing of the Clyde
Etched by Joseph Mallord William Turner, 1775–1851
The Drawing of the Clyde
1809
Joseph Mallord William Turner Apuleia in Search of Apuleius
Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
Joseph Mallord William Turner Apuleia in Search of Apuleius
Print made by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
Joseph Mallord William Turner The Deluge
Print made by Joseph Mallord William Turner, 1775–1851
The Deluge
between 1813 and 1823
Joseph Mallord William Turner The Woman and Tambourine
Etched by Joseph Mallord William Turner, 1775–1851
The Woman and Tambourine
1807
William Blake 'Time, in advance, behind him hides his wings' (Page 24)
Print made by William Blake, 1757–1827
'Time, in advance, behind him hides his wings' (Page 24)
1797
William Blake Night the Third. Narcissa; Title Page
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
1797
William Blake 'As if the sun could envy, check'd his beam' (Page 49)
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
1797
William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
1797
William Blake 'Is lost in love! thou great Philanthropist' (Page 87)
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
1797
William Blake 'When faith is virtue, reason makes it so' (Page 92)
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
1797
William Blake 'The goddess bursts in thunder and in flame' (Page 95)
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
1797
William Blake 'Disease invades the chastest temperence' (Page 10)
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
1797
William Blake 'The longest night though longer far, would fail' (Page 15)
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
1797
William Blake For the Sexes: The Gates of Paradise, Title Page (Plate 1)
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Title Page (Plate 1)
1826
William Blake "Fear & hope are -- Vision" (Plate 15)
Print made by William Blake, 1757–1827
"Fear & hope are -- Vision" (Plate 15)
1826
William Blake "I found him beneath a Tree" (Plate 3)
Print made by William Blake, 1757–1827
"I found him beneath a Tree" (Plate 3)
1826
William Blake 'What, though my soul fantastick measures trod' (Page 4)
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
ca. 1797
William Blake 'The present moment terminates our sight' (Page 13)
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
ca. 1797
William Blake 'Tis greatly wise to talk with our past hours' (Page 31)
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
1797
William Blake 'What, though my soul fantastick measures trod' (Page 4)
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
1797
William Blake 'If angels tremble, 'tis at such a sight' (Page 93)
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
1797
William Blake 'We censure nature for a span too short' (Page 23)
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
1797
William Blake 'Measuring his motions by revolving spheres' (Page 26)
Print made by William Blake, 1757–1827
'Measuring his motions by revolving spheres' (Page 26)
1797
William Blake 'O treacherous conscience! while she seems to sleep" (Page 27)
Print made by William Blake, 1757–1827
'O treacherous conscience! while she seems to sleep" (Page 27)
1797
William Blake 'Teaching, we learn; and giving, we retain' (Page 35)
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
1797
William Blake 'Angels should paint it, angels ever there' (Page 40)
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
1797
William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
1797
William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
1797
William Blake 'Its favours here are trials, not rewards' (Page 12)
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
1797
William Blake Night the First. On Life, Death and Immortality; Title Page
Print made by William Blake, 1757–1827
Night the First. On Life, Death and Immortality; Title Page
1797
William Blake 'The present moment terminates our sight' (Page 13)
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
1797
William Blake I Found Him Beneath a Tree (Plate 3)
Print made by William Blake, 1757–1827
