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Francis Danby Landscape near Clifton
Francis Danby, 1793–1861
Landscape near Clifton
1822 to 1823
Not on view
William Hogarth John and Elizabeth Jeffreys and Their Children
William Hogarth, 1697–1764
John and Elizabeth Jeffreys and Their Children
1730
Not on view
Benjamin West John Eardley Wilmot
Benjamin West, 1738–1820
John Eardley Wilmot
1812
On view
Henry Robert Morland Woman Reading by a Paper-Bell Shade
Henry Robert Morland, 1730–1797
Woman Reading by a Paper-Bell Shade
1766
Not on view
John Linnell John Varley
John Linnell, 1792–1882
John Varley
1820
Not on view
Gwen John Study of a Nun
Gwen John, 1876–1939
Study of a Nun
ca. 1915
Not on view
William Ratcliffe Cottage Interior
William Ratcliffe, 1870–1955
Cottage Interior
1911 to 1912
Not on view
Sir Godfrey Kneller Portrait of a Woman as St. Agnes, Traditionally Identified as Catherine Voss
Sir Godfrey Kneller, 1646–1723
Portrait of a Woman as St. Agnes, Traditionally Identified as Catherine Voss
between 1697 and 1716
Not on view
Arthur Devis Probably John Trevor, third Baron Trevor, of St. Anne's Hill, Surrey, and Trevalyn Hall, Denbighshire (formerly T. Travers, Esq.)
Arthur Devis, 1712–1787
Probably John Trevor, third Baron Trevor, of St. Anne's Hill, Surrey, and Trevalyn Hall, Denbighshire (formerly T. Travers, Esq.)
1763
Not on view
Bertha Herkomer The Book Worm
Bertha Herkomer, 1858–1943
The Book Worm
1915
Not on view
Arthur Devis A Couple, Traditionally Identified as Mr. and Mrs. Hill
Arthur Devis, 1712–1787
A Couple, Traditionally Identified as Mr. and Mrs. Hill
between 1750 and 1751
On view
David Roberts The Hypostyle Hall of the Great Temple at Abu Simbel, Egypt
David Roberts, 1796–1864
The Hypostyle Hall of the Great Temple at Abu Simbel, Egypt
1849
Not on view
Sir James Thornhill St. Paul before Agrippa
Sir James Thornhill, 1675–1734
St. Paul before Agrippa
ca. 1710
Not on view
Arthur Devis An Unknown Man Seated at a Table
Arthur Devis, 1712–1787
An Unknown Man Seated at a Table
between 1744 and 1746
Not on view
George Morland A Woman, possibly Anne (née Ward) Morland, Wife of the Artist
George Morland, 1763–1804
A Woman, possibly Anne (née Ward) Morland, Wife of the Artist
ca. 1795
Not on view
Robert Smirke The Seven Ages of Man: Second Childishness, 'As You Like It,' II, vii
Robert Smirke, 1752–1845
The Seven Ages of Man: Second Childishness, 'As You Like It,' II, vii
between 1798 and 1801
Not on view
Sir William Beechey Portrait of a Boy
Sir William Beechey, 1753–1839
Portrait of a Boy
ca. 1790
Not on view
James Smetham Lovers in Richmond Park
James Smetham, 1821–1889
Lovers in Richmond Park
1864
Not on view
James Holland The Lady Betty Germain Bedroom at Knole, Kent
James Holland, 1799–1870
The Lady Betty Germain Bedroom at Knole, Kent
1845
On view
Thomas Gainsborough Portrait of a Woman
Thomas Gainsborough, 1727–1788
Portrait of a Woman
ca. 1750
Not on view
Gwen John The Brown Tea Pot
Gwen John, 1876–1939
The Brown Tea Pot
between 1915 and 1916
Not on view
Johan Joseph Zoffany The Gore Family with George, third Earl Cowper
Johan Joseph Zoffany, 1733–1810
The Gore Family with George, third Earl Cowper
ca. 1775
On view
Paul van Somer Elizabeth Erskine, (née Pierrepont), Countess of Kellie
Paul van Somer, ca. 1576–1621
Elizabeth Erskine, (née Pierrepont), Countess of Kellie
ca. 1619
On view
Francis Wheatley Mrs. Stevens