I Found Him Beneath a Tree (Plate 3)
1793
William Blake Fear & Hope Are -- Vision (Plate 15)
Print made by William Blake, 1757–1827
Fear & Hope Are -- Vision (Plate 15)
1793
William Blake 'O treacherous conscience!' (Page 27)
Print made by William Blake, 1757–1827
'O treacherous conscience!' (Page 27)
ca. 1797
William Blake 'Tis greatly wise to talk with our past hours' (Page 31)
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
ca. 1797
William Blake 'Where sense runs savage broke from reason's chain' (Page 46)
Print made by William Blake, 1757–1827
'Where sense runs savage broke from reason's chain' (Page 46)
ca. 1797
William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
ca. 1797
William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
ca. 1797
William Blake 'And vapid; sense and reason shew the door' (Page 72)
Print made by William Blake, 1757–1827
'And vapid; sense and reason shew the door' (Page 72)
ca. 1797
William Blake 'When faith is virtue, reason makes it so' (Page 92)
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
ca. 1797
William Blake 'Teaching, we learn; and giving, we retain' (Page 35)
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
ca. 1797
William Blake 'As if the sun could envy, check'd his beam' (Page 49)
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
ca. 1797
William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
ca. 1797
William Blake 'Disease invades the chastest temperence' (Page 10)
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
ca. 1797
William Blake 'Its favours here are trials, not rewards' (Page 12)
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
ca. 1797
William Blake Night the First. On Life, Death and Immortality; Title Page
Print made by William Blake, 1757–1827
Night the First. On Life, Death and Immortality; Title Page
ca. 1797
William Blake Night the Third. Narcissa; Title Page
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
ca. 1797
William Blake 'Is lost in love! thou great Philanthropist' (Page 87)
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
ca. 1797
William Blake The Man Sweeping the Interpreter's Parlour
Print made by William Blake, 1757–1827
The Man Sweeping the Interpreter's Parlour
ca. 1822
William Blake 'The longest night though longer far, would fail' (Page 15)
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
ca. 1797
William Blake 'We censure nature for a span too short' (Page 23)
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
ca. 1797
Louisa Augusta Greville Rural Scene with Herdsboys and Three Cows, Large Tree in Foreground
Print made by Louisa Augusta Greville, 1743–active 1762
Rural Scene with Herdsboys and Three Cows, Large Tree in Foreground
1760
Louisa Augusta Greville Five People Praying
Louisa Augusta Greville, 1743–active 1762
Five People Praying
1760
William Hincks Plate I: View taken near Scarva in the County of Downe, representing Ploughing, Sowing the Flax Seed and Harrowing
William Hincks, 1752–1797
Plate I: View taken near Scarva in the County of Downe, representing Ploughing, Sowing the Flax Seed and Harrowing
1791
Florence Claxton A Conversazione
Print made by Florence Claxton, active 1855–1889
A Conversazione
undated
William John Cooke Worcester
Print made by William John Cooke, 1797–1865
Worcester
undated
Charles Grignion A Perspective View of the Foundling Hospital with Emblematic Figures
Charles Grignion, 1717–1810
A Perspective View of the Foundling Hospital with Emblematic Figures
1749
Frederick Landseer Maur Griggs The Quay
Print made by Frederick Landseer Maur Griggs, 1876–1938
The Quay
1916
Frederick Landseer Maur Griggs The Quay
Print made by Frederick Landseer Maur Griggs, 1876–1938
The Quay
1916
Thomas Higham Benacre Hall, Suffolk
Thomas Higham, 1796–1844
Benacre Hall, Suffolk
1819
unknown artist St. Martin's Church
Print made by unknown artist
St. Martin's Church
between 1731 and 1754
George Cruikshank Monstrosities of 1822 - Pt. 5
Print made by George Cruikshank, 1792–1878
Monstrosities of 1822 - Pt. 5
1835
Robert Isaac Cruikshank Monstrosities of 1827
Print made by Robert Isaac Cruikshank, 1789–1856
Monstrosities of 1827
1835
unknown artist The South Sea House