Francis Wheatley, 1747–1801
Mrs. Stevens
ca. 1795
Not on view
John Francis Rigaud George Robertson
Portrait by John Francis Rigaud, 1742–1810
George Robertson
1776
On view
Mason Chamberlin Conversation Piece
Mason Chamberlin, 1727–1787
Conversation Piece
1761
Not on view
Joseph Highmore The Harlowe Family, from Samuel Richardson's "Clarissa"
Joseph Highmore, 1692–1780
The Harlowe Family, from Samuel Richardson's "Clarissa"
between 1745 and 1747
Not on view
Sir George Clausen Schoolgirls
Sir George Clausen, 1852–1944
Schoolgirls
1880
On view
Arthur Devis A Family, Traditionally Identified as the Swaine Family of Fencroft, Cambridgeshire
Arthur Devis, 1712–1787
A Family, Traditionally Identified as the Swaine Family of Fencroft, Cambridgeshire
1749
On view
William Redmore Bigg Christening of the Heir
William Redmore Bigg, 1755–1828
Christening of the Heir
ca. 1799
On view
unknown artist A Copy after a Painting Traditionally Attributed to Van Dyck of Two Monks Reading
unknown artist
A Copy after a Painting Traditionally Attributed to Van Dyck of Two Monks Reading
late 18th century?
Not on view
Francis Hayman George and Margaret Rogers
Francis Hayman, 1707/8–1776
George and Margaret Rogers
between 1748 and 1750
Not on view
Bartholomew Dandridge An Unknown Woman with a Book
Bartholomew Dandridge, baptized 1691–died in or after 1754
An Unknown Woman with a Book
ca. 1735
Not on view
Allan Ramsay Mary Adam
Allan Ramsay, 1713–1784
Mary Adam
1754
Not on view
Joseph Highmore Study for a Group Portrait
Joseph Highmore, 1692–1780
Study for a Group Portrait
between 1729 and 1730
Not on view
Philippe Mercier An Unknown Man
Philippe Mercier, 1691–1760
An Unknown Man
1746
Not on view
Arthur Devis An Unknown Man in a Library
Arthur Devis, 1712–1787
An Unknown Man in a Library
between 1740 and 1741
Not on view
John Downman An Unknown Man
John Downman, 1750–1824
An Unknown Man
ca. 1780
Not on view
Phillip King Brick Piece 1
Phillip King, 1934–2021
Brick Piece 1
1974
Not on view
Derby porcelain factory A Cleric: rotund figure in white clerical collar and black robes, with a red book tucked under his arm
Derby porcelain factory, founded 1756
A Cleric: rotund figure in white clerical collar and black robes, with a red book tucked under his arm
ca. 1810
Not on view
Samuel Palmer The Sleeping Shepherd
Print made by Samuel Palmer, 1805–1881
The Sleeping Shepherd
1857
Samuel Palmer The Sleeping Shepherd
Print made by Samuel Palmer, 1805–1881
The Sleeping Shepherd
1857
Samuel Palmer The Sleeping Shepherd
Print made by Samuel Palmer, 1805–1881
The Sleeping Shepherd
1857
William Hogarth Simon Lord Lovat
Print made by William Hogarth, 1697–1764
Simon Lord Lovat
1746
William Blake Songs of Innocence, Title Page (Plate 2)
Print made by William Blake, 1757–1827
Songs of Innocence, Title Page (Plate 2)
1789
On view
William Blake Infant Joy (Plate 28)
Print made by William Blake, 1757–1827
Infant Joy (Plate 28)
1789
On view
William Blake "Bath who is Legions..." (Plate 41)
Print made by William Blake, 1757–1827
"Bath who is Legions..." (Plate 41)
1804 to 1820
William Blake "Of the Mundane Shell which froze..." (Plate 64)
Print made by William Blake, 1757–1827
"Of the Mundane Shell which froze..." (Plate 64)
1804 to 1820
William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
1797
William Blake 'The longest night though longer far, would fail' (Page 15)
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
1797
William Blake Poems by Mr. Gray; Title Page
William Blake, 1757–1827
Poems by Mr. Gray; Title Page
between 1797 and 1798
William Blake The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
William Blake, 1757–1827
The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
between 1797 and 1798
William Blake "And purple tyrants vainly groan..." (Design 37)
William Blake, 1757–1827
"And purple tyrants vainly groan..." (Design 37)
between 1797 and 1798
William Blake "Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
William Blake, 1757–1827
"Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
between 1797 and 1798
William Blake Thomas Hayley, the Disciple of John Flaxman, from a Medallion
Print made by William Blake, 1757–1827
Thomas Hayley, the Disciple of John Flaxman, from a Medallion
1800
William Blake The Lamb (Plate 8)
Print made by William Blake, 1757–1827
The Lamb (Plate 8)
1789
William Blake 'What, though my soul fantastick measures trod' (Page 4)
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
1797
William Blake Epitaph on Mrs. Clarke; Title Page
William Blake, 1757–1827
Epitaph on Mrs. Clarke; Title Page
between 1797 and 1798
William Blake Elegy Written in a Country Church-Yard; Title Page
William Blake, 1757–1827
Elegy Written in a Country Church-Yard; Title Page
between 1797 and 1798
William Blake "Up stairs in a whirlwind rattle..." (Design 29)
William Blake, 1757–1827
"Up stairs in a whirlwind rattle..." (Design 29)
between 1797 and 1798
William Blake Elizabeth. "Girt with many a Baron bold..." (Design 63)
William Blake, 1757–1827
Elizabeth. "Girt with many a Baron bold..." (Design 63)
between 1797 and 1798
William Blake Songs of Innocence, Title Page (Plate 2)
Print made by William Blake, 1757–1827
Songs of Innocence, Title Page (Plate 2)
1789
William Blake "In living creations appear'd..." (Plate 8)
Print made by William Blake, 1757–1827
"In living creations appear'd..." (Plate 8)
1794
William Blake "Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)
William Blake, 1757–1827
"Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)
between 1797 and 1798
William Blake 'What, though my soul fantastick measures trod' (Page 4)
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
ca. 1797
William Blake The Lamb (Plate 18)
Print made by William Blake, 1757–1827
The Lamb (Plate 18)
1789
On view
William Blake The First Book of Urizen, Title Page (Plate 1)
Print made by William Blake, 1757–1827
The First Book of Urizen, Title Page (Plate 1)
1794
On view
William Blake "In living creations appear'd..." (Plate 6)
Print made by William Blake, 1757–1827
"In living creations appear'd..." (Plate 6)
1794
On view
William Blake VI. "The desires & perceptions of man untaught..." (Plate 8)
Print made by William Blake, 1757–1827
VI. "The desires & perceptions of man untaught..." (Plate 8)
ca. 1788
William Blake "Therefore God becomes as we are..." (Plate 9)
Print made by William Blake, 1757–1827
"Therefore God becomes as we are..." (Plate 9)
ca. 1788
William Blake The First Book of Urizen; Title Page (Plate 1)
Print made by William Blake, 1757–1827
The First Book of Urizen; Title Page (Plate 1)
1794
William Blake "Albions Angel rose upon the Stone of Night..." (Plate 12)
Print made by William Blake, 1757–1827
"Albions Angel rose upon the Stone of Night..." (Plate 12)
1794
William Blake 'O treacherous conscience! while she seems to sleep" (Page 27)