Print made by unknown artist
The South Sea House
between 1720 and 1728
John Cousen Mercury and Herse
Print made by John Cousen, 1804–1880
Mercury and Herse
1842
Isaac Cruikshank Washing the Blackamoor
Print made by Isaac Cruikshank, 1764–1811
Washing the Blackamoor
1795
John Browne Evening
Print made by John Browne, 1741–1801
Evening
ca. 1797
John Browne Evening
Print made by John Browne, 1741–1801
Evening
ca. 1797
Agostino Brunias The Barbadoes Mulatto Girl
Print made by Agostino Brunias, 1728–1796
The Barbadoes Mulatto Girl
1779
John Bruce Chain Pier at Brighton
Print made by John Bruce, fl. 1826
Chain Pier at Brighton
ca. 1830
Agostino Brunias The West India Washer-Women
Print made by Agostino Brunias, 1728–1796
The West India Washer-Women
1779
James Bretherton The Slumbers of Ragotin Interrupted
Print made by James Bretherton, ca. 1730–1806
The Slumbers of Ragotin Interrupted
1773
Simon Gribelin From the Painting of the Ceiling in the Banqueting House at White-Hall in the Year 1720
Simon Gribelin, 1662–1733
From the Painting of the Ceiling in the Banqueting House at White-Hall in the Year 1720
ca. 1720
John Grant Rocket Practice in the Marshes
John Grant, Died 1873
Rocket Practice in the Marshes
1845
John Simon The Death of Ananias
Print made by John Simon, 1675–1751
The Death of Ananias
undated
John Hill Pass-Room Bridewell
John Hill, 1770–1850
Pass-Room Bridewell
1808
James Fittler 'The Gamester,' Act V, Scene IV
James Fittler, 1758–1835
'The Gamester,' Act V, Scene IV
1792
Thomas Creswick The Terrace
Print made by Thomas Creswick, 1811–1869
The Terrace
ca. 1844
Robert Dixon The Late Entrance to Ber Street, Norwich
Robert Dixon, 1780–1815
The Late Entrance to Ber Street, Norwich
1810
Thomas Burke Andromache and Hecuba Weeping over the Ashes of Hector
Print made by Thomas Burke, 1749–1815
Andromache and Hecuba Weeping over the Ashes of Hector
1771
Francesco Bartolozzi Morning
Print made by Francesco Bartolozzi, 1728–1815
Morning
undated
Charles Grignion A View from Richmond Hill Up the River
Charles Grignion, 1717–1810
A View from Richmond Hill Up the River
1794
Henry William Bunbury The Judgement of Paris
Print made by Henry William Bunbury, 1750–1811
The Judgement of Paris
1771
Samuel David Colkett The Gipsy Encampment
Print made by Samuel David Colkett, 1806–1863
The Gipsy Encampment
1830
John Sell Cotman Column at Yarmouth to the Memory of Lord Nelson
Print made by John Sell Cotman, 1782–1842
Column at Yarmouth to the Memory of Lord Nelson
1817
Joseph Farington Windsor Bridge
Print made by Joseph Farington, 1747–1821
Windsor Bridge
1792
Agostino Brunias Free Natives of Dominica
Print made by Agostino Brunias, 1728–1796
Free Natives of Dominica
1780
Agostino Brunias A Negroes Dance in the Island of Dominica
Print made by Agostino Brunias, 1728–1796
A Negroes Dance in the Island of Dominica
1779
Thomas Shotter Boys La rue des Prouvaires et l'église saint Eustache, Paris
Print made by Thomas Shotter Boys, 1803–1874
La rue des Prouvaires et l'église saint Eustache, Paris
1833
Charles William Cain The Nautch Dancers
Print made by Charles William Cain, 1893–1962
The Nautch Dancers
ca. 1925
James Caldwall The Cotillion Dance
Print made by James Caldwall, 1739–1819
The Cotillion Dance
1771
John Boydell A View of Erith, Looking Up the Thames
Print made by John Boydell, 1720–1804
A View of Erith, Looking Up the Thames
1750
Thomas Shotter Boys Verona, Hay Barge on the Medway, and a Calvary (three prints)
Print made by Thomas Shotter Boys, 1803–1874
Verona, Hay Barge on the Medway, and a Calvary (three prints)
after 1833
Thomas Shotter Boys Hotel de Sens, Paris
Print made by Thomas Shotter Boys, 1803–1874
Hotel de Sens, Paris
1830
Thomas Shotter Boys Corner of the Palais de Justice, Paris
Print made by Thomas Shotter Boys, 1803–1874
Corner of the Palais de Justice, Paris
ca. 1833
Thomas Shotter Boys Château des Comtes de Flandre, Ghent
Print made by Thomas Shotter Boys, 1803–1874
Château des Comtes de Flandre, Ghent
ca. 1833
Samuel Buck Bristol High Cross
Print made by Samuel Buck, 1696–1779
Bristol High Cross
1734
Francesco Bartolozzi The Virgin
Print made by Francesco Bartolozzi, 1728–1815
The Virgin
1778