Print made by William Blake, 1757–1827
'O treacherous conscience! while she seems to sleep" (Page 27)
1797
William Blake Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul
Prints made by William Blake, 1757–1827
Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul
1789-1794
On view
William Blake Moses Receiving the Law
William Blake, 1757–1827
Moses Receiving the Law
ca. 1780
On view
William Blake Thomas Alphonso Hayley, Half-Length Drawing
attributed to William Blake, 1757–1827
Thomas Alphonso Hayley, Half-Length Drawing
ca. 1800
William Blake Thomas Hayley the Disciple of John Flaxman, from a Medallion
Print made by William Blake, 1757–1827
Thomas Hayley the Disciple of John Flaxman, from a Medallion
1800
William Blake 'The longest night though longer far, would fail' (Page 15)
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
ca. 1797
George Romney Sibyl
George Romney, 1734–1802
Sibyl
1770s
George Romney Studies of Children Examining a Book
George Romney, 1734–1802
Studies of Children Examining a Book
1770s
George Romney Study for the Portrait of Benedetta Ramus
George Romney, 1734–1802
Study for the Portrait of Benedetta Ramus
1770s
Luigi Schiavonetti The Death of the Good Old Man
Print made by Luigi Schiavonetti, 1765–1810
The Death of the Good Old Man
1808
Luigi Schiavonetti The Day of Judgment
Print made by Luigi Schiavonetti, 1765–1810
The Day of Judgment
1808
On view
James Watson Reverend Zachariah Mudge, Prebend of Exeter
James Watson, 1740–1790
Reverend Zachariah Mudge, Prebend of Exeter
1769
James Bretherton The Damnation of Obadiah
Print made by James Bretherton, ca. 1730–1806
The Damnation of Obadiah
1773
Henry William Bunbury The Damnation of Obadiah
Print made by Henry William Bunbury, 1750–1811
The Damnation of Obadiah
between 1773 and 1817
E. J. Dumée The Discovery
Print made by E. J. Dumée, active 1790
The Discovery
1788
William Nutter Sunday Morning, A Cottage Family Going to Church
William Nutter, 1754–1802
Sunday Morning, A Cottage Family Going to Church
1795
Robert Austin Romance
Print made by Robert Austin, 1895–1973
Romance
1922
Gerald Leslie Brockhurst Le Casaquin de Laine
Print made by Gerald Leslie Brockhurst, 1890–1978
Le Casaquin de Laine
1923
John Faber the Younger Alexander Pope
John Faber the Younger, ca. 1695–1756
Alexander Pope
ca. 1744
John Faber the Younger Thomas Sutton
John Faber the Younger, ca. 1695–1756
Thomas Sutton
1714
Peeter Clouwet Carolus Scribanius
Print made by Peeter Clouwet, 1629–1670
Carolus Scribanius
ca. 1635
David Allan Pilgrims Paying Their Devotion in St. Peters at Rome
Print made by David Allan, 1744–1796
Pilgrims Paying Their Devotion in St. Peters at Rome
between 1773 and 1775
Thomas Gaugain James Beattie, LL.D.
Print made by Thomas Gaugain, 1748–1812
James Beattie, LL.D
1805
George Siegmund Facius Richard Beadon, Bishop of Bath & Wells
George Siegmund Facius, 1750–1804
Richard Beadon, Bishop of Bath & Wells
undated
George Baxter George Pritchard, Her Britannic Majesty's Consul
Print made by George Baxter, 1804–1867
George Pritchard, Her Britannic Majesty's Consul
1845
Rose Joseph Lemercier La Conversation
Print made by Rose Joseph Lemercier, 1803–1887
La Conversation
1826
James Barry Repose in Egypt
Print made by James Barry, 1741–1806
Repose in Egypt
ca. 1776
James Barry Repose in Egypt
Print made by James Barry, 1741–1806
Repose in Egypt
ca. 1776